Remember kids: For every major character, especially your protagonist, you need to know the following:
What do they want?
What’s in their way?
What are they willing to do to get it?
Recently beta’d a story where the protagonist’s only goals were what was right in front of their face at any given moment, no dreams or aspirations beyond what could be achieved in an evening, and whose wants would flip-flop and contradict each other, leaving them very confusing and frustrating to follow.
Your protagonist needs to have these goals established as quickly as possible, and ideally, every major scene and decision they make should reflect back on that goal, either working toward it or sacrificing gains and having to work backward. This establishes conflict, and, high stakes or low, every story has conflict.
Your side characters, especially the mysterious type, don’t need their hopes and dreams told to the audience with any haste, but you, the author, should still know them so that these characters don’t unintentionally contradict their own desires.
A wants to buy this really cool bicycle
But it’s really expensive and they don’t have enough money
So they work odd jobs and sell trinkets in garage sales and make a lemonade stand, counting up their coins with each sale
.
B is secretly in love with C
But C is the barista at a coffee shop and possibly only nice as part of their job
So B must find a way to determine if C likes them back, without looking like a fool if they’re wrong, attempting to charm their way into a date
.
D just wants to live a normal happy life
But they’re dragged into a whirlwind adventure and are the long-lost heir
They sure don’t want this responsibility and fight hard against it, but eventually realize that their boring, normal life isn’t as satisfying as they thought, and then have to fight for their place in the plot
.
E is unhappy in their marriage and wants out
But societal expectations demand they stay put
So ensues E’s journey of self-discovery, and the pressures both internal and external to either leave or see through their commitment
50 Questions ⚜ "Well-Rounded Character" Worksheet
Basics: How to Write a Character ⚜ A Story-Worthy Hero
Basics: Character-Building ⚜ Character Creation
Key Characters ⚜ Literary Characters ⚜ Morally Grey Characters
5 Personality Traits (OCEAN) ⚜ 16 Personality Traits (16PF)
600+ Personality Traits
East vs. West Personalities ⚜ Trait Theories
Character Issues
Character Tropes for Inspiration
Tips from Rick Riordan
Allegorical Characters
Binge ED
Childhood Bilingualism ⚜ Children's Dialogue ⚜ On Children
Culture ⚜ Culture: Two Views ⚜ Culture Shock
Emotional Intelligence ⚜ Genius (Giftedness)
Emotions ⚜ Anger ⚜ Fear ⚜ Happiness ⚜ Sadness
Facial Expressions
Fantasy Creatures
Happy/Excited Body Language ⚜ Laughter & Humor
Hate ⚜ Love
Health ⚜ Frameworks of Health
Identifying Character Descriptions
Jargon ⚜ Logical Fallacies ⚜ Memory
Mutism ⚜ Shyness
Parenting Styles
Psychological Reactions to Unfair Behavior
Rhetoric ⚜ The Rhetorical Triangle
Swearing & Taboo Expressions
Thinking ⚜ Thinking Styles ⚜ Thought Distortions
Uncommon Words: Body ⚜ Emotions
Voice & Accent
Writing References: Plot ⚜ World-building
12 Emotional Wounds in Fiction Storys
Betraying a Loved One. Your character made a choice, and it backfired, badly. They betrayed someone close to them, maybe on purpose, maybe by accident. Now, the guilt’s eating them alive. They might try to fix things, but can they even make up for what they did?
Guilt Over a Past Mistake. They made a mistake, one that cost someone else. Maybe it was reckless, maybe it was a dumb decision, but now it haunts them. They can’t stop thinking about it, and no matter how hard they try to make things right, the past keeps pulling them back.
Survivor’s Guilt. Imagine surviving something awful, an accident, a disaster, but someone else didn’t make it. Now your character is stuck asking, “Why me? Why am I still here?” They push people away, convinced they don’t deserve to be happy or even alive.
Feeling Powerless. Your character is trapped, maybe in an abusive home, a toxic relationship, or just in life itself. They feel stuck, with no control over their own future.
Being Wrongly Accused. They didn’t do it. But no one believes them. Your character has been falsely accused of something serious, maybe even a crime and now they’re fighting to clear their name. It’s not just about proving their innocence, though. They’re also battling the pain of being abandoned by people who were supposed to stand by them.
Public Humiliation. They’ve just been humiliated in front of everyone, maybe it’s a video gone viral, or they were betrayed by someone they trusted. Now, they can’t even look people in the eye.
Living in Someone’s Shadow. No matter what they do, it’s never enough. Someone else, a sibling, a friend, a partner, always shines brighter. They feel stuck in that person’s shadow, invisible and overlooked.
Abandoning a Dream. They had big dreams, but somewhere along the way, life got in the way, and now they’ve given up. Maybe it was because of fear or circumstances beyond their control, but the loss of that dream has left them feeling empty.
Childhood Trauma. Something happened to them when they were young, something painful that still affects them today. Whether it was abuse, neglect, or a significant loss, the trauma follows them into adulthood, shaping how they see themselves and the world.
Being an Outsider. They’ve never felt like they fit in, whether because of their background, their personality, or something else. They long for acceptance but fear they’ll never find it.
Struggling with Addiction. They’re caught in a destructive cycle, whether it’s with substances, behaviors, or even people. The shame and struggle to break free from addiction are real and raw.
Living with Chronic Illness. They’re living with a chronic illness or disability, and it’s not just the physical challenges that weigh them down, it’s the emotional toll, too. Maybe they feel isolated, or like they’re a burden to others.
recently when im tempted to say 'i'm gonna kill myself' i try to correct it into saying "im gonna walk into the river and become a trout" or some other form of that. this is my new thing
Duke nukem with the real shit, kings
Steel haze… is so cool…….
V.IV Rusty - Steel Haze
Was looking at the artwork I did of Rusty and thought it might look cool framed in his emblem. I kinda want to do something similar to the other characters, but I don't think some of them are going to work out as nicely as this one did. Would have to get a bit creative.
been playing disco elysium with some friends and was quietly tickled by how close fiddleford's canon wardrobe is to harry's. So please enjoy this extremely stupid post
my take on shipping aromantic characters is that if you're aro you get to do whatever you want and if you're not you have to write me a three page essay 12 pt font times new roman double spaced explaining in detail why you believe entering a romantic relationship would be an interesting and worthwhile storyline for the character and how you believe their aromanticism would affect the way they experience said relationship
Robo ky number 1 on the character poll. We have a chance
This is my son, PS2
If you could grow an extra body part, what would it be and why?
Probably a heart because lots of people need heart transplants and not too many are available and I could give it to someone.