This Really Is Such A Minor Thing But I Genuinely Cannot Believe That People Are Still Choosing To Buy

this really is such a minor thing but I genuinely cannot believe that people are still choosing to buy starbucks... its not even good coffee, ignoring all of the serious and actual issues with the company and the many many reasons people are boycotting it, its bad coffee, go to a cafe and get real good shit?? you get the bonus of not being lame for supporting starbucks?? 0 downsides

i think something you have to realise is that there are people who exist alongside you and me, who are so devoid of an identity that they make consumerism into their entire personality. they're the kind of people who line up to buy stanley cups, who will throw out and replace entire wardrobes just to keep up with fashion trends. they'll fight for nothing but their right to remain in their comfortable little consumerist bubbles, and co-opt anti-ableist language to shame you for ever thinking of pointing it out. starbucks is, by a lot of people's measurements, very average coffee. but they've cultivated a global brand identity that people enjoy and that's really the trap.

More Posts from Not-ur-average-hydroflask99 and Others

Children make up half of the population of Gaza and nearly a million of them are currently displaced. They are forced to take shelter in unsafe buildings and makeshift camps. It is winter in Gaza, so the temperatures are getting colder and it is harder and harder to find warmth and the resources necessary to keep warm. Not even hospitals and schools are safe from bombing. The chicken are not safe from being taken hostage. They do not get enough food or water on a daily basis. The children of Gaza are by definition starving. Over 80% of Palestinian children are suffering from depression. Over 10,000 children have lost limbs in 3 months. They are going through extreme medical procedures without any painkiller or anesthetic. The watch their parents and family die in front of them and then are forced to continue in alone to try to ensure their own safety. And despite the horror that they have to go through on a daily basis, they still are finding joy and hope. They are stronger than every single one of us and if you are able to look at all the images and videos and stories that come out on an hourly basis of what these children are going through and are still not able to take it seriously you are treating them no better than Israel is.

KEEP TALKING ABOUT PALESTINE ‼️‼️

How To Fucking Write: a guide by fairyhaos

How To Fucking Write: A Guide By Fairyhaos

[masterlist]

this post details:

DIALOGUING INTERESTINGLY

How To Fucking Write: A Guide By Fairyhaos

hi gays and gals! the first post on starting and pacing a story did really well, so "how to fucking write" is back, with yet more advice and tips for everyone ^^ please feel free to let me know if there's something you want me talk about, because i'll be more than willing to see if i can help. also a reminder that i have a taglist for this series as well, and please reblog if you find this helpful :)

How To Fucking Write: A Guide By Fairyhaos

# - HOW TO DIALOGUE.

.. bullet point one : grammar

okay guys, as a native english speaker, i'll be the first to tell you that this language fucking sucks in terms of its grammar, but when it comes to dialogue, understanding how it works even to some extent will help you branch out and vary the way you write dialogue, which makes it so much more interesting.

with dialogue tags (said, asked, etc) if the punctuation mark in the dialogue is not a ! or ? then it should be a comma.

example : [junhui + castle]

How To Fucking Write: A Guide By Fairyhaos

as you can see in the first line, a comma is used rather than a full stop, because the sentence hasn't been finished yet. there's a dialogue tag, ('you correct'), that comes after it. and since the pronoun 'you' isn't a proper noun (i.e. a name) then it shouldn't be capitalised, because, again, the sentence hasn't been finished.

with action tags however, (he smiled, he stood up, etc) then it should be a full stop.

example : [i just made one up bc i don't use this a lot lmao]

"I disagree." He stood up, and walked over to close the door. "This isn't safe. You shouldn't go alone."

and now, since there is a full stop, it indicates that the speech is a sentence all by itself. that means the next word ('He') ought to be capitalised.

but the key part when grammar-ing dialogue in order to make it interesting depends on where you put the action and grammar tags.

if you constantly have lines that are just:

"dialogue," he said.

"dialogue," she said.

"dialogue but a bit longer," he said.

... then it can get repetitive, and annoying. by varying your dialogue structure, it can create more interesting dialogue.

example : [minghao + password]

How To Fucking Write: A Guide By Fairyhaos

there's a variety of dialogue and action tags being used with each line of dialogue, preventing everything from sounding too repetitive.

the first line starts with a normal sentence, and an action tag. the second is a standalone line of dialogue with no tags. the second has the action tag in the middle of the dialogue. and the last has a dialogue tag in the middle of the dialogue.

by varying the ways in which you write your dialogue, it makes everything a lot more interesting.

.. bullet point two : verbs and adverbs

the easiest way to make dialogue interesting, though, is to use fancy words.

this can be by replacing 'said' with a range of other dialogue tags (see this really comprehensive list for a whole variety of different words), but i'd advise against overusing these. 'said' is your friend! it's the invisible dialogue tag, helps your reader read through your dialogue in comfort, but of course, if you wanna add a nuanced way of describing the dialogue, then replacing 'said' is the easiest way to make your dialogue interesting.

but don't overuse these. for me, i'd focus on action tags and adverbs.

use interesting adverbs that add description to how a character is saying something can go miles. and using action tags that break through what could have been a long section of characters just talking? it helps so much.

i'd recommend having onelook thesaurus open as you write. you don't have to type in just words: phrases, the overall vibes of the word you're thinking of, all of that can be typed into the thesaurus and they'll provide you with pretty good results each time.

it also really helps when you've forgotten a word and can only remember vague bits of what the word should feel like.

