This because after being on Twitter as the leaks were going live, some people really need to read this, fantastic breakdown!
Now having gotten somewhat used to the void in my chest I can finally drag all my thoughts about the epilogue into one pile
I know it may be getting old for some of you guys already, but I haven't seen some things being discussed anywhere
My problem with the ending is actually with the audience, I literally have almost no issues with how the epilogue is written, all the minor ones I have don't come from the epilogue but the previous plot building which wasn't perfect by all means.
1. People forget that this chapter isn't the Epilogue but the Epilogue pt. 2
TWO PARTS YOU KNOW
Please reread 430. You did? Now let's compare.
a) Can you see what the chapter is focused on? 430 is a lot more shallow, it focuses on facts and tries to contain all the changes at once and looks VERY rushed. Hori didn't have much time with his schedule, so of course he tried to fit all at once and nothing at all. This chapter is more about the system and facts, trying to answer the more crucial questions fans may have.
Chapter 430 has ~20 pages
431 has almost 40 (!)
b) 431 finally has time to look at the characters up close. Why there is so much about Uraraka? Well, because in the pt. 1 she's got one panel and a couple of words. That's why half the chapter is about her now, because she and Izuku are the male and female leads of the manga.
c) Why didn't we have more of Katsuki? Well, this character isn't very known for huge inner monologues and all this sappy stuff. We can get enough from character interaction and subtle cues, as always. Despite being a big asshole and a major loudmouth (I say this with all my love and adoration guys), Katsuki is a really stoic character. And this kind of character doesn't need a whole 5 pages writing down their motivation and inner thought process. I like this. This man remains the most conscious person here and has the greatest development in the series (and Shoto, sure, these two are on the whole other level compared to others in terms of writing)
Izuku and Ochako are more open to us, and it shows in the chapter's way of storytelling
And Shoto is still the most relatable dude here, me too, Shoto, me too...
2. Izuku is NOT shutting Katsuki out of his life. He basically invited him to TEACH TOGETHER just like Katsuki invited him to BE HEROES TOGETHER.
To me it shows clearly that these two just found their two paths that don't align fully. Izuku has been teaching for years after his quirk was gone. Sure, he still adores hero job, but he already has stability and purpose and it's IMPORTANT to him. He's only been back to heroics for a month after all. Izuku has matured significantly, and I respect that about his character even if it's not perfectly written.
"Izuku wouldn't ever decline the offer". Do I need to remind you that it's whole 8 years after their school days?
Imagine yourself 16, dreaming to start a rock band with your best friend. You're both so passionate about it, you think music is the most beautiful thing in your life and you'll never be over it.
But you get your fingers injured severely, and you can't play your guitar anymore. You're devastated, but your knowledge is valuable and you get a whole teaching degree and go to work in a musical college. It feels very fulfilling to you. But your friend is very talented, he continues and pushes forward and actually becomes a worldwide known rock star! You're so glad for him!
But the time passes, and your friend, now famous and loaded, states – you're getting most expensive treatment and surgery, and we – I and our old band bros – pay for this.
And your fingers, they work properly again. You had a whole life of 8 years, and now there are so many possibilities open. You know your friend wants you to join his band and travel and rock the stage together, he offers it to you without expecting much, because he knows you have your life settled already, you can't change that with a flick of a wrist. He's an understanding friend, even if his passion for your old shared dream burns brighter still. You can join his band for a concert or two once in a while, it's a good reprieve from your everyday life. But as much as you love music, your priorities shifted significantly since your youth – and now teaching is as important and precious to you.
You even invite your friend to give a lesson of two in the college where you work. It's a way for you two still remain in each other's lives even if your paths are a bit different now. Your connection is built on compromise and genuine support from both sides, and it's fantastic!
I know the analogy isn't perfect, but it works I suppose.
3. About Himiko and Ochako. It's a painful one, but
No, Himiko wasn't haunting Ochako for the whole 8 years, it's probably a time to time occasion. It's not because Ochako is tired, it's because she can't let go of her guilt and at particularly taxing times it manifests in these visions.
Dreams are still a big mystery for science, but what we know is that they're almost always NOT about what you see, but about the hidden layers of meaning.
And of course we know this is not REAL Himiko, it's just Ochako's mind.
So I don't understand all the weeping around Himiko now being DEAD FOR REAL OH. This is Ochako's mind, not a literal Toga's spirit no matter how much Horikoshi wants his symbolisms to be literal in this story. It's still open to interpretation if Toga is dead or notnot (she's coping).
Tsuyu is so Tsuyu 😭😭😭
Right, my girl, this dummy really thought there's something wrong with her health while she just needed to see a psychologist...
I remind you that psychotherapy is severely underdeveloped in Japan. There's still a lot of stigma around mental health there, so please keep this mentality in your mind while reading manga. "They could just go and see a therapist." No, they couldn't. Their culture doesn't work like this, and societal norms aren't a joke in Japan, they're literally overwhelming.
And about how this chapter "ruined" Himiko. To me, it didn't.
"Himiko was written for Ochako". Exactly. Ochako's main negative character trait was inability to open up about her true feelings, putting up a cheerful front and all that.
Himiko was created to get her to understand what suppressing emotions does to people. Unfortunately, it seems she didn't catch this message fully until Himiko told her with plain words and freaking pushed her forward.
And isn't it a torture for Himiko seeing Ochako beating herself over her death, putting up a brave front to avoid her inner struggle which is COMPLETELY OPPOSITE to what Himiko tried to convey?
And Himiko loved both Izuku and Ochako, so of course she wants them to be special for each other and open up to each other too.
