He did it, he really did it.
Here is the face in more detail. I tried to find an angle in which the hair colours are showing better and I kinda did. There are: - maroon, purple, hot pink and blue in the hair - pink in the eyes - purple in the eyelashes - purple, maroon and pink (maybe) in the eyebrows Yup... You can't really see them, can you...? ššš
wtf why was i better at drawing a person's profile than i am now tho
Here is the face in more detail. I tried to find an angle in which the hair colours are showing better and I kinda did. There are: - maroon, purple, hot pink and blue in the hair - pink in the eyes - purple in the eyelashes - purple, maroon and pink (maybe) in the eyebrows Yup⦠You canāt really see them, can youā¦? ššš
aaaaaaaaaah k im desperate, i have an art history hw based on assemblage but i don't know any assemblage pieces and when i try, i've even tried googling for ideas but that hasn't helped either SO I COME BEGGING ART TUMBLR TO HELP ME! if you know of any assemblage art piece, (can even be one you've made), could be a building, maybe with some interesting meaning/history behind it (e.g. social commentary, controversial), please PLEASE share it with me :')
Ā For this weekās art history we were asked to look at an assemblage and to be completely honest, I was rather intimidated by that task as I donāt have much experience with this particular art form both as a creator and audience. After a couple of hours of just researching I managed to find an artist and a piece that really sparked my interest.
Inspiration can be found anywhere and for Betye Saar that at a Pasadena City College flea market. She stumbled upon a vintage ironing board the shape of which reminded her of a slave ship. What followed were a couple of years of brainstorming and idea development that would eventually become ā I Will Bend But I Will Not Breakā.
Saarās work is known to take everyday household objects and turn them into social commentary ā her most common themes being racism, feminism and spirituality. There is so much to unpack in this assemblage, itās incredible how thought-out each element is. The British diagram of the packed hold of a slave ship from the XVIII century. The image of a black woman ironing. The flatiron chained to the board. The bright white freshly ironed sheet hung with the KKK initials on it. The caption āI Will Bend But I Will Not Breakā printed on the board. All components working to together to retell history. Saarās speaks of the idea that once you arrive, once you get of that ship youāre slave. There is also the element of the chained flatiron combined with the silhouette of the board, also resembling a casket, making the sinister statement that you work till you die, your lifeās over the moment you step on that ship. A detail that I adore about this assemblage are the embroidered initials of the KKK on the sheet hanging behind. The irony is beautiful! It so subtle but it carries so much meaning, the irony that the ones the Klan hate so much are the same people who did all their dirty work, allowing them to live in comfort.
And the title!!! No way of not talking about the caption also printed on the piece! On this one tho, I believe the artist herself puts it best ā⦠that seemed to imply the political message that I wanted; that you can treat me as a slave and Iāll bend down, up and down to pick up cotton, Iāll bend down to this and to be a labourer but I will not breakā.
In an interview, Saar mentions that the flatiron she used in the piece is like the one her own grandma used to use⦠I believe there is something to be said about the chain effect those historical events (which really werenāt as long ago as most would like to think) has had/is having on the following generations. However, I donāt think Iāve educated myself enough to really dive that deep yet and even if I was, as a white European, it is very much not my story to tell. I hope and would highly recommend you check out Betye Saarās work! The ladyās been around for a long time (born in 1926, 94 y/o in 2020!!!) and has created many, many powerful pieces tackling various topics.
Resources:Ā
YouTube:Ā Los Angeles County Museum of Art (LACMA)Ā -Ā 1 Betye Saar: Call and Response // Exhibition Walkthrough
Los Angeles Times -Ā Review: Betye Saar turns an ironing board into the story of American racism. LACMA shows how
images fromĀ LACMA
PSA: As I mentioned I am not a POC, I have tried to be respectful but if you find an issue with anything Iāve written, please, tell me so I can fix it right away.
i just watched the trailer and it's very beautiful stunning i'm excited af but tell why did i get pretty rhythm flashbacks when i saw the 3D animation ššš
Me entering tumblr dot com to further continue damaging my brain by reading the Spn news only to find out that Yuri on Ice has dropped a trailer
does anybody else wake up in the middle of the night suddenly remembering that one scene in lore olympus when kore summoned hades and then they had that butterfly&moth moment??? because i do... and i am still sad webtoon doesn't allow me to screenshot because i want to tattoo that final moth & butterflies panel on both my arms, put it as my wallpaper, print it out and tape it all over the my room, create stickers and stick them to all of my friends' faces because babes, y'all are beautiful but THAT PANEL.
it's beautiful. i love it.
i want to live as long as possible just so i can look at it. adore it. be in awe of it's beauty and symbolism.
i don't need therapy. i need that panel.
Writers: Bad people are still people with their own problems and emotions, even when they cause problems and distress and hurt other people.
Tumblr Gremlins: Problematic. Blocked.
idk man, i'm just bored and probably should be doing work, pfp by @usedbandaid on ig
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