Every Person Can Feel Freddie’s Presence In Their Souls When They Sing MAMAAAAAA UUHHHH, I DONT WANNA

every person can feel freddie’s presence in their souls when they sing MAMAAAAAA UUHHHH, I DONT WANNA DIE, I SOMETIMES I WISH I’VE NEVER BEEN BORN AT ALL with all the air in their lungs i’m not joking

More Posts from My-initials-spell-mad and Others

my-initials-spell-mad
6 months ago

The divine right of kings but it's a curse

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my-initials-spell-mad
3 years ago

“The prince just fell in love with Cinderella because of her looks!”

Wrong. Okay, picture this–

So there’s the prince, okay? He’s like, smack dab in the center of the ballroom, and he is like, horrifically aware that this whole ball thing is a result of his dad falling into a panic about the royal lineage or whatever and he’s stuck listening to highborn girl after highborn girl, all lined up, introducing themselves like, “Oh yeah my family’s been a longtime supporter of the crown, and I think you’re cute, *cough* I’ve been told I have child-bearing hips *cough* Who said that? Anyway–” and Princey boy is just smiling through it, he has been the center of attention for entirely too long, he misses his emotional support horse, and is just internally like “Someone please kill me now.” And then… he sees her–This isn’t a love at first sight thing, this is a ‘what the hell is going on over there’ thing, because this girl has not gotten into the Debutante line for a solid 45 minutes. 

She’s just at the hors d’oeuvres table going HAM on the prosciutto-wrapped asparagus, and like, she’s polite about it, she’s happy to move aside for other people grabbing punch and canapes (and she’s really so sweet with the wait staff, it’s kind of cute because they’re like… definitely not used to being acknowledged) but it’s like, “Damn girl, did you not eat today?” and then the prince is kind of stuck with the uncomfortable thought of ‘how many girls starved themselves to fit into a corset for this.’ And then the Prince realizes he’s missed the past 4 Debutante introductions because he’s watching Mystery girl hork down crab rangoons. So he’s like, “Excuse me” and manages to break free from the never-ending parade of girls who will hop on his dick for status.

 And as he’s approaching Mystery Girl, it’s kind of hitting him that something’s not quite natural about her. Not fake, but not quite real. But at the same time this whole evening’s been just a whole circus of people acting fake as hell, so like, someone seeming a little off doesn’t seem bad, necessarily. And he sidles up to her like, “Hi,” and she’s like, “Oh–hey, have you tried the tapenade?” and she points to one of the plates, and at this point, he could hit her with the “You don’t know who I am, do you?” deal or the “Very funny, I see your play” deal, but at this point it occurs to him that, no, he hasn’t had anything to eat throughout this whole damn ball, partially because of being stuck in the debutante parade, partially because of nerves, and there’s something so disarming about the question that he grabs a crostini and she still seems so food-focused that it doesn’t seem possible that this is a play. So they both grab little plates and ditch the party.

She pretty much clears her plate in under two minutes and then has half of his plate, he’s cool with it, mostly he’s just absolutely fascinated listening to her.

See here’s the thing about Cinderella:

1. She doesn’t know he’s the prince. Like yeah, he’s been at the center of the room, but she’s kind of spent half the party eagerly looking around everywhere she’s allowed to go (”Have you seen rose garden? Have you seen the solarium??” further confirmation that she doesn’t know who she’s talking to) and the other half stuffing her face with food. 

2. She assumes she’s never going to see anyone here tonight again, and no one recognizes her, so she has no filter.

So she’s just talking about whatever with this guy. He seems cool. She talks about her friends, who are rats. She makes little outfits for them. Sometimes they bring her little gifts. She is already the coolest person the prince has ever met because of this. She pretty much offhandedly talks about whatever is fucked up about the kingdom that would take his advisors two hours of hemming and hawing and watering down to address. She just says it like it’s nothing, just funky little things she’s observed, and again, she’s not aware that he’s the prince, but it’s still pretty damn bold to bring up at a literal royal ball.

