Dazai in a dress supremacy
Just a drawing break from writing the souheki fic lol. I absolutely love how this turned out
(•'ω'●)♡
I will go bankrupt but eat strawberries
was it casual when we got into such a bad argument that we then began to overturn furniture, I called you a fag, and then began to sob till I fell asleep on your bed (quote under the cut)
I feel like the main reason Francis called Richard when anxious and sabotaged is because after he sees that hot chaotic though incredibly mundane man the only intrusive thought left in his mind is how much he wants to fuck him on the backseat
bro. bro you are romantisizing the secret history. bro you are enamored with the greek class just like richard. bro you are ignoring the bad things and creating aesthetics based on a book telling a murder of a young man. brother.
Я хочу только плакать
А моря…
This is so real
guys this is going to sound really dumb. but. like does julian have other classes in other years? so THE greek class (richard, henry, etc.) are all in the same year of college, but obviously there are years younger than them, and people who used to be before them. like who did julian teach before them? who else does he teach if he does? this is what i’m curious about. 😔
Appreciation post for all the beginner artists who work hard despite the AI looming over us. You are fabulous. You are precious. Keep up the hard work, you are needed.
DONE
Kill me I am doing something that is so not related to my studies but I HAVE TO finish it
My small analysis about The Secret History, and the way it seems to fall in the absurdism:
Through the whole book, we have these little details, characters and else that break the classic (and very structured) rules of writing. In literature, it is known that every character and every interaction is forced to have a weight on the narrative, however, in the book we find characters that are there or things that happen just because. The person following Bunny and Henry on their trip, or the character that lied about seeing something the day of Bunny's murder.
Now, this is only in the way the book is structured, however, if we look closely, we find the perfect example of why this falls in the absurdism. You see, Camus was a firm believer that things don't have to happen for a reason, that nothing matters because at the end, we all are going to die, and that it doesn't matter what we do.
Henry (and I would say Camilla and maybe even Francis) follows this idea after the bacchanal. It is the result of the bacchanal.
The murder, which is a mere concept that fall in the category of terror by humans, is an act of destruction, one of the worst transgressions (if not considered the worse one). Death is only allowed if it happens because of some sort of destiny, divinity or deity, death is a transgression for humans, the thin line. When they murdered the farmer, they crossed this line, clearly, the main strenght in this, is Henry.
When he's the main responsable of this death, he crossed the line. And then, he got away with it. So, this bringed in him the idea that, actually, nothing matters. Nothing matters because he alredy killed someone, and nothing changed. He still got up, got to study, got to live as he wants.
He described that he often felt like life was meaningless and bland, but after killing someone, he noticed that life is actually meaningless, yet, this as well means he could do whatever he wished.
That's why he could kill Bunny, that's why he decided he wanted to be closer to Camilla, play around with poisoning. Henry realized that if life was empty on its own, he could do as he pleased, because there's nothing stopping him.