Marikilah Are Actually Thriving In The Countryside With A Nice Farm And All Their Animals, Don’t Believe

stealing glances...

lil bonus sketch under cut!!

Day 1496

We'll meet beyond the shore

We'll kiss just as before

callout posts in 2014: this user is sending mean messages to people! please be warned!

callout posts in 2015: this user is stealing bones from cemeteries for witch rituals!

callout posts in 2016: this user Actually A Nazi

callout posts in 2017: this user watches an anime I don’t like

callout posts in 2018: i went through this user’s youtube like history and found a video from JonTron that they liked in 2012, proving that they’re a bad person

callout posts in 2019: this user plays E-Rated Video Games, which are meant for children, which seems pretty sus to me idk :/

callout posts in 2020: this user stole 5 gallons of purified water from the New DC Resistance Camp and was last seen headed towards Sunken Brooklyn

SHES IS A LESBIAN #TOME WE HAVE TO SPREAD IT CAUSE ITS LITERALLY CANON

misty quigley is a lesbian; a comphet reading of her deprivation tank "realization"

in rewatching misty's deprivation tank therapy, i'm more convinced than ever that misty is a lesbian suffering from compulsory heterosexuality. the entire scene, from start to finish, is about misty accepting that walter has feelings for her (not the other way around), and learning to push through her discomfort with that fact.

the deprivation tank scene begins by establishing that misty is afraid. we see quick transitions and hear bubbling water and see a terrifying fish coming at the camera with sharp teeth. followed by a slightly softer stream of images of walter, interspersed with memories of crystal, and of caligula. misty is thinking about three key relationships in this moment: walter, who is actively pursuing her; crystal, whom she loved and hurt and misses; and caligula, who is the only creature that both loves her, and she loves back.

love is the concept that ties these three together: walter is who she could love, crystal is who she did love, and caligula is who she does love.

and so the memories fade into her fantasy sequence, led by caligula, and he begins to soothe her. this creature that represents real (platonic, obviously) love to her (in that it is true and reciprocated, more than she feels it is with any human) tells her "shake off your blues/i'll set the mood for ya". caligula is acknowledging her fear and her loss, and telling her that he can fix it. that he has an answer that will make all of her problems go away.

which is when walter appears, looking like the leading man in a classic musical; an idealized romantic interest, one her fantasy has turned from a real man into a fictional character. and what does he do? performs for her. misty (per the directions of the song, to just "sit right down") sits and watches. she does not interact with him, because she (and her attraction) is not a part of this. one element of comphet is the inability to picture yourself in a fantasy with a man; misty does not put herself with walter, she does not join him.

and while he and caligula perform, three items float around the screen: the plane axe, a syringe, and the black box (which fluctuates between intact and exposed). these three items are such a fascinating choice, because they, 1) all relate to the actions she took in her need to be useful and appreciated, but 2) also represent some of the ugliest things she has done (at a time when she has recently been thinking about what kind of person these things make her). she is thinking about these moments (her behavior with ben, murdering jessica, and stranding the team/breaking crystal's trust) that cause her great discomfort, at the same time she is trying to convince herself that walter is what she needs. she is comparing the discomfort she has with walter's interest and the validation she would feel from a relationship, to the way she's felt about all of these other bad things she's felt compelled to do.

while these items float, caligula sings, "now sit right down/let your troubles melt away/and you'll be sitting pretty in the moonlight gaze". continuing to tell her to push through the discomfort; just let it go. and if you do? "moonlight gaze" is such an interesting choice, because the moon is most strongly symbolic of women. if she lets go and has this relationship with walter, the other women will think she's normal. (especially after just a few hours prior to this, natalie had said, "we're all like this, aren't we?" this is her chance to prove nat wrong, for misty's own sake and/or for nat's!) this is not the first time misty has displayed behavior suggesting that it's important to her that natalie (and other people in general) see her as desirable as a romantic/sexual prospect: telling natalie about her dates on the road trip to travis, "i bet he thinks we're hookers!" said with glee in the jail, "i have a secret boyfriend, too," whispered to natalie in '96. if she decides to accept walter's interest (a man who is so into her that he is literally fine with her being a serial killer!), then maybe the other girls will see how worthy misty is of affection and attention.

once the dance number is over, misty immediately goes to speak with caligula; again, in her fantasy about loving walter, she doesn't interact with walter. instead she seeks caligula out, because he is the one she feels a real connection to; he is the one who knows her and can reassure her - the one whose reassurance will mean something. (walter, a man she barely knows, has been nothing but a concept to her in this fantasy, and that doesn't change.) misty's conversation with caligula is emotional; she is clearly bothered by the idea that other people see her as a murderer. but caligula doesn't give her an emotional response or solution; instead, he tells her she's a "closer". he points out that, even when things are rough (i.e., even though she doesn't like how walter makes her feel), she can persevere and accomplish her goals. it is this reminder that causes misty to transition the scene to to the final piece.

