I Think That Another Big Part Of Raven Beak’s Pitch To Samus Is This Idea, Misplaced As It May Be,

I think that another big part of Raven Beak’s pitch to Samus is this idea, misplaced as it may be, that the Chozo are the arbiters of morality in the universe. Under their watchful guard, the Galaxy was kept safe, prosperous, and free. They safeguarded species to carve their own path, forge their own destinies, and ascend to the stars on their own terms. We know, from various carvings, that the Mawkin have fought and defeated the Space Pirates in the past. As the Chozo receded, they left this responsibility to the Federation, a system which, in his view, has failed. They need, in effect, the last Chozo to attempt to solve all their problems. Yet, she’s just one woman. Indeed, she can do what many would think impossible. She ended both the Metroid Crisis and the Phazon crisis, defeated the unkillable Ridley, and so much more. Yet, she can’t be everywhere at once. She cannot solve the galaxy’s many injustices. To restore a golden age to the galaxy, the Chozo must return to impose it unto the dysfunctional Federation.

Is this the whole truth? No.

The Chozo were no stranger to crimes against the people they watched over. Hell, Raven Beak is known to execute members of his own Hasana. He himself is so enamored by past glories that he doesn’t see that the Chozo were never perfect. Perhaps they got a head start on the galaxy, achieved space travel a little early, had one or two less extinctions in their evolutionary development, achieved their power ahead of others, but they simply are not perfect. He doesn’t even see the crimes he commits as anything other than necessary steps on the path to a full return of the Chozo dominion. He believes in a return to the days when the Chozo fostered species to pursue their own prosperity and advancement, but he is too ambitious and self righteous to relinquish any of his power. After all,

Hadar sen Olmen.

Power is what will bring the Chozo back to prominence, power is what will dismantle the failed Galactic Federation, power is will eliminate all the threats to the good people of the Galaxy, power is what will see individual races achieve prosperity on their own. Power… is everything.

Hem ili Metroid mar Hadar.

The Project Golem mechs function quite similarly to Samus, even plugging their arm cannons into interfaces to receive data, operate devices, etc. From a Doylist perspective, the developers probably wanted to make a Metroid multiplayer based around Samus’ gameplay; But Samus is only one individual, how does this fit into the canon? So they made some Federation lookalikes to explain it. These mechs still act very Samus to appeal to the Metroid iconography.

From a Watsonian perspective, you know how one of the signs of improving technology is the ability to make it smaller, and more efficient? It could be that the Federation was a little humiliated by having to rely on one bounty hunter the whole time, and attributed a lot of her success to the tech she wore. There’s obviously so much more to what makes Samus such a great warrior than that, but still.

Project Golem was a way to ensure the Federation was prepared for any Space Pirate attack. And if the Aurora Units are any indication, the Federation has already emulated Chozo tech with their own weaker knock-offs before; More quantity to make up for a lack of quality. Because look at how enormous the mechs are, they’re Omega Pirate-sized! Both the Aurora Units and Project Golem were revealed in the Prime series, in two successive games involving an increase in Federation presence within the story and gameplay…

My point is: During the Dread arc, Raven Beak goes on a whole tirade about how the Federation is comprised of weaklings who have to depend on just one Chozo warrior to survive. Imagine how helpless they’d be against an army, surely at this point the Federation has made it clear they’ve given the reins to Samus in general; May as well just get it out of the way, take initiative but who can stop them? It was meant to be… It doesn’t matter that the Federation is trying to be more independent by making their own Samuses, because

The Project Golem Mechs Function Quite Similarly To Samus, Even Plugging Their Arm Cannons Into Interfaces

The Federation knows it’s weak, that’s why it’s been scrambling so much to imitate its superiors, and pitifully too. Besides, they mistake the technology as the only part of Samus that matters; But Raven Beak knows the person, the Chozo training and philosophy inside, is just as important. Maybe moreso. He has no shortage of Chozo tech to work with, so what Raven Beak lacks, he’ll work with.

More Posts from Nerdy-the-artist and Others

3 years ago

“Are you ok?”

