How To Create A Villain

Shows you should save physically immediately + addition I recommend reading

Over the Garden Wall -- It's being pulled from HBO Max on August 31 and knowing HBO, there's a chance it'll be pulled sooner. *I have now made a Google Drive of all the episodes of OTGW. Please, please, please, PLEASE, save these on a physical device.

The Owl House -- Disney has tried to bury this show many times (giving it a weird release schedule, cutting the budget, etc) and has even cancelled the show. Also, Disney+ is going to nuke their catalogue soon and I doubt TOH will survive*I have now also saved all the episodes of TOH. Click here for the posts with all of the episodes

Amphibia -- I know less about the behind the scenes BS than TOH but Amphibia was screwed over by Disney mainly by poor promotion. Also since one of the protagonist is openly bisexual*, like TOH, I really can't imagine this would survive.*Amphibia has also been saved. Go here for the post with all the episodes.

Steven Universe -- Cartoon Network cancelled Steven Universe and gave it a weird release schedule, it has also just been pulled from HBO Max.

Gravity Falls -- Once again, Disney+ is going to nuke their catalogue at some point in the future and between Wendy being canonically bi, Sheriff Blubs and Deputy Durland being in a relationship, and Alex Hirsch (being the amazing man that he is) constantly calling Disney out on their BS, I imagine that Disney would be more than willing to nuke Gravity Falls. *I’ve also saved Gravity Falls now go to the main post here to see all the episodes.

and most importantly

Every single show, book, game, fanfiction, movie, etc you've ever loved

We now know that at any moment's notice, streaming services can and will just nuke their catalogue without hesitation. If it's digital, it can be removed and there's a likely chance you'll never see it again.

So, please take some time to save anything you love on an external device. It could be a box set (it can be official or fan-made one), a USB, or anything.

If you have a physical copy of something, it's yours forever and no one can take that away from you.

*Edit because I’ve seen some confusion about this. Read this again, it’s “one of the protagonists” not “the protagonist.” Sasha is the one who’s bi, Anne’s sexuality hasn’t been confirmed.

Also in addition to this, people have reblogged this to say Steven Universe is still on HBO. Since I don’t have HBO, I’ve been going off of what people have been saying and I’ve seen it mentioned that HBO was taking off SU. You should still save it though.

*Edit 2 if any of the links here don’t work, check the original post as I might’ve changed/updated them. If that still doesn’t work, send me an ask or DM I’ll give them to you.

fake ass pathetic man liker i bet you dont even fantasize about pushing him down stairs and making him cry

WOWZERS!!!

some progress with the Sol 644 body pillow <3

Have spent months not caring about how I look very much because there’s no queer people I’ve been caring about the opinions of but I made a friend and went to a trans somatic group and right at the end the hottest man/person I had EVER SEEN IM MY LIFE walks past me and I longingly gazed back at them before remembering I am a slob with Dr Pepper all over my clothes from when it blew up on me, and fading red/pink hair, and burgundy nail polish on ONLY ONE HAND that’s chipped

And my shirt today is FUCKING HUGE LIKE A SMOCK it isn’t form fitting

I need to train…

Fantasy Worldbuilding Without Ignorant Protagonists

A reminder, as we approach Arcane Season 2, that exposition in a fantasy setting can be given sparingly, and yet still tell an enthralling story.

Or, imagine how different Arcane, or Game of Thrones, or Lord of the Rings would have been if they were “stranger in a strange land” type fantasies with ignorant Earth protagonists who needed the whole plot and kitchen sink explained to them?

I dislike audience exposition vectors, not just in fantasy, but usually in a fantastical setting ranging from urban fantasy to superhero stories, because they’re an author crutch, giving the illusion of having to explain every little detail so the audience can keep up when… if this character wasn’t the hero, and you had to pick a character who knew about the world to be your protagonist, they wouldn’t be asking all these obvious questions and you'd still be able to tell the story.

I know why they exist, so they can be the vehicle through which the audience lives vicariously. We share their wonder and amazement as this cool new realm awes and humbles and frightens them.

