I met a man downtown the other day, with ruby eyes that took my life away
Also, I do have a Vashwood playlist on Spotify, but I'm still working on it. As soon as I'm happy with it I'll post it ꒰⑅ᵕ༚ᵕ꒱˖♡
dude u r so correct for associating mcr songs w trigun you r so big brained for that babe
GLAD TO BE OF SERVICE!! I WILL GO ON!
Y'all have no idea how happy I get everytime I see someone screaming in the tags about my songs of choice, it is my ultimate goal, my gay power increases every time <3 thank you all for coming to my ted talk
IT DOES DELIGHT ME A LOT THANK U FOR THAT INFORMATION I'LL KEEP IT IN MY HEART FOREVER can't believe they deliver that to us on a platter like that, christ
Couldn't stop thinking about Wolfwood threatening Vash during the Gasback fight and how it turned out later™
LOOK LOOK LOOK 👆👆👆👆👆 IT US
I barely post here, or anywhere really, but I might come back.... I certainly might... Anyways, the love of my life, Rouxinol Studio. Luv y'all @yumimirart @hikariwolf @meziniart
cap shenanigans
First of all, thank you! :D
I touched on the subject of leg proportions in my last post, but I didn’t get very specific at the time. The leg is divided into three major portions: the thigh, the calf, and the foot. For humans, we walk on our heels, and the thigh and the calf are about equal lengths. Since the legs make up roughly half a person’s height, that means that the calf and the thigh are each about one-quarter of the figure’s total height.
One way to make a standing pose more interesting is to make use of the concept of contrapposto (warning for artistic nudity at the link). Basically, this is referring to when a figure’s weight is more on one leg than the other, resulting in their shoulders and hips being canted at different angles. This makes for a more dynamic and life-like pose.
[Photo source - Also, it is Michelangelo’s David and I did add the censor myself, so, you know. Artistic nudity again.]
Another thing to keep in mind while drawing poses is the line of action, which flows in the direction of your character’s movement (typically, it follows their spine). It’s best to decide on this line early on, since it affects the placement of everything else.
Practicing with references is also really, really helpful. (And in fact, that’s exactly what I was doing in the that fire poi post you mentioned!) There are a couple of ways to do this. Drawing from life is great if you can take a class (or bribe a friend into holding still) but that’s not always an option. The website Pixlovely has a few great tools geared towards helping artists practice gesture drawing with human and animal subjects. You could also browse a stock image gallery or search Google to find a particular pose. Personally, I like working from video screenshots, especially for more action-y poses. The image quality isn’t usually as high as a stock photo, but by watching the video I can get a sense of the overall movement, instead of just one moment in time, and in my experience it tends to look less staged and stiff.
Other useful tutorials:
Pukind on achieving a “lively” feeling to a pose
Curves and angles of the arm
Helpfulharrie on dynamic lines
Feet studies
Kaalashnikov on leg anatomy
💖 Could this be love at first sight, or should I walk by again? 💖
@moist-car 💕
Be gay, do arson
What if we kissed 😳 in the middle of a war 😳🔥
In which Marco never died because I said so