“Yargh, 𝓝𝓸.”


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9 months ago

Alright this is so great. Honestly, I’m not sure why I had never considered that possibility that Raven Beak already had samples of Metroid biological material and they were simply destroyed during the outbreak. That makes perfect sense. It certainly plugs the hole of “why did the Mawkin return to ZDR without any Metroid samples?” This certainly fits that and makes it much more understandable. Plus it helps the X seems far more intelligent but seeking out and destroying mere genetic material, not even a reproduced Metroid, because they knew the danger it could pose if the Metroids were reproduced. Plus the idea that they had been keeping track of their numbers and the Metroids were inexplicably reproducing makes the Chozo seem more intelligent and adds a layer of Dread to the situation. Having things go wrong is all the more terrifying when you did make failsafes, but those failsafes didn’t stop the problem.

Overall, good stuff here.

I like to think the Thoha Chozo had a very Jurassic Park moment when dealing with the Metroids' rebellion on SR388. Think of it this way; You need a bioweapon that can destroy the X, so you take DNA from a wide variety of other organisms on SR388, and splice them into a perfect chimera. You'll need a lot of these, so you program this creature to undergo mitosis when exposed to beta-rays. That way, your machines only need to create one 'Metroid' from scratch, and then it can be used to spawn the rest.

But here's the thing; After the Metroids devour the X, they start to transform and mutate. Turns out, using the DNA of other creatures has caused additional traits, originally deactivated in the creation process, to emerge thanks to the unique conditions of SR388. This results in them mutating into the Alpha, Gamma, Zeta, and finally Omega stages.

This isn't hopeless though, far from it; Unlike the X, the Metroids aren't natural creatures and can't reproduce on their own. They need beta-rays, and/or the device that spawned the original Metroid. Since SR388 doesn't have any natural source of beta-rays, all you have to do is turn off the devices that emit them, and the original Metroid creator, and there! The Metroid population will always be the same.

From there you just need to destroy them one by one, and luckily the Mawkin have showed up to help; Normally your relationship with them is suspicious to the point of programming Metroids to be hostile towards Mawkin, for fear they would exploit the 'Ultimate Warrior' as a weapon. But instead, the Mawkin seem to have some genuine heart and are helping you handle the threat, and you need all the help you can get.

You accept them and conveniently don't bring up the anti-Mawkin programming, because as far as they can tell this aggression is indistinguishable from how metamorphosis has made the Metroids hostile towards you, their creators. Progress is slow yet tangible, and you keep track of how many Metroids the Mawkin have killed, and compare that number to the Metroids you created and cloned. You reach that number, and can now rest easy.

...Then you hear a report of a Metroid attack, and something definitely isn't right. How is there another Metroid, you killed all of them, you kept track of their numbers and everything! Is there something wrong with the original tally? It's not as if the Mawkin could've been mistaken on whether they killed a Metroid or not... But just in case, you engineer devices that absorb Metroid DNA whenever they die, just to have physical evidence; Otherwise, Metroids disintegrate completely upon death, so there's no physical 'proof' to reassure yourselves with.

The Mawkin keep finding more and more Metroids and now you're baffled. You check the original Metroid creation machine and it hasn't been used since the first and only time; But you take it apart, in case... Someone's been making Metroids behind your back, somehow? But the numbers keep continuing. You take apart all your beta-ray emitters, but there are still more Metroids. Is Raven Beak creating Metroids behind your back? But why let his soldiers die to them?

You scan SR388 for any beta radiation, and then you find a big one deep underground. You send Mawkin soldiers to investigate it, and only one makes it back alive. You thought the Omega was the final stage in the Metroid lifecycle; But somehow, another one emerged. Of the many species whose DNA was used to create the Metroids, one of them relied upon a lone queen to produce offspring. Another was capable of emitting its own beta-rays.

You know how some real-life animals, if there isn't a member of the opposite sex, will adapt by having a few transform into that sex so reproduction can occur? Something similar happened with the Metroids. Without a source of beta-rays, one of their own mutated into a Queen capable of emitting beta-rays within her own body, which she uses to produce eggs that hatch into newborn Metroids. And this Metroid Queen has been filling in the ranks that the Mawkin have attempted to deplete. And now the original number of Metroids that the Thoha cloned has been exceeded.

