Shoulder To Cry On

FRANK LIES TO YOUR COLLEGE PROFESSORS

Dark!Dennis x Younger!Reader Series

Always Sunny Masterlist

Summary: After being mistaken for your father by a college professor, Frank plays along as he boasts that all three of his kids attended Penn. Only two of them graduated though. One was institutionalised. Oh! And two of them are fucking.

Warnings: Typical Sunny canon mayhem, mentions of incest???

Word Count: 1.0k

You were chatting with two of your psychology professors, talking about the possibility of continuing study. You’d never thought of doing your masters or getting a doctorate but they were both so adamant in telling you how bright and capable you were you started considering the idea. A brilliant mind, they’d said. A one of a kind student with incredible perspectives, they’d said.

Needless to say your stroked ego was massively inflated from all their compliments. Especially after they told you how much of a shoe-in you’d be for various awards, research grants and guest speaker slots. So, you told them you’d be open to discussing it.

Your professor furrowed his brows and looked behind you, smiling gently out of politeness as he looked back at you whilst you spoke. But then you noticed the Dean looking behind you as well.

Turning around to see what they were looking at, you nearly jumped out of your skin to see Frank chewing on a cold sausage. He had silently joined the conversation and stood eerily close to you, right in your blind spot. Wait, where the fuck did Frank even get that from? You were honestly just surprised you hadn’t realised he was there sooner. Normally you would have heard him loudly chewing with his mouth open, or smelt his usual musty egg aroma wafting over.

Your professor outstretched his hand to shake Frank’s. “My apologies, this must be your father.”

Before you could correct him and assure them both that this goblin of a man was not your father, Frank had already introduced himself so.

“Oh you bet your ass I am! And a proud father to three Penn students too…” He said smugly, sticking 3 of his fingers out and holding the half eaten sausage between his thumb and pointer finger. “Well, one got expelled but you know what they say about the first pancake of the batch…”

You laughed with Frank at his terrible joke to try and ease the obviously uncomfortable situation. Frank pointed over to the rest of the gang standing a few yards away.

“The one that looks like Larry Bird? She’s the one who got expelled for arson but the other one managed to graduate.” He pointed out.

“I’m sorry, did you say arson?”

You quickly interrupted to try and change the subject away from Dee. “Dennis studied psychology here too!”

“Oh yeah, he’s a bonafide psychopath. You’ll probably see one of his manifestos on the news one day.” Frank nodded, almost sounding proud of the fact.

He started to explain the long winded story behind Dennis ripping the heads off snapping the necks of several crows as a child. Dennis claims it was only to test the tensile strength of their necks though. Finally you interjected, trying to salvage the reputation of your ‘brother’ before Frank brought up the second crow. Or the third or fourth.

“Wow! That’s a story for another day…”

Your professor chuckled at Frank’s absurdity, still believing that this 4’10” man who claimed to be your father just had a severely dark sense of humour. “Well regardless of your other children, this one’s destined for great things in the world.”

Just when things couldn’t get worse, Frank ups the ante. He let out a deep belch and took another swig from the soda can he was holding — which was mostly just vodka at this point.

“Jesus fucking Christ…” You muttered under your breath, looking down at your feet and shaking your head in defeat.

Was it too late to admit this man wasn’t really your father? Could you pretend you didn’t know him at all? God, that would make you look even worse by showing that you associate yourself with him by choice. Quickly you pulled out your shiny new iPhone 3G and texted Dennis:

SOS!!

Dennis pulled out his BlackBerry, smirked at the message on the screen and looked over to you with a playfully raised eyebrow. You tilted your head down towards Frank subtly, looking at Dennis with a pleading look to rescue you from the conversation. Finally he cottoned onto what you were implying and started to weave through the crowd towards the group. You felt yourself sigh in relief knowing he was coming to save you from this hellish nightmare.

“There’s my little brainiac!” Dennis called out, putting his arm around your shoulders and giving you a playful squeeze. “Wait- Professor Szymancjek?! Holy shit, I thought you’d be dead by now. Damn… Good for you, man.”

The professor sighed and looked at her ex-student with an unappreciative look. “Hello again, Dennis.”

“And this is Dr. Morrissey, our newest Dean of Psychological Science.” You said, watching the two men shake hands politely.

Dennis apologised to the group, telling them that he had to whisk you away for a reservation at Guigino’s. Nice lie, you thought. Guigino’s was one of the best restaurants in town but it was a perfectly plausible reason to dine there. They’d totally believe that two siblings would enjoy a nice meal to celebrate one graduating college. It was a fool-proof lie.

Until Dennis went and ruined it by kissing you.

“Only the best place in town for my girl,” he had said proudly for turning your head towards him and kissing you at the very worse possible time.

Your poor horrified scholars looked on with disgust and disbelief because unlike Dennis (who was pretending to be your boyfriend in this scenario), they thought he was your brother. Frank swatted Dennis’ arm and told him to take it inside to the stadium bathrooms for a quickie, then laughed towards the dean and professor.

“Nothing like a good graduation bone, eh?” He chuckled, nudging one of the scholars with his elbow.

The cherry on top of what was already a heavily confronting and disturbing display of incest for the two scholars, was your ‘father’ now encouraging his son to go fuck his ‘daughter’ in the stadium bathrooms.

Great.

Just when you thought it really couldn’t get worse, Frank came in and proved you wrong. What a superb reputation to leave behind — the incestuous psychology grad genius who kissed both her brother, and her life away in front of their very eyes.

Not Since I Found You

Requested Here!

Pairing: (divorced)Deacon Kay x fem!reader

Summary: After Annie was changed by her brain tumor, she left Deacon. Now that he has you in his life, she decides that she doesn't want him to move on and does everything she can think of to sabotage your relationship.

Warnings: Annie is completely different after removing the brain tumor, angst, lots of fluff, quick tense change

Word Count: 2.5k+ words

Masterlist Directory | Deacon Kay Masterlist | Request Info/Fandom List

Deacon’s end-of-shift routine had changed drastically over the past year. Before, he would rush home to see Annie and hug his kids. Now, he sits on a bench in the locker room, looks at pictures of Matthew, Lila, and Samuel, and counts down the days until he can see them again. Anything he could do at work to delay going home to a cold and lonely apartment, he’d do it.

After Annie awoke from her surgery to remove the tumor in her brain, she was different. Deacon tried everything he could to remind Annie of why they fell in love and convince her that it could be the same as before. The Annie Deacon once knew was long gone, and the new Annie wasted no time filing for divorce and getting custody of the kids. So, Deacon spent the next year in a vicious cycle of loneliness, struggling to accept what has happened and wondering if he’ll ever feel alive again. But then, he left SWAT HQ on a random weekday, went to a park to walk, and met you. Then, suddenly, everything brightened again.

Less than a week later, you became part of Deacon’s life. He texted you often, made plans to hang out, and, by the end of the month, asked you on a date. Despite the heartbreak he’s been through and the misery he has allowed himself to stay in, Deacon fell for you quickly.

“Are you free tonight?” Deacon asks over the phone.

“Mm, I’ll have to check my schedule,” you joke. “I think I can squeeze you in.”

“My team is going out to dinner tonight, and I want you to come.”

“Deacon,” you begin.

“I’m sure,” he answers before you ask. “You’re important to me, and they’re my family.”

“I’ll be there.”

“I’ll pick you up,” Deacon corrects you. “See you tonight.”

Several hours later, you hold Deacon’s hand as you enter the restaurant. His team is his family, and you know that meeting them is important. Your relationship is getting serious, and tonight solidifies that.

“Hondo, Street, Chris, Tan, Luca, this is my girlfriend,” Deacon begins once you’re seated.

Immediately, you’re greeted with handshakes, hugs, questions, and smiles. Talking to them is easy. It's like they’ve been your best friends for as long as they’ve been Deacon’s. Deep down, however, a small, nagging question wonders if they like you or if this is an act for Deacon’s benefit.

After you receive your drinks, you excuse yourself to use the restroom, and Chris joins you.

“Thank you,” Chris says, pulling you into a hug in the privacy of the women’s room.

“For what?” you question.

“Being so great for Deacon. Watching what he went through with Annie was… it was awful. But then you came along, and he’s happy again. We want the best for him, and that’s you.”

“You think so?”

Chris scoffs as she rolls her eyes. “If you could see how he looks at you, you wouldn’t have a single doubt. You’re good for each other, and he loves you.”

“Thank you, Chris.”

“More importantly than Deacon, you also got a new best friend.”

“Street?” you tease.

She shoves you gently before she loops her arm through yours. “No one likes Street, that’s one thing you need to know.”

“Deacon seems to,” you argue playfully.

“Deacon has a thing for strays.” Chris realizes what she implied and adds, “Not you!”

“I got it. We’re best friends now, right? So, don’t worry about offending me.”

“Oh, I knew I’d like you.”

“Sorry,” Tan says as he pulls his shopping cart toward him.

“No worries,” the person behind the other cart says.

“Annie?” Tan questions, stepping forward to see her.

“Victor, hi,” she greets. “How are you?”

“Annie,” a man calls as he walks down the aisle. “Sorry.”

“It’s our second date and we both forgot that cooking requires ingredients,” Annie explains.

“Well, good for you,” Tan says. “Glad to see you and Deacon are both moving on. Have a nice night.”

Annie watches Tan walk past; though her date is talking to her, she can only focus on one thing. Deacon and another woman. Annie may not love him anymore but does not appreciate the visual. She doesn’t want to see Deacon with someone else, no matter what.

“Annie?” her date tries again. “Tomato basil or marinara?”

“You pick,” she mumbles. He nods and weighs the options while Annie considers what she could do to ensure that Deacon won’t move on. As far as she’s concerned, he has no reason to move on after her.

Deacon is nearly ready for your date when someone knocks on his door. He is surprised to see Annie and his kids standing outside. When Lila reaches forward to knock, he pulls the door open and squats to hug her.

“Hey!” he greets as the boys join the hug. “What are you doing here?”

“Surprising you!” Lila answers happily.

“Something came up and I have to meet someone, not sure when I’ll be done,” Annie says. She looks at his nice outfit and adds, “But if you’ve got plans, I can-“

“No, no,” Deacon replies hurriedly. “I can watch them.”

“Great. Thanks, David.”

Annie disappears down the hall, smiling to herself for her success in keeping him from meeting his date. While she celebrates her perceived victory, Deacon takes his kids inside, abandons his suit jacket on a chair, and dials your number.

“Hey, Deac,” you greet when you answer.

“Hi,” he begins. “I’m so sorry, but Annie just dropped the kids off and needs me to watch them tonight.

“I understand, Deacon. Enjoy your time with them; we can reschedule.”

“Thank you.”

Lila reaches up toward Deacon’s phone, and he smiles as he lowers it and puts it on speaker. “Someone wants to say hi,” Deacon tells you.

“Hi!” Lila calls.

“Well, hello, Lila,” you reply happily. “I hope you have fun with your dad tonight.”

“Are you coming over?” she asks.

“You can if you want,” Deacon adds before you can answer.

“What does Lila want?” you inquire.

Lila smiles up at Deacon, and he answers for her, “She wants to see you.”

“What if I come over for dinner and then let you enjoy some family time after?” you suggest.

“That sounds perfect, we’ll see you then.”

Deacon ends the call and sits on the couch with his kids. Spending time with them and you is better than the expensive reservation you had, he thinks. Deacon may never know what Annie’s plan was, but her attempt at sabotage actually made Deacon’s night better. Besides, you’d already met his kids when they stayed with him for a weekend, and they enjoy your company almost as much as he does.

“Here to see Deacon?” Street asks when he notices you waiting at SWAT HQ.

“I am,” you answer with a smile. “He’s in a meeting; Hondo told me I could wait here.”

“Don’t make me give you a parking ticket,” he teases.

Around the corner, Annie stops when she hears Deacon’s name. More, when she hears that another woman is here to see Deacon. She doesn’t know if it’s the same person Tan mentioned or the same one whose date she interrupted, but she doesn’t like it. After Street leaves, she walks into the common area and sees you sitting in a chair with your phone in your lap.

“May I?” Annie asks, pointing to the empty chair beside you.

“Yes, of course,” you answer, smiling.

“Thanks. So, are you a cop’s wife?”

“No, just a girlfriend.”

“Then you’re the brave one in the relationship,” Annie says.

“Not at all. I worry about him all the time.”

Annie hums before she muses, “Seems like that would put a lot of strain on a relationship.”

“Well, the alternative is a complete lack of care and empathy. To me, that’s not even an option.”

“Sure, but… doesn’t that constant worry put a barrier between you? Or maybe your relationship is new enough that you haven’t noticed yet. He will.”

You nod and unlock your phone. Annie may not know you recognize her, but she’s in a few pictures at Deacon’s apartment. The first time you came over, he explained everything to you: the tumor, the sudden change in her personality, and how she broke his heart by leaving and taking his kids most of the time. You knew she had been changed by the tumor, but you didn’t expect she’d try to scare you into leaving Deacon.

Hondo steps out of the office and looks between you and Annie. When you lock eyes with him, he tips his head to invite you in while he walks toward Annie. You mouth thank you and walk quickly into the office where Deacon is. You decide not to tell him what Annie said, but you suspect he knows more about her new attitude than you do.

Annie slides a diamond ring onto her left hand and watches it glint in the light. She came to the jewelry store to get Lila a necklace for her birthday and was distracted by the row of shining engagement rings. When Deacon proposed, they were young, and he got a sentimentally rich ring that was cheap. At that point, she loved it, but now she wonders what it would have been like to have received a ‘real’ ring. She doesn’t miss Deacon, but she misses his devotion to her, how he’d never as much as look at another woman.

The bell over the door rings as it opens, and Annie returns the ring to the saleswoman and asks to see any kids’ jewelry they have.

“Annie?” Deacon asks.

Annie turns toward the door and smiles when she sees him. “David. Hi.”

“What are you doing here?” he asks, glancing at the engagement ring being returned to its display.

“Shopping for Lila’s birthday. I was thinking I’d get her a necklace; she’s been talking about getting one for weeks.”

Deacon nods, aware that Lila wants a necklace because she loves the one you wear daily.

“What about you? You’ve never been a jewelry guy,” Annie points out.

You don’t know what kind of guy I am anymore, Deacon thinks. “Just replacing the chain,” Deacon says, tugging on the necklace tucked under his shirt.

Annie nods and follows the saleswoman to a different display case as Deacon approaches a desk at the back of the store.

“I have a pickup for David Kay,” he tells the man at the desk.

The man types his name, nods, and excuses himself to retrieve the order. Deacon looks at the back wall but is aware of where Annie is (a job hazard and an annoyance in this situation).

“Here you are, Mr. Kay,” the man says as he passes a bag over the desk. “It has been sized and polished, as requested.”

“Perfect,” Deacon replies. “Thank you.”

“Who’s the lucky girl?” Annie asks.

“What girl?”

“You and I both know it’s not a necklace chain.”

“You and I don’t know anything anymore, Annie.” Deacon begins to step past her, then adds, “Lila would like the one with the silver branch and flowers.”

As he leaves the jewelry store with your engagement ring at his side, Deacon focuses on you rather than Annie’s odd reaction to thinking he is proposing. She’d been unjustly angry and jealous after her surgery, even accused Deacon of cheating on her with Chris, and that shift in her mindset hasn’t gone away.

You text Deacon as he gets in his car, and his questions about Annie disappear as he smiles at your name.

Your phone rings while you are waiting for Deacon to arrive. The number isn’t one you recognize, but you answer anyway.

“Hello?” you greet.

“Hi, this is Annie Kay,” the woman on the other end says.

“Oh, um, hi,” you stutter. “How did you get my number?”

“That’s not important.”

“I think-“

“Listen, I’m just calling to warn you. I know that you think things are getting serious with David, Deacon, whatever you call him. But it won’t work out.”

