i've been reading a lot of books about urban naturalism recently, and the one big thing they all talk about is how you HAVE to stop seeing nature as something that happens somewhere else. nature is not just charismatic megafauna and state parks and mountain ranges. nature is that abandoned lot that's growing native milkweed in it. nature is the murder of crows that lives in your block. nature is the moss growing on your roof and the dandelions growing in the sidewalk cracks and the song birds at your neighbor's birdfeeder. and you should care about it! you should notice it! that's YOUR nature!
Think I just made the best pot of red braised pork belly (红烧肉) I've ever made in my life
Technology is great.
This is the recipe I followed btw (video has Eng sub in itself; just in case: this is not an ad for any kitchen appliance lol, I'm sure this recipe can be adapted to other types/brands of pressure cookers)
honey locust by Mary Oliver
i dont think i posted these but here i made a little frog pattern to make tiny frog toys with my grandma
this is the first lil guy I made while still learning how i should sew it
Disclaimer that by saying this I by no means mean to insult or exclude non-writers, but: Scum Villain really is a story for storytellers, huh
It's so incredibly meta - so much of it is about the way stories are told, the structures of plot and narrative logic, the way that plot drives character and character drives plot, examination of story devices that make sense in-world and how strange they look when divorced from narrative context, exploring the limits of the suspension of disbelief and the backlash when readers hit those limits and recoil, even without getting into the meditation on external pressures and the warping effect of deadlines and money on a storyteller's craft.
in scum villain the story tools (tropes, framing, character arcs, licensing) are the plot, and the plot is a tool in the story, and the author's problems are Airplane's problems and his problems are the author's problems and the main character is the reader and he brings the reader's eye into the story and his meta-knowledge becomes his greatest asset and also his greatest blindness, just the way that a self-aware reader can get more out of a story but can also by their very cynical meta-awareness block themselves from unabashed enjoyment of it
I think it's not a coincidence that so many people who have spent years writing get so hung up on this series.
Impression
evil! ornery, scandalous, and evil! most definitely!