At this point, the Metroids are too numerous and powerful to defeat. But they haven't ventured to the surface of SR388, being isolated to its caverns; So you opt to seal away the Metroids by filling passageways with poisonous water. In case anyone is foolish enough to try releasing all of them at once, you program these Chozo Seal mechanisms to require a certain amount of Metroid DNA to divert the poison; This way, the Metroid population needs to be lowered to access more. And this acts as a way to gauge if those who come back to destroy the Metroids for good are competent enough to get the job done, and don't just end up releasing all of the creatures onto SR388 in their failed attempt.

That last bit is important, because you and the Mawkin plan to retreat back to ZDR, and gather more weapons, troops, and resources to return to SR388 and properly destroy the Metroids this time; Because now they know about the Queen. Theoretically, the Chozo could just destroy the planet... But they want to minimize destruction, so confronting the Metroids head-on will spare the rest of the ecosystem, as was the intention.

Alas, seeing the continued power and adaptability of the Metroids on display has intrigued Raven Beak; He finds their potential impressive, and has changed his mind. It's been deduced that the source DNA of the Metroids reacted to the environmental stimuli of SR388, the world that evolved and nurtured those organisms. But without the cradle of SR388, the source DNA will not thrive, and will not activate the other suppressed traits; Larval Metroids can't access the rest of their life cycle in any other environment.

ZDR has powerful biomechanical supercomputers called Central Units, which have telepathic abilities that enable them to control machines; Given larval Metroids were designed to respond to Chozo commands, and the use of Chozo DNA in the organic aspect of the Central Units, these AI can be used to control larval Metroids. As long as Metroids of more developed stages aren't present to rally them -the authority of Alphas and beyond will naturally override any Central Unit's- the larval forms will remain obedient.

And while the larval Metroid is just the tip of an iceberg the Thoha had never intended, what they did intend was already incredibly dangerous and powerful in and of itself, being designed to combat the deadly X and the many forms they could assimilate. So Raven Beak wouldn't need his Metroid army to metamorphose beyond their larval stage; The first form was sufficiently powerful, especially with beta-rays to clone their numbers into the thousands, far beyond the original population of SR388.

Raven Beak slaughters all but one of the Thoha, leaving you, Quiet Robe, alive. He brings you back with him and the rest of the Mawkin to ZDR, as well as the Metroid DNA samples his soldiers acquired; A return trip to SR388 is no longer necessary, and Raven Beak is fine with that planet being overrun by Metroids resistant to his control, but otherwise unable to access other worlds. But amidst the chaos, a lone X emerged from hiding while the Metroids were busy fighting the Mawkin, and infected one of the latter. This parasite stowed away, returning to ZDR with the rest of the Chozo.

And without any Metroids on ZDR, it felt safe to reveal itself in Elun and begin infecting the rest of the tribe, resulting in a years-long war and quarantine effort between the Mawkin and X. The Mawkin attempted to clone Metroids using the DNA samples they had, but the X were intelligent and could absorb their victims' memories; They predicted this move, and were able to move quickly enough to destroy all Metroid DNA on ZDR before any of their predators could be cloned. Without any methods to destroy the X short of blowing up the planet itself, all but one of the Mawkin would end up infected -karma- before Raven Beak finally isolated the parasites within Elun, somehow.

There's no DNA samples to create Metroids from, not anymore. And you can't build another Metroid from scratch, not without the DNA of the original SR388 creatures that went into it... But you can definitely build beta-ray emitters. And there are still plenty of Metroid larvae back on SR388 to clone directly, instead of the more roundabout process; So Raven Beak flies the Itorash back to SR388... And finds a bunch of rubble where the planet used to be.