“Annie,” you try to interrupt.

“It won’t work because he will never be as happy with you as he was with me.”

Deacon pulls in and parks, and you hang up on his ex-wife. The phone rings again, but you mute the ringer and walk out to greet Deacon.

“Are you okay?” he asks, cupping your face between his hands.

“Yeah,” you answer.

Deacon shakes his head, and you admit, “Annie just called me. She wanted to tell me that you’d never be as happy with me as you were with her.”

“I’m so sorry,” Deacon sighs. “I’ll talk to her.”

“She really changed, didn’t she?”

Deacon nods as his arms wrap around you. “She was wrong.”

“Oh, I know,” you agree playfully. “Deacon, I love you.”

“I love you,” he replies. “So much.”

Matthew, Lila, and Samuel are home with Annie the next time you and Deacon go on a date. He takes you to an overview where you can see where you met and brings a special picnic dinner. Around 8 p.m., Lila asks her mom to stay up later. Since there’s no school tomorrow, Annie agrees, and the kids watch the clock rather than the television above it.

Above Los Angeles, your watch changes to 8:15, and Deacon takes your hand as he encourages you to stand. He presses a button on his phone, and when the music begins to play, he pulls you close and dances with you. At 8:19 exactly, the song ends, and Deacon drops to one knee.

“Second chances aren’t guaranteed,” Deacon begins. “But you are by far the best second chance I’ve ever gotten. I love you more than I thought I could love anything ever again. You’re good with my kids, you don’t care that I’m used and have been broken over and over, and you never fail to make me feel like I’m the only man you’ll ever want.” Deacon pulls a velvet box from the picnic basket and raises the ring toward you to ask, “Will you keep loving me forever, and marry me?”

“Yes!” you yell, taking Deacon’s hand. “Deacon, yes.”

You drop to your knees to hug Deacon, but he redirects you to kiss you, and he pulls you just as close as when you were dancing. You and your love melt into Deacon for eternity.

In Annie’s living room, when the clock changes to 8:20, Matthew, Samuel, and Lila jump and cheer. Annie doesn’t know that her attempts to sabotage Deacon’s relationship will never work. Deacon’s children know they’re gaining a stepmom which is cause for celebration. However, everyone is in for a surprise when they learn Deacon plans to petition for custody.

“Deacon,” you say after you pull back. “You’re not broken.”

“Not anymore,” he agrees. “Not since I found you.”

Should I Stay or Should I Go? (Part Three)

Part One // Part two // Part Four

Pairing: Spike x Giles!reader

Part three of four 💖

Warning: reader drinks/smokes, difficult relationship with Giles and not friends with Buffy.

He had been searching for you when you hadn’t returned, his face steeped in worry as he stormed through the night to find you. Maybe you had got lost or eaten in that annoying human way. He cared for you deeply. He couldn’t help it and as he walked through Sunnydale until the light started to singe his body, he knew that he couldn’t fight his feelings anymore.

It had been five days. He had caught your scent around the UC Sunnydale campus but he kept losing it in certain places. He needed to see you, needed to make sure that you were okay.

He had been sleeping in your bed clinging to your clothes, bathing in your scent. Wishing he could have you back by his side again, where he was more sure each day that you truly belonged. He wished to have you pressed against him again, cradle you in his arms, grip your body in his bed.

He had found you five days later by chance, stalking into the Bronze looking for something to pass the time. His mind on you but he had little hope that you would appear before him. He was even beginning to worry he had dreamt you up.

Until, well, there you were. Stood at the side of the Bronze looking miserable as you swirled your drink around. You were talking to a redhead who looked a little exhausted by your company.

He stepped back, watching you intently as if you were a mirage. He wanted to reach out and touch you so badly but he was afraid you may be a cruel illusion. He had looked for you for days, he had worried sick about you.

From the dark he overheard your conversation, you had left because of the kiss. It had overwhelmed you as much as you had wanted to stay in the moment forever.

“I just don’t know… should I go? Should I stay?” You asked, not for the first time since you had started talking to her.

“I, uh, I’m still not sure Spike is exactly boyfriend material”

“I’m not trying to make a blanket out of him, Will” You said smiling softly at the idea of Spike wrapping his arms around you.

Your indecision was bugging even yourself as you spoke about it for the millionth time. Willow was at a loss as to what to say other than that Spike was very dangerous and ultimately evil. You were already way past that and had seen the good in him as well as the bad. You liked both but you knew that this would sever any chance at reconciling with your Dad.

“Embarrassed, is that it?” Spike asked, his eyes not meeting yours as he stepped from the shadows. His eyes were haunted by a situation much like this, some decades earlier. He felt it, the rejection, the pain. It was so acute and written on his face so clearly that you could almost feel it yourself.

“Spike, it’s not like that, I-”

“You used me for a cheap thrill and then went toddling back to your boring little life livin’ under Daddy’s thumb”

He stormed out, lighting up a cigarette as he walked, his duster whipping around him as he walked into the street. You ran after him, ignoring his muttering about not even getting to the thrilling part.

You grabbed his shoulder and he let you turn him to face you. He was agonisingly close, you even found his frown cute. His anger desirable. You wanted to kiss his pain away, remove the furrow from his brow. Offer up any thrill that he could possibly want.

“If you don’t want me then bloody well let me free” He moved as if to push past you but you took his hand. With your touch he softened, even slightly.

“I was scared, Spike”

“Now you find the time to bloody fear me”

“It’s just, I was trained from a child to be a Watcher and as much as I never cared for it, things like that are kinda difficult to unlearn. Suddenly I was ten years old again being screamed at by some stuffy Watchers when I started to empathise with one of the vampires in our case studies.”

You had been wrestling with your own morality. It was a battle you could never win when kissing Spike felt so right but everything you had been taught until now had told you it was so wrong.

He nodded, understanding that where you come from can impact your life, and even your un-life. He was still reeling from the rejection, it had hurt in a way that he hadn’t felt since he was human. He offered you a smoke, you took it, leaning into him as he flicked his lighter on for you. Your eyes met, deepening your gaze as you inhaled the thick smoke.

Nothing was said in this time, though it lasted for an age, something unspoken was communicated. Shared.

He lowered himself, his duster sliding from his shoulder slightly as he knelt on the floor his cigarette bobbing from his lips as he spoke, “I’m on my knees here, pet, I can’t lose you. Love like this comes once an eternity.”

“Love?”

You reached for him, lowering yourself to kneel with him, your hands clasping his after flicking your cigarette away. You couldn’t help the way your doubts creeped into your head, how your upbringing made you question every move that you made in terms of good and evil.

“Where do we go from here?”

“Come home?”

You had barely nodded before he slammed his lips against yours, your knees resting uncomfortably on the tarmac, but all you could think about was the way he felt against you. The urgency in which he kissed, the way he cradled your face in his hands, caressed your skin. He felt divine beneath your hands, his lips felt heavenly on yours.

How could anything about this be wrong?

You leaned against him, your forehead pressed against his as you panted trying to regain your composure. You stayed like that for a while in the dark alley before you took his hand again and walked towards your shared crypt.

From there, you took things slow. Much slower than either of you would like. You often fell asleep against him in the evenings and shared such deep confessions. Of your pasts, of your feelings for the other.

After a week of settling back into your home, you had an unwelcome houseguest. And she didn’t even bring a home-warming gift.

Buffy slammed the door to your crypt so hard that it almost came clean off its hinges. She came to tell you that your father had been turned into some demon by Ethan Rayne and she wanted to make sure that you knew that he was okay. That he was shaken but unharmed and would perhaps appreciate a visit from his family.

You mumbled something about going to visit sometime but realised this was the wrong decision. Buffy saw this as an opportunity to give you some (again, unwelcome) advice.

“Look, y/n, as a friend-”

“We were never really friends, Buffy”

The young girl looked surprisingly hurt, perhaps she had truly seen you as a friend and you had misjudged her. She had, of course, never been anything other than pleasant to you. You had just allowed your jealousies to fester beyond control. Plus she was self-righteous in a kind of annoying way.

“Well, friend or not I care about you because I care about Giles. Grow up, y/n, the rebel act was kinda last season. He misses you”

“He made it very clear that I’m not welcome, why would him letting Ethan make him all Fyarl-y make a difference?”

“You can’t be happy here, with him” she visibly shuddered as he walked up to join you from the lower level of the crypt. You appreciated that you got a glimpse of his athletic torso beneath his unbuttoned red shirt.

He slung an arm around you, squeezing your shoulder and whispering in your ear. You were too comfortable together and Buffy looked as if it made her physically sick. She threatened Spike vaguely, gave you another warning and then with a hair flip she stormed back out of the crypt and slammed the door shut behind her.

The thing that irritated you the most was that she genuinely thought she was ‘saving you from yourself’. That you had taken the wrong path. That the love, this amazing and beautiful feeling that you had never quite felt anything like before, was somehow wrong. Or gross. Or evil.

Which had fed into your thoughts the first time you had been close to Spike. You wouldn’t let it happen again. You hated the distance. The way his absence had physically pained you.

Spike guided you back down to the his bedroom, pressing soft kisses against your jaw, nipping at your neck and caressing his lips down your chest. He wanted you all to himself, he wouldn’t let you go again. Not now he knew how good life could be with you in it. By his side, in his bed.

By late afternoon you were lying on your side in his bed, watching him writing in a notebook. Papers littered the floor of the crypt. He hadn’t had such inspiration since he was human. You had brought him back to life. Revived him.

“Did you mean it, when you said you loved me?” You asked softly, your fingers trailing softly against his muscled arm.

“Never meant anything more,”

He had, of course, noted that you hadn’t said it to him. It stung a little but he would rather have you by his side even if you didn’t love him than not at all. He knew you cared for him, of course. Knew that you felt safe with him. Knew that he would kill any man, demon or slayer that came anywhere near you.

He put his writing down, shifting himself and burying his face into the crook of your neck. He would give anything to hear you say it.

“Say you’re mine, love, and I’ll be here until the end of time,” He pleaded between landing slow kisses against your exposed skin.

“I love you, Spike, I think… I think I’ve always been yours,” You whispered as if you were afraid he might overhear.

He smirked darkly, his fangs bared and his face morphed from beyond your line of vision. Your eyes were closed, enjoying his touch. He suddenly wrenched your head to the side, exposing your neck further.  

He could feel your pulse thrumming faster now.

He swallowed thickly,  before propelling himself towards your neck, ignoring the firing from his chip as he held you in place…

A Room Away

Requested Here!

Edit: Part 2 Here

Pairing: Tim Bradford x fem!reader

Summary: Tired of Tim's bad moods, Angela gets him a new roommate: you. As Tim gets to know you and learns about your past, you slowly become more than his roommate.

Warnings: mentions of past domestic abuse (reader and Tim), reader has chronic migraines from past head trauma, nightmares, reader has a panic attack, angst, fluff, Nyla and Angela. (roommates to lovers)

Word Count: 4.2k+ words

A/N: Parts of this are so self-indulgent. The migraine depictions are based on my migraines, but I think they're some of the most common symptoms. I hope you enjoy and please let me know what you think! (I'm still trying to get Tim's character down, so apologies if he's OOC.)🤍

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

Picture from Pinterest

Tim sits in the back of the room for roll call, his arms crossed tightly across his chest as unimpressed sighs escape him. Angela is getting tired of his seemingly perpetual bad mood. Clearly, he’s lonely, but he will never admit it. And that loneliness makes him mopey and broody (Angela’s official motto for Tim Bradford) until he has enough and snaps at someone.

Sitting at her desk, Angela watches Tim yell at a boot. He’s always harsh with them, trying to prepare them for anything, but now he’s using them as punching bags for his forbidden feelings. 

“What’s his problem? He’s grumpier than usual,” Nyla says as she joins Angela.

“He’s lonely,” Angela answers. “Won’t admit it or do anything about it.”

“That man needs a girlfriend,” Nyla muses.

Angela sits up straighter and smiles. “You’re a genius, Harper.”

“I know.”

Angela opens a website on her computer, and Nyla pulls up a seat to watch her intervention into Tim’s personal life.

“You’re going to rent out his spare room without telling him? This’ll be fun to watch,” Nyla says, laughing.

“He has way too much room for just one guy. Getting him a roommate and a girlfriend will surely help with.. that,” she finishes, gesturing toward Tim.

“A roommate and a girlfriend, or a roommate who becomes a girlfriend?”

“Either should work.”

“That’s your number.”

Angela nods, putting her contact information on the listing. “Tim would shut it down after the first call, so I’ll interview them, run background checks, whatever, and find the perfect one.”

“Well, Mrs. Right is always found on Craigslist,” Nyla jokes.

“This isn’t Craigslist.”

“Semantics.”

Angela posts the listing, and she and Nyla hope getting Tim a roommate will help nudge him out of his bad mood. He needs someone to talk to and bond with, but he’ll never come to that conclusion on his own. Which is why Angela considers herself to be such a good friend.

✯✯✯✯✯

Los Angeles is a big city, which is part of why you chose it without another thought. Full of opportunities and a chance of fading into the background, it’s the complete opposite of your home, which overflows with memories. The patched drywall you were pushed into, the stained tile where you thought everything was going to end, and the china cabinet with the shattered glass are left behind and traded in for a minimum wage job, a used car, and a lot of panic that you won’t be able to find somewhere to live.

You’ll need a roommate until you can save enough money for your own place. However, finding a decent place with a decent roommate is nearly impossible in your price range. Browsing online listings, you see one that could be promising. The information at the bottom says there is an interview process, which catches your attention. Sending a text to Angela Lopez, you cross your fingers for good luck before walking into work.

By the end of your shift, Angela has replied and asked you to meet somewhere nearby. You want to go home, a dull headache building at the base of your skull impairing your mood. But you also really want a better place to call home than the pay-by-the-month motel you’re currently living in.

Angela gives you a firm handshake as she introduces herself as an LAPD detective. She asks questions about your life, job, hobbies, and finally, why you moved to Los Angeles.

“I just needed a change of pace; was ready to leave my old life behind, find something bigger and better,” you answer, a simplified version of the truth.

Trying not to show it, Angela immediately takes a liking to you. Each of your answers solidifies her gut instinct that you’re a good fit for Tim. You ask why her name was on this listing if it’s not her house, and she follows your lead and gives you the truth, but not all of it.

“Tim, the owner of the house, is a coworker and friend, and I’m just trying to help him out while he’s busy with work,” she explains.

As you leave the meeting, Angela gives you her personal number, as well as someone named Nyla Harper’s number, “just in case you need anything.”

She texts you a time and address, telling you to meet her at your new place the following afternoon. You thank her repeatedly before driving to the trashy motel one last time.

✯✯✯✯✯

Parking outside the house, you fall in love with the neighborhood and the cute architecture of the home. Angela meets you in the driveway, seeming more nervous than excited. You realize she may not have been totally honest with you as you follow her to the door.

An incredibly handsome man opens the door, sighing when he sees Angela. He lets both of you in, seeming to trust Angela completely.

✯✯✯✯✯

Tim knows he will regret opening the door, but the woman with Angela is beautiful, and deep down, a small part of him wants to know who she is and why she’s on his doorstep.

“This is your new roommate,” Angela announces, giving Tim your name.

“You didn’t,” Tim responds. “Please tell me you didn’t rent out my spare room without asking me, Lopez.”

“I won’t tell you that, then.”

Standing quietly to the side, you anxiously watch their argument.

“Um, sorry,” you begin, interrupting them. “But I can go, and find a new place, since this is clearly not what you signed up for.”

You move toward the door before stopping when Angela demands, “Don’t go anywhere.”

She gives Tim a stern look before cocking her head to the side. He sighs like he has accepted his fate, a tragedy based on his reaction. Gesturing for you to follow him, he gives you a quick tour before showing you to your new room and bathroom.

