The Devil's Wheel

That night, I tossed and turned in my bed, sweating, as visions of the tooth-framed orifice in the center of my mother’s face descending on that sandwich visited my dreams over and over: the unsticking of the dry flesh of her lips as they parted, the soft click of her tongue as it released from the roof of her mouth and extended fully to wrap like a coil around the bread and meat before retracting quickly back between her mandibles. Every time the motions of her snatching the sandwich repeated, her teeth became elongated, sharper, glistening pearly white. A glint of light bounced off of her fangs, blinding me and sending a metallic ringing through my nerves. The sound of the food being swished around between her cheeks became an unbearable deafening static in my brain.

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Tusk

Short story: a tense horror story about the monsters we hide at home

Read this r/nosleep recently called The Arkansas Experiment by Jared Robberts. I think there’s something so uniquely charming about r/nosleep stories and I thought this one was pretty good.

2 really good mystery thrillers about mother/daughter relationships that I really enjoyed. Happy Mother’s Day :>

"would you still love me if I was a worm?"

she said, as she reached for the zipper of her human suit.

Wasn’t expecting that fs but a good read c:

Condemned

Paul loved escape rooms. 

He just loved them. The lovingly-crafted set designs and props, the electric buzz that came from finding hidden items and putting together puzzle pieces, the euphoria of cracking a code, the adrenaline of the ticking clock, and most importantly, the thrill of the escape. 

His friends had long ago stopped accompanying him every week, sometimes more than once a week, to escape rooms in his area. Especially once he started driving hours out of town just to try new escape game centers for a fresh hit of that delicious escape puzzle challenge.

Paul now preferred to go alone anyway. People just bogged him down. He didn’t come to make friends, he came to win. 

Months of hot anticipation finally bore fruit when the “Great American Escape” opened its doors to him, at long last. Great American, according to the billboards and posters strewn around town, was the primary attraction of an entertainment mega-complex which took the place of a long-disused waterpark hotel. It would be huge, he knew. Not just physically. His great fear was that it would blow up on social media– maybe even on his feed– and then the solutions would be spoiled for him. So he had to be first.

Great American Escape was so new the day he strode in there that there were still “CONDEMNED” notices stuffed into the recycling bins and old lists of health & safety violations stuck in the vents. 

“One ticket for Mystery Escape,” Paul, slapped his money on the counter and smiled at the teen boy working behind it. He was a short, lithe, wide-eyed man in his thirties with dark greasy hair and one navy blue university sweater he’d kept in moderate repair for a decade and a half.

“No group?” The boy asked. When Paul confirmed this, the boy said, “You’ll have to wait until a group comes in. You need three people at least.”

“When is the next group coming?” Paul asked.

“We don’t have any groups booked today,” the boy replied.

“... So, you’re not gonna let me in?” 

“... Um… yeah. I can’t. Sorry.”

Paul put down another handful of bills. This wasn’t his first rodeo.

“I’ll buy three tickets,” he said. He made sure to draw the boy’s attention to the extra $20, a little tip for a helpful front deskman. 

The boy, who was thin and bored-looking with a patchy teen mustache and his elbow resting on top of a stack of I Escaped stickers, glanced at the security camera which flickered in the corner, its blinking red eye frosted over with a decade of dust. The boy took the $20 and shrugged. 

“You won’t be able to escape,” the boy said. “It’s impossible by yourself. But if you want to try… I guess you can try.”

The boy led Paul towards a set of slightly rusty elevator doors, past posters and cardboard cut-outs of characters from “Rattlesnake Gulch Treasure Hunt,” “Escape From Venus,” and “King’s Dungeon Jailbreak.” Paul planned to return to these, but he’d start by going straight for the crown jewel– Mystery Escape, which had been advertised exclusively with nothing but an open doorframe leading to darkness. 

