hey I'm sorry I stopped in the middle of that sentence my brain decided to flush its cache and I totally forgot what this conversation was
people with medical issues are not “putting a strain on the medical system”. that’s what the medical system is for. yes this includes people with substance use related medical issues and other people considered “undeserving” of help
You know I'm gonna be honest. I don't think all these apps really need access to my precise location
the sweet and humble sudoku: here’s some numbers to get you started :) please enjoy my puzzle <3
the nefarious minesweeper: why don’t you just Guess. fucking Guess.
ok no I'm still annoyed about what they've done to anne elliot. why must every heroine be beautiful, smart, confident, witty, flirtatious, funny, independent, firm-minded etc.?
what about shy women? humble women? lonely women? women who are just sad and a little bit pathetic? not firm enough to speak their mind? not strong enough to know their mind? who are riddled with anxiety and embarrassment? who have genuine faults and mistakes they regret but are too mortified to acknowledge? who know they are being taken advantage of but who keep sacrificing their own happiness to maintain the peace and reputation of their family? who are smart in their own way and happy with that even if it doesn't amount to anything that can be paraded around as a talent? do they not deserve to have their stories told?
I've had enough of snark!!!!! enough of smugness!!!! i wanna see a heroine who is so miserable and lonely and who feels everything so deeply and who yearns so bloody hard for years that she collapses when he finally gives her that letter!!! i want pathetic pining!! i want miserable social interactions!!! i want stolen glances and subtle questions and agonising despair until a confession so cathartic that i faint with her!!!! i want to feel something real!!!!!!!!! god!!!!!!!!!!!!!!!!!
When this happens I remember that quote from some movie that goes like " Look how they massacred my boy"
when a song you like becomes a tiktok trend: oh baby, what have they done to you? here, come here. i'm sorry i let this happen. oh, you're wounded. my sweet love. i won't let them touch you again.
I hate when I say things like "oh I want an ipod classic but with bluetooth so I can use wireless headphones" and some peanut comes in and replies with "so a smartphone with spotify?" No. I want a 160GB+ rectangular monstrosity where I can download every version of every song I want to it and it does nothing except play music and I don't need a data connection and don't have to pay a subscription to not have ads and don't have popups suggesting terrible AI playlists all over the menus.
Gimme the clicky wheel and song titles like "My Chemical Romance- The Black Parade- Blood (Bonus Track)- secret track- album rip- high quality"
academic dishonesty is not something you can spin as moral lol i do not want to share a career field let alone a social sphere with a bunch of chatgpt using ass bitches
The lack of consequences for Pen is just hilarious. I get that its fantasy but there's a limit to being unrealistic.
It seems to me the writers wrote themselves in a corner by having Pen write all that shit in the first 2 seasons to stir up drama and move the plot forward. Then they started scrambling when they had to make her look good for her own season.
Also why show us all that backstory with Cressida if that's the ending she was gonna get. Its the poorest writing I've seen.
What the fuck show?
If Cressida is a monster for publishing one little cue card worth of Whistledown that doesn’t even slander anyone, how much worse of a monster is Penelope, who has been releasing a double sided three columned sheet consistently for years at this point?
If Cressida is a monster with a feud with Eloise and her family when she hasn’t even written anything about Eloise or the Bridgerton’s (yet?) how much more is Penelope a monster for her very overt resentment of the Bridgerton’s (for being what? Prettier than her? More loving? As if the Bridgerton’s aren’t chock full of dysfunction) a resentment so strong that it bleed into her writing that consistently attacked the Bridgerton’s?
If Eloise has put her family in danger by inviting Cressida into her home, how much danger did she put them in by inviting Penelope into their home?
If Eloise should never have befriended Cressida - how much more should she have never befriended Penelope?
If Cressida is evil for pretending to be Lady Whistledown how much more is Penelope evil for BEING Whistledown?
It can’t be one rule for one and another rule for another?
What is this moral essentialism? Where when Cressida does something it is bad because she is bad and when Penelope does a worse thing for long it’s fine because Penelope is good?
Well I am sorry show but I don’t believe that some people are good and some people are bad - I think the morality of people’s actions is what defines their personal morality.
Why didn’t they have Eloise doing her speech about feeling upset and guilty about inviting a viper with a grudge in to her home, and make it about Penelope?
Because having her say it about Cressida feels fake
But having her say it about Penelope would have felt real - and would have been one of the desperately needed consequences for her.
#did not get it when I read a few months ago
#now that I have a job lmfaoo
Now that the first episode of the season is out, I can finally comment on how hilariously intense the meeting of the Upper Moons was.
Like, we really watched (I, even paid money to see in the cinema) the equivalent of Akaza just taking the elevator to the office, pass by the recepcionist, get greeted by the one coworker he can’t fucking stand, get chewed up by the boss like every Monday and having to insist to his bitchass coworker that he’d rather die than go ‘hang out’ after work.
We really saw that but with an animation budget that’s off the charts.