Morninsam - Sam

doodle I did of John/kiy after finishing S1

remmick and the vampires present a false dichotomy

Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious

remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency

when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA

when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative

remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people

in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer

remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that

theres a reason vultures are shown early on in this movie

Once I "made" a custom emoji for my mum by crudely drawing a hijab on it and now whenever she wants me to buy a coffee for her I get a text like this

thank uou for showing me your little white boy i do not like him can you put him away please

Present and accounted for!

gotta get to the bottom of this!!!

girls night!!!!11111!!!!!!!!!!!!!!!!!!!! (runs out drenched in blood)

thinking of that one scene from the incredibles but applying it to john and arthur where johns hand starts feeling up to arthur's jaw and arthur thinks hes just being weird until john decks him in the face skshfmnfnc

[Start ID: Three panel sketch comic of John and Arthur from Malevolent. Arthur is a stout man with a mustache and slightly messy, short side parted hair. He's wearing a collared shirt with a tie, his sleeves are rolled up past his elbows. First panel, John's hand grasps at Arthur's shirt, patting around. Arthur peers down at the movement confused. Second panel, Arthur looks even more confused as John's hand feels along his jaw. He says, "J...John, what are you-?". Third panel, Arthur is cut off when John's arm decks him across the face, Arthur staggers to the ground. A tiny disembodied John face (represented by an oval shaped face with four eyes and angry eyebrows) yells "FUCK YOU!!!" End ID.]

marylander trying to describe a tornado: imagine a crab cake