The boy went over basic safety guidelines. The door wouldn’t really be locked, red things were real alarms, things that said “staff only” were really for staff only, etc., blah blah blah, boring stuff.  Paul listened impatiently, but carefully, only because knowing what was “real” (and therefore inconsequential) would give him a leg up in the game. 

“The game starts when the elevator door opens,” the boy finally said. “Floor 3. Good luck.”

The elevator bell dinged, and the doors slid open. The light flickered. Paul stepped inside. 

He waved to the boy as the doors shut. He pressed 3. 

The light above flickered. Paul could almost see his reflection in the red-rusted metal doors. 

The elevator began its ascent, and right away, Paul could tell something was strange. There was a creaking noise, like a train braking. The light flickered. The light sputtered out. 

The elevator stopped.

Paul was trapped. It was pitch black inside the tiny car, which made no sound or movement. 

The first thing Paul did in any escape room was to check around for hidden props. Keys, ciphers, and puzzle pieces were often hidden around a room for players to find, which would then give them a clue as to what to do next. Paul checked around the elevator car for hidden tools. He pulled up the mildewy carpet by its frayed edge– nothing under there but more mildew. But wait! On the bottom of the carpet there were numbers and letters: EL1. What could that possibly mean? 

The next thing Paul did in an escape room was to interact with anything interactable he could see. In front of him was a series of numbers, 1-5, a “door open” and “door close” button, and “emergency.” But “emergency” was red, and red things were inconsequential. 

Paul pushed all the buttons but the last. To his surprise, the door began to open slightly– then jammed. 

Paul mused about the possible meanings of “EL1.” E was the fifth letter, and there were five numbers… But L? 

Maybe it was a cipher. Paul thought on this. 

He started trying combinations of buttons. The cipher thing was the key somehow, he knew it. A cipher worked with a code. Where was the code? Maybe it had to do with the symbols, not the numbers…

Suddenly, it all made sense to him. He pressed a set of numbers and then hit the door open button.

To his delight and satisfaction, the elevator doors creaked open. And with them came light.

Paul could see well enough now to see that he faced a concrete wall, which took up the whole lower half of the exit. But above that half, Paul could see a hallway of a hotel, so tantalizingly close. 

Paul had beaten escape rooms that had physical components to them before, so this was cake. He gripped the edge of the concrete ledge in front of him and pulled himself up. He let out a grunt as his head and arms made it over the threshold. He just had to find something to grip so he could drag the rest of himself through the gap, and then it was on to the next puzzle.

The elevator lurched.

There was a sound. A scrape, a crash, a wet squelch, a snap. It all happened at once, and it was the loudest sound he ever heard.

When Paul finally sat up, he was somewhere completely different. It was dark here. Darker than the elevator car. The darkness of this place was crushing, like the depths of the deep ocean. There was a smell of meat all around. Paul quickly dismissed the idea of trying to adjust his eyes– he’d navigate by feel.

Paul reached out into the darkness and felt nothing. He stood. His hands pushed him up from a strangely soft, lumpy floor. He noticed something strange about the sound of his movements, and let out an inquisitive “Hey!” to check the echo. It did not bounce. He was… outside?

No– he must be in the disused waterpark proper. The building was huge. Paul was delighted by this thought. He’d chosen the right room.

Paul felt around for a wall, a light switch, a puzzle. Anything. 

“Abandon all hope, ye who enter here,” said a deep voice.

“Hello?” Paul said after a moment. 

“You lived a selfish life, Paul. You cared for nothing and no one but yourself and your own pleasure. You were an idolater, a heretic. You raised the Escape Game to the heights of a god. Pity that from this place, there is no escape.”

Paul listened carefully to the monologue. Selfish. Idolater. Raised. Heights. These things might be clues. 

“Paul,” said the deep voice, which seemed to come from above, below, and all around him, “You died a foolish death. Pity that you did not suffer. But now, you will suffer for eternity.”

Paul was already climbing up a staircase he’d found. It was the disused waterpark. Raise, he thought. Heights. The key was to go up. 

