Hehehehe (:

💕Happy Valentines from the Gregaverse!💕

But regardless how you decide to celebrate today - be it with friends, family, your partner(s) or with guns! - be sure to show some love today to those you care for the most!

We at the Gregaverse extend our appreciation to everyone in this lovely community and wish everyone a lovely day!

Navy - @moonfang182-magic

Ray- @saltynsassy31

Found - @theinsanefoxwriter

Ed - @hexyz09

Drone - @soniccrazygal

Bon - @yayadrawsthingz

Rift - @galevonhjonkbringerofgoose

Fizzy - @birdie-ghost

Kiwii - @notsodailycake

Archer - @carogdraws

Puppet - @moonfang182-magic

Art credits:

~Sketch - @moonfang182-magic

~Lineart - @birdie-ghost

~Color - @moonfang182-magic

Happy birthday to the icon, the girl boss, and the menace! The one and only Amity ‘oh, wow sports’ Blight, Willow ‘wanna join my Flyer derby team’ Park, and Augustus ‘shiny cookie’ Porter!!

(It’s the anniversary for ‘I Was A Teenage Abomination’)

B O N K

@halogenrobotics The true SB ending

But like… they would be friends-

Happy Halloween 🎃🎃🎃

Another Breached page!

Sorry I haven’t been around TwT I’m planning a few things for Breached that’ll be announced once chapter 1 is complete (updates will be more frequent)

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Today is a day of both love and appreciation, for those who not only brought us into this world, but showered us with the sort of love and affection (and sass) that only they could. For not only those who are with us today, but the people who couldn't make the journey with us till now. For those who entered our lives later down the line, to give us what was either not given, or lost, and stepped up when no one else could, or would. We love you for being there for us, in the past, now, and forever more. Happy Mother's Day!!

Crediting Artists for making this possible: ~@birdie-ghost ~@saltynsassy31 ~@notsodailycake ~@moonfang182-magic

As for the owner of these delightful mother son pairs! Image 1: Spook and Charlie by @theinsanefoxwriter Ed and Anne by @hexyz09 Navy and Belle by @moonfang182-magic Carebear and Cassidy by @moonfang182-magic Gan and Vanessa by @yayadrawsthingz TV and Transmission by @catcrescent Image 2: Drone and Boni by @soniccrazygal Specter and Vanessa by @ghostthefox1997 Savior and June by @abunchofraccoons Ray and Fernanda by @saltynsassy31 Archer and Audrey by @carogdraws Hornet and Vanessa by @yayadrawsthingz

Image 3:

Human and Vanessa by @nadiawitch Bon and Vanessa and Bonnie by @yayadrawsthingz Arcade and Janet by @catcrescent Pines and Wendy by @soniccrazygal Breach and Charlie and Chica by @notsodailycake Webs and Vanessa and Vanny by @moonfang182-magic

I love miitopia because on the way to fight your old mentor and guide possessed by a vengeful spirit you have to stop sometimes because oh here comes the quiz master Walter white

I miss The Owl House, Tails.

Everyone’s talking about the cut Lumity kiss from ‘Reaching Out’ or the emotionally crushing moments when it comes to the TOH storyboards…

BUT WHY IS NO ONE TALKING ABOUT THIS???

LMAO THIS IS SO FUNNY-

(Storyboard by King Pecora)

The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:

Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.

Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.

When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.

King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.

Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.

Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:

which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.

Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.

But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.

The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.

Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.

I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.

There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:

is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.

It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:

The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.

I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.

A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.

I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.

It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.

It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.

Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.

"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.