art by Maxim Aleksandrowicz Kuleshov
part one of my guide to slavic faith - basic problems
part two of my guide to slavic faith - main gods
Perun - God of Thunder and Lighting, Ruler of Sky, Giver of Rain and Punisher of Evil - is possibly the most popular and important Old God from the Slavic pantheon; he unifies the beliefs of many Slavic - and Baltic - tribes.
As I am aware than reliable sources in English are not this easy to find, I decided to translate some notes on him I have from the “Mythology of Slavic People” by Aleksander Gieysztor - a book which is crucial for anyone who wants to really delve into the Slavic faith. It is quite academic and focuses greatly on linguistics, archeology, and folklore. Split in parts to avoid being too long and exhausting (as if it is not already? oh my.) Includes info from Strzelczyk’s Mity, podania i wierzenia dawnych Słowian as well.
- the mentions of Perun and his worship are widely present in texts from both ancient times and Middle Ages; however, they are truly visible in folk oral history, language, and archeological finds.
- Perun as a higher deity is present in nearly all of Slavic tribes’ beliefs as well as in the Baltic ones.
- his name is created from the core “per” and the suffix “un” – such a way of creating a name denotes a role and activity described by the core (nomen agentis); through this, in Polish we have a word “piorun” (lighting) coming from the action of Perun and his role. Both Lithuanian and Latvian have one word for the deity and the lighting.
- his role fluctuated throughout the years between the deity of sky and thunder to the deity of authority and action: both aspects are equally important and present in sources and tradition. a similar process took place in the Roman polytheism.
- the main role of Perun is connected with hitting – he is the one who hits, punishes, sends lightning bolts – this is present in language in certain ways: in Polish “prać” coming from the “per” core meant to wash clothes with the beating stick (kijanka) and is nowadays still present in colloquial Polish meaning “to hit, to beat someone up” (prać kogoś, sprać na kwaśne jabłko itd.)
- Balts have yet another similar core denoting the deity Perku-nas (widely accepted to be the same as Perun) and through the cores “perk” or “perg” apparent in Indoeuropean languages, we can observe connotations with “lighting”, “rock”, “forest”, and “oak tree.”
- there are many documented practices of tribes worshipping oak trees as Perun’s trees – although it is important to note that Slavs did not worship the tree itself but “what [the tree] encompassed, what it meant” (quote from Mircea Eliade, Romanian historian of religion)
- Serbian (but also Macedonian and Bulgarian) practices of “zapis” also highlighted the importance of worship connected to oak trees.
- also places hit by lighting were considered sacred – whether it was a hill, a tree, or earth/sand which created the Perun’s arrows/arrowheads (Fulgurite)
- fulgurites or belemnites were considered the sacred weapon of Perun – Perun’s arrows, God’s arrows (Polish strzałka piorunowa, Ukrainian hromowa strilka/strila boża, Serbian strijela, Slovene strela); if found, they were considered a great luck: put in the child’s cradle for protection and health, rubbed on cows’ udders if they were not giving milk, or put under the thatch to protect the household from being hit by lighting.
- the other weapon of Perun was the Axe – through this axes were considered a sacred symbol and put beside the bed of a woman giving birth, near the threshold of a barn, on the field during sowing, or outside to protect animals and crops from hail.
- from the belief in the magical powers of Perun’s weapons came the practice of hitting oneself on the head with a rock or iron after hearing the first thunder of spring.