“I’m not home a ton, but when I am, I’m usually watching a game or just hanging out, so,” he tells you before trailing off.

You nod before promising, “You won’t even know I’m here.”

Tim wants to believe you, but he also thinks you’re pretty and kind enough that he wouldn’t mind seeing you occasionally.

✯✯✯✯✯

You cross paths with Tim a few times in the first two days of living with him. He’s struck by your beauty each time but recognizes that you don’t open up willingly, so he never presses you to talk. Content to be ships passing in the night, Tim gives you a nod before continuing out the door.

It’s your third night in the house that Tim learns your reserved qualities may not be as simple as a personality trait. Waking when he hears a strange noise, Tim listens in the darkness before deciding it’s your footsteps he hears. Based on the sound, you're pacing, so Tim gets out of bed and walks to the kitchen. He walks right past you, and you give him an apologetic smile before slowing down. Tim makes you a mug of calming tea, sliding it across the kitchen island before sitting beside you as you drink it. Suspecting you had a nightmare or some similarly disturbing experience, Tim reminds you where you are and that everything is okay in his own way.

Over the next week, you wake him up a few more times, thrashing in your bed or exiting your room once you wake. He nudges each time, offering to let you talk about it, but you never do. You always apologize for waking him, thank him for keeping you company and making you tea before you disappear back into yourself and into your room.

✯✯✯✯✯

You’ve lost count of the days and nights spent in Tim’s house, your sense of time thrown off by the continued plague of nightmares and the monotony of your days. As you wake up after a surprisingly dreamless sleep, you immediately turn your face back into the pillow. Your heartbeat pounds in your head, and everything seems brighter and louder. The migraines have been nearly as consistent as the nightmares since before you left for Los Angeles. 

Tim knocks on your door, and you groan as the sound echoes in your brain. He cracks the door, concerned that you aren’t up yet.

“Are you okay?” he asks, seeing your current state.

“Migraine,” you answer. “I called in sick.”

He closes the door to block the light from outside and lowers his voice to ask, “Do you need anything before I leave?”

“I’m okay. Thanks.”

“Well, call me if you do, or if anything changes, okay?”

“I will. Thank you, Tim. Have a good day.”

Tim nods, even though you can’t see him, before backing out of your room and exiting the house as quietly as possible. He keeps his ringer on, looking at his phone every few minutes as his concern for you remains at the forefront of his mind.

Angela and Nyla notice his usual grumpy disposition seems to have been replaced with concern for something, or someone. After he checks his phone for the fifth consecutive time, Angela decides to pry.

“How’s the beautiful roomie? Still just a roommate?” she asks.

“She’s not feeling well,” Tim answers.

Angela waits for an elaboration, but Tim doesn’t offer one. She looks at Nyla, who gives a knowing look. It’s obvious that Tim is softening toward you, but you haven’t made enough of an impact that he’s less grumpy or snappy. As the day continues, his usual personality returns, convinced that you must be okay, or you would have called.

The next day, after learning that you are, in fact, feeling better, Tim is back to his pre-roommate levels of anger and high strung-ness. To worsen his mood, you wake him up with a nightmare but refuse to let him in, not even acknowledging his kind questioning as to how you are. He’s worried about you because you welcomed his presence before, but he is also angry that you changed so quickly, and now you don’t trust him. Everything is piling on, and Tim isn’t sure how much more he can carry.

✯✯✯✯✯

“Just tell me something,” Angela presses.

“Stay out of it, Lopez!” Tim yells, his emotions reaching a boiling point. “I didn’t even want a puppy- a roommate! If you like her so much, why don’t you take her in?”

Angela waits for his shoulders to drop slightly before asking, “Timothy… is this because you don’t like her, or because you do?”

Tim’s jaw clenches, and his nostrils flare as he turns away, offering to go on patrol while Nolan and Celina go to the shooting range. Everyone seems to think they know Tim better than they do; Angela is pushing him toward you while you’re distancing yourself, and the push and pull is tiring.

✯✯✯✯✯

Tim waits in his truck in the driveway for a few minutes before walking in. When he walks in, you’re standing in the kitchen. He hasn’t actually seen you since the day of your last migraine when you stopped trusting him, and your sudden willingness to be in the same area confuses him. Anger and confusion rarely mix well; with Tim, it’s a fatal combination.

You notice his tension and knitted brows, chewing your bottom lip before asking, “Are you okay?”

Stumbling to his tipping point for the second time in the day, Tim takes all his anger and confusion over his feelings out on you.

“What do you think? You can’t decide if I’m worth trusting with something as small as a nightmare, and Angela thinks that I’m practically neglecting you,” he begins.

You swallow harshly as his voice rises, stumbling backward when he starts moving his arms. 

“Especially considering I didn’t even want you here!”

Flinching, you snap your eyes closed and catch yourself on the corner of the wall. Tim freezes as he watches you. Everything begins snapping into place in his mind: your nightmares and the distance added to your reaction to him yelling and moving his hand are all signs he should have noticed sooner.

Your chest is heaving as you take short breaths, and when you finally open your eyes, you look terrified. Tim steps back, keeping his hands where you can see them. You focus on him as you slide down the wall, cradling your head in your hands as you fight off bad memories and a growing headache.

Tim watches you before sitting on the floor, keeping his distance. He waits for you to calm down, willing to let you decide whether or not you want to talk to him. You finally look back up at him, but he doesn’t move.

“I- I’m sorry,” you whisper.

“Can I come closer?” Tim asks.

You nod, and Tim slides across the floor, not wanting to stand up and look any more imposing than necessary. His knee presses gently against your thigh, and when you don’t move, he gives you a small smile – the first you’ve ever seen.

“I’ll leave in the morning,” you say, fiddling with your fingers.

“Please don’t,” Tim replies, shaking his head. “I’m really sorry. I wasn’t mad at you, just angry with a long day. But that’s no reason to yell at you or act like that. You confused me, and I didn’t know how to deal with it. That’s on me.”

“I’m sorry,” you repeat.

“Don’t. When I was younger, my dad took his anger out on me sometimes. I’m sure I deserved it once or twice, but I also know better than to treat people like an emotional outlet. If you ever want to talk, I’m here.”

You nod before saying, “My ex.”

Tim feels a protective surge at the idea of anyone hurting you, let alone doing it enough times that yelling pushes you to the point of a panic attack.

After comforting you with proximity and kind words, Tim offers to walk you to bed. Your hand brushes his as he opens your door, and you smile as you thank him for everything. It’s a minor change in your relationship but an important one.

✯✯✯✯✯

Tim leaves before you wake up the following morning, determined to find out as much as he can about you and your past. He’s not necessarily being nosy, but he wants to know if there’s anything specific that could help or hurt you.

“What do you know?” he demands as he storms up to Angela’s desk.

“About what?” she replies, raising her brows.

“What do you mean ‘about what’? Her!”

Nyla leans back in her chair, glad to watch the unfolding drama.

“Tim, I don’t know what you’re talking about,” Angela explains.

“Why’d she move to LA?”

“Are you seriously trying to find something wrong with her? That’s low.”

Tim moves around her desk, dropping his voice to answer, “I’m trying to figure out who thought it was okay to put their hands on her. Because she won’t let me in.”

Angela begins connecting the dots you left untouched. You ran from the person controlling your life, not your actual life. She knew that you were omitting something during your initial meeting, but she didn’t expect it to be so big.

“Have you been open with her?” Angela asks finally. “Because that’s a two-way street. I’ll talk to her if you want me to, but she trusts you, Tim.”

“How do you know that?”

Nyla’s eyes bounce back and forth like she’s watching a tennis game. She sighs before deciding to interject. “She told her! Sent her a text one night!” she calls out, smiling and waving when Angela and Tim look at her.

Tim nods, giving Angela the closest she’ll get to an apologetic look before leaving.

✯✯✯✯✯

Returning home, Tim is surprised to find you on the couch, in your work clothes, with your face pressed into a pillow. You wave your fingers without moving to acknowledge him, and he remains silent as he walks to the kitchen.

“You don’t have to be silent, it’s your house,” you mumble. “I’ll figure out a way to get to the bedroom.”

“You’re fine here,” Tim answers, setting a glass of water beside you. “Another migraine?”

“Skull fractured from getting my head pushed through a window a few months ago,” you explain with a sigh. “The migraines have gotten worse since then.”

Tim lays a hand on your shoulder, giving you plenty of time to tell him not to touch you. You don’t, relaxing under his touch instead. Tim takes a seat beside you, hoping to comfort you once more.

“Your ex?” Tim asks. 

You hum a yes, and Tim’s jaw tightens, even as he comforts you.

✯✯✯✯✯

Walking into the police station, Tim’s wallet is tucked safely in your bag. Approaching the front desk, you say your name and are wordlessly handed a visitor’s badge before someone gives you directions. You don’t have time to argue, shrugging as you attempt to remember where to turn. Angela sees you before you see her, rushing to your side and looping her arm with yours.

“What are you doing here?” she asks happily.

“Uh, Tim forgot his wallet. I was just going to drop it off, but they sent me back here,” you answer.

Tim says your name, coming around a corner, and Angela pushes you toward him, joining Nyla as they watch your interaction.

“You know she was trying to get you a girlfriend and not just a roommate, right?”

Tim nods a thanks as he accepts his wallet, glancing over at your audience. “I’m half-tempted to make them think I kicked you out.”

You smile brightly, and Tim licks his lips to keep his smile from mirroring yours. His eyes tell you more than enough, and you’re happy to see him, too.

“Do it,” you whisper. “Just let me know when so I can play my part. Angela told me to call her if you were ever mean to me.”

“Have you?”

You don’t answer, opting to wink at him before stepping back. Waving at Angela and Nyla, you leave the station as they rush to Tim’s side. As they ask overlapping questions and talk about how cute you and Tim look standing together, Tim ignores them before walking away.

✯✯✯✯✯

Tim is pulled from his sleep by your panicked yell. He leaves his bed and barges into your room with no thought. His heart rate slows when he sees your teary face and tangled sheets.

“Sorry,” you mutter as you wipe your tears. “I just don’t know how to make them stop.”

Tim sits beside you, opening an arm toward you. It’s a bold move, especially for him, but you take his offer and curl into his side.

“Are- did you mean it when you said I could talk about it?” you ask.

Tim nods, and you tell him more, but not everything. You remind yourself that he’s your roommate and maybe, just maybe, he's your friend, but he’s not here to listen to all of your baggage.

“The last thing he said before I left was, ‘there is nowhere you can go that my love won’t lead me to find you.’”

“You know that wasn’t love,” Tim replies, waiting for your nod before continuing. “And I’ve got your back, Angela and Nyla are right here, and we won’t let anything happen to you. No matter what.”

Drifting back to sleep in his warm, safe embrace, you finally learn what it’s like not to be scared.

When you wake alone, neither you nor Tim acknowledge what happened. You’re okay with slow changes, as long as there are changes.

“Tim,” you say, interrupting him on his way out. “Thank you. For last night.”

“I’m only ever a call away,” he reminds you.

✯✯✯✯✯

Your head starts aching around noon, quickly worsening into a full-blown migraine. When you’re ready to go home, it’s bad enough that you can’t drive. Sitting in your car and resting your head against the steering wheel, you want to call Tim but can’t find the strength to move.

Tim, meanwhile, returns home and begins wondering where you are. He calls, and you don’t answer, so he lets his worry control him as he gets back in his truck and drives your usual route. Tim hopes to pass you or find you waiting as someone changes your tire. When he gets to the parking lot of your job and sees you slumped in your car, he has to fight not to panic.

Rushing to the door, he’s both grateful and concerned that it’s unlocked. He kneels beside you, saying your name before bending to see you. Your eyes are tightly closed, but tears are still leaking out. 

“I’m taking you to the hospital,” he says.

You whimper as he picks you up, clinging to him until he lays you down in the backseat of his truck, buckling you in as well as possible.

“Hospital can’t help,” you mumble.

Tim wants to argue, but remembers what you said about the skull fracture. You’ve already been to the doctor, so maybe getting you home and comfortable will be enough.

After a nap partially influenced by unbearable pain, you wake to see Tim sitting by your bed.

“Why are you so nice to me? You didn’t even want a roommate,” you mutter sleepily.

Tim smiles, making you think you’re hallucinating. “Yet I got something better.”

✯✯✯✯✯

You don’t quite make it to work the next day. Walking into the station, you’re surprised when Nyla greets you first.

“I’m assuming it’s a joke,” she says.

You furrow your brows in confusion before you see Tim leaning on a desk with his arms crossed while Angela yells at him.

“Unless he really kicked you out,” Nyla adds.

You nod, walking towards Angela and Tim.

“No, you don’t get to blame me! I got you a roommate, a friend, a beautiful woman who could have been more than a friend, and you’re mad at me?” Angela exclaims.

Tim locks eyes with you, not changing his expression as he gauges whether or not her yelling is upsetting you.

“Can I talk to you?” you ask Tim.

Angela steps back, hoping to hear Tim apologize, but he stands up and gestures for you to follow him without speaking. Worried that you’re sick again, Tim waits silently.

“I’m okay,” you promise. “I just wanted to see you.”

Not believing something so simple, Tim shakes his head. “Tell me what happened.”

“I saw a guy who looked like him while I was driving to work. He was yelling at a girl outside of a diner, and it made me nervous.” You keep your eyes on the floor, but Tim gently raises your head.

“You’re not alone, and I know that things still seem uncertain, and probably will for a long time, but you don’t have to be afraid of anything while I’m here.”

“Then why’d you kick me out?” you tease with a pout.

Tim shakes his head, telling you to go before following you out. You wipe an imaginary tear before waving at Angela.

“No, you’re not leaving,” she says, grabbing your shoulders and steering you toward her desk.

Nyla smiles at Tim, and he sighs before following.

“Tell me exactly what happened between you two,” Angela commands.

You look past her before tensing, and Tim immediately catches on. He follows your line of vision and sees Nolan and Celina booking someone. You shrink in on yourself, and Tim moves to block your view.

“Get her out of here,” he tells Angela.

Angela doesn’t wait before obeying, ushering you into the bullpen and out of sight.

“What’s the charge?” Tim asks Celina.

“Assault. Beat up a woman outside a diner,” she answers.

Tim’s jaw tightens at the knowledge that this man made you nervous this morning, reminding you of your ex. He hates abuse in every situation, but when you’re involved, his protectiveness and anger differ. Tim leaves before saying or doing something he’ll regret.

When he finds you in the bullpen, he takes one look at you before hugging you. It’s quick, but Angela and Nyla look at each other in shock.

“So, you’re good?” Nyla asks.

“We were never bad,” you reply. “Just wanted to get back at Angela for trying to set us up.”

“It worked?” Angela inquires excitedly.

“Not yet.”

“Not yet?” Tim repeats, looking over at you. He shrugs as he concedes, “Okay.”

✯✯✯✯✯

When Tim gets home, he drops his stuff by the door, raising his arms in question as he looks at you. “Not yet? What is that supposed to mean?”

“You haven’t made a move. How do I know you’re not just protective and caring under that handsome, gruff exterior?” you ask with a shrug.

Tim shakes his head, cupping the back of your head gently as he kisses you. You raise your hands over his chest to hold his jaw, pushing yourself closer as you reciprocate his every move.

“Because I don’t protect just anyone like this,” he says against your lips.

You kiss him again before asking, “Does this mean you can reduce my rent?”

Tim rolls his eyes, tucking you against his side where you’re safe from everything and everyone. 

shot - e. buckley

evan buckley x gn!reader

summary: a visit to the 118 goes wrong when a grief-stricken man with a gun storms in.

w/c: 2.4k

⚠️ TW: gun, shooting

You made your way to the 118 firehouse, a container of cheesecake cradled in your arms. You'd baked it especially for them, making sure to save an extra slice for Chimney, who had raved about it last time.

