Flat Characters - Consist of only a few features (usually based on clichés). They’re generally static characters meant to serve the story.
Round Characters - Have depth. They have weaknesses, strengths, flaws, fears, tastes, and dreams. They are well characterized in order to seem real. They're dynamic and change over time. They feel affected by the story’s events because they suffer their consequences and learn from them which makes them more realistic and believable.
Flat characters are often used in TV comedies (30-minute sitcoms with canned laughter) because comedic stories usually focus on the anecdote and the joke.
Thanks to their commonplace situations and characters, sitcoms are able to transmit a sense of familiarity to the spectator.
Flat characters also have a supporting role in stories with round main characters in order to achieve one of these effects:
Fast recognition: You need your readers/audience to easily recognize the type of characters you are presenting.
Contrast: Flat and/or static characters can highlight the internal or external evolution of round characters.
Unless you’re specifically looking for one of the previous effects listed for flat characters, it’s best that your characters (especially the protagonists) are round in order for your readers to identify with them.
Consider the following:
1. Internal Changes
Do your characters undergo any internal changes throughout the story?
Think about their situation at the beginning of the story.
Is it the same as it is at the end? It shouldn’t be.
They can be worse or better, but the story’s events should have affected them in some way.
2. External Changes
Do the external circumstances surrounding your characters change throughout the story?
Just as their personalities suffer variations, their external conditions should as well.
For example, one of your characters could be a farmer at the beginning of the story and then become a warrior by the end.
3. Goals
What do your characters want?
They should have a conscious desire – something that moves them into action.
4. Wishes
What do your characters need?
Regardless of what they think they want, there’s something they need at an unconscious level – something different from what they consciously desire.
That contradiction will bring depth to your fictional heroes.
5. Achievements
What do your characters attain?
Do they achieve any of their goals?
How does that affect them?
If you have the answer to the last question, you’ll have a clearer idea of how the story’s events have changed their way of facing life.
For instance, if they achieve what they wanted at the beginning of the tale but that’s not what they really need, they can learn from their mistakes and try to correct them.
However, they might also give into frustration.
6. Weaknesses
What are their weaknesses?
Everybody makes mistakes and has fears and flaws, so if you want your characters to be more believable, they’d better have weak points and see themselves in need of facing them if possible.
Your characters overcoming these weaknesses or not depends on the story you want to tell and on the type of evolution you want them to experience.
Some overcome them and progress while others don’t and fail. The contrast between them is what makes the story more believable.
7. Strengths
What are their strengths?
Apart from weaknesses, your characters can have strong points they may or may not know about.
Sometimes, they discover them and learn how to make the most of them.
Other times, they do not know, and it leads them to failure.
You, as a writer, should be clear about those strengths and so should your readers be in order to better understand your characters.
8. Conflicts
What’s your characters’ inner conflicts?
Once you’ve answered the previous seven areas of question, you’ll find this one easier to answer.
Every good character must deal with an inner conflict throughout the story such as a mental debate between what they need and what they want or a moral struggle between what they’re trying to attain and what they consider correct.
This type of dilemma makes your characters interesting, and their experiences can turn into life lessons for your readers.
Source Writing References: Worldbuilding ⚜ Plot ⚜ Character ⚜ "Well-Rounded Character" Worksheet ⚜ On Conflict
being an online weirdo is fucking awesome because you get to befriend other online weirdos. just now saw a sexual motorcycle post and i was like "hey i'll send this to my buddy, The Motorcycle Fucker" and sure enough it was a smash hit
This is my son, PS2
Flowey…?
This short post is for those who think that they might be so focused on writing trauma well that they accidentally forget to write an actual character.
As someone who has an "interest" (read: deeply passionate and completely consuming dedication) for psychology and character analysis, I feel like sometimes writers don't really know how to write a character with trauma.
To quote a quote:
Don't Write A Traumatized Character, Write A Character With Trauma
I'm just trying to talk about those situations where the only interesting thing that we ever learn about this character is the fact that they have trauma and that's sad.
People tend to think that PTSD and trauma in general is just:
sit in dark, crying inconsolably about death
have nightmares
hide the fact that you have PTSD with broodiness
try to revenge
die tragically or happy ever after
Remember: Nobody has time for that
These people have obligations, responsibilities, family members, loved ones, and dreams that don't allow for this type of lifestyle.
Many people with PTSD *seem* like standard members of society. They sometimes participate in community activities. They have hobbies and vague interests that they put on their dating profile but don't really care about.
People with PTSD and trauma are interesting REGARDLESS of their trauma and trauma-related bullshit, not because.
If the only thing that's interesting about a character is what something else did to your character, it's not really interesting.
What's their dreams?
What do they like to eat in the morning?
What's their values?
Stop Trying TO ANSWER These Important Questions With:
"don't care :3 trauma will make this character complete :D"
The Lord of the Rings: The Fellowship of the Ring (2001)
🎬 Peter Jackson
+ IMDb trivia
“You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy. You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like. If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.”
— Julien Smith, The Flinch (via wnq-anonymous)
This was supposed to be about writing. Now it’s just. The garbage i like….
I haven’t even written anything in like two weeks…
That’s how i know im a REAL writer: not doing it
the white-green gradient of a freshly chopped spring onion…. c'est magnifique
Have spent months not caring about how I look very much because there’s no queer people I’ve been caring about the opinions of but I made a friend and went to a trans somatic group and right at the end the hottest man/person I had EVER SEEN IM MY LIFE walks past me and I longingly gazed back at them before remembering I am a slob with Dr Pepper all over my clothes from when it blew up on me, and fading red/pink hair, and burgundy nail polish on ONLY ONE HAND that’s chipped
And my shirt today is FUCKING HUGE LIKE A SMOCK it isn’t form fitting
I need to train…