He found a craggy, warm wall. There was something under his hand– a button? He pushed it in, hard.

Under his hand, a huge glowing red eye flew open. 

“OOOOOOOOOOOOOOOOOOOOHHHH!” 

The eye blinked in pain and fury, welling up with tears. A thousand more eyes flew open along the wall before him, and Paul saw that it was not a wall at all, but some kind of enormous creature. It stirred, its red gaze illuminating the space around them.

“Stupid man. You woke something up.”

But now Paul could see the entire room– or space, or whatever it was. What he’d taken to be the “floor” was a mass of flesh– human hands, it looked like, reaching up stiffly. The hands started to stir as the creature woke from its slumber. What Paul had taken for a staircase was not that. 

Paul was making some real progress. As the hands clamored over each other, rising like tentacles from around the immense eyes, Paul hopped onto the face of the thing and started using the eyes as hand-and-footholds, which was their obvious use. Paul could spare no time on figuring out little things like that the honest way, he was on a clock. As he stepped on the creature’s eyes, it let out another unearthly roar and started to rise. 

There was a hole in the ceiling. Yes– this was meant to be a cave of some sort, and it had an exit. 

“You idiot,” the voice boomed. “You–”

Paul kicked the creature in the eye a few more times to make it rise faster. A tsunami of pale, writhing hands on wiggling stems shot up towards him to slap him away, but by the time they reached him, he was already through the hole. 

Paul scurried through the tunnel as fast as he could. If it was a three-person puzzle, you couldn’t waste any time.

He came to the next room, which was well-lit– a nice reprieve. In this room, a sweltering cave, some props department had gone all-out carving little demon faces that stuck out from the sides. These gargoyle-like stone structures leered at him and grinned in anticipation.

“The flametongue is coming, kindling,” the demon voices hissed. “Ready or not!” Paul heard a splashing, gurgling sound up ahead. He took quick note of some of the quirks of the gargoyle faces– most of them had black scorch marks on them, but some didn’t. That was a clue. The light from the other end of the tunnel grew brighter, as did the gurgling. Paul realized what he was meant to do, climbed up the protesting gargoyles, and found a set on the ceiling which had no scorching on them. Below, a wave of red-hot boiling sulferous-smelling magma flowed down, passing over the other gargoyles, who screeched and sputtered in it. Another puzzle solved. Paul dropped down once the stones cooled, and hurried up the tunnel– no time to spare. Only one more wave of “fire” passed before he solved the gargoyle pattern and pulled the right ones out of the wall in sequence to reveal a hidden exit.

This escape room was huge. He made his way through a room which featured a river of moving knives, which he was able to avoid by memorizing the timing and patterns, and climbed up into a room full of blistering ice and animatronic zombies which lurched toward him, their bodies crackling as they froze just as soon as they’d moved, their lips split by the cold. This puzzle was a simple matter of lining up the giant shards of ice in the room so that the light concentrated and blasted a hole through the glacial wall. 

Paul’s own body was profoundly frostbitten by this point, but he didn’t notice. He was on a timer. 

By the time Paul finally made it past the “three-headed-dog on a chain” puzzle, that subterranean voice from the first room had caught up with him.

“Paul,” the voice said. “There is no hope. There is no escape. Do you understand? You are dead, Paul–”

“Ssh,” Paul said, gazing at the puzzle before him. 

The door was immense. It seemed to stretch above him and beyond for miles. It was carved from stone older than the bedrock of earth, and above it, in an arch as large as the firmament, there was carved a phrase:

Abandon all hope, ye who enter here.

This was clearly important, because the deep voice had already voiced it earlier in the game. After checking the area for tools, Paul ran through anagrams. There were a lot of little props around the big door– lots of discarded holy texts, some bones, some strange bits of giant insectoid carapaces which Paul could not immediately identify. The bibles and such had bits burned and torn off of them in places. Abandon all hope, ye who enter here. That was a ciper, maybe. He was sweating. He had to be at nearly an hour already. He started arranging the bones.