As you stepped inside, Buck greeted you with his signature smile, his blue eyes lighting up as he noticed the dessert in your hands. "You really didn't have to," he said, pulling you into a hug. "I wanted to," you replied, enjoying the comfort of his embrace. "Besides, Chimney practically begged for more last time."

Buck laughed, taking the cheesecake from you and leading you upstairs to set it on the table where the rest of the crew was gathered. "You should stay awhile," he suggested. "At least until the next call." It didn't take much convincing. Spending time with Buck and his team always made you feel like you were part of something special - they were like a second family to you.

But the peaceful atmosphere didn't last.

About fifteen minutes later, a shout echoed from downstairs, shattering the mood. Everyone turned their heads toward the commotion, a collective unease settling over the group. Everyone exchanged wary glances before rising to investigate. As you all gathered at the top of the staircase, what you saw sent a cold chill down your spine. A man stood at the bottom, brandishing a gun, his voice trembling with rage and desperation. "You killed my wife!" he screamed, his face contorted in agony. "Now you're all going to pay!" The man's behavior sent a wave of fear through you as he ordered everyone downstairs.

Your heart pounded in your chest, but you couldn't afford to panic. Slowly, you began descending the stairs with the others, taking note of the man's shaky hands, the sweat beading on his forehead, and the wild look in his eyes. You leaned toward Buck, your voice barely above a whisper. "Look at him closely, babe. He looks like he's under the influence of something."

Buck followed your gaze, his brows furrowing as he observed the man more closely. You continue, "His hands are trembling a lot, he's sweating excessively and his eyes look wide and panicked. That can't be normal." Buck nodded in agreement, whispering back, "You're right. If he really is under the influence, it makes this ten times more dangerous because he could be unpredictable. We need to be careful."

Before you could say anything else, the man's eyes snapped to you. "What are you whispering about?" he demanded. "N-nothing," you stuttered, hating how fear made your voice falter. "Better be," he growled, his eyes darting between you and Buck.

Buck gently put his hand on the small of your back, his touch bringing some comfort to you. ‌"It's okay, baby. We'll be fine," he tried to reassure you, but he didn't seem so certain himself.

Once you were downstairs, everyone spread out slightly, but Buck stayed close, his touch never leaving you. The man's breathing was erratic, and he was clearly unstable. You kept glancing at Buck, who kept his hand lightly on your back, a silent promise that he wouldn't let anything happen to you. "Stay calm," Buck whispered again, his voice low and controlled, even though you could feel his pulse quicken through the light pressure of his hand.

The man's gaze darted between the firefighters, paranoia swirling in his bloodshot eyes. His grip on the gun tightened, knuckles white against the metal. "You think I'm bluffing?" he growled, eyes wild. "You think I won't do it?"

‌Behind you, Eddie slowly moved to your right, his movements so subtle that you almost didn't notice. You could tell he was preparing for something, but you weren't sure what. ‌Chimney tried to reason with the man, "We're not the ones who hurt your wife, man. Let's talk about this, figure out what happened. There's no need for this to get worse."

‌The man's hand shook even more violently, the gun bobbing in the air. "Shut up! You don't know anything!"

Hen had positioned herself slightly to the left, closer to the phone. The man glanced away for a moment, his focus faltering. ‌But then, suddenly, he snapped back to you and Buck, eyes narrowing. "You two," he snarled, pointing the gun directly at you. "You were whispering. Come here."

Buck stepped forward in front of you, shielding you instinctively. "Leave her out of this. She's not the one you want," he said, his voice dangerously steady, but there was a tremor underneath that only you could hear. The man's eyes darted between the two of you, flickering with uncertainty. His breathing grew more erratic by the second. You knew Buck was ready to move if he had to, but the wrong move could end disastrously.

‌You took a deep breath, trying to keep your voice steady as you started to speak, hoping to diffuse the situation as best as you could. "We don't want any trouble. Please, just put the gun down. We can talk this out, okay?"

‌The man wavered for a split second, his grip faltering. His eyes flickered to you, and for a moment, you saw some uncertainty, or even hesitation. His grip on the gun loosened slightly, his stance wavering. You hoped this would de-escalate or else this would all spiral out of control.‌ "You don't have to do this," you said softly, keeping your hands where he could see them. "Whatever happened to your wife, it wasn't their fault. They're just here to help."

‌For a moment, the man looked confused at your words. He probably assumed you were also a firefighter but he seemed to realise that you weren't. Then, his face twisted in anger. "Help? You call letting her die helping?" His voice cracked, desperation leaking into his words. He looked over at the rest of the 118. "I trusted you guys. She trusted you!"

‌Eddie inched a little closer, but the man suddenly noticed the movement, snapping his attention back to Eddie. "Stop!" he yelled, pointing the gun wildly between all of you. "Stay where you are! I swear, I'll shoot!" ‌Eddie froze, hands up, and you felt your heart hammering in your chest. Buck stepped closer to you again, his body tense, ready to move if needed. ‌"Listen," Buck said, his voice calm but firm. "We're sorry about what happened to your wife. But this isn't going to help. This isn't going to bring her back. Please, let's just talk."

‌The man's face contorted with pain, his eyes glossy, filled with unshed tears. His arm was trembling so badly that you feared he might pull the trigger by accident. His voice wavered, "I-I don't know what to do anymore..."

‌Hen, who'd managed to get a little closer to the phone, locked eyes with you. She signalled for you to keep him talking. The longer you stalled, the better chance you had of getting help. ‌Taking a breath, you spoke gently. "I can't imagine how much you're hurting. Losing someone like that... it's unbearable. But this isn't what your wife would want."

‌He lightly flinched at that, and you knew you'd struck something deep. Did you say the wrong thing? You hoped you hadn't or you could end up dead - or even worse, one of the 118. "You don't know what she'd want," he muttered, though the conviction in his voice was fading.

‌"I don't," you admitted. "But I can tell you loved her. And I know that if she was here right now, she'd want you to be safe. She wouldn't want you to throw your life away."

‌Tears slipped down his cheeks, and his hand shook violently, the gun lowering just slightly. But then, almost out of nowhere, a sharp ring pierced the air - the phone. ‌The man jumped, startled by the sound, and in his panic, his finger tightened on the trigger.

Bang!

Everything happened in a blur. You felt Buck pulling you to the ground as the shot rang out. There was shouting, movement all around, and you didn't even know where the bullet went. Your ears rang from the sound, and your heart felt like it was about to burst out of your chest.

‌When you finally managed to focus again, you saw Eddie and Bobby rushing toward the man, disarming him as he stumbled backward in shock. Hen and Chimney were already moving to check on everyone.

‌Buck looked down at you, still shielding you even though the danger had passed. Until he felt something. ‌Buck pulled away slightly, his eyes widening in horror as he noticed the blood soaking through your shirt. "No, no, no..." he muttered, his hands trembling as he pressed down on your abdomen. You hadn't even realized you'd been hit, the shock of everything numbing the pain.

‌"Buck?" your voice came out weaker than you intended and the moment you heard it, the reality started to sink in. The bullet must have hit you. You tried to focus, but the pain was spreading, sharp and hot.

‌"Hey, stay with me," Buck said urgently, panic creeping into his voice. "You're gonna be okay. Chim! Hen!" His voice cracked as he called for help, but you could barely focus on him anymore. The world felt fuzzy at the edges, the sound of everyone around you starting to blur.

‌Chimney was beside you in an instant, his hands moving quickly to assess the wound. "Alright, we've got you," Chim said, his voice steadier than Buck's, but you could see the worry etched in his face. Hen was already rushing to grab supplies and Eddie tried to move Buck to the side but Buck refused to budge, his hand still pressed against the wound, his eyes locked on yours. "Stay with me, please," Buck whispered, his voice breaking. You could see the desperation in his eyes, his fear for you palpable.

‌Chimney spoke more urgently now. "Buck, you need to let us work. We need to stop the bleeding." ‌Buck hesitated, his grip tightening as if letting go of you would mean losing you, but finally, he stepped back, allowing Chimney to take over. Hen was back in seconds, placing pressure on the wound as Chimney worked quickly, his face calm but focused.

‌You felt Buck's hand grasp yours, his fingers trembling. "You're gonna be fine," he kept saying, over and over, as if trying to convince himself as much as you. But your body felt heavy, the pain sharp. ‌You tried to speak, to tell him you were okay, but the words wouldn't come out. Instead, you just squeezed his hand weakly, hoping it was enough.

‌"Hang in there," Hen said as she prepared an IV, her hands moving swiftly. "We'll get you to the hospital soon."

‌Everything felt like it was moving in slow motion. The world around you was dimming, the edges of your vision going dark. You could hear the sirens in the distance, you knew help was coming but it felt so far away. Buck's voice was the only thing grounding you, the only thing keeping you from slipping away entirely.

‌"I love you," Buck said, his voice barely above a whisper, the words laced with fear. "Please... don't leave me." ‌You tried to hold on to that, to his voice, to the warmth of his hand, but the pain was overwhelming. The last thing you saw before the darkness took over was your boyfriend's face, tear-streaked and terrified, as the world faded to black.

(TIMESKIP - the next day)

When you finally woke up, the harsh lights above blurred into focus. Your body felt heavy, your chest tight with pain. For a moment, everything was hazy, and you couldn't remember how you got there, but then it hit you like a truck. The gunman, the shot, Buck's terrified voice.

‌You blinked, your vision clearing just enough to see Buck sat beside you, his eyes red and puffy from crying. His hand was wrapped around yours, his grip so tight you wondered if he'd been holding it like that the whole time.

‌"Buck," you whispered, your voice weak. The simple act of speaking made your throat burn, but you needed to let him know you were here, okay - or at least alive. ‌"You're awake," he breathed, his voice thick with emotion. He sat up straighter, leaning closer to you. "Thank God, you're awake."

‌You managed a weak smile, though every movement felt like a huge effort. "Hey," you whisper, "It's okay, Buck. I'm okay."

‌Buck let out a breathy laugh, though it was laced with a kind of relief and disbelief. "You scared the hell out of me," he said, his thumb brushing over the back of your hand. "I thought-" He swallowed hard, his voice cracking slightly. "I thought I was going to lose you."

‌Buck looked like he was barely holding it together. "Baby, your heart stopped. It-" he paused, his voice shaking. "But they brought you back. You're okay now. You're going to be okay." He said it like he's reassuring himself. ‌You glanced down at yourself, seeing the bandages across your abdomen. It hurt but the pain was nothing compared to the fear you had felt before everything went black.

‌"I was so scared," Buck continued, his voice breaking as he squeezed your hand again. "I couldn't do anything but watch you bleed, and I..." He trailed off, shaking his head as if trying to shake away the memory. "I don't know what I would've done if we lost you."

‌"Shh," you murmured, managing to lift your other hand weakly to touch his face. "I'm right here." ‌He closed his eyes at the touch, leaning into your hand. "I love you," he whispered again, like he needed you to know, like you might forget if he doesn't say it enough. "You mean everything to me."

‌Tears stung your eyes, the overwhelming emotions mixing with the pain in your body. "I love you too, Buck," you whispered back. The words were weak, but they were all you could give him in that moment.

‌He smiled, though it was shaky, brushing his thumb over your knuckles. "Just rest, okay? The doctors said you're going to need time to heal."

‌You nodded slowly, exhaustion starting to pull at you again. The pain meds were dulling the ache in your body but your body was craving rest. As you closed your eyes again, Buck's hand stayed firmly in yours. He promised himself he would stay with you however long you needed him to.

911 masterlist

Tim Through the Years - The Second Date

Series Masterlist

Summary: You and Tim go on your second date and he mischievously makes you fall for him. 0.5k+ words

It was your third outfit change this morning, and the closet was looking like a disaster. This was your second date with Tim, and you were going out for lunch. Last night was so amazing with him. You finally settled on a sundress covered in strawberries, and as soon as you put on your shoes, there was a knock at the door. 

“Coming!” you shouted as you quickly walked to the door and opened it to reveal Tim in a blue button-down and some jeans. “Hey Tim,” you said to him shyly.

“Hey,” Tim said quietly. “Wow, you’re so beautiful.”

“Thank you, let me grab my bag and we can go,” you told him while you grabbed your purse.

Tim offered his arm after you locked up your house and led you to his truck out front. 

Tim told you that he was taking you to the Santa Monica Pier for the day, that he was going to win you all the stuffed animals that your heart desires. 

What you wanted first was some food, so you both went to all the different booths and got a variety of stuff to share. Which was all delicious and you got to walk around the pier as you ate and people-watched.

A young lady was doing caricatures by the water, and you asked Tim if he would sit down with you to get drawn. He, of course, agreed, and he put his arm around you as the lady drew.

After your picture was drawn, you both stopped by to see what game Tim should play. You decided on a ping pong toss game that was currently being used by a child. The small boy kept missing the bowl of the red beta. Soon his turn was over, and he had no more pocket money. As Tim paid the man, the small boy watched from the side to see if he could tell what Tim's strategy was. Tim tossed the balls a couple times, and they missed, but the last one landed in the red beta. After Tim was handed the fish, he walked over and handed the small boy the beta.

“Here you go,” Tim told the boy with a smile, “you’ve been trying really hard for this guy.”

“But, Mister! It’s yours fair and square,” the small boy informed Tim.

“And I want to give it to you,” Tim responded. “It’s all yours”.

“Really?!?! Thanks, Mister!” The small boy quickly hugged Tim and took the beta, walking carefully over to his mom and exclaiming loudly about what happened. 

Tim turned to you with a sheepish smile. “Sorry, he seemed like he needed it more.”

You smiled at Tim. “It’s all good. You did that on purpose to try and win me over.”

A mischievous smirk crept onto Tim’s face. “Oh absolutely.”

The sun had set many hours ago, and you were walking hand-in-hand on the beach without shoes so the ocean water would brush up against you. 

“Today has been amazing,” you told Tim as you squeezed his hand softly. 

“I had an awesome time today, too,” Tim said. He slowly stopped you and turned to look at you.

“Can I kiss you?” Tim asked softly with a shy smile.

“Yes.”

Tim slid his hand up onto your cheek, slowly leaned in, and kissed you softly. It felt like fireworks were flying between you both. You were really falling in love with this man and falling hard.

GRRRRRR I NEED A STILES FIC WHERE'S UR LIKE THE COACH'S KID OR SMTH AND HE FINDS OUT. IT'S NOT FUNNY I NEED STILES IN MY VEINS AAAA. Who said that guys...

ˋ°•*⁀➷ “You’re coach’s daughter!?” ♬⋆.˚

╰┈➤ requested!

pairings(s)- stiles stilinski x reader

Summary- You and Stiles have been talking recently but he finds out who your dad is.

category- fluff

warnings- american school system, coach, greenberg, slight shy!stiles, not proofread

word count: 2670

masterlist; teen wolf masterlist

a/n: I hope this fits what you wanted!!

---------------------------

You had switched to Beacon Hills High School during your sophomore year of high school. Your father is a coach and teacher for Beacon Hills so you went to a different school, you and your dad (mostly you) thinking it was for the best.

But you hated it, the reachers were annoying, the school was crazy strict and you just didn’t fit within the school so you asked your dad if you could transfer to Beacon Hills where be taught at. He was more than overjoyed to now have you attending his school, he signed the transfer papers fairly quickly.

You had only transferred at the beginning of the school year, showing up for the first day like any of the normal students.

Now it was the 3rd month of school and no one knew you were Coach Finstocks daughter except for the two of you, and the principal. Your parents split up when you were little, your dad getting full custody of you though you do see your mom here and there. When you were born you got your mothers last name, something to do with her culture or the way she was raised so that was another reason no one knew you were Bobby’s daughter, you guys didn’t have the same last name.