and oh boy, is that final scene a goldmine. because it begins with a close-up on misty's childhood phone. the phone that becky called her on back in 1992, to tell her that she was disgusting. that no man would want her, and that she would never find "a victim" to sleep with. that moment was foundational for misty's issues, for her desire to be wanted and needed in '96, and her deep need to receive validation from men in '21. this scene is so crucial to understanding misty's relationship to comphet, because one of the key facets is wanting a man to see you as desirable, because that is a woman's value in a misogynistic society. this hits misty so especially hard because she's not just lacking interest and validation from men in school; she hasn't been getting recognition from anyone. (for her to break the black box after just a few hours of receiving positive attention? she was starving for it.)

and so walter calls her on the phone - their backs to each other, literal and emotional distance between them - and starts to tell her that he loves her. but he doesn't say the words. instead he uses morse code to send "uoyevoli": "i love you", backwards. a fascinating choice, because it could be argued that the morse code is representative of their shared love of puzzles as crime solvers. but why backwards? surely the symbolism of the puzzle connection has been satisfied by the morse code.

it's because misty doesn't want to hear "i love you." she wants the implication of walter's desire, she wants to know she has value, but she doesn't want the actual feelings. she wants him to say i love you in a way she can't feel. she wants him to call her and turn his back so she can do the same. she wants to "get the ball over the goal line" and to do that she needs this level of distance.

so this scene with walter? it isn't about walter; it's about recreating that brutal memory. it's about rewriting her past. in her fantasy, walter calls her to prove that becky was wrong, that he is choosing misty because she is desirable. that he does want her. and this is so key because this whole scene is about how walter feels. that walter wants her. in misty's "realization" that she wants to be with walter, it isn't about her feelings at all. the purple flowing line of love comes from walter, the words "i love you" - twisted as they may be - come from walter. misty's only role in her fantasy is to "sit right down" and accept her role; surrender to the fact that walter is the right choice.

and when she does, when she finally, finally comes to the end of this moment, she still doesn't interact with walter. the natural progression of a love confession is physical contact. a kiss, or a relieved embrace. misty seeks neither! in this fantasy of hers where she can have anything, she makes no effort to acknowledge walter at all. instead, she turns to caligula, representative of her real connections. and she celebrates her victory with him. misty can close this deal, can get through this decision she's made, by clinging to the people she does actually care about.

Hi everyone! It's been a few weeks since Yellowjackets season 3 ended and we were left with even more mistynat content - we finally reached that moment of their relationship we were all excited about! So much to discuss and think about! To celebrate this epic ending, we have decided to bring back the much loved event that happened back in 2023, but with a new crew and also a rebrand!

“Mistynat Season” was created to encourage and engage in multiple mistynat events during the year and it will begin by bringing back Mistynat week. Our purpose is to unite the shippers and explore our creativity and inspiration by doing mistynat-centered artworks and whatever pieces of fanwork you can think of during the seven days of a whole week, following the prompts proposed and voted by majority!

We’ll be posting more details regarding our first event of Mistynat Season - along with relevant dates very soon, so stay tuned!

IT”S MISTY MONDAY !! hello to the 5 other misty fans <333 (half joking) 

mistynat is so great bc without misty we are just left with a natalie who is shakespearean levels of tragic. just leading an absolutely miserable existence. all the universe does is chew her up and spit her out over and over. unbearable. which is perhaps precisely why they gave her misty, a ridiculous and offputting poodle of a woman with no sense of action -> consequence. she makes nat's life miserable too, often in the deadliest ways possible, but her mere presence in nat's life is so goofy and absurd that it somehow becomes a relief from the usual torments. at least with misty nat's in a codependent buddy comedy on top of the eternal suffering. samuel beckett style. plus christina ricci has a great rack

i have completely forgotten about how misty canonically spent 6 WEEKS in bed after nats death and literally none of the girls called or went to check on her #KILLINGMYSELF

yellowjackets being about jackieshauna, taivan and mistynat #letsbehonest

smiling at the camera in the aftermath of a violent altercation in the present that is the past that is the future. this is a love story.

im personally really happy with all the theme submissions... its going be so much fun <3

With only three days left for MistyNat Week theme submissions, we’ll be posting our official themes—along with little teasers for each—until our first round of voting begins!

All theme posted will be in the running for this year’s official MistyNat Week theme. So if you see one that catches your eye, remember to keep it in mind for our upcoming polls!