“What you are doing is futile nonsense,” the deep voice said.

Aha! By turning the phrase above the gate into numbers and then matching those numbers to the non-burned sections of each holy text, organized by the printing date, Paul had discovered an anagram which, when re-ordered, spelled out skeleton key prop, ds flo knemb yyuq. Paul had only bothered to spell out the first three words, however, due to the time crunch. That was all he needed to understand what to do, and he had done it: he had connected all the bones into one big key.

“I don’t think you understand, Paul. This is not a game. You cannot escape your fate. You cannot escape your death. You cannot escape damnation. You cannot escape from Hell.”

Paul slid the giant skeleton key into the lock. It took all of his strength to shove it to the back. Behind him, the host of hell scrambled over each other up the lip of the abyss– the thousand hands and eyes, the fire-spitting gargoyles, the lurching ice zombies, the great black dog, and many others, come to claim him for their own special torment.

Paul turned the key. There was a click. 

Well– more of a thunderous clunk.

The deep, gravelly noise of the stone door opening reverberated all throughout Hell.

“What the–”

“Hell yeah!” Paul shouted. He ducked through the door.

The red eye of the security camera caught it all. The man, crawling through the gap in the elevator. The lurch. The fall. The split.

The hopeless paramedics, the traumatized front desk boy, the shaking venue manager, the anxious lawyers, the dozens of police putting up brand-new yellow “do not cross” signage around the old hotel. 

The red eye of the security camera watched on as people in grim uniforms put the larger piece of what had been paul into a black bodybag and fetched the rest from the third story floor. 

“Used to love this waterpark when I was a little kid,” said one of the paramedics to another. “Now I hope they tear it down.”

“Wasn’t this place a lawsuit magnet back in the day?” said the other. “I remember a kid–”

The paramedics both noticed at the same moment that the body bag was moving. A lot. 

“Is he alive in there?” The first paramedic choked out, even though he understood that the answer had to be no. But then the zipper started sliding down. The bag was opening from the inside.

The headless body of Paul Gibson sat up. It reached out with its stumps of fingers, covered in cool dark blood, and rolled out onto the hotel lobby floor. Both paramedics screamed and leapt away as the decapitated Paul stumbled to its feet and lurched forward. It felt around without its fingers, leaving smears of blood on the front desk, the wall, the table, the “do not cross” tape, until it found the small white cooler on the floor. He pried it open with his mangled hands and lifted his own iced head out. 

Paul put his head on top of the gristle that was his neck. He had it the wrong way around, but his eyes opened and he smiled through bloody teeth. 

“I ss-ss-olved the b-a-ag puzzle,” the formerly dead man sputtered. “Did it a-all mys-self.”

He turned around to face both paramedics, so that his front side faced away. 

“Uh… congratulations,” the second paramedic said.

Paul choked up more blood and grinned wider. He stumbled toward the front desk, toward the paramedics. They backed away from him in horror as he reached out the wrong way and grabbed a commemorative I Escaped! sticker from the top of the pile.

“Th-a-ank you,” Paul said. “I’ll be su-ure to come back soon!”

Angelic monster

A short horro story I wrote:)

TW: Blood & psychological horror

I've been such a coward.

Never before have I stooped this low.

Never before have I done something like this out of fear.

Yes, it's all because of a fear that can thoroughly be explained and the reason is an understandable one.

But somehow the feeling I got from doing it hasn't left me.

It's like it's slowly rubbing my back, poisoning my skin.

It has burned itself deep into my soul and the chills I got from that day still haven't disappeared in the slightest.

I dislike this feeling.

I hate this memory.

It feels like I will have to watch my back until my last breath.

That day I went with my students to do research on a strange cave that had been recently found, I'm a teacher you see.