When you arrived at the school your attention was immediately taken by a certain boy. His name was Stiles Stilinski. As soon as you saw him you thought he was the most attractive guy you’ve ever seen, everything about him was literally perfect in your eyes. So what did you do? You talked to him…but not until like a month and a half of school had already passed

On the first day of school when you walked into class is when you noticed him, you also noticed him staring. So you walked towards the empty seat behind him and sat down. That day when you had sat in that seat, he and his friend turned around slightly and you just gave them a smile.

Almost 2 months had passed since the first say of school and that was when the two of you first spoke. The both of you remembered that day distinctly.

You walked to your usual seat in first person and sat down, right behind Stiles like usual. When the teacher began class you took a breath. You had finally grown the balls to talk to him, since he wasn’t going to be the one to do it. Leaning forward slightly in your seat, your hand reaches forward and gently taps his shoulder twice, your hand lingering on his shoulder for a moment, not enough for someone else to notice, but enough for just the both if you to notice.

The boy quickly turned around, he knew it had to have been you since you sat behind him but when he turned around and actually got view of you actually trying to talk to him he lost his breath. His mouth dropped open slightly, his jaw slightly moving as if he was trying to talk but the poor boy just couldn’t get the words out.

In response to his awkwardness you let a smile overcome your face, trying your best to not laugh at his expression. “do you have a pencil I could borrow?” you ask quietly, careful not to disturb the teachers lesson. Now, after a while of wanting to talk to him all you did was ask if you could barrow a pencil (which you had in your bag anyways), but it was better than nothing!

Stiles’s mouth snaps shut and he swallows, nodding quickly he turns around and grabs a perfectly sharpened pencil out of his bag. He turns back around rapidly and holds the pencil up between the two of you like it was a prize. The smile on your face grows wider all while he just stares at you with wide eyes, as if he’s in a trance. You reach forward and grab the pencil from his hand, purposely making your hand graze against his. The boys expression hadn’t changed, still looking at you as if you were a princess or something.

Stiles could have sworn his heart skipped a beat and no actually probably stopped when he turned around to see you looking at him with a gentle expression.

He had wanted to talk to you since the very first day of school when he saw you. Before that day he had never seen you, so clearly you were new to Beacon Hills, or at least new to the high school. He just never had the guts to actually speak to you, he was never good with girls. Especially very pretty ones like you. When he first turned towards you he couldn’t tear his eyes off of you, you were up close and asking him a question and you looked like a princess. In that moment he would do anything you asked, when you asked for a pencil and finally snapped him out of his haze he was grateful. One of those reasons being because he thought he looked like an idiot staring at you like that, and second because he really liked your voice.

From that point forward the two of you spoke regularly. After a couple of days you guys ended up exchanging numbers and you talked 24/7. He still didn’t know that your dad was one of his teachers and his coach but you were going to tell him soon.

Last week Stiles was shockingly able to ask you on a date. You were shocked that he was able to stand in front of you and get the words out but you obviously said yes, happily. And when he got that answer he lit up like a kid at a candy store and did a celebratory movement. You had compromised a day in which you knew your dad wouldn’t be home, you didn’t want your dad to know just yet and you didn’t think Stiles would want to be heavily interrogated on your first date.

The date had went great, the two of you were just as amazing together as you were outside of romantic feelings. Although you guys just recently met, both of you could see a great relationship together and it was definitely something you both wanted to explore.

Just five days after your date with Stiles it was now a Wednesday and you were at school, the two of you were supposed to be having another date tonight. Right now it was your free period, usually you would go to the library to either read or catch up on work but the library was currently closed for the day seeing as the librarian had to leave early. It was too cold to go outside seeing as it was transitioning from fall into winter. So you decided you would go to your dads classroom seeing as his office is connected to the room and you knew he would let you chill in his office while he taught his class, what you didn’t know was that Stiles was in that current class.

You walk through the halls of the school, bag over one of your shoulders. Your phone in your hand with headphones connected to your phone and one of the buds in your ear.

When you make it to your dads classroom you bring your hand up and knock on the door. He opens the door and looks down at you with a confused expression “what are you doing here?” he asks, not rudely or in his usual tone of voice but in pure confusion and slight worry which shocks the other students, never having heard him using an abnormal tone of voice on a student.

Bobby steps aside and lets you walk in even further slightly. Upon seeing your frame Stiles perks up, a smile immediately casted onto his face and his curiosity spiked. “Free period and library’s closed. Can I chill in your office?” you ask your dad, slightly stepping further into the classroom, avoiding looking at any of the other students. “yeah go ahead” he looks down at you a nods. He moves back towards the front of his desk while you walk past.

As you were walking you felt eyes on you. You were about to turn around when your dad speaks up. “Greenberg! Stop looking at my daughter!” he says harshly. You squeeze your eyes shut slightly and turn towards your dad with raised eyebrows. Still feeling eyes on you, you turn your head slightly and see Stiles looking ahead at you with wide eyes and a dropped jaw. At further notice everyone in the classroom was looking between you and your dad in shock, well except for Greenberg, he had his head down after your dad’s comment.

“shes your daughter?” Stiles says loudly in shock, his finger pointing at you. His mouth was open in a jaw dropping way and his eyes were wide. You take a deep breath and walk into your dads office, ignoring the eyes of your fellow students and more importantly Stiles

It was now the end of the school day and you were getting longer stares from students, clearly word had gotten around. You truly didn’t care but now everyone would be questioning why neither of you said anything.

And let’s just say you were slightly avoiding Stiles, well not really…you only avoided him after that class. You were now at your locker, packing up your school bag so you could head home when a presence is suddenly next to you. “Coach is your dad!?” the voice exclaims, breaking slightly at the end. You let out a breath and grab your bag, then closing your locker.

Stiles’s face was revealed once you closed your locker. His face was filled with pure shock, he looked at you as if you had two heads. Your lips press together into a thin line and your grip on your backpack adjusts. “Sorry I didn’t tell you, I was going to I swear!” You try your best to reassure him.

His face confronts from shock and into confusion, looking at you with pulled eyebrows but his mouth still slightly open. “Wha- I just cant believe your Coaches daughter!” he exclaims loudly, everyone in the hall turns towards the two of you and in response to his loudness you raise a singular brow at him. He grimaces slightly “sorry” he whispers. “I just cant believe you, like you standing in front of me came from him, it makes no sense!” he exclaims, definitely more on the quieter side this time around.

You fight a smile on your face, Stiles always brought one to your face. When he sees you smiling a smile is immediately pushed onto his face as well. “Well I am” you respond quietly, looking up at him.

“And you know thats very scary but who cares?” Stiles shrugs, one of his hands coming up to grip onto his backpack strap. Your face lights up in response, you were scared he would want to see you anymore just because of who your dad is. You let out a small laugh at him saying your dad was scary but then you look up at him happily “so, our dates still on?” you ask, swaying your body lightly.

He pulls a face and looks at you as if you asked the dumbest question ever. “Are you serious? You’re the best girl ever of course I want to go on that date, you’re like amazing, your pretty, funny, kind, great clothes- Well uh um unless you dont want to go on the date which is totally-“ He rambles, moving his hands theatrically.

During his rambling you couldn’t help but smile. Sure the compliments weren’t out of this world creative or poetic but when you could tell they actually mean something from who they’re coming from means a lot. Before he could continue to ramble and stress about if you wanted to go on the date or not you bring your hand up and cover his mouth. “I want to go on the date, Stiles.” you assure him, nodding your head slightly with a smile

Stiles lets out a little nervous laugh and nods as you remove your hand from his face. He tucks one of his hands into his jean pocket and looks down at you bashfully “good, cause I was- am really excited about it” he tells you, bouncing on his feet lightly.

“me too” you respond, looking up at him with a matching smile.

It was now later in the day and you were ready for your date with Stiles. You were dressed in a cute turtleneck sweater and a pair of jeans, Stiles said he was surprising you so you had no clue where the two of you were going.

Now, since the cat was out of the bag you didn’t see too much of a problem in the fact that your dad would indeed be home all night. So he would be here when Stiles picked you up and dropped you off, which was definitely nerve wracking knowing who your dad was and knowing how Stiles is, Oh! and the fact that your dad had no clue you were going on a date.

You were putting in your last earring when the doorbell rang, you quickly grab your jacket and throw it on, as well as grabbing your purse as you walk out of your bedroom. As you were walking down the steps you hear your fathers naturally loud voice ring out so you stop, not being seen by either of them. “What are you doing here Stilinski? and with flowers?”

“uh um your-“ before Stiles could even finish his sentence where he was going to tell Bobby the flowers were for you he jumps in.

“for me?” He asks dryly, knowing they weren’t for him yet at the same time not knowing they were for his daughter that was currently eavesdropping.

“Yeah! actually! As a thank you for being the best coach” Stiles stammers, pushing them forward and into your dad’s hands. From on top of the steps behind the wall you let out a giggle and finally decide to put Stiles out of him misery.

Your dad looked down at the bouquet of flowers in his hand then back up at an awkwardly smiling Stiles in pure confusion. Not a single thought in your dad’s brain or a feature in his face didn’t hold confusion.

You walk forward, now stepping in between the two boys. “Dad. Stiles and I are going on a date” you tell him confidently. To be sure to win your father over him you show him one of your award winning smiles that always had an effect on your dad.

“Stilinski? You’re going on a date with Stilinski? Actually no, my daughter’s going on a date?” Bobby exclaims, pointing his finger at each of you accordingly.

“yup” you say happily, popping the p

“oh god” Stiles whispers, silently praying for his safety

“since when do you go on dates?” Your dad asks uncomfortably yet in his usual stern voice. He didn’t like seeing his little girl grow up.

“since now, dad” you respond, quickly pulling him into a hug and pecking his cheek. “Make sure to put those in water!” you say hurriedly while grabbing Stiles’s hand and speed walking to his car

“Have her home by ten!” Your father exclaims, his hand holding the flowers raising and shaking sternly with his words.

“Yes Coach! Oh uh Sir!” Stiles exclaims back to him, clumsily almost tripping over his feet but your hold was there to balance him. He opens the door for you and lend you a hand to get inside before running around to the drivers side of his precious Rosco.

“At least it wasnt GreenBerg” Bobby mutters, running a hand over his face and through his hair as he closes the front door.

Anonymity

Pairing: Tim Bradford x fem!singer!reader

Summary: You and Tim Bradford have secret lives, but when you see one another, the desire to wear a mask disappears.

Warnings: attempted violence against reader, mostly fluff!

Word Count: 3.3k+ words

A/N: There was a brief period where I wanted to be a songwriter, so the bad lyrics in this are mine! I've been listening to even more music than usual lately so if you have (or need) any song recs, please drop them in my inbox🤭

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

“What exactly are you telling me?” you question.

“Your front row security team refused to sign the NDA,” your manager Wendy explains.

“So, I don’t have stage security for tonight? The show that starts in less than six hours,” you clarify.

“Right.”

You sigh, rubbing your jaw as you think. “Do they have to sign one?”

“They’re required to have backstage access via all access passes to be in that area between the crowd and the stage,” she explains. “So, yes.”

“And we can’t get a security team vetted, signed, and prepped that quickly. What are we supposed to do?”

“I don’t want to suggest we cancel the show, but our options are incredibly limited.”

“That is not an option,” you say. “These people paid for tickets; they’re already lining up. Absolutely not.”

“Legally, I cannot let you on that stage. As your friend, I wouldn’t anyway, it is not safe.”

“Then we need to start brainstorming.”

Your makeup artist enters, greets you kindly, and begins clipping your hair away from your face.

“I have one idea,” your manager says several minutes later. “But you’re not going to like it.”

“Can’t be as bad as cancelling,” you murmur.

“We could call the LAPD for assistance.”

You shake your head, meeting her eyes in the mirror. “They have better things to do.”

“Then we ask for a few trustworthy cops who are off duty and make it well worth their while.”

You hesitate but answer, “Fine. But give them double what we were going to pay the last team.”

“Whatever you say, Scinan.”

You grab a used makeup wipe off the vanity and throw it over your shoulder at Wendy. She laughs as she dodges it, then walks out of the room. You apologize to your makeup artist and sit back to have your transformation completed. Because you remain entirely anonymous on stage, there are a lot of security and legal measures that someone has to consider. Luckily, you have an entire team of people you trust.

Letting your eyes close, you review your set in your head, then start daydreaming new stories and shifting them into songs. The hours leading up to a concert used to be stressful and anxiety-inducing, but after several weeks of sold-out stadiums, you’ve learned to find the peace before the madness. Besides, you love what you do.

“If there’s a bunch of cops in the front row,” your makeup artist muses, “I might stay and fall in love.”

“Only if you wait for a decent song to kiss, give the people in the front row something worth filming,” you tease.

Less than an hour before the doors open and SoFi Stadium fills with fans, Wendy knocks on your open door and steps into the green room your host set up before you arrived.

“Good news?” you ask.

She looks at you for a moment, then shakes her head. “Sorry. You’d think I’d be used to the difference, but it still throws me off a little bit when I see the costume.”

“Well, at least I succeed in looking like a different person,” you reply.

“I do have good news, though.”

She offers you a small stack of papers, and you flip through the signed and dated NDAs. They’ve been notarized, so you return them and thank her for the quick thinking.

“What did the LAPD say when you called?” you ask.

“The Sergeant I talked to was more than willing to pass the offer along, even recommended a few officers he knew had tonight off. They now make up four-fifths of your security team.”

“Are they here?”

“Yes, they’re getting familiar with the stage area.”

“I want to meet them before the doors open.”

“Follow me,” Wendy says.

You walk onto the stage and immediately spot the officers. They’re wearing similar dark tactical pants, boots, and matching shirts reading ‘SECURITY’ on the front and back. The three men before you have black ball caps tucked in their back pockets.

“Officers,” Wendy calls. “I’d like to introduce you to Scinan.”

“Hi!” one of the female officers says, waving excitedly. “I’m a huge fan, but I promise I’m not you know, a crazy fan.”

“You sound a little crazy right now,” the woman beside her points out.

“I am excited,” the first woman says under her breath.

“Scinan,” Wendy begins, “these are Officers Chen, Lopez, Thorsen, Nolan, and Bradford.”

“Oh, first names, please,” Officer Thorsen says. “That’s Lucy, Angela, I’m Aaron, John, and Tim.”

“It’s very nice to meet you all,” you reply, smiling. “I can’t thank you enough for making time to be here.”

“It’s an honor, thank you,” Aaron says.

“You’re Aaron Thorsen?” you ask.

“Yeah,” he answers carefully. “Wondering where you know me from?”

“Sort of,” you admit. “Is your dad Lincoln? From Flex and Flow?”

“He is.”

“You know Flex and Flow?” Lucy exclaims. “Make Da Noise is my go-to karaoke jam.”

“Not this again,” Tim grumbles.

“I’ve never considered singing it at karaoke,” you reply. “Not that I ever actually do karaoke, but, you know.”

“You could sing your own songs, and no one would know,” Angela points out.

“I only have the confidence to sing in character,” you respond. “I’m more myself when people see a face that isn’t mine.”

“It works,” Lucy says. “Your fans – the ones who like you and your music and the stories – also like your mind and your heart, and your voice, obviously.”

“Thank you,” you whisper. “Help yourselves to the merchandise, it’s on me. Show your security badges at the snack bar, and you can get food, water, anything, free of charge.”

“There are also refreshments just off stage left,” Wendy offers.

“Right,” you agree. “Thank you all again, and I’ll see you all night.”

“Good luck,” Angela says.

“You don’t need luck,” Lucy adds.

“Thanks,” Nolan says. “My wife loves you, so I’ll get to take her at least a t-shirt.”

“Go get her one now,” you encourage. “Or one of each, seriously, it’s all on me. I can’t thank you enough for being here. This show quite literally would not be happening without you.”