Eventually he puts together that the human warrior he helped Old Bird and Gray Voice hybridize blew up the whole damn planet, finishing what her fellow Thoha started. His plans to conquer the galaxy with Metroids is screwed, they're all extinct with any DNA samples eradicated. That is, until Raven Beak finds out that his "daughter" Samus has Metroid DNA, thanks to the Galactic Federation, and the very X that spawned the Metroids' existence (and yet also delayed Raven Beak's plans by infecting his entire tribe).

And now, after all that effort in creating and then trying to destroy the Metroids, you have to bring them back using the person who helped you destroy them. Or, maybe not... Over your dead body! Which turns out to be literal when an X absorbs your corpse and then helps Samus awaken her Metroid DNA by siccing the remaining EMMIs back on her. How did you even get to this point again???


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11 months ago

Our interest in their hand sanitizer was purely for the betterment of mankind. Everything has clearly gotten out of hand now, yes, but it was worth the risk.

Him Again…

Him again…


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1 week ago
“Better To Put An Idea To The Page And Draw It Badly Than Never Set It Free.”

“Better to put an idea to the page and draw it badly than never set it free.”

The comic begins with a shot of our protagonists from behind.

Raven Beak is a tall, armored Chozo with an ornate headdress and a red cape with embroidered stoles. His pauldrons are flared and his eyes are red. Grey Voice is an old, grey Chozo with an appearance similar to that of a hawk or an eagle. He has yellow eyes and wears brown robes.

Raven Beak speaks first: "Thank you for joining me, old friend. There is a gift that I would like to impart upon you."
Raven Beak kneels, producing a long, rectangular black box with an ornate clasp which he presents to his comrade. Grey Voice looks on, intrigued.
This panel is a top-down shot. The box is open, revealing red velvet lining and a corkscrew-shaped blade with a navy blue hilt.
Grey Voice is astonished. We are granted a view from below, the lid of the box obscuring the bottom half of the screen as Grey Voice's face peeks over the lid. His beak is slightly agape, his yellow eyes studying the weapon in front of him.
Our view is now behind Raven Beak, the back of whose head takes up the lower right side of the panel. Grey Voice is situated on the left side of the panel, holding the now closed box in both hands.

Grey Voice speaks: "Raven Beak, I cannot accept this. It is too precious to your people."

Raven Beak responds frankly: "It is for our daughter. She is of my people."
The "camera" is still behind Raven Beak, but our view shows the scene from the exterior of a hallway, as though the viewer is watching the engagement from outside the room in which it takes place. The characters are backlit, as though the scene's lighting comes exclusively from the open doorway. Raven Beak is much taller than Grey Voice, so the latter must look up to address him:
"I appreciate the gesture, but she is much too young to wield this."

Raven Beak replies: "It is impossible to be 'too young' for a blade, Grey Voice. Kra hul, she is destined to be a warrior."
We now view the pair from the side. Grey Voice offers the box back to his compatriot, looking a little weary. Raven Beak continues to refute the shorter Chozo:
"You could not refuse this gift, even if I approved."

Grey Voice starts up with a rebuttal, but is soon cut off:
"Come now, don't be-"
"Such an act would upset the ancestors."
All color drains from the panel. Grey Voice is conveyed in simplistic shapes against a dark grey background. He is completely white. Dead silence fills the air.
Still achromatic, the only thing that changes in this scene is the building sweat dripping down Grey Voice's forehead and the fact that he breaks the silence:
"What."

Raven Beak promptly responds: "They would reconstitute your biological matter in pursuit of vengeance for your disrespect."
Color returns to the comic. Grey Voice and Raven Beak are now depicted very tiny on the bottom left-hand side of the panel, arguing in earnest. The background gradates from yellow to grey.

Grey Voice begins the interaction by stating: "You're giving our daughter a cursed relic."
Raven Beak elaborates: "Not cursed: sacred."
"What's the difference?"
""Curse" implies the retaliatory mutilation is malicious."
Grey Voice is exasperated. "As if it isn't in this case?!"
We are looking at Grey Voice from behind Raven Beak: all we can see of the latter is his red cape cascading from his shoulders. Grey Voice is talking now.
"Though I should not discount the possibility that you are merely yanking my plumes, I beg clarity on the matter... are you telling me that I'm risking my life talking to you because some long-dead warrior is sentimental???"