Because Himiko LOVES love in any form (pun intended), and wishes happiness for her special people, and sees how they have been holding back from living how they wanted.
Do you really think Himiko would prefer a depressed Ochako having hallucinations of her over an Ochako who's opening up and rebuilding connections with the man she yearned to reach out to for so long?
And of course I'm not about the ship. This manga was never about the ships. We've got a clue that Izuku barely had any contact with his former classmates since graduation in 430. This chapter is created to gives us hope that it'll change, starting with Uraraka because Uraraka was the one to reach out to him first in the beginning, and now it's his turn.
I imagine that it's just a start of the reconnection arc. Izuku can do this with the rest of his classmates too later, and knowing his tendency to butt into others' business he certainly will.
(Yeah, it's an actually good idea for a new tome for you Hori, not Boruto 2.0, never Boruto 2.0 please...)
4(?). This one has gotten me confused...
They studied 3 years... so they must have become class 2-A, then 3-A.... I hope it's a bad translation.
Do you trust Jirou? She certainly did put a whole ton of wasabi in his food, look at her face
Katsuki not toasting because he's the sober friend for his whole bunch of idiots>>>>
(he really has come here for the food)
Katsuki, when did you undergo your Syndrome arc?
The Fat Controller catches wind that the engines at Tidmouth are refusing to come out, pondering what on earth they could be striking about this time he bods down to the sheds to see what the problem is.
Much his utter disbelief, the engines are in the midst of a fierce battle of monopoly that they refuse to part from, with the engines' crew members rolling the dice and moving the pieces for them. Are the humans more than aware that they'll probably get in trouble for this? Yes of course. But the sight of Gordon having a full on meltdown after landing on income tax for the fourth time while Percy is struggling to figure out what to mortgage next as Edward sits with his abundance of hotels is way worth the disciplinary.
Yeah, have this stupid KamiJirou overlay, the main reason was the bag.
Within the annals of cultural, pop cultural, and historical crime, there are few whose macabre methods could reach the bloody depths that 'yours truly,' Jack the Ripper, managed to plumb.
Five brutal deaths were all it took for that deadly name to resound for Five centuries. The echo of the deed has so scarred the psyche of man that Man collectively found 'champions' of their own to face the blood-soaked beast on the battlefield of 'what if' in an attempt, perhaps, to find a semblance of cold closure on one of the most famous cold cases in history.
A murderer must be hunted by a detective, and there is no more excellent detective at DC's disposal than Batman to solve the mystery of Jack the Ripper. It is a contest between legendary figures, a Dark Knight on a quest to capture a monster, two ghosts playing a grisly game of hide-and-seek through the foggy alleys of a Victorian-era Gotham lit not by neon ...but by Gaslight.
Ironically, even though Batman is DC's greatest detective, barely any detective work is done in both the movie and the original comic it is adapted from. Any investigative work done by Batman in both mediums to uncover the identity of Jack is brushed over, and the reveal of the killer's identity had nothing to do with anything Batman had done throughout the narrative.
Ultimately, Batman is almost railroaded into solving the mystery, and the climax is somewhat underwhelming and blunts the effect of the twist reveal of Jack the Ripper's true identity.
YES. Commissioner James Gordon IS Jack the Ripper. This risky reimagining elevated this adaptation to a height that its original comic did not achieve. The twist shocked the system for any DC fan familiar with Batman's relationship with Gordon. It is also expertly hinted at throughout the film for any sharp-eyed viewer interested in a whodunit, as the narrative presented many possible suspects, but Gordon was the only one who would have fit all the facts of the mystery. The twist was further muddied by the inspired decision to design Jack the Ripper to be as angular as possible, while Gordon had a softer, more rounded silhouette.
This culminates in a climactic showdown atop a burning Ferris wheel, which was ironically begun by a knocked-over gas lamp. At the end of a brutally animated brawl, Gordon allows himself to be consumed by the fire of the burning wheel. He is a good man driven into hellfire by his hellish desires. Was he the last evil of a bygone age sacrificed for a better future? Or was he just the latest in a never-ending cycle of self-destruction, doomed to go around in a wheel until the wheel eats itself alive?
Whatever the case, Gotham by Gaslight turned a throwaway 'what if' comic story into a film that embodies everything that makes a Batman story great. The film shows that, even if lit by gas, Gotham is still a city that needs its Dark Knight, regardless of what the city deserves.
Yeah you can be dumb, but are you so dumb that it's imortalised as an incorrect text post?
Fun fact I have told maybe 20 people this story, none of whom are my parents.
use critical thinking skills
Man you can tell that Zuko had some hand in his design and personality that just looks like him.
That's freaky.
Also Momo's hair looks super cool with that mixed colour scheme, almost Raspberry Ripple like.
for the palette swap, what about shouto and momo??
Seeing Todo in red is setting alarms off in my head, idk why LOL
Oh god I just realised that Hagakure's whole shtick is.
'Mirror Mirror on the the wall who is the fairest of them all'
Guess he really is a Gyarados he can use Surf.
Beach episode…. Save me beach episode……
I've just realised that Jirou and Kaminari are wearing Jackets, over their jackets.
Why?
Is this a Bisexual thing?
Kinda hope they all kept the jackets.
Tried to redesign the riders to be a little more believable? … as in convincing but not historically accurate? Tried taking the ac:Valhalla approach, I think they look kinda cool (pls ignore hiccup he was my test & I can’t get him to look any better but this is more abt design than polish I guess)
The helmets were kind of a nightmare and irl Viking’s defo wouldn’t wear any of those designs but I wanted it to still feel like their helmets. Snotlout esp needed his horns they’re too cute I’m sorry.