You nod to Tim, the only one who didn’t speak directly to you, then turn to exit the stage. When you return, you’ll be fully immersed in your character, living a story similar yet wildly different to your own. Maybe you’ll have the courage to do more than look at him then.

The stadium is dark when you take your place at the microphone. Phones are up, cameras pointed toward you, yet you feel hidden, fully confident, and bright. Scinan, your stage name, is the Old English word for shine, and though your music is often referred to as dark, moody, and raw, you seek to bring some light to the darkness of reality. As you weave a narrative through your songs, albums, and the shroud of mystery around your character, you’re telling a story of moving through the dark, navigating life with a purpose rather than wandering blindly.

“Welcome to the City of Demons,” your voice says through the speakers. It’s distorted, played from the opening of your song Fear. As you wait for your cue to begin singing, the band starts playing, and the crowd cheers.

“Scinan!” the crowd yells.

You can hear some audience members quoting the song’s opening monologue, and you smile beneath your hollow ceramic mask. A few years ago, you wouldn’t have imagined you’d make it here. Now, you never want to leave.

“Darkness engulfs me like a blackened shroud,” you sing.

The lights behind you begin twinkling, reminiscent of a field full of fireflies.

“In this dark, I am forever alone.”

The stage lights slowly begin to glow, illuminating the meticulously designed stage. You look out into the crowd, invisible yet fully exposed.

“Even the sun can’t be seen through the cloud, and no one hears my broken groan.”

As the drummer picks up the tempo, you pull the microphone from the stand, walk to the edge of the stage, and wave to the crowd, inviting them to join you in the darkness as you lead them to the light. You squat behind Tim Bradford, watching him from behind your mask.

“The fear has kept me bound in its chain,” you sing.

The beat drops, and you join as the crowd yells, “So I pull it to my side!”

“I’ve got one surviving memory of when you walked away, taking everything,” you sing, stepping purposefully across the stage. “But past that I don’t remember a thing.”

“Scinan!” a man in the front row screams, waving a vinyl record cover.

You carefully jump off the stage and smile as you walk between the crowd barrier and the stage.

“Do you remember what it felt like when it was real?” you continue, accepting a pen from Officer Nolan to sign a few things.

When you reach the man who drew your attention, you scribble your autograph across the top corner of your most recent album cover. You step back, but he wraps his hand around your wrist, pulling you toward the barrier. Before you can glance over your shoulder, Tim Bradford is between you. You feel the man release you and step back, letting the crowd sing the chorus. Tim turns toward you, carefully steering you away from the front row as Nolan and Angela unceremoniously pull the man over the barrier and shove him toward the exit.

You pick up his forgotten album cover as the song ends. A young woman who'd been standing behind the man looks frightened, so you write a note on the cover and offer it to her with a smile.

"Are you okay?" Tim asks, holding your shoulders.

"Yeah," you answer. "Thank you."

Tim exhales like he's relieved you're safe. "Let me know if that changes."

“You know that video is going to be all over social media, right?” you whisper to Tim.

He taps the bill of his cap and winks before he helps you back onto the stage. You shake your wrist out and get right back into the show. With Tim so close, you have nothing to fear, not even the demons you fight through your music.

The final song on your set list is one of your slower songs but is among the most highly rated. You took to Instagram when the tour was first announced and allowed your followers to assist you in building the set list, and this was nearly unanimously voted to finish the show.

“Whoever you love,” you say into the mic. “Tell them before it’s too late. Sing it, scream it, whisper it, show it. But don’t risk what could’ve been for what might’ve been.”

As you sing the first verse, you remain close to the side of the stage where Tim is. You’ve been drawn to him all night, and it’s time you take your own advice. Even before he stepped between you and the overeager fan, you saw how special Tim was behind his mask. You can relate to that, but you also know that for the right person, removing the mask is more than revealing your appearance; it's baring your soul and your heart to someone worthy of seeing it and treasuring it.

You shift to sit on the catwalk, letting your feet hang over the edge. The crowd cheers, undoubtedly filming you and the moment you’re having. You lean forward and tap Tim’s shoulder. When he turns to you, you slip your arm across the back of his shoulders and tug him closer. Tim doesn’t fight you but steps forward to stand between your legs. You sing to him like there’s no one else around. There are 70,000 people in the stadium, but only one has your attention.

As the song ends, you lean back, pulling your palm lightly along Tim’s jaw before you stand and walk to the end of the catwalk. The song ends, and the lights go out. The crowd cheers, bringing another smile as you return to the mark where you started. With your custom-made, glowing blade in your hand, you press the foot pedal beside your mic stand and wait for the sword to alight. Cheers and screams fill the venue, and you spin it carefully before propping it against your shoulder.

“One more song for the road?” you ask as the bassist strums the opening chords of Blade.

“I can’t hear, but that was so worth it,” Lucy says too loudly as she pulls her earplugs out of her ears.

“Bailey was right,” Nolan muses. “She’s better live.”

“Wait, why didn’t Bailey come?” Angela inquires.

“She’s going to the San Diego show with a few friends next week.”

Aaron nods, and then his jaw drops. “Tim, you got a little something…”

Tim raises his hand to his neck, rubs it lightly, then looks at his fingers. They’re stained a yellow-tinted grey, clearly from where your painted skin touched him. He’d been face to face with you, his hand on your hip where the crowd couldn’t see, and it felt as if you were singing to him, about him.

“I would actually pay for her to sing like that to me,” Lucy sighs dreamily.

“Well, the paint is incredibly hard to remove, so now I feel bad,” you interrupt.

Tim turns first, looking up at you where you stand on the stage.

“Sorry,” you offer.

“It’s okay,” he assures you.

You glance down, but Tim shakes his head. He raises his arms and holds your hips. Bending forward, you place your hands on his shoulders and let him lower you onto the floor.

“Thank you,” you whisper before you step away from him.

Your outfit has been exchanged for black sweatpants and a Deftones shirt that is too big for you. The body paint covering your arms and neck has worn off in several places, but your face is still covered.

“You were incredible,” Aaron applauds. “What a show.”

“I really appreciate that,” you reply. “My security team made it special.”

“We’re yours now?” Lucy asks, bouncing in place.

You smile, but Tim answers, “Easy, Chen. Don’t drool all over her.”

“Sorry to interrupt,” Wendy says. “Do you need copies of your NDAs?”

“I do,” Angela replies. “My husband would kill me if I didn’t bring him one.”

“I’ll take mine, too,” Aaron adds. “Thank you.”

Nolan and Lucy also ask for copies, but Tim politely declines.

“It’s legal documentation,” Lucy points out. “You may need it.”

“You can call or email Wendy if you need it later,” you offer. “She can send it from anywhere.”

Lucy shrugs, but Aaron narrows his eyes. He shakes his head as Nolan and Angela begin speaking again, and whatever suspicion he had passes.

“If any of you are interested in security jobs or free concert tickets, please let me know,” you say. “I’ve got some stuff to do before we leave tomorrow, but it was very nice to meet you all.”

“You too,” they reply.

“Good luck with the rest of your tour,” Lucy adds.

You nod in gratitude, then step back so they can leave. When they walk toward the exit, it feels a bit like losing friends.

“What’s your favorite song?” Tim asks from beside you.

“You know the answer to that,” you reply, smiling at him. “I didn’t mean to paint you while I sang it, though. Sorry about that.”

“Not the first time I’ve had to wash this stuff off.”

You shake your head, raising your hand toward his face. Tim catches your wrist and wags his finger in a no motion.

“Sing about painting me or something, don’t actually do it.”

“My songs have to be authentic,” you groan. “I can’t sing about it if I haven’t experienced it.”

“After your last show, then,” Tim stipulates.

“You’re coming to San Diego with me?” you ask excitedly.

“If that’s alright.”

“I’d let you go everywhere with me, handsome.”

Tim taps your mask, and you tip your chin up. After pulling it away from your face, Tim carefully removes the strap from around your wig. He cups your chin and replies, “Beautiful.”

“The sweat streaks in the paint really sell the look, right?” you joke. “Speaking of which, I’m pretty sure Aaron knows.”

“If any of them caught on, it would be Angela.”

“He noticed that Wendy only had four NDAs.”

“I’m going to fire her.”

“Not your call.”

“They want to talk to you again,” Wendy calls from the right wing. “Can I bring them back in?”

“Yeah,” you reply. “Give me ninety seconds.”

“Got it.”

“I’m going to tell them,” Tim says, tugging the strap on your mask to put it back on.

You lift your hands quickly to stop him. “About what?”

“Lucy keeps trying to set me up on dates.”

Biting back a laugh, you nod and allow Tim to finish. As you face your returning friends, you murmur, “Tell them now.”

Tim looks at you but can’t reply before Aaron, Angela, Lucy, and Nolan return.

“I was wondering where you went,” Aaron tells Tim.

“We’d like to go to the San Diego show,” Angela explains. “Whether you need security, or we buy tickets, we’d love to be there.”

“I can hire you to work, or I can get you VIP passes,” you offer. “I’d love to have you there.”

“My wife is going,” Nolan tells you.

“Send Wendy her ticket info, I’ll get them upgraded and put you near each other, if you want.”

“You’re the sweetest person in the world,” Lucy says. “I love you.”

“Lucy,” Tim sighs.

“Ooh, Tim, you should bring a date.”

“Stop.”

“But, it would be so good for you!”

“Chen,” Tim interrupts firmly. “I’m married.”

The stadium falls quiet, no more voices to echo as Tim’s friends stare at him with wide eyes and slack jaws. They seem to repeat his statements internally as you watch them process his reveal.

“To whom?” Angela asks, clearly forcing her voice to stay level and calm.

“Why didn’t you tell me?!” Lucy demands without taking the same care to control her reaction.

“You all seem like very trustworthy people,” you murmur.

“We are,” Nolan says. “Which is why I don’t understand why you’d keep this from us.”

“Especially me!” Lucy adds. “I’ve been trying to set you up!”

“You are a catch,” you tell Tim. “Hope your wife doesn’t care that you’re wearing my mark.”

“Will you stop?” Tim whispers.

“You two do know each other,” Aaron realizes. “That’s why Tim didn’t sign an NDA.”

You give Tim an I told you so look through the mask, and he rolls his eyes.

“Can I tell you guys one more secret?” you ask.

“Anything,” Lucy answers. “I’ll take it to my grave.”

“What is wrong with you?” Nolan asks her.

“I’m starstruck, I think.”

You smile as you pull your mask off. With your face exposed to your new friends, you say, “I don’t usually look exactly like this.”

“Are we best friends now?” Lucy inquires.

“I think so,” you answer. You introduce yourself and finish with, “Tim’s wife.”

You’re met by the same slack-jaw looks Tim had received. Only when they snap out of it this time, it’s much louder.

“Whoa, whoa,” you chuckle. “One question at a time.”

“No questions,” Tim amends. “It’s midnight, and we all have stuff to do tomorrow.”

“It’s nice to meet you,” you repeat. “Hopefully we can actually meet soon.”

“Dinner after San Diego,” Nolan says, pointing at Tim.

“We’ll see,” Tim answers. “Now get out.”

“I can’t believe you’re married to her,” Lucy tells Tim.

“Who do you think Jacket is about?” you whisper conspiratorially.

Tim shakes his head yet again as he pulls you back. You wave before you let him lead you toward the back door of the stadium.

At two a.m., after you have showered and come down from the post-concert high, you lie in bed beside Tim and press your ear over his heart.

“Nice to see you again,” Tim murmurs, rubbing his hand along your spine.

“I missed you,” you reply. “Thank you for coming tonight.”

“Thanks for finally confirming that Jacket is about me.”

You lean forward to kiss Tim’s jaw, then close your eyes and relax against him.

“I love you,” Tim says, tapping your ring.

“I love you more,” you reply, falling asleep before you hear Tim’s argument.

Words to Die By

The Rookie x Criminal Minds Crossover

Pairing: Tim Bradford x fem!BAU!reader

Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.

Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker

Word Count: 13k+ words

Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules

As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.

“Can I help you?”

You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.

“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.

“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”

You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.

“Is this your first time in LA?” she asks.

“No, it isn’t.”

“Chen, Bradford wants to see you before roll call,” another officer calls.

“Is Bradford your training officer?” you ask.

“He is. Do you know him?”

You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”

“Eleventh,” she answers, surprised.

“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”

Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”

“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”

A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”

“I am. I assume you remember him?”

“You know an FBI agent, Officer Lopez?” Chen asks.

“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”

You nod to Lucy, then return your attention to an email from Penelope.

“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”

“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”

Spencer frowns and murmurs, “Sounds like a job for Morgan.”

“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”

“In Los Angeles?” you ask incredulously. “Hard pass.”

“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.

“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.

“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“

“Says the walking brain with at least fourteen tabs open,” Derek jokes.

“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”

“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.

“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.

You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.

“More evidence?” you whisper.

She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.

Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.

“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”

Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”

Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.

“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”

Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.

JJ leans toward you and asks, “Remember how intimidating that look used to be?”

“Still makes me stand up a little straighter,” you admit.

“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”

“But talking about the suspect’s feelings will?” one of the officers jokes.

Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”

JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.

“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”

Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”

“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”

Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.

“Do any of you have questions for me or my communications liaison?” Hotch asks.

Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.

“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.

“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”

“If you trust them, they’re welcome to stay.”

Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”

You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”

You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?

“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.

“How is a literary analyst helpful?” someone questions softly.

“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”

“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”

“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”

“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.

“I think that went well,” Derek says as Hotch gathers his things.

“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”

“Pretty boy and I are going to go find some coffee.”

As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.

“It’s good to see you,” Wade says, smiling as he pulls you into a hug.

“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”

“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”

“We like to think so,” Hotch agrees. “Although…”

“Bradford won’t be a problem,” you interrupt.

Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”

Hotch hesitates, then asks, “Do you trust him?”

“With my life.”

“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”

“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”

Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.

“Where’s Spencer?” you ask, looking over his shoulder.

“Telling Officer Chen about the health benefits of doing something boring. How are you?”

“I’m okay. Hotch doesn’t seem to think so.”

Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”

You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.

“I hope our hotel has a hot tub,” you lament.

“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.

Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.

“What happened?” Lucy tries.

“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”

“Yes, sir.”

A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.

“Old habits?” you ask as you approach the counter.

Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.

“Something like that,” he says. “So, uh, the FBI. That’s incredible.”

You shrug. “Not what I wanted, but I love it.”

Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.

“How long have you been with the BAU?” he inquires.

The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.

“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”

You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.

“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”

“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”

“I did everything by the book, if that’s what you’re asking.”

“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”

“I did.”

“There’s more to it.”

“There’s really not,” you insist. “If you don’t want to be on this task force-“

“I do. I wish you could see that you have the potential to lead it.”

“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.

The waitress returns with two full bags, and you stand as you take them from the counter.

“Goodnight, Tim. I’ll see you at the station tomorrow.”

As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.

“What if - and hear me out on this - you just told him the truth,” Derek suggests.

You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”

“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“

Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”

“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”

“And he can deal with some of the guilt,” Hotch grumbles.

“What guilt?” you inquire, pausing with a cheap metal fork in your hand.

“He clearly blames himself for letting you lose your position,” Hotch explains.

“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.

“He doesn’t,” you mutter. “He told me last night-“

“You saw him last night?” JJ exclaims.

“I ran into him at the diner.”

“He still goes to your diner?” Derek questions.

“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”

“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”

“That would be illegal,” Spencer mumbles.

“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”

Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”

“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.

Hotch frowns and mouths, You’ll never find them all.

“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”

“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”

Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”

“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.

“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”

“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”

“I’ll tell Hotch. Anything else?”

“Are you okay?” she asks.

“Fine. Why?”

She stops typing suddenly and then inhales sharply.

“Garcia?” You ask.

The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.

“Penelope?” you ask hurriedly.

“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”

“None of the prelim suspects would know how to do that,” you point out.

“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”

“What is it?”

“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”

“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.

