Crowley's Costumes: From Page To Screen

i collected the pages now what

we hang out

forever reblogging this

and if you turn to ur left you’ll see the emos

going back to the last post. gerard's playlist which he played as a dj

Siouxsie And The Banshees - Peek A Boo

Joy Division - Love Will Tear Us Apart

The Dresden Dolls - Girl Anachronism

Depeche Mode - Shake The Disease

Head Automatica - Beating Heart Baby

Pixies - Velouria

The Hives - Abra Cadaver

Morrissey - Last Of The Famous International

Playboys

The Cure - Why Can't I Be You?

Gwen Stefani - What You Waiting For

New Order - Temptation

David Bowie - Modern Love

Elvis Costello - (What's So Funny 'Bout) Peace, Love And Understanding

The Clash - Spanish Bombs

Cursive - Art Is Hard

The Stooges - Search And Destroy

Echo And The Bunnymen - The Killing Moon

Violent Femmes - Add It Up

Christina Aguilera - Dirrty

Bauhaus - Ziggy Stardust

Okay, I’ve just realised something and forgive me if it’s obvious to everyone else.

Crowley is the serpent.

Aziraphale is the angel of the eastern gate, technically on apple tree duty.

Their love is the apple. Their love is the forbidden fruit. It is right there in full view of both of them the whole time. The ultimate temptation. Absolutely forbidden. A betrayal of their God-designated roles and if they taste it, it’ll change everything.

The serpent whispers that they should eat it.

The guardian protects it.

And so their dance continues down the centuries. But they elaborate on it, getting closer and closer until ultimately, it’ll be inevitable. They’ll take a bite.

Makes you wonder what God’s really planning, huh?

biocomputer 醉在这一地 野花香

@descent_netizen

‼️

🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.

Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.

Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.

Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.

Be criticizes anti-migrant policies and Trump and his ilk.

Jackboot Jump is about the global wave of fascism and about protest and resistance.

Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.

Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%

Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.

If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.

screaming rn

someone reblogging to avoid tumblr FOMO

Recycled tumblr humor

Lalalala

Lalalala

i love when random tumblr users find my blog and go through it liking and reblogging everything in a frenzy, it feels like i’ve been cultivating a nice backyard with a lovely birdbath and feeder and i’ve glanced out the window to see a bird going absolutely wild with it