Yet Another ‘characters Posing For A Camera™’ Case

First five ASOIAF portraits are done!

F!Aegon

Theon Greyjoy

Quentyn Martell

Sansa Stark

Shireen Baratheon

Fandom: God there’s like NO content anymore. I wish we could get more art and fanfics :(((

Someone: Hey, I can’t draw anything digitally, because I can’t afford a tablet, but here’s a pen on paper drawing that I spent a lot of time and hard work on. Also, I took a shot at my first fanfic and I’d really like some feedback or at least some kudos if you enjoyed it :)

Fandom: Oh... yeah sorry no... not you. We actually meant writers that are already well known and popular to produce MORE content... I mean, if a popular blog shares your work then maybe. And we don’t really like pen to paper art. We just don’t think it’s professional or even looks good :/

@swsource star wars week DAY 6 – LIGHT SIDE: Luke & Leia

budgie✨ on X: "#作画カロリーの高い作品を上げようぜ https://t.co/wx8rTJa0x0" / X

"Fire and Blood is biased propaganda by the maesters so nothing in the real Dance of the Dragons actually happened like in the books, you can't critique the show for showing things as they really were!"

I'm so tired of this take...

GRRM wrote the original ASOIAF series as an anti-monarchy and anti-war story. He's an author who makes a point to flesh out characters and motivations, he understands that there isn't truly a good vs bad narrative to any large-scale, real-world conflict like war, and he understands the sociopolitical factors involved. His series highlights that it's the most vulnerable people in society who suffer when those in power play their game of thrones and make consequential decisions based on their own personal motivations without thought to the consequences to those that will have to the pay the price for them. That's GRRM's entire point with the original series: war destroys everything, it is never really justified, and through war the powerful set in motion terrible events that the most vulnerable are most like to suffer.

So the idea that all of a sudden with the prequel book Fire and Blood GRRM pivoted to write a biased textbook that purposefully misconstrues a conflict where the real story behind the pages is that one side of a dynastic civil war was led by a faultless, pure woman whose divine right to rule was stolen from her, and she's justified in plunging the realm into war to reclaim her throne because the other side was uniquely misogynist against her and was made up of selfish flawed people who just wanted to steal her power from her because she was a woman...

Sure, Fire and Blood may be a history book with unreliable narrators and sources that are trying to recount long-lost histories of the realm and possibly failing to capture the totality of what actually occurred. But I can absolutely guarantee you that the intended real history of the Dance of the Dragons as it took place in the world of ASOIAF was not some black and white, good vs bad tale of morality where one side was right and the other side was wrong like the show and some fans are insisting.

The actual Dance of Dragons as it exists in the ASOIAF timeline and universe, keeping in line with GRRM's original intention and message of the ASOIAF books, is 100% a story of a flawed, ultra-powerful family that fractured into two ideologically different factions that led to a pointless civil war in which neither side was justified in their attempts to seize power from the other. The result was that the family killed themselves until the only survivors were the traumatized children left over from either faction. In this pursuit of absolute power within one family thousands were subjected to the abject horrors of war: pillaging, famine, torture, sexual violence, being burned alive, and so much more. Neither side was faultless. Neither side had "the right" or justification to enact this conflict. Neither side bore sole responsibility for the conflict. Neither side was good or bad while the other was the opposite.

It really just fits outside of the world of ASOIAF to think that Fire and Blood's account of the Dance of the Dragons was uniquely biased against a single woman and her side of the conflict wherein this woman and her supporters were actually good people that had bad things done to them and all accounts in the book relating to them are inaccurate, yet most accounts of everyone else in the story were more or less true and accurate to how events played out. Like are you actually serious that this is how you think this story and history played out in this world of ASOIAF? That ultimately the story of the Dance of the Dragons is not anti-monarchy and anti-war in line with the original ASOIAF series but actually it's the story of a uniquely good woman in this terrible world who had a rightful claim to the throne and whose power was taken from her solely because of misogyny so she was justified in going to war to take it back? Like that's your analysis and interpretation on this conflict?

The way that the show is presenting this story is so unbelievably and ridiculously reductionist and simplified to the point where you begin to question why someone wanted to try to adapt the material at all... but then of course you remember that 1) Game of Thrones made a lot of money for a lot of people 2) its later seasons of mediocre, oversimplified writing continued to be rewarded with huge budgets, profits, and awards nominations despite the obvious downgrade of quality 3) so many modern writers believe the general audience needs to be spoonfed ideas and that they can't handle complexity, so it's more important that they shape an existing story into something that is a palatable, profitable hero vs villain tale that everyone can casually enjoy (and ideally appeals to modern sensibilities) than they try to create a compelling, thought-provoking, interesting and faithful adaptation of the source material.

5 things your character can't do while speaking

Choke. Just think about it, seriously. Think about what choking is and imagine speaking while it’s happening. That would fuckin’ hurt, man.

Hiss. Look, it’s just not possible, okay? No matter how “evil” you want your character to seem.

Snarl. Animals snarls. The Beast from Beauty and the Beast snarls. The Hulk snarls. You know who doesn’t snarl? PEOPLE WHEN THEY’RE SPEAKING.

Shriek. Come on, 99% of the time, “shriek” is not the word you want.Let’s face it: if you put an exclamation point at the end of the sentence, your reader gets the picture. Don’t bring to mind banshees and screaming toddlers.

Sneer. I’m not even going to bother explaining this one. “SNEER” ISN’T EVEN A SOUND.

Star Wars - art by Kevin Nowlan (1982)

Yeah sure we’ve all binged a long fic, but have you ever read a WIP and followed someone’s life?

Tidbits of information - (“I graduated today!”) - and small joys (“It’s my birthday!”) and you get to be there to say “This chapter made me cry, happy birthday, thank you for gifting us this”.

I remember reading this fic of someone at the end of high school, older than me then. They seemed infinitely wise, spoke of their future career and getting into the college they wanted. I remember them posting on days they felt like nothing could bring them down - and on days the whole world did and it’s the aftermath of a hospital visit. Cancer, I think it was, their father. I got to the end of the story, I know their father was fine, but also they got to finish their WIP. I graduated three years later than them, still dutifully wrote thank you notes in every comment. I wonder if they remember me, or just the collective of people reading the story as it updates.

Four years ago I was into my first year of university, my first year of figuring out being out in public spaces. I made excuses as to why my name didn’t match my paperwork and read a fic on the train, the same five chapters over and over again for the next years as I thought the story abandoned. It updated this week after such a long hiatus, I left another thank you comment.

There’s an author I love, they update their stories like a clockwork. When they don’t, I check their blog, just to see if their doing alright, not because I feel like they owe me, just to ensure whether I better get out my laptop to write that really detailed university level essay chapter analysis to get them smiling when their day sucked.

And then, once, when I was 17, I read a fic that hadn’t updated in over a decade. I wasn’t even in primary school when it started posting. On the last chapter, I left a comment that, in retrospect, was horribly rambly and most likely full of grammar mistakes. The author replied and though I couldn’t see their face, I thought of them crying. They were married now, had children, and hadn’t thought about this fic in years. They went through their files again, found another half written chapter and an outline. I got two new chapters to read that year.

And then, recently, someone told me they got back into writing original fiction because of my comments. I get to read nearly weekly chapters.

I love binge reading a finished fic, but nothing is ever going to top the feeling of anticipation of waiting for a chapter, the pure joy when someone tells you I was done with this, but you made me think of it again, so this is for you.

Anyway, I think we should romanticize reading WIPs more, growing up alongside the authors writing the stories we love.

Writing agent Jonny Geller gives advice to young writers.