“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”

“It’s about me?” you whisper.

“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”

“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”

“You got it. Tell Morgan and I said hi and I’m wearing-“

You hang up and take a deep breath as you return the receiver to the cradle.

“Agent Hotchner,” you call as you return. “I need a word.”

“Let me finish-“

“There’s been a development,” you interrupt. “An urgent one.”

Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.

“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then… whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”

“Manipulated the data how?” Hotch asks.

You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”

“Left it where?” Grey inquires.

“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”

“The date?” Hotch presses.

You inhale deeply before saying, “February 18, 2017.”

“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”

You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.

“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“

“We need you,” he interjects. “The literary aspect of this case is progressing.”

“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.

“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”

“Garcia’s tracing the data changes?” Hotch assumes.

“Yes, sir.”

“Then we work what we can until she gets back to us.”

“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”

“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”

You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”

Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.

“What are you expecting to find?” Hotch asks you.

“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”

“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”

You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”

Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”

“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.

“Talk to me,” Hotch encourages.

“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”

Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.

“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”

“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”

“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”

“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.

“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”

“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”

“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”

You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.

“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.

“Unless Penelope told you to do that, I’m going to be very mad,” you say.

“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.

“I found our guy, or his IP address at least,” Penelope says.

“And?” Hotch asks. “Where is he?”

“That’s the thing. He’s in an apartment a few miles from the station.”

You recite your previous address and Penelope murmurs, “That’s the one.”

Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”

“Uh, there were some numbers,” she answers.

“34381?” you guess. “And 6147?”

“Amongst others, yeah. Do they mean something to you?”

“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”

“I’ll run the rest of the numbers against the LAPD database and get back to you.”

“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.

“Not yet,” she replies, and then the line clicks.

“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”

“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”

“Yes,” you answer. “He could do it overnight if the circumstances called for it.”

“Assuming he’ll take a break between kills, however…”

“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”

“He’s a criminal,” JJ says. “They all get stupid and forgetful.”

“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”

“What if they could help?” JJ argues.

“No.”

“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”

“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”

You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”

“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”

“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”

Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”

“Which affects us how?” Hotch inquires.

“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”

“Still doubting your hypothesis?” Hotch deadpans.

“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.

“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”

“They’re getting concerned,” Derek whispers, waving toward the roll call room.

“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”

“Yes, sir,” you agree with the rest of your team.

As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.

“What about me?” Lucy asks as the other officers exit into the bullpen.

“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”

“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”

“Keep me updated,” Hotch tells you.

“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”

Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved, the killer is behind bars, and you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.

“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”

Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.

Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.

“Ready?” you ask Lucy.

“Yes, ma’am.”

You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.

“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”

“That looks like a building staple,” Lucy muses, leaning over the picture.

“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”

“What was the cause of death?”

“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”

“I don’t know,” Lucy confesses. “Sorry.”

“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”

“That’s the nicest thing anyone has ever told me.”

You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”

“Then what’s the point of leaving it there?”

“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”

“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”

“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”

“That’s a lot of options.”

“Which is why we keep looking. Victim number three had a personalized novella…”

“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.

“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”

Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.

“Do any of you have experience with crime scene investigation?” Spencer asks.

Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.

“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”

“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”

Spencer nods and shifts his attention to the tools and proposed appearance of the killer.

“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”

Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.

“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.

“Army,” Tim responds. “FBI always the goal for you?”

“Oh, nah, I started as a cop up in Chicago. Things just happened.”

“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.

“Why be a TO?”

Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.

“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”

“Got it. Thank you.”

Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.

He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”

You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’

“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”

Tim nods as he places the box down, and then looks at the case board.

“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”

“She retired,” Tim replies.

You drop your shoulders and nod. “Thanks.”

“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.

“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”

Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.

“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”

“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”

“The novellas?” he guesses.

“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”

“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”

“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”

“I’ll run it by him if I can get a word in.”

You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”

“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”

Derek smiles as he opens the door, and Tim and Lucy return soon after.

“She lives three miles from here and said she’d talk to you,” Lucy relays.

“Let me tell my team.”

Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”

“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”

Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”

Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.

“You don’t have to,” you begin as Tim asks, “Ready?”

You fail to find the right words for several moments, then say, “Lucy, do you want to help Derek Morgan review crime scenes for construction and security?”

“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”

“Thanks,” you say, though you think I’ll need it.

“Do you want to drive or should I?” Tim asks once you’re alone.

You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”

“We can hope.”

“Can I address the elephant in the room?” Sergeant Grey asks.

“Be my guest,” Hotch answers, not looking up from his improved profile.

“Bradford isn’t operating at his usual level.”

“She is.”

“Which is why I think there may be more to his side of the story.”

Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”

“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”

“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”

“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”

“That’s one connection.”

“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”

“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”

“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”

“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”

Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”

Tim looks at you before demanding, “Why didn’t you put that in the report?”

“I was scared.”

“And you think the people living here weren’t?”

“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”

She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”

“Who?” Tim asks.

“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”

“Was there residue?” you inquire. “From the superglue?”

“There were trace amounts, and the lab was able to identify it easily.”

“It was the only death to be covered up, why do you think that is?”

Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”

“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”

“It was,” she explains, “he must have taken her earlier to get a head start.”

“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”

Daniella frowns, and you lean forward to ask, “How many more were there?”

Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.

“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.

“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”

“Pretty easily. Self-preservation is a powerful motivator.”

“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”

“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”

Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.

“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”

“Yes, sir.”

After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.

“I’m going with you,” Tim states.

“No, you’re not. You heard him, you’re going back to the station.”

“You need me-“

“Actually, we don’t. We have jurisdiction now, Tim,” you snap.

“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”

You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.

“Alexander Riley,” you murmur.

“What?” Tim snaps.

“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”

“Convenient.”

You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.

“Are you still at the station?” you ask when he answers.

“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”

“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”

“Okay,” he agrees slowly. “Why?”

“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”

“You got it.”

You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.

“You had something for me?” Grey asks as you approach the townhouse.

“I do. Trust me for a few more minutes and I’ll tell you everything?”

Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.

“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”

“Why?” Spencer asks. “Wait, who?”

“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”

“Abuse of power,” Hotch deduces.

“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”

“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”

“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”

“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”

“What?” Hotch and Wade say, stepping toward you simultaneously.

“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”

“He’s going to target you?” Derek translates. “That’s not okay.”

“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”

“I’ll get a BOLO out,” Wade offers.

“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”

“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”

“Just send ‘em my way,” Derek jokes.

“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”

Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.

“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.

“Bradford,” Wade begins.

“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”

“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”

“No idea. Sir.”

“I’d appreciate if you would stay and help review the story to find an idea, then.”

You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.

“Be safe out there,” you conclude.

As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.

“That was fun,” you mumble to Derek.

“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.

“That is bright,” you respond. “Thanks, Reid.”

An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.

“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.

Tim falls back into his seat and crosses his arms to stare at you.

“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”

“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.

“Shut up,” Hotch says as he sits beside you, across the Table from Tim.

“Kenneth Adamson,” you say. “Do you have any idea of what he did?”

“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”

“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”

“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”

“Yes.”

“You could have told me.”

You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.

Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.

“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”

You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.

“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”

“I’m sorry.”

“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”

Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.

“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.

“Yes, sir. I’ll do everything I can to assist you.”

“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.

“Cursed wanderer?” Tim repeats.

“Remorseful, unabsolved character tormented by their fate and their actions.”

“He must not remember you well,” Hotch tells Tim.

“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.

“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”

You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.

“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.

“Yeah. You.”

“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”

“Are there characters like that in all of them?” Hotch asks.

The sound of papers flipping precedes several firm answers of “Yes.”

“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”

Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.

“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”

“Are you gonna explain it or is this like Jeopardy?” Derek questions.

“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”

Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”

“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”

“Not recently.”

Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”

“Be careful,” Wade implores. “And keep me updated.”

“Can you do me a favor?” you ask.

“Anything,” JJ and Derek answer together.

“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”

“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”

“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”

You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.

Tim's radio crackles as he makes the last turn to reach the crime scene.

“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”

Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.

“07-Adam-19,” he replies. “Go ahead, Lopez.”

“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”

“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”

Tim returns his radio to the dash and then sits back to wait.

“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.

“You really think he realized we were just as aggrieved as him?” Tim asks.

“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”

“You said your character died in the new one.”

“All I saw was my name. I made an assumption without enough evidence. It was stupid.”

“Welcome to the club.”

Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”

“You think it will?”

“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”

Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”

“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”

“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”

“I hope so.”

You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.

“Thanks,” you whisper as he straightens, mere inches from you.

Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”

Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”

“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”

“Did Derek ask Spencer about the bomb?”

“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”

“Could he be a cleithrophobe?” Tim wonders.

“What is that?” Derek asks, and you can imagine him looking around Wade’s office.

“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”

You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.

Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.

“You made it,” he says.

“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”

He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.

“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”

“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.

Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.

“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”

Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.

“Take your vest off,” he requests. “Please.”

You don’t move but look pointedly at his gun before raising your eyes to his face.

“I won’t hurt you.”

Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.

Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”

“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”

Riley fidgets, then nods.

You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”

“Alex is fine,” he replies, whispering your name under his breath like a prayer.

Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.

“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”

“You know who,” Alex mutters.

You smile and ask, “Was I in all of them?”

“Of course.”

“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”

“You were so far away,” he whispers.

“Alex, did you learn how to code just to talk to me?” you inquire softly.

He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.

“Kick it,” he demands.

“Why? It’s art, it’s part of your soul,” you argue.

“Kick it.”

Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.

“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”

“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”

“She was mine first,” Tim interjects suddenly.

Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.

“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”

“Adamson is the only one who hurt her,” Tim argues.

“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”

“Something changed,” you say from beside Riley.

He doesn’t move away from Tim but stops talking to listen.

“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”

“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”

“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”

“Fool! They’ve gotten to you, too.”

As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.

Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.

“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.

Tim sighs, taking your face in his hands as he wipes blood from your temple.

“Is his writing really that good?” Jackson asks as he stands.

“It’s a little preachy,” you reply with a smile.

Your phone rings, and you swipe the screen to answer, then immediately hang up.

“That was your boss,” Tim points out.

“He can yell at me when he gets here.”

“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”

You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.

Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”

When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”

You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.

“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”

You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”

“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”

“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”

You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.

“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”

Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.

Two Weeks Later

“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.

“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”

“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”

The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.

“I could have done that,” you complain.

“Sure you could, boot,” one of the men says, his voice muffled by the helmet.

You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.

Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”

As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.

“We’re wheels up to Los Angeles in forty-five,” Hotch says.

“Why?” you ask, stepping out from behind Tim.

“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”

You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”

Hotch narrows his eyes at Tim, then shrugs and agrees.

“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”

“Please do.”

You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.

A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”

Falling Slowly

Requested Here!

Pairing: Tim Bradford x fem!rookie!reader

Summary: You are Tim's newest rookie, and his favorite. He treats you differently, able to see that your past affects you, and the little things build up until you can't deny your feelings.

Warnings: so much fluff, brief angst, domestic violence (Tim and reader respond to a call & allusions to past dv against reader), one scene is inspired by "The Switch" (1x4)

Word Count: 4.0k+ words

A/N: This doesn't really fit in any specific season, so I put characters in the roles I wanted them to have and just made up some names to fill in the gaps. Hopefully everything makes sense. Please let me know what you think!

Picture from Pinterest

“What are you doing here?” Angela asks, surprised to see Tim.

Furrowing his brows, Tim answers, “I’m here for the TO meeting.”

Angela tilts her head back and groans, passing Nyla a 10-dollar bill.

“She thought you’d give up your position for Metro,” Nyla explains.

“I’d like to, someday, but not today,” Tim replies.

“20 bucks this is his last one,” Angela says to Nyla. “He still has the open invite to Metro and his patience can’t take many more boots.”

Nyla reaches to shake Angela’s hand as Tim rolls his eyes and walks away.

“Let me see his rookie first, then we’ll talk,” Nyla decides. “I’ve got a feeling a lot is going to change around here.”

“Like what?” Angela asks. “Nyla! Like what?”

✯✯✯✯✯

Walking into the Mid-Wilshire station on your first day as a rookie is both nerve-wracking and exciting. You’ve heard stories about boots making it through the academy to fail once they reach this level, but you’re determined. When you were a kid, you were in bad situations more often than any child should be, but kind police officers changed your life, and you’d like to do the same.

Waving to one of your police academy friends, you sit in the bullpen, waiting impatiently to learn which officer behind you will be your training officer. Getting the perfect training officer is up to fate, based on what you’ve heard, and your TO can make or break your career.

“Good morning, boots! I am Watch Commander Wade Grey. You have made it through the police academy, but don’t expect a pat on the back, your work is just beginning. This is the time to prove yourself, to show your TO, me, and this city why you deserve to be a police officer.” He pauses, moving around the podium to add, “If you should be a police officer.”

As you listen intently, striving to remember every word Sergeant Grey says, two detectives stand at the back of the room and evaluate the rookies.

“He’s only got one shot,” Angela mutters.

“If he gets the pretty one in the front, I’m not taking the bet,” Nyla says.

Angela looks up a row, her brows raising when she sees you. “If he ends up with her, we’re starting a station-wide pool and getting rich,” she adds.

“Now, it’s time to be assigned to your judge, jury, and executioner,” Wade says with a smile. “Or, as we call them, TOs. Our former rookie turned TO, Nolan: you’ve got Edward Henderson.

 Officer Nolan nods at Henderson, and you remember his story: a late-life rookie who got a golden ticket. Part of you wants to work with him and learn why he decided on law enforcement, but you only nod at Henderson before turning back around.

“Lance Vincent, you are with our newest TO, Eliza Reagan.”

Wade says your name with a smile that seems a bit more genuine than before. “Officer Bradford, last but not least,” he says as he assigns you your new TO.

You look over your shoulder, a small smile on your face as he nods at you. He is undeniably attractive, and you hope it doesn’t cause any problems.

“Oh, he’s a goner,” Nyla whispers under her breath when you smile at Tim.

“Should we tell him?” Angela replies.

“I think we’ll have to.”

✯✯✯✯✯

Something about you bothers Tim. Not in the usual, grumpy-with-a-new-boot way, but he has a sense that you’re different. 

“Nice to meet you,” you say, walking to Tim at the back of the bullpen.

He stands, offering a calloused hand to shake.

“I’m not going to pretend this is going to be easy or fun,” he tells you. “Being a rookie is the hardest part of your career, but if you’re a good cop under the uniform, you’ll be fine.”

Nodding, you promise to do your best and express your willingness to learn everything you can from him.

“Good,” he says. “Meet me outside the war room. We’re not wasting any time, understood?”

“Yes, sir,” you answer.

Tim watches you walk away, and when you stop to let someone carrying a large box cross in front of you, Tim realizes that you’re hurting, or were hurting not long ago. The underlying need to help people is something he recognizes.

“She’s pretty,” Angela muses, walking to Tim’s side.

“Though you know that,” Nyla adds, smiling on his other side.

“She’s a boot. No different than the other rookies,” Tim argues, though his gaze is still on your back as you sign for your bags and weapons.

“Sure, she is. Why don’t you go put her through a Tim test?” Angela suggests.

Tim rolls his eyes as he leaves, wondering what hurt you bad enough to make you want to be a cop. He became a cop despite his hurt, but you’re young and bright – and too good for him – so there must be something in you that makes you worthy of this. More worthy (and more beautiful) than any rookie before you.

✯✯✯✯✯

Several officers wish you luck, with one or two warning you about so-called “Tim Tests” while you wait for Tim behind the shop.

“Don’t tell me you have a checklist,” Tim begins, drawing your attention away from the shop tires.

“No, sir,” you answer. “Just being vigilant, I suppose. I’d hate to start my first day with a flat tire.”

Tim nods, asking where the war bags are. You tell him how you checked the contents and loaded them into the trunk, and he appreciates your brief explanation.