.. bullet point three : voices

the best way, however, is ultimately to create a character. write a personality for them, bring them to life, think about the way in which they would talk and then put that down onto paper.

it's difficult, perhaps the most difficult to do, because it's also so tricky to advise someone on how to do this. it's all about the character you want to create, the personality you envision for them, and the only person who can fully write that is you.

however, i would find a few 'ticks' of theirs and use them as indicators in your writing.

for example, in my seoksoo long fic, seokmin's tick is that he always "chirps" what he's saying. and beams. a lot. this identifies his character, makes him unique(ish), and establishes his personality and differs him to the other characters.

How To Fucking Write: A Guide By Fairyhaos

but ultimately, it comes down to word choices, when you're writing a character voice.

like, your character describing something with elegant, floral language vs them going "this is so pretty". or perhaps making them stumble over their words when they're panicked vs them simply just going silent when they're flustered.

it's about being specific. about making choices with your words that would have english teachers analyse and unpick your writing, hundreds of years later.

(even if it's fanfic. especially if it's fanfic: because who knows how many fans may join your fandom in the next few years?)

How To Fucking Write: A Guide By Fairyhaos

... and that's it ! if anyone has anything else they want advice on (how to structure, how to write dialogue, how to plan etc) then just shoot me an ask, because i'd love to help however i can :)

tagging (comment/send ask to be added!): @selenicives @stqrrgirle @weird-bookworm @eternalgyu @blue-jisungs (tough luck guys btw but youre gonna be tagged in this entire series ehehehe)

It's not about the ship.

A majority of us BKDKs never believed the ship would become canon. That was never really on the table.

What it is about, is 10 years of character and relationship development completely nuked for the establishment of a different relationship that had faded into the background at best for a lot of that time.

Izuku and Katsuki are important to one another. There's zero denying that. Katsuki died for Izuku. All of his scars come from protecting Izuku in one way or another. Katsuki was devastated when he learned of OFA's loss. He worked for eight years to make sure Izuku could live out his dream.

Izuku has looked up to Katsuki since they were children. He lost the plot multiple times when Katsuki was insulted or in trouble. Shigraki himself said Katsuki was closer to Izuku than anyone else.

And all of that development brought us zero discussions about what they've been through. No talk about the impact of Katsuki's death. No talk of Katsuki's apology. No talk about Izuku's feelings about the demise of his dream. Instead, we got Izuku rejecting the idea of being partners with Katsuki, something his character for the entirety of the series would have undoubtedly loved.

Yes, people can grow apart. But show me that. Give me background on why. Give me something, anything that would explain why the Izuku at the end of the epilogue is in diametric contrast to the Izuku we saw at the end of chapter 430.

These two characters mean so much to me. I don't see myself in their story, but the love (whether platonic or otherwise) and care that they show for each other speaks to me so deeply. Katsuki's growth as a person and Izuku's acceptance of and willingness to forgive Katsuki no matter what speaks to me so deeply, and to see that thrown away stings.

It's not about the ship. It was never really about the ship.

now more than ever, please vet gofundmes before you donate.

copy and paste descriptions into google to see if there are scam accounts reusing the same story, check to see if there are any images/updates on the fund with faces. go to the original blog, check if the post asking for help is only an hour old, or even less than that. refrain from donating if all it links to is a PayPal account, without any further confirmation of identity.

it’s horrible to say but it’s never been a better time for scam artists to exploit your generosity, when things seem so dire, and I’ve donated to campaigns before only to realise later that the entire story was stolen from an actual family in need. due diligence might take a few more minutes out of your day but at least you won’t be sending money to an opportunistic scumbag.

They Are Already Selling Data To Midjourney, And It's Very Likely Your Work Is Already Being Used To

They are already selling data to midjourney, and it's very likely your work is already being used to train their models because you have to OPT OUT of this, not opt in. Very scummy of them to roll this out unannounced.

Right, considering the current state of corporate politics on this site, and that it seems that only those affected seem to be actively speaking on the matter, it is up to I, the only fucking cishet on tumblr, to drag this out to a wider audience.

Right, Considering The Current State Of Corporate Politics On This Site, And That It Seems That Only

REBLOG IF YOUR ACCOUNT IS A TRANSFEM SAFE SPACE.

We need to show these higher ups how much we truly value them.

YALL THERE'S AN EVIL BOOP IF YOU HOVER OVER ON THE BOOP LINK LONG ENOUGH At Least Like Three Spins Long

YALL THERE'S AN EVIL BOOP IF YOU HOVER OVER ON THE BOOP LINK LONG ENOUGH at least like three spins long and it'll give you the prompt

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not-ur-average-hydroflask99 - 21 - they / them
21 - they / them

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