This first thing I thought when I woke up from surgery was I am so hungry and I need ramen right now! but the second thing I thought was Oh my god, I'm safe.
I was safe.
I thought about having kids someday, but the thought was always divorced from the concept of having to grow them in my body. Whenever I thought about it, I would either start screaming or my mind would shut down. My worst nightmares featured discovering I was pregnant, and realizing I would have to keep it, and go through childbirth. I was terrified.
I got the surgery, and realized I was safe, and I never had those nightmares ever again. It was like finding out I was bulletproof.
Later, I looked at the broken condom, and I didn't see my life flash before my eyes. I didn't see my hopes and dreams turn to ash as I pivoted all my energy into a child I didn't want. I didn't see a possibility of starvation or homelessness because my already modest income went to a child I couldn't afford. I didn't see my disabled body becoming further disabled, or killed, by a pregnancy that I didn't want.
Read more between the pages commentary: https://www.patreon.com/posts/68216364 (free post, no paywall)
"fuck it we ball" is for stress about the future "it is what it is" is for stress about the past and "this too shall pass" is for stress about the present thank you for coming to my TED talk
goodnight everyone (:
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Well, damn it... there's a lot if scenes I could talk about so this is a hard choice for me to make...
Okay, I'm picking Not Red, Black. It's one of the fics that I wrote that centers around Miruko and at the time, I dabbled a little into horror elements than the usual comedic and lighthearted ones I go for. The fic as a whole was just a sequel I just came up with on the fly because why not and wanted to see if I could write it. Sometimes, I do like to challenge myself and write a tone and a genre I'm not used to. Indeed, it was difficult and while I don't think I fully captured a "horror" kind of feel, I still say this is one of my better fics that isn't in my usual style.
One section I like to talk about is this scene!
It's evident, Miruko inhabits the "blood knight" trope. She's down for a good fight, doesn't mind the pain or anything.
Here I kind of wanted to take that part of her and twist in a way where it's almost opposite, I guess, of how she is in canon. She really doesn't show any negative feelings to fighting or killing someone, just that it's something she has to do because she has a duty. She doesn't want to have regrets.
For this scene, I still wanted to hone in that love for fighting she has and view she has on killing and make her question it. She doesn't feel joy, but at the same time she does. It confuses her. She's not sure how to feel, but she knows she feels something about ending a life to protect herself (she was attacked).
Also, colors. I'm sure you noticed that the title has "red" and "black" in it. While I do mention other colors, those two colors are emphasized a lot more in the fic. For this particular scene, I hoped to have captured this imagery of Miruko just sitting in a huge void of shadows that represent her self-doubt and corruption.
Fanfic Writers: Director's Cut
If a website has a paywall, like New York Times, DO NOT use the ctrl+A shortcut then the ctrl+c shortcut as fast as you can because then you may accidentally copy the entire article before the paywall comes up. And definitely don't do ctrl+v into the next google doc or whatever you open because then you will accidentally paste the entire article into a google doc or something!!!! I repeat DO NOT do this because it is piracy which is absolutely totally wrong!!!
[masterlist]
this post details:
DIALOGUING INTERESTINGLY
hi gays and gals! the first post on starting and pacing a story did really well, so "how to fucking write" is back, with yet more advice and tips for everyone ^^ please feel free to let me know if there's something you want me talk about, because i'll be more than willing to see if i can help. also a reminder that i have a taglist for this series as well, and please reblog if you find this helpful :)
# - HOW TO DIALOGUE.
.. bullet point one : grammar
okay guys, as a native english speaker, i'll be the first to tell you that this language fucking sucks in terms of its grammar, but when it comes to dialogue, understanding how it works even to some extent will help you branch out and vary the way you write dialogue, which makes it so much more interesting.
with dialogue tags (said, asked, etc) if the punctuation mark in the dialogue is not a ! or ? then it should be a comma.
example : [junhui + castle]
as you can see in the first line, a comma is used rather than a full stop, because the sentence hasn't been finished yet. there's a dialogue tag, ('you correct'), that comes after it. and since the pronoun 'you' isn't a proper noun (i.e. a name) then it shouldn't be capitalised, because, again, the sentence hasn't been finished.
with action tags however, (he smiled, he stood up, etc) then it should be a full stop.
example : [i just made one up bc i don't use this a lot lmao]
"I disagree." He stood up, and walked over to close the door. "This isn't safe. You shouldn't go alone."
and now, since there is a full stop, it indicates that the speech is a sentence all by itself. that means the next word ('He') ought to be capitalised.
but the key part when grammar-ing dialogue in order to make it interesting depends on where you put the action and grammar tags.
if you constantly have lines that are just:
"dialogue," he said.