“Good work. The easy part is over,” Tim says. He seems to weigh his options before deciding, “You drive. Show me what you’ve got.”

He follows you to the driver’s side door, opening it as he reminds you of standard shop procedures. As Tim closes the door, you wonder if he’s a gentleman or if he followed you because he doesn’t trust you to drive correctly. Either way, you know what you’re doing, and you won’t let the man in the passenger seat distract you… too much.

Driving toward Wilshire Boulevard for patrol, Tim looks out the window. 

“Blue Camaro has an expired plate,” you alert.

“Call it in.”

You do so, hitting the sirens as you engage the traffic stop. Tim raises a hand to stop you from getting out.

“Remember your training. Don’t let the situation get away from you.”

His words linger in your mind, and you complete the stop with no problem, issuing a ticket and returning to the shop.

“I’m driving,” Tim alerts you, spreading his hand across the small of your back as he directs you to the sidewalk.

“Did I do something wrong?” you ask when he starts the car.

“No,” he answers bluntly.

You lick your lips nervously, turning your attention to your surroundings. Suddenly, Tim pulls over and hits the brakes.

“I’ve been shot, boot. Where are we?” Tim demands.

Furrowing your brows in surprise at his actions, you answer, “Intersection of 12th and Meadowbrook, west of Redondo. There are several hospitals in a five-mile radius, but only one has a trauma center.”

Tim pulls out wordlessly, continuing his patrol route. Tim doesn't say much else throughout the few hours between his first test and lunch. He lets you point things out, answers your questions about the area and procedures, and glances at you out of the corner of his eye. When he pulls up to a small circle of food trucks where several police officers are waiting, he turns toward you.

“You’re doing well. I’m not neglecting to give you good feedback for any reason other than once you start riding alone, you won’t get it. My role here is to prepare you for your solo career, not hold your hand until you get there.”

“I understand, sir. Thank you for answering my questions,” you reply as you open the door.

Tim’s hand finds your upper back as he leads you to his favorite of the food trucks, a light touch that disappears nearly as quickly as it happened. You thank him quietly for the suggestion before sitting with your fellow rookies.

“Hi, Tim,” Angela says.

“What are you doing here?” he asks, his annoyance breaking through his growing fondness for you.

“Just came to get some food. Your boot seems to be in a good mood.”

“Strange, I thought Tim’s thing was ‘break their spirits in the first hour,’” Nyla adds as she joins Angela.

“You two not have work to do or something?” Tim inquires.

“Something like that. How’s she doing?” Angela tips her chin toward you as she asks.

“She’s got good instincts, knows protocols.”

“But?”

Tim shrugs, turning away before Angela can dig deeper.

“I give it a week,” Nyla announces.

“Before what?”

“He can’t take it anymore.”

✯✯✯✯✯

“Domestic disturbance in your area,” dispatch alerts.

Tim grabs the radio, accepting the call as he hits the sirens and turns into a residential area. You chew the inside of your bottom lip; domestic calls are your least favorite, especially when kids are involved. Unwilling to show discomfort, you put on your best brave cop face and follow Tim to the door.

A young girl with a bloody nose and teary eyes opens it, and you glance at Tim before kneeling and asking her to come outside. She listens without question, her lower lip wobbling as you smile.

“He’s hurting my mom,” she whimpers.

Tim nods at you before tilting his head toward the shop. You direct the girl to stand at the edge of the porch and wait for you as you follow Tim inside.

“LAPD, put your hands up!” Tim yells as he steps into a bedroom.

Your eyes widen when you see the large man towering over the girl’s mother. He smiles as he reaches for something.

“Don’t move unless you want to give me a reason,” Tim says lowly. “Step away.”

The man looks toward the nightstand before taking a deep breath and giving up. 

“I got it,” Tim tells you before radioing a code 4.

You wait until Tim has the handcuffs secured to walk outside. The girl runs into your arms, and you pop the shop's trunk, setting her down as you retrieve a small first aid kit. She lets you clean her bloody nose, gripping your wrist when it stings.

“Where’s my mom?” she asks.

“She’s talking to my partner right now, she’ll be out in a few minutes,” you explain.

“Is he nice?”

“The nicest,” you answer.

“Mom!” she yells, letting you set her on the ground before she runs to her mom’s side.

“Get in the shop,” Tim commands as he walks past, his hand brushing your arm as he closes the trunk.

You obey, climbing into the passenger seat and waiting as he talks to the EMTs. When he joins you, he drives to a quiet, empty street before switching off his body cam and gesturing for you to do the same.

“Are you okay?” he asks, his voice softer than you’ve heard.

“Yes, sir.”

“Don’t say what I want to hear. Domestic calls are tough but that wasn’t your first one, was it?”

You shake your head, looking out the windshield instead of at Tim.

“We all have reasons for becoming a cop, and some calls are harder than others. As long as your past doesn’t get in the way and put you in danger, it’s okay to be human,” he continues. “TOs are notoriously hard on you, but we’re also here for you.”

“Thank you,” you whisper.

Tim shrugs, one corner of his lips upturned. “No more sappy stuff, we have work to do.”

“Oh, if you think that was sappy, I’ve got a lot to show you before I graduate to short sleeves.”

The comment catches Tim off guard and makes him feel something he didn’t expect.

✯✯✯✯✯

By the end of the first week, you feel like you know Tim well. His hand spread across your back or shoulder when you’re in front of him, his little reminders that you’re not alone, that you can show emotion when the time allows, and every other little thing he does makes you wonder why there are so many horror stories around his teaching style.

Likewise, Tim thinks he has you down. You ask him questions, ask for his opinions, listen and apply what he says, and send him small smiles when he compliments your work.

But, it only takes a shift to realize that people are multi-faceted, and cops and rookies are no different.

“Good morning,” you greet, passing Tim a small box.

“What is this? A bribe?” he asks.

You smile as you reply, “Nope. Just something I found, and I thought you’d like.”

Tim opens the box, his eyes widening at the 2000 Super Bowl tickets, the Rams’ first win. “I can’t accept these.”

“They were under a bookshelf in my apartment, it’s not like I spent a million dollars on them, Officer Bradford.”

Tucking them into his pocket, Tim opens your door. “Thank you.”

You smile, and Tim thinks your joy is the better gift.

✯✯✯✯✯

During your first call of that day, you show Tim that you don’t just value his opinions.

“Shots fired!” you radio as you duck behind the car.

“Are you hit?” Tim asks.

Shaking your head, you move closer, trusting him to direct you and keep you safe. The men in the house you were called to have automatic weapons, and though you’re a good shot, you’re not a match for their guns alone.

“Backup is on the way, but I need you to do something for me. You trust me?” Tim adds.

“I do.”

“Reach around the back and open the trunk; just far enough to reach the latch. I’ll cover you.”

He stands above you, firing into the shattered window of the house as you slip your arm and back around the end of the shop and open the trunk.

“Good, perfect,” Tim praises as he ducks beside you. His knuckles graze yours as he leans past you. “Can you reach the shotguns?”

Glancing in the window above you, you locate them quickly. “I can.”

“Do it. I got you.”

Once the shotguns are in your hands, you pass one to Tim as you ready your own. Timing your shots, you take out two shooters just as your backup arrives.

“You’re bleeding,” Tim says, his adrenaline dropping as a tactical team takes over.

You look at your arm, just noticing your ripped sleeve and bloody skin. Tim lays his hands on your arm as he turns it toward him.

“I think it was just glass from the windshield,” you say quietly, pointing to the car behind you, riddled with bullet holes and broken glass.

“Either way, we need to get it checked out.”

“Officer Bradford?” you interject. “Thank you. For making sure I trust you.”

“Thanks for trusting me,” he mutters, so soft you can barely hear it.

He taps the Super Bowl tickets in his pocket as he rises to get a paramedic to check on you, and you smile, wondering how bad it would be if you fell in love with your TO.

✯✯✯✯✯

“You’re quieter than usual,” Tim points out. “I need to know that whatever is bothering you won’t impair your ability to work with me.”

“It won’t,” you promise. “Sorry.”

Tim considers pressing, but he trusts you. “I’m here. If you decide you want to talk about it.”

He exits the shop and opens your door before you can reach for the handle.

✯✯✯✯✯

“Did you see that?” Nyla gushes, elbowing Angela.

“Ow. See what?”

Nyla points to Tim, closing your door and laying a hand on your shoulder as he ducks his head to talk to you.

“That’s not a reprimand,” Angela deduces.

When you smile, a tiny upturning of your lips, Nyla laughs.

“Oh, that boy… The door, the touches, listening to her? He’s gone.”

“Not just him,” Angela adds. “She asks him questions, smiles at him, trusts him more than anyone… and the Super Bowl tickets? They’re adorable.”

“Should we do something?”

“Not yet. I think they’re close to realizing.”

✯✯✯✯✯

After your longest, and worst, day yet, you find yourself in a hospital waiting room beside Tim. He hasn't said anything since a speeding driver ran into your side of the shop, though you've apologized countless times (even though there's nothing you could have done).

Tim’s jaw is clenched so tight you’re worried it will snap. You’re sitting close to him, a bandage around your wrist and an ice pack pressed to your cheek.

“Sorry,” you whisper.

“Stop- stop apologizing, it’s not your fault,” Tim sighs.

His arm is on the armrest between you, and you move your hand toward his. When he doesn’t back away, you turn your arm to allow your knuckles to brush against his.

“It’s not your fault,” you tell him kindly. “He ran a red light.”

“And you could’ve been killed,” Tim replies, standing abruptly and walking away.

You slump in your seat, dejected and curious about what you could say to make him stop blaming himself for someone running into you.

✯✯✯✯✯

“Tim and his rookie sitting in a tree,” Nyla sings under her breath.

“I don’t have time for this right now,” Tim replies.

“Right, because you’re too busy being mad that she got hurt. Cops get hurt Tim,” Angela reminds him.

“Not with me,” he begins, pausing to take a deep breath. “Despite what you think, I’m upset that she got hurt, not because I’m in love with her.”

“Whatever you got to hear, buddy,” Nyla replies. “But tell me this. If it was Nolan when he was a boot, would you have felt this bad? Even if I believed you didn’t have feelings for her, which I don’t, you’re different with her and you know it.”

Tim sighs, looking out the door at you. He knows it’s true; despite his constant denial, he does treat you differently because you are different, and you’re like a magnet, incapable of being ignored or forgotten. Finally confessing it to himself, Tim knows that his feelings for you will get one or both of you in trouble unless something changes.

✯✯✯✯✯

“It is time for The Switch,” Wade says as he walks into the bullpen. “The day you ride with a new TO.”

You glance at Tim, who gives you an encouraging nod. He tells you that you’re a great rookie, but he also tells you that you’re pretty sometimes, which doesn’t seem pertinent (or always true, in your eyes). Wade says your name, and you look up.

“You’re with Nolan,” he tells you.

Smiling at Nolan, you cross your fingers under the desk that it’s a good day. 

“Henderson,” you call as he stands up, “what’s Nolan like?”

“He’s great. Really understanding and knowledgeable. A little talkative, but fairly easy going. Just stick to protocol and listen to his directions; you’ll be fine.”

“What about Bradford?” Vincent asks you. “Everyone says he’s the toughest. Anything I should be aware of?”

“I don’t think so. He’s quiet sometimes, but he’s great.”

You collect your war bag with the expectation of a good day. You will miss Tim, but learning how another TO teaches and his views can be invaluable. As you slide into the driver’s seat beside Nolan, you realize something: you like Tim as more than your TO. He means more to you than just being your teacher, your mentor, and a trustworthy officer. The thought hits you so suddenly you're not sure where it came from.

With each passing moment, you find yourself remembering something Tim said or wanting to tell him something, but he isn’t there. Nolan is kind and laughs at your muttered comments, but it is nothing like riding with Tim. As you think about all the little things Tim does, everything begins to make sense.

Someone yells your name when you step out of the shop to get lunch. Turning, you’re surprised to see Vincent storming up to you.

“Why didn’t you tell me?” he demands.

“Tell you what?”

“That Bradford has ‘Tim Tests’ and nothing pleases him!”

You glance over his shoulder, finding Tim and Nolan talking. Tim glances over at you, and the tension in his shoulders seems to ease until Nolan says something else.

“His Tim Tests aren’t that bad; he’s just teaching you awareness and safety.”

“He wants to end my career,” Vincent exclaims before muttering something about you not understanding as he walks away.

✯✯✯✯✯

“How’s Vincent doing?” Nolan asks.

“That kid has no situational awareness,” Tim answers. “I stopped at a street sign, and he couldn’t figure out where we were.”

“He’s probably scared of you,” Nyla interjects. “And, no, Bradford, I don’t have anywhere else to be.”

“My rookie can tell me where I am, no matter what,” Tim adds.

“Your rookie is very good, I’ll give you that,” Nolan replies. “But Vincent has potential. Besides, your boot has people problems.”

Tim glances over at you, locking eyes with you while Vincent talks to you dramatically.

“So do I, but I’m still a good cop.”

Nyla watches as both you and Tim sigh before abandoning the conversations you’re in. She shakes her head, calculating her winnings if the betting pool goes her way.

✯✯✯✯✯

Walking out of the locker room at the end of the day, you’re surprised to be called into Sergeant Grey’s office. You sit across from him, fiddling with the hem of your shirt to spend your nervous energy.

“You are being assigned to a new TO. Officer Bradford has decided to hand you off to someone better equipped to teach you,” Grey informs. “But you’re not in trouble.”

You still your hands in your lap. “Okay. Effective when?”

“Monday morning. So, rest up.”

As you stand, Grey says your name, smiling as he repeats, “You’re not in trouble. This was Bradford’s decision, nothing to do with you. Well, nothing to do with you as a rookie.”

You purse your lips at his phrasing, and he chuckles before sending you out. Walking through the parking lot, you see Tim’s truck is still there and decide to ask him what happened. Standing by the tailgate, you chew your bottom lip as you wait, nervous that you did something, though Wade assured you differently.

Tim walks up unnoticed, saying your name to get your attention.

“What did I do wrong?” you ask, jumping straight to your questions. “I can fix it; there has to be a way to fix it.”

“You didn’t do anything,” Tim promises. “I just can’t be your TO anymore.”

“Why not?”

Tim shifts his backpack on his shoulder. “It’s not appropriate.”

Your heart drops. Tim knows you have feelings for him, and it makes him uncomfortable; that’s the only explanation. Nodding slowly, you accept your fate.

“And I can’t do this,” Tim adds.

His hands slide onto your jaw, his palms against your cheeks as his fingers settle behind your ears, pulling you into a quick kiss. You only begin to respond when he pulls back.

“You’re the best boot I’ve ever had,” he whispers, brushing his thumbs over the apples of your cheeks.

“I’m not your boot anymore,” you remind him.

“That’s your fault. Those little gifts, and soft smiles, and how well you listen… You make it impossible not to fall for you.”

You laugh, leaning against his hands as you reply, “You do too. How do you think I felt when you called me pretty or touched my back? Then you kept comforting me and inviting me to talk. It was too easy.”

“Go to dinner with me?” he asks.

You nod, smiling against his hands before he moves to touch your back again, opening the passenger door as he helps you in. Tim slips his hand into yours, kissing your knuckles as he keeps you close.

✯✯✯✯✯

When the rest of the rookies leave the station, noticing that your car is still there, they ask each other if anyone has seen you.

“Bradford’s truck is gone,” Nyla notices as she walks out.

“Looks like we won,” Angela cheers.

“Where’s Bradford?” Vincent asks.

“On a date,” Nyla answers. “With his former boot.”

The rookies’ jaws drop, wondering how you managed to pull Mid-Wilshire’s resident grump.

“Don’t expect the same to happen to you,” Angela says as she passes the rookies. “We all worked for this one.”