We were driven there by the group that secretly had been holding my family hostage, I knew, but pretended not to and I was lucky that none of my students noticed.

The group wanted me to investigate this cave in order for more power.

It was said that monsters had been created from this cave.

The research I had done before had proven that somehow it's real.

That's when they found out.

My God, why did I have to find it?!

Why did I have to be the one to do this?

If I could go back in time...

Well it doesn't matter anymore now, everyone is dead.

All my students have been killed, every single one of them.

I still remember all their faces, I still remember their ideas, their wishes and the possible futures they could have had.

Well... I don't really want to go on about them anymore.

We found and caught the monster that was needed for the group's project. They needed a weapon and that's the one they wanted.

A monster that could destroy cities with ease.

Somehow the one we found looks much different from what had been foretold in the stories I had studied, no hairy paws or yellow eyes, but it was a monster nonetheless.

A monster of great skill and strength beyond that of a simple human being.

Now years later, the monster sits before me.

It has an almost angelic appearance, with white wings on its back like a lower class angel from the bible.

Its skin is dark grey, its form almost human, and covered with small white feathers, except for on its neck, face and claws. The head somehow has longer feathers growing out of it, like the hair on a human's head.

Its claws are like a combination of that from a bird and the hands of a person.

Having five 'fingers' on each hand that are more longer and slender than that of a human being and of course ending in sharp nails.

The other researchers and I have been unable to find out the gender of the creature, which is another strange thing. But then again, it's just a monster, nothing more, nothing less. It has already killed so many.

It snuffed out their lives like it was nothing and it will surely do so again.

Somehow, by continued teaching it has mastered the human language.

And now it sits before me, eerily calm.

There is a thick glass wall between us, since this monster is being used by the group as a weapon and is of course still a danger to everyone.

"Professor, what is it that you wanted to talk about?" the monster asks politely.

I can feel myself growing irritated by its tone.

Since when did it believe to address me by 'Professor'? That was reserved for my students, not this monstrosity.

Still I decide to let it slide for now, I don't want to anger it.

"Well..." I hesitate, while mustering up the courage: "It's about that day."

"I see." The monster looks down, does it remember? Does it feel guilt for what it has done?

"The day you found me, I assume." It guesses.

I nod: "That day I will never forget how you slaughtered my students." I almost growl at it whilst glaring.

"I didn't." It answers as if trying to hide its guilt.

I hate it.

I hate this monster.

"I want to know what went down there." I demand it: "How did you get there and why were you there?"

The monster hesitates for a moment but then begins to answer: "Well, I don't remember too much about that place. I believe that there are things I don't know about it at all."

"Be more clear."

"Yes, professor, I'm sorry."

"Quit calling me that." I guess I'm saying it now anyways.

It stops for a moment, almost looking shocked from my sudden burst of anger. Well it probably doesn't feel that anyway, I must have imagined it.

Then it nods as I sign to it that it should continue.

"From what I heard about the cave, it could be used as a way to conjure up monsters or demons."

"Go on."

"I don't think you would want to hear it."

"Continue." I say glaring at the monster.

It sighs in discomfort and then does as told: "I believe that there is something inside that cave that has the ability to turn something or someone who enters into a so-called monster."

"Yes, we noticed with the rat."

"Pro- erm, I mean sir, why did those students got sent inside? If you knew-."

I don't let it finish: "It was an emergency."

I was powerless that day, I couldn't do anything. It's not my fault.

"So, then do you remember entering the cave?"

To my displeasure the monster shakes its head: "No I don't. There are no memories from before I awoke."

"Awoke?"

"The moment I heard their screams."

"Well you are the monster of that place after all."

"Sir, I actually don't believe that to be the case."

Annoyed, I look at it: "And what the hell does that mean?"

"Like some of the other scientists say, I don't believe to have come from there, nor am I the creature you have been looking for. I'm just too different."

"They are just toying with you, giving you false hope, you're a monster after all."