She… seems to have the majority of graces that lots of girls from Respectable Families™ have, but there’s something strange about it, something simultaneously broken and hardened, like the way you can see where ice has thawed and re-frozen. Also the way she talks about her family, and the way she avoids talking about her family– is raising several red flags, not in the “Oh this is another person trying to take advantage of me” sense, but in the “Oh fuck, something’s gone really wrong and you need help” sense and also lowkey a ‘damn is she even getting fed?’ sense. But he can’t say, ‘Hey, that’s not fucking normal for people to say that to you or treat you that way. We need to get you out of there,’ without sounding crazy himself, so for now, he’s just going to chill, make sure she’s comfortable, and keep enjoying the evening. She’s somehow befriended like 4 of the waitstaff so they’re willing to cover for them while they disappear for a little bit, and they get plenty of time to talk, but eventually it hits her that she hasn’t danced yet and she’s like “Come on! I bet we can make the prince jealous!” and he just bursts out laughing at that like “hell yeah, let’s make the prince jealous. He’s a real asshole.” Like clearly she’s having a good time, so who is he to make it weird? So they head back to the ballroom and they dance. And our girl, Mystery Girl, Cinderella, while they’re dancing, becomes acutely aware that everyone is staring. That doesn’t seem quite right. Like, yeah she’s hot, she knows she’s hot, but at least a good third of the party should still be focused on the prince, right? Where is that guy, anyway?

Oh.

Oh wait.

Oh shit.

And Princey Boy actually picks up on her realization and they whisper argue for like 3 minutes. “Why didn’t you tell me?! Now I feel like a goddamn idiot!” “I dunno it was nice being treated like a normal person” “Well me treating you like a normal person makes me a goddamn felon or something did you consider that?!” “Hey–Hey–it’s cool–you’re cool–I think you’re amazing, and if anyone says shit about you, I can shut it down.” “Well I don’t like that! That’s fucked up!” “I agree. It is fucked up, but I believe in you, and I think you should have a chance, and I’m here to back you up. I know power is fucked up right now. I know. But are you cool with working with me to change that?” And our girl Cindy pauses on that for a couple seconds, because.. she’s just spent hours with this guy and like.. she knows he’s a good guy, she knows he means well, so she’s like, “I don’t know how long I can actually work with you.” and the prince is like “Look, I know your home situation is complicated right now, but I really think we can–”

And then the bell starts ringing.

It’s midnight.

And then she takes off in a panic, and our prince just met the coolest person ever, and like, he’s pretty sure whatever situation they’re headed back to is fucked up, and all he’s got going to find her is a shoe. A shoe. 

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my-initials-spell-mad
3 years ago
Ok Not To Be Controversial Cuz I Really Do Like Her Original Design From The Show, BUT HEAR ME OUT

Ok not to be controversial cuz I really do like her original design from the show, BUT HEAR ME OUT

I was inspired by Halle Bailey’s recent instagram pic with her gorgeous locs and couldn’t help but think of Holly O’Hair. Her design in EAH is adorable, but it doesn’t really do anything groundbreaking in terms of Rapunzel adaptations besides her ginger hair.

As a child, seeing a black Rapunzel with long beautiful locs would’ve literally blown my tiny mind, so this is low key just a self-indulgent gift to little me :)

Also, I absolutely adore eah and all its characters but can we talk about how Justine Dancer was the ONLY black royal/princess in the entire series?…. And we only got her several years in and toward the end of the series?? AND she got almost zero screen time in the specials and only one webisode appearance before the show was cancelled???? Justice for my girl Justine.

Tags
yes yes yes diversity
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my-initials-spell-mad
2 years ago

Are you a “can’t write dialogue” writer or a “can’t describe anything” writer

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my-initials-spell-mad
3 years ago

The real writer experience is standing in the shower and coming up with the most authentic dialogue with perfect phrasing and raw emotion in your head, then stepping out and drying your hair, putting on some clean pajamas and opening a word document to write down all your perfect ideas only to realize everything has evaporated. 