- the name of Perun was considered sacred and not to be taken lightly: Marija Gimbutas, a Lithuanian-American archeologist documented that, in Latvia and Lithuania, up until the XX century, only the elders were allowed to utter his name – and even they would use a diminutive form Perkunelis or Perkonitis as a way of omitting his “true name” and not angering him or bringing thunder upon themselves. (this is a widely present in linguistic analysis phenomenon of “magical taboo” and it often causes crucial cores and forms of words to be changed)
- the name of Perun and its various forms are very noticeable in toponymy (the naming of places) such as Lithuanian Perkūnai, the river Perkūnija or the mountain Perkūnkalnis; Bulgarian and Yugoslav Perunac, Perunićka Glava, Peruna Dubrava and dozens more; Polish Piorunowy Dział by the river Poprad; however, the Perun Hill in Istria (peninsula now shared by Croatia, Slovenia and Italy) with the part of it slope called Trebišča is most interesting – the term “treba” in Slavic languages and customs meant “sacrifice, offering”
- his name is also present in other parts of language other than toponymy or words meaning “thunder/lighting bolt/to hit” – most noticeably in curses/swear words such as “may the lighting hit you, may Perun punish you” in various Slavic languages such “niech cię piorun strzeli/trzaśnie” in Polish (there are many other languages using this, but Gieysztor doesn’t quote them – I do not know Serbian or Ukrainian well enough to post outside information here, please check Lug Velesa’s video on Perun where they quote more)
part 2 will include, among others: Perun’s role in Slavic dichotomy (his fight with Veles), the role of Perperuna, more customs, and specific archeologically-confirmed practices in his name.
observe the tag “gods guide” for upcoming updates.
slava,
Żmija
rusalki are not mermaids. stop translating the word "rusalka" as "mermaid" and stop calling rusalki "slavic mermaids". it's confusing, it's misleading, and it's simply isn't true. the association of rusalka with a western mermaid and undine began in 19th century, when russian empire poets wanted to adapt a popular western motif of a sorrowful water maid that is unrequitedly in love with a mortal man. this literature character of rusalka has nothing to do with actual rusalki folklore and cult.
rusalki are natural undead spirits that are connected to slavic ancestral worship. they don't have tails. they are not in any way connected to the sea: only lakes, ponds, and rivers. often, they're not even connected to water at all: there are forest rusalki, field rusalki, meadow rusalki, etc. they are in close relationships with their human kin: during the spring and summer, they are used in agricultural rites and are believed to help with farming and raising crops. rusalki were sacred to slavic people. the "week of the rusalki" festival, when rusalki are believed to walk on earth and visit their relatives, is celebrated to this day. to call them "slavic mermaids" is very diminutive of their actual role in slavic cultures.
“Along with celebration, feasting, and games, people would remember the dead. The dance moved from sacred groves and rivers to graves: there the tryznas* took place, with activities the same as in spring. *Tryzna - the ending part of funerary rites, normally consisting of a sacrifice, military-themed games, a feast to honour the deceased person; turned into a dinner during Christian times. At the same time the term meant the three days the winning army received for plundering and celebration. By some definitions, a fight, a competition, a battle.”
— Mykola Kostomarov on celebration of Yarylo’s holiday, supposedly in late May-early June.
Are there are Slavic runes or symbols I can/should familiarize myself with? If so, do you have any sources you can point me towards? Very much appreciated.
This is not the subject I am particularly well versed in but no, to the best of my knowledge Slavs did not have any runic alphabet of their own, Glagolitic script being the oldest known Slavic writing system. Now there is one mention, by a 9th century bulgarian writer, that Slavs of the past did not write books but for the purposes of counting and divination they used a system of strokes and incisions. Following an old post Lamus Dworski made in Polish ages ago I believe the aforementioned signs might be something similar to tamgas.
Unfortunately it also came to my attention that there are some problematic modern groups of conspiracy theories-loving pagans and self-appointed history specialists who believe Slavs did have their own alphabet it was just destroyed by evil Westerners or Jews and all traces of it have been hidden. Just like all traces of Great Lechia, Slavs defeating Julius Cesear and other proofs of Slavic racial and cultural supremacy. If you catch a scent of those people best stay far away from them.
Magic Old New Year fortune telling - 6 tasty ways to find out your fate
The holiday period from January 7 to 19 is considered special in Ukraine. Ukrainian ancestors believed that during this time the fate could open its secrets and mysteries, so they tried to get answers to the most personal questions. They found out about the future from various folk sayings and divination. The Old New Year is celebrated on January 13. The Old New Year evening, which is also called Generous, was deemed to be one of the best days for fortune telling. What’s interesting, both unmarried girls and young men tried to discover their fate. Ukrainians also closely observed what happened in nature and in the house during the whole holiday day and Old New Year evening.
