This isn't how life is supposed to feel
irsshawty on Pinterest / I Saw The TV Glow / internetfavorite on Pinterest / kiyogakukai on Pinterest / Spotify on Pinterest / ladycranes on Pinterest / micheallasboard on Pinterest / Ryan O'Connell / norhanelhadry474 on Pinterest / @inanotherunivrse on Tumblr / ??? / Charles Wright, Scar Tissue in "Scar Tissue" / Barbara Kingsolver, The Lacuna / Priyer on Pinterest / vangore on X / perfumebathing on Instagram / marvinandrea89 on Pinterest / @hannahlockillustration on Tumblr / stickybaby on We Heart It / lesedimorapeli25 on Pinterest / Jnkskxm on Pinterest / Jeff Vandermeer, Annihilation / Fernando Pessoa, "English Song", A Little Larger Than the Entire Universe: Selected Poems / Jean-Paul Sartre, Being and Nothingness / MrsandMrStyles on Pinterest / Chuck Palahniuk / justgiveittime on Pinterest / Anaïs Nin, The Diary of Anaïs Nin, Vol. 6: 1955-1966 / Mary Macdonald, romanticizeaquietlife on Pinterest / Gillian Flynn, Gone Girl /
I accidentally deleted my credits while creating this & struggled to find the original creators again as I had already downloaded all of this content. Some of the credits are towards the original creators, but some are just references to where I was able to find the content after deleting my original credits. Please feel free to correct any of my credits if you see one that is incorrect 🫶🏼
I absolutely adore Éponine, she’s one of my favorite characters (in general, not just in Les Mis), so no one take it the wrong way when I say I absolutely prefer the Bishop being the one to lead Valjean to Heaven in the epilogue. Not so much musically, but more so from a character standpoint. The Bishop is the one who saved Valjean’s soul. Valjean would not know G-d if not for Myriel; so of course Myriel is the best man to lead him to Heaven. The ideal production, to me, has the Bishop leading Valjean to Heaven and also has Javert in Heaven. Unfortunately, such productions seem to not exist (and I am so so so so willing to be corrected about that).
when i was sixteen and insane for my shakespeare class final i had to do the “alas poor yorick” monologue at a competition and while i was doing it i had this insane thought of like. i’ve never been and never will be closer to experiencing hamlet’s mental state than i am right now. like of course all that stuff didn’t happen to me but when you’re 16-19 you kind of feel like all that stuff is happening, all the time, constantly
Thinking about the fact that both Cosette and Eponine are perfect portrayals of female adolescence, both shown in two different yet incredibly accurate ways, but despite that they both are referred to and treated like woman
I think there was even a line about Eponine how she was the type who just mostly skipped the stage of being a child
And I know a part of it is because the term "adolescent" wasn't there yet or barely just had been invented and societal norms were different but still
Two girls being so deeply just girls, just typical teen girls and yet viewed as women, the implications of their characters- AND THE FACT THAT JEAN VALJEAN IS THE ONLY ONE WHO SEES AND TREATS COSETTE AS A KID/TEEN???
And don't even get me on the parallels they are to each other's
GODDAMN I was not prepared to get so emotional over them when starting the brick
something something about R resonating with marius during red and black and so he eggs him on in hopes of hearing his repressed feelings voiced
they call me the problem ignorer for reasons that i know but dont feel like addressing right now