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my-initials-spell-mad
3 years ago

“jason todd is the angry robin” nope incorrect dick “snuck out of his new foster home in the middle of the night to track down and hopefully murder his parents’ killer” grayson is the angry robin who worked very very hard to turn himself into the symbol of hope and good that robin became and saying it’s jason is a disservice to both jason “robin gives me magic!! :D” todd and dick “i want to save the soul of gotham” grayson

“damian wayne is the scary robin” wrong again! tim “figured out batman and robin’s identity at 9 years old outstubborned batman to become robin beat ras al ghul and the league of assassins and is canonically the smartest member of effectively the smartest family on earth” drake is a terror with a mean streak that most of the robins don’t have and that is much much scarier for being calm and calculating and damian wayne deserves to have his enormous fucking heart recognized

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my-initials-spell-mad
1 week ago
Stella, Princess Of Solaria
Stella, Princess Of Solaria

Stella, Princess of Solaria

Tags
fanart winx club winx stella first fanart!
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my-initials-spell-mad
6 months ago
first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial". the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward". The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".
second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".
Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.
Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".
Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".
sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

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my-initials-spell-mad
2 years ago

see, one of the many reasons why klaroline is superior is that caroline, who is a twilight fan, aka the books where the protagonist deliberates between a werewolf and a vampire, gets to date a guy who is both 😏

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my-initials-spell-mad
6 months ago

A Quick Guide to Damian’s Furry/Feathered/Scaled Companions

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

LEFT: R:SOB #1 Cover RIGHT: R:SOB #6

GOLIATH THE BAT DRAGON

Introduced in: ROBIN: SON OF BATMAN (2015) #1

DAMIAN'S BABY AND BEASTY BESTIE!! On a mission during the Year of Blood, Damian kills the family of bat dragons guarding his objective. Goliath, despite being the youngest and last of his kind, forgives Damian. Goliath goes on to become one of Damian's most loyal companions, even featuring beside him in Batman Beyond (2016) #10, #11, #43-#47!

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

LEFT: B&R #13 RIGHT: B&R #4

TITUS THE DOG

Introduced in: BATMAN AND ROBIN (2011) #2

A Great Dane gifted to Damian from Bruce as an effort in fatherhood. Funny enough, Damian finds him a nuisance at first and briefly refers to him as "Dog". Titus is a good boy that follows Damian's every step, even joining Bruce on his mission to resurrect Damian!

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

LEFT: Batman Inc #1 RIGHT: Batman Inc #7

BAT-COW THE COW

Introduced in: BATMAN INCORPORATED (2012) #1

Bat-Cow, branded with a star signifying which cattle were contaminated, was saved from a slaughterhouse to run some tests (which they do find of a mind control variety). Damian declares himself a vegetarian, and calls her Bat-Cow! She also sorta has a running gag of literally standing in the face of danger to save the day.

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

LEFT: Batman Inc #6 RIGHT: Batman Inc #7

ALFRED THE CAT

Introduced in: BATMAN INCORPORATED (2012) #6

Considered a "hopeless case" by the animal shelter, Alfred gifts him to Damian. The cat is a bold lil guy, which Damian takes an immediate liking to, and names him Alfred (likely because tuxedo cat = butler lol). After hours of chicken, playtime, and scratches, Damian and Alfred become friends! He makes his first appearance alongside Damian’s first appearance as Batman in BATMAN (1940) #666

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

LEFT: Batman: Li'l Gotham #2/#1 RIGHT: Batman: Li'l Gotham #23/#12

*JERRY THE TURKEY

Introduced in: BATMAN LI'L GOTHAM (2012) #2 (Digital) #1 (Printed)

The Penguin unleashes an army of turkeys at the Gotham Thanksgiving parade which Damian turns into his own li'l turkey march by playing the trumpet. He ends up bringing one of them back for Thanksgiving dinner (as a friend), and Jerry becomes a fairly regular appearance in the world of Li'l Gotham!

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

*WIGGLES THE DRAGON

Introduced in: NIGHTWING (2016) #42

A sort of filler issue where Damian has been kidnapped for his blood by the "Crimson Kabuki" in Tokyo, and Dick goes through a series of boss battles to save him. The dragon's blood has been the group's main source of power, so it ends up teaming with the duo, and returns home with them.

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

Wiggles was originally named by a fan, "Shanootnoot" on Twitter!

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions

*Goliath, Titus, Bat-Cow, and Alfred the cat have been Damian's main canon cast of furry companions, but SUPER-PETS SPECIAL: BITEDENTITY CRISIS (2024) may have just added Jerry and Wiggles!!

A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
A Quick Guide To Damian’s Furry/Feathered/Scaled Companions
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my-initials-spell-mad - M
my-initials-spell-mad
M

Med student near the Sahara. Conflicted, confused, confounded (might continue listing syllables).

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