Some folk sayings have survived to this day. For instance, if there is money in the house during the Old New Year evening - you will live in abundance all year round. This day you should in no case lend your money in order not to take happiness out of your house. Ukrainians observed the Old New Year nig…↴ https://ukrainian-recipes.com/magic-old-new-year-fortune-telling-6-tasty-ways-to-find-out-your-fate.html
I just needed to get some of my thoughts out on this topic so this may seem very unorganized and chaotic, but I hope to have better organized posts that are much more informative and stick to a single point, but I do not have the time for that currently with everything going on at university. The concerns I raise are found consistently in Western academia, “Slavic academia” (whatever that means), and of course on tumblr which pulls heavily on outdated materials because thats all they have access to. I am currently compiling a list of articles in English which I think may help clear some of the misunderstandings and offer actually credible/up to date sources, but you’ll have to wait for that.
Also, as a disclaimer, I am not an academic on Slavic polytheism or a professional on the matter (yet!), but these random musings come from years of personal research. And when I say years I mean years. But to just quickly state the biases I might have: I am practitioner of the folk religion of the Slavic peoples, but more specifically the Ukrainian branch of it. Most of my resources have focused on the Ukrainian flavor of the Slavic pre-Christian faith, but most definitely not exclusively as that would be impossible to get any sort of understanding of the faith without comparing it to my neighbors.
First and for most, Slavic polytheism has had influence from the Nordic and Germanic polytheisms, but it is no where the closest or most related. I see this mostly in imagery and how people conceptualize the deities. Thor and Perun are not two sides of the same coin, sure they might have similarities being both derived from an Indo-European source, but seeing Perun as a Slavic Thor is very much bad academia. Slavic polytheism and folklore has a whole load of connections to ancient Iranian polytheism. I would even venture to say that Slavic polytheism is a very interesting blend of Baltic and Iranian mythologies and folklores. This is not to say it is one and the same, but when looking into comparative studies these will offer the richest and most accurate comparisons.
We need to stop seeing Slavic polytheism in terms of Christianity and other institutionalized/state religions (Like Greek or Roman polytheism). Knyaz Volodymyr attempted to institutionalize the Slavic pantheon and failed, converting the people to Orthodoxy only a couple years after this attempt. His pantheon was not universal to Slavs. It pulled from various Slavic tribes and non-Slavic tribes and therefore is perhaps more representative of the elite’s conceptualization of the deities, and not of the common people.
Attempting to reconstruct the Slavic religion without recognizing ancestor veneration is impossible. This is the backbone of the entire religion. The deities were seen as the first ancestors, not like in Greek polytheism where the Gods are a different “species”, for a lack of a better term. We see this reflected in folklore about the Saints being the people’s ancestors, or naming the Moon as an ancestor.
(This concern is more pointed towards people who wish to worship the slavic gods: You can not worship Perun or Veles or Mokosh, etc. without worshiping ancestors. I mean you can, but you aren’t reconstructing the slavic faith, but rather implanting Perun into a, dare I say, New Age/Wiccan(?) structure/conceptualization of paganism.)
People need to start changing how they conceptualize the Slavic pantheon not as a rigid religion controlled by a state, like Greek or Roman polytheism, but rather look into folk religions like Vodou, and rely more on Folklore then on sources writing about the Slavic pre-christian faith through a Christian lens. Of course these few and far between sources can point us in a direction, but when reconstructing the “theology” of the Slavic faith it gives us close to nothing. What I mean is, these sources do not offer anything in terms of how the pre-christian slavs conceptualized the the cosmos, spirits and their gods.
I’m not even going to touch the embarrassing amount of fake gods propagated in academia and on tumblr. I tried making a post about this and failed because i didn’t even know where to start. And many gods are just mislabeled rather than being outright forgeries (I’m looking at you Svarog and Stribog). But please don’t say that every holiday name (Koliada, Kupala, etc.) are gods… and stop with Bilobog and Chernobog… I can’t take it anymore (sarcasm, I will fight you to my grave and then some more in the afterlife).
These ideas and theories are of course are based of my own research, and these ideas will continue to shift as more knowledge is brought to light. Also do not take this as gospel, this is mostly ramblings. When the Gods and ancestors allow it, I want to support these claims with sources so people can read them and decide for themselves. Would love for people to submit their own evidence and theories and claims, so we can have a discussion about the faith that means so much to us.