Raven Beak chimes in: "Don't be rude, now."
We are granted a front-facing view of Raven Beak. The top half of his helmeted face is obscured by the upper boundary of the panel, his face shrouded in shadow. His glowing red eyes break through the darkness. He begins his lecture:

"That is my great-great-great-great-great grandfather you are insulting, brother in blood. Please choose your next words wisely: I am duty-bound to defend their honor by way of a duel if you disdain their legacy... and I would not like to leave our daughter short a father."
The panel takes a very light-hearted tone in terms of coloration, with a desaturated salmon pink background. Raven Beak holds his hand up, eyes closed in a friendly gesture, as though to defuse the situation. He	 is filled completely in grey as opposed to being rendered in full color agaisnt the monocolor background.

Grey Voice inquires from offscreen: "Are you threatening me?"

Raven Beak responds rather casually: "No, I am politely asking you to consider the spirits' wishes. A "threat" would entail me drawing my weapon, pointing it in your direction..."
"...and commanding you to accept this gift before I snuff the flame of your eternal being, drawing upon the embers to light the torch that I will personally use to champion your essence straight across the innumerable stars and back to the yolk of the world-egg."

The colors used in this panel are noticeably darker and more saturated. Raven Beak is leaning forward, his glowering face taking up the entire left side of the panel as the black speech bubble takes the right. His visible eye is glowing fiercely. The text on his speech bubble is white, with the word "personally" rendered in red for emphasis.
The background returns to a fluffy pastel hue: this time, a lovely mint green. We are viewing Raven Beak from behind, as he takes up the bottom right corner. Grey Voice is located center-left, depicted smaller to convey distance. He looks to be in disbelief.

"I can't believe you're doing this to me..."

"What?" Raven Beak replies.
"Threatening me!" Grey Voice shouts. His neck stretches cartoonishly out from his shoulders, his face closing in towards Raven Beak as the commander shrinks back into the right side corner.
The camera is behind Grey Voice now. The background is dark, and we are staring up at Raven Beak's intense form, colored dark grey to communicate extreme tension. It looks like our militant elderly protagonist is about to explode.

"Was my firing arm not affixed to my side during that engagement??"

Grey Voice yells back, "You are impossible. Just give me the damn blade!"
The tone shifts immediately when Grey Voice accepts Raven Beak's gift. The gradient background descends from orange to dull purple as Raven Beak gingerly takes Grey Voice's wrinkled hand in his own, clutching his compatriot's digits within his armored grasp and taking care not to nick him with his pointed talon caps.

A close-up of Grey Voice's face is shown in the top right: an astonished yellow eye and raised, wrinkled brow convey his surprise.
The gradient background descends from wine red to a muted, glowing yellow. Raven Beak's helmeted visage is situated on the left-hand side and lit gently from below. He waxes as he begins transfer of the boxed blade to his cherished friend.

"Many and one, blood of my heart..."
Raven Beak continues his heartfelt speech as we view the pair from the distance, the scene bathed in black and white. Our protagonists appear as dark shadows in the distance atop a grey and white gradient background, the sunrise of their alliance giving hope for the future.

"Across the river of war and toil has this relic come to rest on easy shores... to join us in the hearth of our souls' labor, passed eons from old hands to new, falling roost in our-"
"Yes, yes, my thanks extend across the endless sea of night. Now go back to your ship."

Grey Voice interrupts Raven Beak's bleeding heart and whips around, clutching the box close to his breast as his aging face flushes red. Grey Voice lies on the right side of the screen, walking away from a comically simplified expression of Raven Beak in the top left.

Raven Beak is an individual of science. He's also a sentimental warrior poet who is not immune to superstition. How will his daughter learn to gut her enemies if he doesn't pass down the family heirloom? Also grandma will be disappointed if the sword doesn't go to Raven Beak's first-hatched.

Started late 2023.