Is it just me or did it seem slightly annoyed when I called it what I did?

No that can't be.

For a moment it remains silent.

"But then, isn't the monster in this situation yourself?" The monster then asks me as if it was something completely normal.

"What?! No! You're the monster, you are the reason they died." I panic, wondering what it is trying to do to me..

"I didn't kill them. I tried to save them all."

"Bullshit! You killed them, you were covered in blood when we found you!" I yell as I feel my face growing red. Why would it say such terrible things?

Somehow the monster remains completely calm.

"I didn't kill them." It repeats: "I tried to save them, but the one who went rampant was already killing the others even before I awoke."

"SHUT UP!"

But the monster continues: "I saved one person though, the girl, one of your students, she left the cave alive."

Rage has filled my mind and I'm unable to think clearly.

"I didn't do anything wrong!!!" I yell, slamming my fist against the glass.

But then calmly the angelic monster throws the undeniable truth in my face:

"Wasn't it you who pulled the trigger?"

stood over a deepfryer and my head fell off. im screaming ah ah ah ah

Poor Comatose Souls

There are hospitals where people can hear the thoughts of coma patients.

When this technology was first invented, it came with caveats.

The first was that the machine only worked on a random handful of coma patients. This angered many heartbroken family members who’d excitedly waited for the technology.

The second was that the mind-scanning devices were not powered by electricity, but some proprietary secret.

Despite its exclusive, mysterious nature, this new technology yielded incredible results. Entire thoughts of a select few comatose were broadcast to their loved ones. Nostalgic memories, song lyrics and philosophical ruminations were streamed right from their brains into speakers, bringing closure to loved ones.

As an orderly at one of the few hospitals using this tech, I grew curious. Dr Wincott, the neuroscientist in charge of the comaprojection unit, was tightlipped and we were under strict orders never to pry for more info. If patients were a viable candidate for comaprojection, we’d project their thoughts.

But what about the rejected candidates? What would happen if the scanner was used on this majority? Surely it couldn’t worsen their situation if they’re already in a long-term coma?

One day my curiosity got the better of me. While doing my rounds, I snuck into the coma ward. I entered the room of one of the rejected coma patients, Mrs Flowers, a middle-aged woman in a coma for 3 years after being struck by a cyclist. Despite her long stay, she looked peaceful.

Nothing could’ve prepared me for what I heard from the speakers when I turned the mind-scanner on.

Howling, agonized, unrelenting screams. Minutes upon minutes of screaming. The sound was so guttural I nearly collapsed as Mrs Flowers’ comatose cries reverberated around the room.

By the time I switched it off, Dr Wincott had already been summoned by the cacophony.

“What the hell?!” I sputtered to him in the doorway. “Those were her screams! She’s conscious and suffering!”.

I pointed to her motionless in bed.

“That’s why it’s better not to use the device on most” Dr Wincott answered emotionlessly. “Some people are peaceful in comas. Their families pay top dollar to hear their thoughts. But most long-term patients are like Mrs Flowers.”

“Then why not pull the plug?! Raise the alarm about what they’re experiencing?!”

Dr Wincott just cackled, motioning to the scanner.

“What do you think is powering the tech in the first place? It’s those screams.”

I’d learned too much. As I tried to flee the building, I felt the sharp push of Dr Wincotts hands against my back. I tumbled down that flight of stairs…and straight into the coma I’m in now.

Within my comatose mind, I repeat this story to myself again and again on loop. Hoping someone uses the device on me and learns the truth. If you’re hearing this, please blow the whistle on Dr Wincott and comaprojection.

If you’re not, then it won’t be long until I’m screaming too.

I can’t go home. There are only a few places open this late and I am walking. I leave a trail of footprints in the powdery snow. The music hall in the middle of town is playing a local band no one has heard of and a single popup store sits outside. I go to the window. The clerk is on her phone in the small cramped cart. Her screen goes dark and she looks up. Her hair is deep brown and tied back so neat and boxy you’d think it was a nun’s habit.