Reminder that if you're asking spirits to help you with something long-term (i.e. protecting your home, bringing in job opportunities etc) it's good practice to have an agreement on "rest" and "finished" commands. I.e.
"When I tell you that it is time to sleep, return to your vessel and rest until I ask you to continue again."
"When I tell you that your work is done, I will thank you with an offering and our relationship is completed so you may leave my space."
Signed, someone who forgot to do this and had an unhappy spirit asking where their offerings where because I forgot to say that I now *had* job and didn't need them bringing me more!
“People believed clay to be an embodiment of the primordial cosmic matter and honoured it as such - like a life-giving substance of the world with wonderful properties and abilities. Only clay of all natural materials gives people the fullest creative ability to materialise the products of their imagination. Thus, temples, houses, dishes, ritualistic and decorative objects were made of it; it was used in folk medicine, magic, astrology and rituals. They believed that people who work with clay, potters, are also special, knowing more than others.”
— Folk Medicine and Magic of Ukrainians, by Iryna Ihnatenko.
Vinok wreath
The Ukrainian wreath (Ukrainian: вінок, vinók) is a type of wreath which, in traditional Ukrainian culture, is worn by girls and young unmarried women. The wreath may be part of a tradition dating back to the old East Slavic customs that predate the Christianization of Rus. The flower wreath remains a part of the Ukrainian national attire, and is worn on festive occasions and on holy days and since the 2014 Ukrainian revolution increasingly in daily life.
On the day of Ivan Kupala, young women placed their wreaths in the water with a lighted candle, foretelling their romantic future by how the wreath flowed down the river or lake. From the wreath’s direction, the girl could tell whom she would marry: if the wreath stayed in one spot and did not float down the water, she would not marry; if it went under, she would die; if the candle went out, misfortune would follow. The young men would dive into the water, trying to retrieve the vinok of the girl each loved. One of the ritual Kupala songs says, “Who will catch the wreath will catch the girl, who will get the wreath will become mine.“ It dates back to pre-Christian times when it was thought that the headdress would protect girls from evil spirits. The ceremonial, religious value diminished, and was later replaced as a national character of girlhood: to lose a wreath in folk songs and traditions means for a maiden to transition into womanhood.
Like most Ukrainian folk dress, the vinok had significant symbolic value and only specific flowers were used. It was traditionally worn by girls who were eligible for marriage. The wreath’s name, vinok, is related to the Ukrainian word for a wedding ceremony vinchannya.
The flowers used to make the wreath were generally fresh, paper or waxen and were attached onto a band of stiff paper backing covered with a ribbon.
The wreath varied in many of the regions of Ukraine; young women throughout the country wore various headdresses of yarn, ribbon, coins, feathers and grasses, but these all had the same symbolic meaning. In parts of central and eastern Ukraine the flowers were raised in the center front. Usually multicolored, embroidered ribbons were attached to the back.
During the Ukrainian wedding ceremony, the vinok was replaced by the ochipok, a cap that she would wear for the rest of her life.
Ukrainian folk healers, known “as a babka, or babka-sheptukha (granny or granny-whisperer) are elderly women who perform magico-religious rituals such as the ‘pouring forth of wax’ (vylyvaty visk sometimes called strakh vylyvaty, ‘to pour fear’) to treat a variety of maladies. They are usually respected figures in their communities, and are seen by many to possess a valuable form of wisdom that cannot be learned in books. Though some babky are rumoured to be witches who practise both white and black magic, and their practices are derided by some as superstitions their fellow villagers usually respect them, seeing them as God’s chosen healers. The babky see themselves (and are seen by most villagers) in terms of what Faith Wigzell has described as the role of the Russian znakharki (knowing ones). Historically, she writes, znakharki were folk healers who (in contrast to witches and sorcerers), did not embody supernatural powers, but acted as mediators with the unclean force [1998:49].