Extras:

A sketch writ upon a medium grey background. Raven Beak grips Grey Voice's shoulders with his armored talons, exaggerated sweat bullets visible on the forehead of his helm. Grey Voice is visibly rattled. Raven Beak says, "Grey Voice, I can feel nonna's baleful gaze fixed upon the back of my skull as we speak. Take the fucking blade." The last sentence is italicized for emphasis.

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8 months ago

Solomon Aran is Samus’ brother of dubious canonicity who disappeared during the attack on K-2L. He didn’t die unlike everyone else, nor did people assume he just got vaporized. It is said he disappeared.

We all say Samus is trans.

S*lomon is Samus’ dead name obviously and she never bothered to correct the Federation records of the incident, because in a way Solomon DID die on K-2L. And also she’s fine with everyone naturally seeing her as just a woman and nothing else (in terms of gender, in terms of species she’s also part-birb but Samus embraces that bit so it all works out).


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6 months ago

It’s my blog, and I get to nerd out about Metroid fan covers if I want.

Track 10: Power

I swear, I love this track so much. I was never a fan of the original Raven Beak theme. The percussion felt lacking, the vocal element didn’t seem to match the gravity of the situation, and the overall track just seemed discordant and lacking pattern. However, “Power” absolutely improves upon the base track in almost every way I can possibly think of.

The entire album returns a lot of old leitmotifs, from the iconic Brinstar depths, to the chase theme of the SA-X. Most importantly to “Power” is the eerie loop of the Super Metroid save room. It appears elsewhere in the album, but it is actually the first leitmotif within the final track. Its inclusion is brilliant. Raven Beak has been spying on us, lying to us, and manipulating us through the Network Station save rooms. To hear this leitmotif turned sinister is a perfect display of the realization that we were never alone, and NOT in a good way. The track then transitions into Samus’s theme, then Raven Beak’s leitmotif in a monologic fashion, perfect for Raven Beak’s declarations and ordering of Samus to capitulate. The almost vocoded vocal element really excels here as a low hum in a moment of intermission. You can imagine Raven Beak pacing about his thrown room explaining the necessity of his schemes, and his justifications.

Then as the actual battle portion of the song begins, we see that the pace is slower than the original, allowing the Raven Beak leitmotif to really shine and draw itself out. The save room leitmotif is carried over, as well, adding some variety and vigilantly reminding us of how well our enemy knows us. The full vocal rendition of his theme just fits so damn well with his overwhelming power and technology. We actually get a bit of the heroic part of Samus’s theme as well, perhaps to mark a significant set of blows. Then a brief interlude of the darker first half of her theme, no doubt signifying Raven Beak losing one wing and tearing off the other himself. The final act of the song shows a distinct level of desperation on the part of both combatants. We can imagine that they are both running out of resources, and the looming threat of planetary destruction. The finale showcases Samus’s theme and closes very upbeat. However, we all know that victory doesn’t quite happen as Samus anticipated.

It’s My Blog, And I Get To Nerd Out About Metroid Fan Covers If I Want.

Though it does come in the end

This track has given me several ideas for my own rewrite of the Metroid saga. I constantly had the idea of the throne room being heavily damaged throughout the fight, cuz, I mean

It’s My Blog, And I Get To Nerd Out About Metroid Fan Covers If I Want.

Look at that massive beam. There is no way he isn’t at least singing the banners. However, “Power” makes me think more into it as symbolism for Raven Beak dismantling Chozo society and morals in order to fit his own insane agenda and ideals. I could even see the towering Chozo statues tumbling down onto him during the final phase of the fight, as if their likenesses are throwing themselves upon him, begging him to cease this madness, to stop attempting to kill his own daughter. I also imagine both of them losing weaponry and tools throughout the fight as well, further amounting to their desperation as they run out of power bombs, super missiles, miniature suns, and other critical ammunition. I also like to think of Raven Beak using a spear like other Chozo warriors, but being disarmed of it throughout the fight, showing that he is no rightful heir to their legacy. There are so many ideas floating through my head on the matter.

In any case, Sam Dillard did excellent work here. And you should ABSOLUTELY check out the album! The link for it is in the video description.


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5 days ago

Told y’all I would voice this! (Comic by @molagboop )


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