“Hot chocolate,” I say.

The clerk is nonplussed. She takes my money. Her habit-like-hair is stiff and doesn’t shift as she nods and counts my ones. She moves from one end of the little cart to the other with a Styrofoam cup. 

She carries the sugar-thick hot chocolate in one hand and it lets out a thick steam. I am sure she made it too hot. She stops. Her gaze draws up and over my shoulder. Her pupils expand and shoulders rise almost to her ears.

She glances at my face and then away again. Her lips are thin and uncolored. She mouths the words like an unskilled ventriloquist, “do you need me to call someone?”

I shake my head and take the cup and the texture is squeaky and flakes off in my grip. I walk. My footprints mark the powder-white snow and my city only has a few places open at this time of night. My legs are numb with cold and my eyes ache from lack of sleep. I am grateful for the street lights which are all a pale blue color that is supposed to help the birds. I am a bird person, I think, if I was going to be anything.

Cars pass and I am grateful for those too. I reach the street of little cramped stores, one after the next. A fabric store. A second-hand book store. Florists and boutique shoe shops. All too charming to be supportive. The Walmart is just outside our small town limits and I can’t go home.

Across the street, the pub has lowlights on and voices rumble like a thunderstorm from within. I don’t think the rest of the town likes the pub. The bar has one long window made up of colored glass in muted reds and blues and yellows. It reminds me of church windows and leaves the impression of making up for it. Making up for being what it is.

I square my shoulders and push my way in. The air is warm and floor a good type of dark wood. The tables are full enough to be considered a party–or, what I imagine a party to be like. I hadn’t noticed the dusting of snow on my hoodie, and shook it off like dandruff.

The man behind the counter gives me a cursory look. He is a big man with a large mouth and wears frowns like he’s making up for something too. “Mark isn’t here,” he says in a further cursory manner. I shake my head and make my way to the counter. I hadn’t finished my hot chocolate and clutch the Styrofoam cup in both hands.

“Warm up?” I ask but Steven Plyer, the barkeep, is looking over my shoulder. He mouths to himself silently like he’s working out a math problem under his breath.

Two men, big and strapping, move away from the bar’s church-like window. They take seats at the end of the bar and Steven Plyer, the barkeep, leans over the counter. His pupils are ink-dipped coins. I fiddle with the ends of my sleeves. He looks over my shoulder just as I push my hot chocolate closer over the counter.

“There’s a whole world out there,” he says.

I close my eyes. “I know.”

“You don’t have to go.”

I shake my head and Steven Plyer takes my hot chocolate and disappears behind the swinging doors to the back. The rest of the men have moved away from the window and sit on either side of me. They murmur in voices too low to hear.

The oldest of them, a man that smells like leather, stands. His voice has a vibrating quality, unsmooth, dragging out the “a’s” like a regal sheep. “Do your parents know?”

Steven Plyer returns with my hot chocolate steaming and passes it to me with both hands. I get up because the old man needs my seat, I think. The first two men huddle by the front door, coats on and heads bent together like prayer, and I leave without them. The snow is no longer powder but inch-thick fluff. I kick up the fluff with each step and the silver hangs about me like fairy lights, I imagine. I take a sip of hot chocolate and it is too hot and too sweet and you can be grateful for that too.

The sidewalk ends and I walk alongside the side of the road just on the edge of the white line. I think I can see the lights of the Walmart beyond the lights of the city. Trees gather on either side and I miss the blue glow of the street lights and the concerned gaze of the clerk in her tiny cart. I wish she had come with me. I wish Steven Plyer had called me by name.

A solitary car passes and its stark white headlights blare against the night, more violent than kind, and I have to shield my eyes. The car is red and large and pulls to stop on the other side of the road. The window rolls down and a curly-haired woman sticks her head out. Her face is small and elfish and mouth pinches together at the corners. She wears a tight shirt buttoned up all the way to her throat like it might hold her in.

