Yippee

Rip to Jaden Yuki, he would have loved the silly bandz craze of 2011

i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.

geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.

when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.

gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.

through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.

black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.

white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.

however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.

after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.

white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).

yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.

if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.

consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.

they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.

It fit him

“I can’t carry it for you, but I can carry you,” is one of the rawest lines in all of fiction and it pierces me like a blade every time I hear it

this game got me in a chokehold augghh

(also i figured that this would be my chance to try and practice drawing other body types 👉👈)

original below v

Actually your society is the freaks for shooting everything that moves and burning half your "nature reserves" every year so that upperclass dandies can eat leaded pheasant. North Americans are the well adjusted ones here, your country has become a desolate suburban lawn in island form

Random worldbuilding: A culture where everyone's social status is expressed through how their hair is braided.

Children all have the same kind of a simple, unisex "child's braid" which is meant for their parents to be easy to do - traditionally boys were only taught how to do a "wife's braid" while women braid both their husbands and their children, but a modern man is naturally an attentive father and contributes to both cleaning and feeding, and clothing and braiding his children.

While this kind of knowledge is more accessible in the modern age, the art of braiding is still seen as an intimate family thing, and it's not unusual for a youth to come out to their parents by the way of braids - for example a daughter asking her father to teach her how to do the "wife's braid", or a son asking her mother how to weave the "husband braid" for their future spouse. Or a trans kid asking their parents to give them the other gender's braid when it's time to transition from the child braid into the "unmarried youth" one.

It is nonetheless still somewhat common to see an older gay man with a "wife's braid" or two older women both wearing "husband braids", because that was the only way they were taught to braid a future partner's hair when they were young. They could learn the "appropriate" braid now, but it has become a part of the culture, an old-fashioned gay thing to do. It's pride - if you wear this braid to show that you're an adult with a spouse, why try to hide who braids your hair every morning?

The only braid that one is expected to do on themselves is the widow's braid - the only one that is also unisex, braided in reverse from the simple children's braid. Sometimes, young unmarried adults who have no interest in starting a family switch directly into wearing a widow's braid to signify that they are not looking for a partner and are independent adults on their own.