“Hecate was perfumed with dark spices and unending remorselessness.”
— Lola Ridge, from To the Many; Collected Poems of Lola Ridge; “Hellish,” (via violentwavesofemotion)
emilia didn’t move. not when sayuri leaned in, not when that familiar, too-sure smirk tugged at her mouth, all sharp edges and thinly veiled provocation. it was the kind of smile people wore when they thought they’d won something. when they believed proximity could be mistaken for power. she’d seen it before — in nobles who mistook charm for cunning, in demons who thought a well-dressed threat could outmatch centuries of silence. she’d learned to wait. to let the theatrics run their course. sayuri’s voice lilted with practiced confidence, each word polished to provoke, laced with just enough mockery to test her reaction. the jab about the crystal ball was a tired one — she didn’t let it land. she rarely did. mockery was a poor currency to trade in when your opponent had learned to live without the need for validation. ʸᵒᵘ ʷᵃⁿᵗᵉᵈ ᵗʰᶦˢ, emilia thought. ʸᵒᵘ ᵇᵘᶦˡᵗ ᵗʰᶦˢ ᵐᵒᵐᵉⁿᵗ ᵖᶦᵉᶜᵉ ᵇʸ ᵖᶦᵉᶜᵉ. ᵃⁿᵈ ⁿᵒʷ ʸᵒᵘ'ʳᵉ ʷᵃᶦᵗᶦⁿᵍ ᵗᵒ ˢᵉᵉ ʰᵒʷ ᶦ’ˡˡ ᵖˡᵃʸ ᶦᵗ. she let a beat of silence pass before answering — long enough to be deliberate. then, with the faintest curl of irony at the edge of her voice ❝ you must be fun at parties. ❞ she shifted, not out of discomfort but control, creating distance with the kind of easy grace that said: i decide how close you stand. her gaze swept over sayuri again, not in challenge, but in quiet recalibration. the arrogance wasn’t surprising — what interested her was what wasn’t being said. the hints tucked beneath the performance. the weight behind the word business. sayuri wasn’t bluffing. that much was clear. but she also wasn’t being entirely honest — which made her interesting. ❝ i don’t need ᶠᵒʳᵉˢᶦᵍʰᵗ to recognize someone who likes the sound of their own schemes, ❞ emilia said, tone mild. ❝ or someone who confuses being clever with being in control. ❞ and yet — she didn’t walk away. because as much as sayuri was a disruption, a complication … she was also a window. and emilia had learned to pay attention when the world handed her one. ❝ fine. business. talk. ❞ she turned her back fully now, unbothered. ❝ just don’t waste my time pretending you’re doing me a favor. ❞ let sayuri think she had the upper hand for now. emilia wasn’t in the business of showing her cards until it mattered.
@ncantari, continued from here !
A smirk, subtle in both amusement and triumph, tugged at Sayuri’s lips at the witch’s blunt, yet truthful accusation. She reveled in both pride and immense satisfaction at the fact that her plan had worked, and at the vague acknowledgement of her wit. Of course she had planned this — known for her meticulous nature and aversion to chance, there was no way the ghoula would leave anything to fate, least of all let herself end up in such a compromising position if it weren’t for a larger scheme at play, a woven intrigue. Sayuri nodded, a gesture betraying her overflowing delight, her expression radiating the brimming confidence born of arrogance — of the firm belief that she held the upper hand.
❛ That’s where you are correct, ❜ she chimed, her voice laced with playful mockery. ❛ Didn’t see that one coming in that little crystal ball of yours, did you? Tsk. You know, I thought witches were supposed to have foresight — or is that just a marketing gimmick? ❜ Borrowing from the tired clichés and overused prejudices often hurled at witches, each of her words was designed to subtly undermine her opponent, to paint her as predictable and limited. Truth was, Sayuri had never bothered to delve beyond surface-level understandings of witchcraft, unwilling to concern herself with something that didn’t seem to directly affect her.
Leaning in, eyes gleaming with a predatory light, she closed the distance between them, invading Emilia’s personal space. ❛ But don’t look so sour. I wouldn’t have gone through all this trouble if I didn’t think you had something worthwhile to offer. So, how about we skip the dramatics and talk? Seems like the perfect opportunity to discuss business, don’t you think? ❜ For Sayuri, the word ‘business’ carried a weight of unspoken implications. It usually meant that she wanted something, as simple as that — and her negotiation methods were rarely fair.
“—a gentle girl with beautiful, soft eyes and a romantic little soul.”
— Colette, from Claudine at School
love note to my mutuals ﹕ I'm trying to get to know you all, so if you're interested in an ❪ ɪɴ ᴄʜᴀʀᴀᴄᴛᴇʀ ❫ DM, please give this post a ♡ and I will be in touch !
“Her brown eyes were untranslatable…She was made entirely of a sweetness bordering on tears.”
— Clarice Lispector, from “The Servant”, Complete Stories (trans. Katarina Dodson)
Women who don't hold back their tongue vibe. 1 - 2 - 3 - 4
You break the rules and become a hero. I do it, and I become the enemy.
That doesn’t seem fair.
apron on. a swirl of olive oil. the aroma of garlic. candlelit evening in. plump, red tomatoes. sea salt pasta water on boil. fusilli in. basil from the plant. jazz tunes on. creating in the kitchen is such a dream.
I be like ''lord'' ''god'' ''jesus christ'' and the mfs dont even mean anything to me
I Saw the TV Glow (2024), dir. Jane Schoenbrun.