The head beams glow perpendicular to me and I regard the woman as she regards me. She is slow to speak. Slower than the men at the bar had been.

“Get in,” she says, buttoned-up to the throat and with eyes more tired than sad.

“No,” I say and take a sip from the hot chocolate. It’s cold.

Her windshields wipe away the snow and she looks over her dashboard. Her voice is breathy in the way of a Hollywood actress from a bygone era. “I’m worried.”

I nod. They all are. “That can be enough.”

Her mouth zips together into an angry line. She sticks her head out the window, close to a snarl, looking past me, and honks her horn in one long blast. I shy away from the noise and the too-brightness of her head beams. She drives with her head out the window, honking her horn over and over again as loud as she can.

I walk and there are no more cars. The snow settles over my shoulders and I don’t bother to dust off my hood or warm my hands. I leave the white line and walk in the middle of the road. The lights of the Walmart warm the night just outside of town and I can make out the outline of parked cars in the distance. They’re aren’t that many places open this late at night. 

I slow to a stop and sway a bit, like I'm drunk, I think, if this is what that's like. A second pair of footprints mark the snow in front of me. When had that happened? I tilt my head all the way back. The clouds are bright like daylight and snow growing heavy. I think it will all be glittering when the morning comes.

FIN

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The Whistle

It was 11:30 in the morning, and the school grounds were quieter than usual. Most students had already shuffled inside for class, but Sky and Talia lingered outside, taking their time with lazy footsteps and casual conversation.

“So that’s what happened yesterday,” Sky said, finishing her story with a sigh.

Talia snorted. “Sounds stupid.”

“That’s because it was stupid.”

A small hum escaped Talia’s throat in agreement. She let her arms swing at her sides, eyes drifting across the empty school yard. Then her expression shifted—just slightly—as something else came to mind.

“Oh, have you heard about that new creepypasta character?”

Sky raised an eyebrow. “Creepypasta? No. What character?”

“They call him The Mimic,” Talia said, eyes bright with the kind of curiosity that always danced around horror stories. “Apparently he can shape-shift. Like, into anything. People, objects, whatever.”

Sky tilted her head. “Okay, that’s actually kinda cool. How do people even know he exists?”

Talia looked around for a moment before answering, her voice dropping just a bit. “Some people said they saw him changing shape before they were attacked. But there’s something else—right before he strikes, they say you hear this weird, creepy whistling.”

They both stopped walking, instinctively scanning the area. The breeze blew gently across the field, ruffling leaves and whispering through the trees, but other than that, there was nothing unusual.

“Well,” Sky said, trying to shake off the chill that had snuck up her spine, “that’s cool, I guess.”

“Yeah,” Talia murmured, already turning toward the school. “We should head inside.”

Sky nodded and followed for a few steps—then cursed under her breath when she felt something loose. Her shoe was untied.

She crouched down to fix it, fingers fumbling with the laces. Just as she tightened the last knot, a soft, eerie whistling drifted through the air behind her.

Faint. Slow. Almost playful.

Sky froze.

She stood up slowly, heart thudding in her chest. “Talia?” she called, trying to laugh it off, her voice cracking just a little. “If that’s you messing with me, you’re not funny.”

She rounded the corner toward the front entrance of the school—then stopped dead in her tracks.

Talia was lying on the pavement. Her limbs were limp, her eyes open but unblinking. She didn’t move.

Sky staggered back a step, panic bubbling up in her throat. “Talia?”

Behind her, something creaked.

The bench she had passed moments ago began to shift, its shape warping in unnatural, sickening ways. Metal bent like clay. The wooden slats stretched and split, folding in on themselves.

And then the thing stood up.

No longer a bench. No longer anything human.

It grinned at her with too many teeth. And began to whistle.

Sky didn’t scream. She couldn’t. The sound stole the breath right from her lungs.

All she could do was run.