"dialogue," she said.
"dialogue but a bit longer," he said.
... then it can get repetitive, and annoying. by varying your dialogue structure, it can create more interesting dialogue.
example : [minghao + password]
there's a variety of dialogue and action tags being used with each line of dialogue, preventing everything from sounding too repetitive.
the first line starts with a normal sentence, and an action tag. the second is a standalone line of dialogue with no tags. the second has the action tag in the middle of the dialogue. and the last has a dialogue tag in the middle of the dialogue.
by varying the ways in which you write your dialogue, it makes everything a lot more interesting.
.. bullet point two : verbs and adverbs
the easiest way to make dialogue interesting, though, is to use fancy words.
this can be by replacing 'said' with a range of other dialogue tags (see this really comprehensive list for a whole variety of different words), but i'd advise against overusing these. 'said' is your friend! it's the invisible dialogue tag, helps your reader read through your dialogue in comfort, but of course, if you wanna add a nuanced way of describing the dialogue, then replacing 'said' is the easiest way to make your dialogue interesting.
but don't overuse these. for me, i'd focus on action tags and adverbs.
use interesting adverbs that add description to how a character is saying something can go miles. and using action tags that break through what could have been a long section of characters just talking? it helps so much.
i'd recommend having onelook thesaurus open as you write. you don't have to type in just words: phrases, the overall vibes of the word you're thinking of, all of that can be typed into the thesaurus and they'll provide you with pretty good results each time.
it also really helps when you've forgotten a word and can only remember vague bits of what the word should feel like.
.. bullet point three : voices
the best way, however, is ultimately to create a character. write a personality for them, bring them to life, think about the way in which they would talk and then put that down onto paper.
it's difficult, perhaps the most difficult to do, because it's also so tricky to advise someone on how to do this. it's all about the character you want to create, the personality you envision for them, and the only person who can fully write that is you.
however, i would find a few 'ticks' of theirs and use them as indicators in your writing.
for example, in my seoksoo long fic, seokmin's tick is that he always "chirps" what he's saying. and beams. a lot. this identifies his character, makes him unique(ish), and establishes his personality and differs him to the other characters.
but ultimately, it comes down to word choices, when you're writing a character voice.
like, your character describing something with elegant, floral language vs them going "this is so pretty". or perhaps making them stumble over their words when they're panicked vs them simply just going silent when they're flustered.
it's about being specific. about making choices with your words that would have english teachers analyse and unpick your writing, hundreds of years later.
(even if it's fanfic. especially if it's fanfic: because who knows how many fans may join your fandom in the next few years?)
... and that's it ! if anyone has anything else they want advice on (how to structure, how to write dialogue, how to plan etc) then just shoot me an ask, because i'd love to help however i can :)
tagging (comment/send ask to be added!): @selenicives @stqrrgirle @weird-bookworm @eternalgyu @blue-jisungs (tough luck guys btw but youre gonna be tagged in this entire series ehehehe)
People talk a lot about Bakugou’s possible intentions for being an ass to Midoriya, like some tragic backstory, but it comes down to a fundamental misunderstanding. From Bakugou’s perspective, he’s unloved by everyone. He never understood that Midoriya just LIKES him. To Bakugou, he is the most determined manipulator of all time. Him secretly having a quirk basically confirmed that to Bakugou. The real reason their relationship improves after their fight in season 3 is because he realizes, “Oh. He just… cares about me.” Knowing what little we know about his relationship with his mother and her constant belittling, it makes perfect sense that he tries to make up for his actions only after putting them in hindsight.
I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
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