Concept: Instead Of Hedwig, Harry Goes Into The Pet Store And This Little Snake In The Back Of The Store

Maya Hawke really has something in her contract that says to be in a movie either she or the main characters has to be a lesbian and honestly love that for her

Body language cheat sheet for writers

As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:

Facial Expressions:

* Raised eyebrows: Surprise, disbelief, or curiosity.

* Furrowed brow: Concentration, confusion, or frustration.

* Smiling: Happiness, amusement, or friendliness.

* Frowning: Disapproval, sadness, or concern.

* Lip biting: Nervousness, anticipation, or tension.

Eye Movements:

* Eye contact: Confidence, interest, or honesty.

* Avoiding eye contact: Shyness, guilt, or deception.

* Narrowed eyes: Suspicion, skepticism, or concentration.

* Wide eyes: Shock, fear, or surprise.

* Rolling eyes: Exasperation, annoyance, or disbelief.

Gestures:

* Crossing arms: Defensiveness, disagreement, or discomfort.

* Nervous fidgeting: Anxiety, restlessness, or impatience.

* Pointing: Assertiveness, emphasis, or accusation.

* Open palms: Honesty, openness, or sincerity.

* Hand on chin: Deep thought, contemplation, or evaluation.

Posture and Movement:

* Slumped shoulders: Defeat, sadness, or fatigue.

* Upright posture: Confidence, attentiveness, or authority.

* Pacing: Restlessness, agitation, or contemplation.

* Tapping foot: Impatience, annoyance, or frustration.

* Leaning in: Interest, engagement, or curiosity.

Touch:

* Hugging: Affection, comfort, or warmth.

* Handshake: Greeting, introduction, or agreement.

* Patting on the back: Encouragement, praise, or camaraderie.

* Clenched fists: Anger, determination, or frustration.

* Brushing hair behind the ear: Nervousness, coyness, or flirtation.

Mirroring:

* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.

Nodding:

* A subtle nod can convey agreement, understanding, or encouragement.

Crossed legs:

* Crossed legs can indicate relaxation or a casual, nonchalant attitude.

Tapping fingers:

* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.

Hand on the chest:

* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.

- Tilting the head:

* Tilting the head to the side can suggest curiosity, attentiveness, or interest.

Rubbing the temples:

* Rubbing the temples can indicate stress, fatigue, or a headache.

Chin stroking:

* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.

Arms crossed behind the back:

* This posture can indicate authority, confidence, or a composed demeanor.

Tilted body posture:

* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.

Biting nails:

* Nail-biting can reveal anxiety, nervousness, or tension.

Foot tapping:

* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.

Squinting:

* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.

Shifting weight from foot to foot:

* Shifting weight can imply discomfort, unease, or anticipation.

Covering the mouth while speaking:

* This gesture can indicate hesitation, embarrassment, or the desire to hide something.

Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.

Happy writing!

♡

pomegranate symbolism ✶

Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

and the end result:

bonus: 

Here's a extensive list of character flaws/Addictions to consider for your storytelling:

1. Stubbornness

2. Impulsiveness

3. Jealousy

4. Indecisiveness

5. Arrogance

6. Insecurity

7. Impatience

8. Manipulativeness

9. Hot-tempered

10. Perfectionism

11. Distrust

12. Procrastination

13. Selfishness

14. Pessimism

15. Dishonesty

16. Greed

17. Cowardice

18. Lack of empathy

19. Overly competitive

20. Control freak

21. Lack of ambition

22. Oversensitivity

23. Laziness

24. Lack of self-discipline

25. Addiction

26. Closed-mindedness

27. Lack of assertiveness

28. Impulsivity

29. Materialistic

30. Lack of accountability

31. Inflexibility

32. Moody

33. Overly critical

34. Judgmental

35. Naivety

36. Attention-seeking

37. Suspiciousness

38. Overprotectiveness

39. Ingratitude

40. Vengefulness

41. Envy

42. Indulgence

43. Disloyalty

44. Self-centeredness

45. Negativity

46. Manipulative

47. Disorganized

48. Lack of self-awareness

49. Irresponsibility

50. Intolerance

51. Overthinking

52. Restlessness

53. Excessive need for control

54. Rigidity

55. Overly trusting

56. Recklessness

57. Narcissism

58. Escapism

59. Gullibility

60. Lack of ambition

61. Inability to forgive

62. Excessive need for validation

63. Attention-seeking behavior

64. People-pleasing

65. Overprotectiveness

66. Self-doubt

67. Passive-aggressiveness

68. Inability to handle criticism

69. Lack of boundaries

70. Superiority complex

Remember, a well-rounded character doesn't need to possess all of these flaws. Select a few that resonate with your character's personality, background, and story arc. Balancing flaws with strengths and vulnerabilities will help create multi-dimensional and relatable characters.

Happy writing!

Follow me on my IG for more Content. https://instagram.com/saraswritingtipps?igshid=NTc4MTIwNjQ2YQ==

I have an idea for a short story about a girl who is taken by the Fae, sort of like a changeling situation. She eventually gets back to her realm, but discovers that much more time has passed than she thought while she was with the Fae.

I have some areas of the story planned out, but I’m trying to figure out how to end it 🤔💭

Shalom Harlow by Ellen von Unwerth, 1993

you have to let yourself be a weird woman or you will not survive