"How does it feel?" I say to John Epler, sadly staring at more cursed quotes he dropped quicker than the DA Keep. "Are you blissfully unaware? Or deep inside, is some part of you banging on the wall, screaming?"
"Lol cool line, did you just make that up?" He says, pulling out his phone to tweet that actually Loghain was a trapeeze artist in his free time and the only true lore being carried into the next came is that everyone remembers the Viscount of Kirkwall as being a total hottie.
Evanuris' theater masks
Sulah x Solas comm for @elspethdekarios
But the greatest tragedy of veilguard is mythal just looking like some chick.
A mortal old biddy rocked up in a skin tight studded corset, a feather capelet, plate sleeves and hair styled to look like dragon's horns.
Meanwhile a fully conscious fragment of the actual prime, Mythals like
'Hi, I'm Kimberleigh.'
Idk. Maybe this particular fragment of Mythal didn't come with fashion sense software. It was Flemeth's fragment that evidently remembered having remembered that 'hey i was a fucking god, I can look as cool as I like.'
Edit: or as someone else put it, a dollar store angry!Galadriel.
I see people on reddit argue that as a fragment she doesn't have the bandwidth to choose anything but understated clothes and I'm like, sister, she can TURN INTO A DRAGON in that form and kick your ass to kingdom come, you're telling me she has no power to choose to wear skinny jeans with knee high boots and a plain summer coat?
But then the Inquisitor walks out of the shadows in their jammies like the only thing missing is a 'i hate mondays' coffee mug so...
Bright and brilliant, he wanders the ways, walking unwaking, searching for wisdom…
love all the concept art of lavellan just touching solas' chest. finally the answer to his ass grabbing
Thinking about this data and seeing red.
There was so much space for a nuanced, beautiful exploration of one of the best and most complex characters they’ve ever given us, and instead he got reduced to a handful of regrets presented with zero empathy and a shit tonne of blame when Mythal was RIGHT THERE, dismissive comments about his trauma (“they were doin it” 🤢), and “god of lies”—not sure I will get over this aspect. There were many things about Veilguard I genuinely loved, but this? This can get in the bin.
So basically one of Solas' murals
is the Crestwood scene, but with reversed roles. Solas is the rejected one, Mythal is the one who walks away, leaving him alone in what I presume was a glade at night, judging from the environmental sounds and hushed tones we can hear.
And, to be honest, I don't know how I feel about it - it feels like it cheapens the Crestwood scene, repeating an abusive pattern, stripping away the romance and softness of that scene. It's, once again, something Solas already went through with Mythal, not something he shares with Lavellan only. It's Weekes saying yet again that Solas saw Mythal in Lavellan, and that's why he fell in love with her. Not because she was Lavellan, but because she reminded him of Mythal and gave him hope that all elves could return to that "level" of wisdom.
What we learn in this game also ruins the kiss scene on the balcony, where Solas say "You have showed wisdom I have not seen since... since my deepest journeys into the ancient memories of the Fade."
Most of us believed he meant "Wisdom I have not seen since my ancient days in Elvhenan", but it's basically confirmed at this point that he meant "Wisdom I have not seen since Mythal".
A month ago, someone here mentioned how Weekes had said there was a specific reason why Solas had falled for Lavellan. I never found the interview where they said so, but I saw many believed it had something to do with reincarnation, lost soulmates finding each other again etc., but once again, it's clear what Weekes meant, and it's bad, cheap writing.
They could have written a god finally learning the error of his ways thanks to his love for a mortal - a love completely different from that of who was basically an abuser, a parent-like figure forcing him to take form and serve -, but instead they went for the easy route: a god still loving another god, feeling love for a mortal who reminds him of her, and changing his mind only because his god finally gives him permission to be free.
The mortal who supposedly "changes everything" serves no purpose - she actually tells him "There is no fate but the love we share" after he's been "freed" from his service, which in this context, in this situation, sounds more like a punishment, another yoke, some sort of "I finally got you, you can't run from me anymore".
I don't know what happened to Weekes' writing - either they were forced to make these decisions due to various constraints, or they completely changed their style/ideas during development, because this is not the Solas, this is not the Solavellan romance, we got in DA:I.
Rook: Gee, I wonder what Solas felt about these things we see in his regrets, such mystery, big mystery, lets put all of our minds together and see what we can come up with! Solas in every painting:
Rook: I've got nothing.
(I know it's about POV, I know it's A Choice, I still find it funny.)
"They aren't blighted! Were they dormant?" "Maybe. They're beautiful. Much like you."
a gift for my beloved @aeducanthaig ♡