…In the villages I visited, people frequently utilised the services of babky. Most babky indicated that they had patients every day, and people came from distant villages and cities to seek the services of several of the better-known babky. In addition to performing the wax ritual, many babky were also skilled in administering herbal remedies, conducting rituals to remove the evil eye, throwing (reading) cards, and performing healing massage. While babky treated people of any age, they indicated that frequently their patients were young children suffering from fear sickness, stuttering, irritability, difficulty sleeping, and similar ailments. For their services the babky usually received a small amount of money (2-5 hryvni) or barter in the form of eggs, sugar, flour, butter, hrechka (buckwheat groats) or moonshine.
…The moon held special significance in the beliefs and practices of several babky, and some prayers involved invocations to the new moon. Eva told me, for example, that one must follow this procedure to cure a toothache: when the molodyk appears, that is the new (literally, young) moon, when you can see just a tiny sliver of the moon, then you must stand on a rock and say, ‘Molodyk, molodyk, have you been to the other world?’ ‘I have.’ ‘Do people die there?’ ‘They do.’ ‘Do teeth hurt there?’’They don’t.’ ‘Then don’t let ours hurt either.’ Similarly, Paraskovia Moroz told me the following prayer: Clear moon, young prince, don’t let anyone have them [dry patches from eczema or psoriasis] not Oksana. Take it away, you are young, you see everything at night on the earth.’ Babky often told patients to time their rituals and prayers to the appearance of the new moon. In some cases, the new moon was seen to have powers to renew a spell, if a particular incantation was repeated with each new moon.
…In general, the babky said they felt freer to practice their craft since the fall of Soviet rule in Ukraine. Paraskovia Moroz, who was born in 1930, had wanted to study to become a doctor or veterinarian. Her parents, who warned her that all students were forced into the Komsomol (Communist Youth League), dissuaded her. Komsomol members during the turbulent war years in Western Ukraine were oftentimes tossed into the river, she reported. Paraskovia said that when she began to heal people in 1964 (she was then thirty four years old) she had to practice in secret. Folk healing was actively repressed by the Soviet regime, and anyone practising it could have been arrested, she said.
…Earlier Paraskovia had always pleaded with patients to keep her healing a secret, but now she felt free to heal and everyone knew of her abilities. The fact that women like Paraskovia Moroz had protected knowledge of these prayers, rituals, and folk remedies is evidence both of their strong character, and the tenacity of these beliefs and practices.
…Anthropologists who have studied ritual and shamanism note that, across cultures, ritual practice becomes more prevalent in times of social upheaval [Turner 1967, 1969, 1974].
In the context of a significant decline in living standards, widespread impoverishment, and uncertainty about the future in Ukraine, it is not surprising that villagers (and frequently, urban dwellers) would seek the services of a diviner-healer.
As Wigzell [1998: 191] notes for contemporary Russia, fortune-telling (in our case, represented by divinatory practices associated with the wax ritual) has an important role to play in helping individuals cope with their lives. This insight, I think, can be extended to the entire range of healing practices espoused by babky in Ukrainian villages. Coping mechanisms, and, especially, attempts to restore and maintain harmony, are encoded in all the roles fulfilled by the babky. In today’s trying times, I would argue, Ukrainian babky carry out gendered performances that accord them a measure of prestige and power; complement and replace the system of state medicine; act as psychotherapists; and specialise in psychosocial ailments to simultaneously heal persons and communities.
…As previously stated, babky are generally held in high esteem as wise women. They are believed to have special knowledge of prayers and ritual practices, and to possess a unique connection to God, Jesus Christ, the Virgin Mary and the saints. The concomitant suspicion that babky may also dabble in black magic may diminish the esteem with which some villagers regard these women, but also garners them additional respect (out of fear). In general, however, most villagers associate babky very positively with pious religious belief and practice. For many, they embody the nurturing mother figure.”
Excerpts from the article: Waxing Like the Moon: Women Folk Healers in Rural Western Ukraine by Sarah D. Phillips ; University of Indiana
For full article (it includes details of the pouring of wax and other details, as well as a bibliography):
https://journals.ku.edu/…/article/download/3744/3583/4458
Photo source: Ірина Шараневич
“Babusya z poliovymy kvitamy, Ukraine, from Iryna with love”
“Don’t look up at the heavens—there is no bread there. As you get closer to Earth, you get closer to bread”
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