But what these characters tend to lack is agency, specifically when they’ve been around in this setting for long enough that they really should start to know better. Or, if they’re built up as smart and self-sufficient, and yet don’t ever seek out information about the plot or their new world beyond asking the other characters dumb questions.

Example because I love these books: In The Titan’s Curse (PJO Book 3) Percy complains about not being able to manipulate the Mist, of which his new rival, Thalia, can do easily. This is one of the first things he does in the book. Because he has to remain the butt of the “seaweed brain” joke (and Annabeth must remain The Smart One), Percy hasn’t already learned how to do this very important trick (and he never does).

While it would behoove him to learn, when he’s had 2.5 years to do so, he just… didn’t. He also doesn’t know what the Manticore is to retain the suspense… when he’s had plenty of time and motive to study up on all the things that eagerly want to kill him, and has a nerdy girlfriend who’d be more than happy to lecture him with this information.

Even something as simple as Percy being shocked that he’s right that it’s the Manticore would have given him a little bit more agency. He’s an incredibly clever character, but still has to serve as the audience exposition vehicle, so he has to remain ignorant so the plot can explain things to him. He's as cherry-picked clueless as the story demands sometimes.

So. You want to have a character for the audience to live vicariously? Please give them expository agency.

Meaning–give them means and motives to learn about their new world on their own instead of asking questions as the plot demands. Or even let these characters form their own biases on what they think they know so that the actually knowledgeable characters can go “um actually”.

I once wrote a protagonist who was from her fantasy world, but purposefully ignorant about life beyond her planet. Why? So I could have all my other characters explain things to her that they would not explain to each other. But she was from a world with heavy information policing and manipulation, so she thought she knew plenty (naively, not arrogantly), giving plenty of fodder for conflict as opposed to just exposition.

It wasn’t just A learning about the new planet for the audience’s benefit, it was A realizing she was misled and lied to, and learning what “facts” she has that are wrong. Was it perfect? Heck no, but not only was this part of her character growth, by the second book, she was all studied up and when something unknown came along, the whole team shared in the confusion.

I did the same thing with Elias, my protagonist in Eternal Night of the Northern Sky. He’s very purposefully, literally sheltered, literally grew up under a rock, but his people have incredibly loud biases against vampires. Elias has plenty of knowledge about his world, both that is correct and vastly incorrect, while still lacking basic knowledge of other survival skills because he’s never had the opportunity.

Elias’s biases drive early conflict and conversation. He’s not going “what’s a vampire” so the other characters can stop the plot to explain them to him. He’s going “I know exactly what a vampire is” and the plot is him getting kicked on his ass with the truth.

So you can have that naive amazement factor, but also still have a character underneath. You can also let that character show off their acclimation into their world by not being afraid to stop making them the ignorant exposition machine.

Just thoughts.

Robo ky number 1 on the character poll. We have a chance

my bravest knighttt... come hither ..... mmmwah !! ok you are dismissed

you're the worst scene but it's relativity falls au

None of the foods in my home fulfill my vague and nonspecific cravings so instead I’ll be eating nothing for lunch

Quick Tips for Writing Emotional Tension

They act like they don’t care, but we all know they’re just avoiding a massive emotional explosion.

One of them starts to spill their feelings, then clams up like, “Uh, never mind…” Cue the frustration.

One character throws out something super personal like it’s no big deal, but you can tell the other one’s like, “Wait, what?”

They let something slip that they were totally not ready to share, and then they freeze like, “Did I just say that?”

The “I’m fine” smile (but they’re not). One gives this shaky smile that doesn’t fool anyone, especially the other character.

They almost grab each other’s hand or hug, then they hesitate, and the moment passes. UGH, so frustrating!

One of them’s on the verge of tears but is trying sooo hard not to lose it. You can feel how much it hurts.

They talk about literally everything except the thing that’s actually bothering them. So. Annoying.

They used to be shoulder to shoulder, but now they’re standing a whole three feet apart like something big changed.

One’s suddenly acting like they barely know the other, being all polite and formal, and you just know there’s more going on.