lmao at people who actually thought the exo vocalists were at Zayn's caliber. Even Zayn "Bradford" Malik
has to work hard to maintain his level of talent, touring is no joke and wears your vocals out that being said you should be able to get a clear grasp on somebody's best and their average
I used zayn cause honestly I am trying to be fair and use a modern example and not people way back in the day. Also I remember this
jk jk. Girl I've never fan voted in my entire life, but I remember this happening though.
But using 1d and using the same standards some Exo supporters use when talking to fans of other kpop group
: do you really think people who aren't true artists of the craft can actually outdo people who can sing a soulful rnb song in their sleep? No, way too much association game being played. Just because s.m entertainment got a leg up from Quincy Jones
and got a bunch of his songwriters and associates and producers
(no this literally isn't even half of it lmao)
to help exo make 'black music'. "Popular music' "We can rock with this music'
Don't mean they are on that level like that. Please note the people that own this music and who own a lot of the music s.m used they all in some way go back to uptown
or motown
In some way, shape or form, because the black music industry was kept separate from the white for a long time, there's a very small crew and circle of people involved in the black music scene. A lot of it has merged into sub labels of larger companies like Universal or Sony. A lot of these songwriters of pretty much indentured and must continue to churn out these 'hits' and it doesn't necessarily matter where in the world it goes so long as it's sold.
They are classically trained singers and can do just as much as a classically trained singer around the world can. But they aren't blowing anyone outside of the average chaebol kid who don't even really care about performing out of the water. S.m taught them well but not nearly well enough for the ego their fans have developed.
Smtown entertainment was built off the foundation of motown, to be the korean version of motown. It's talent is mediocre compared to the original talent the company was based off of, but I suppose compared to the copy of a copy of a copy that exists in Kpop now it's something.
Personally they struggle to outdo Japanese acts artistically as well. In their heyday they created their own genres so unique japanese energy in and of itself was a movement, so I don't understand the superiority.
To be fair Japanese entertainment was on one back in the day from the 80s to early 2000s they ruled even American pop culture
Japan had a longer history with allowing it's citizens and artists freedom of expression, they were able to show out for a good while and gain respect slowly but surely in the international arts realm.
Korea tried to make up for decades of artistic freedom in like a single decade. They are still very rigid with their approach and of course adhere to the strict controlling method of the idol culture model, set by Japan who honestly was way loser even back in the day and even more now.
They critiqued obsessed idol fans back in the day with movies like perfect blue. Of course it still happened but trust when the modern culture shames something and the rest of the world is watching it does effect how people act. Imagine if their was an Hbo show that was about the kpop industry and obsessed kpop fans it definitely would make people tone down. People act differently when people really know what's going on in a situation.
Perfect blue is a mirror to fan culture at it's roots. It's fanatical, a bit unhinged but it's socially acceptable all the same.
A film I believe is necessary for anyone stuck in the idol worship process. It's 'these people don't know you' but artsy.
Even Lee Soo man sent Boa to japan to solidify her career back in the day.
They've had their gender wars, yaoi shotacon era, weird asf eras, religious guilt era, smooth jazz, blues, rap, kawaii, wannabe hood, what's our place in the universe era etc etc as a culture as a society. So their idol industry had a chance to grow slowly, rise up and simmer down naturally. Whereas Kpop just kind of had 20 or so years to boom and the artists have little more growth and development as a disney channel show after 3 seasons.
Boa of course went with the techno chic style that ruled Japan in the early 90s and she did very well.
America however is an entirely different beast, the talent in america is on a different level. Hybrid vigour going 1...2
but that's just a theory. Point is America's a different playground
(I was seven when I first watched her mv on mtv)
this is why most kpop gets their sound from abroad
(Boa's debut single eat you up was made by european producers I guess they were going for a more fusion Backstreet boys style american debut but there is a remix with Flo Rida)
(I may do a breakdown on this later, but it's just the way sm approached the whole thing. They wanted to create an urbanized Boa. That's such a dumb way to go about it. No concern for what actually fit her. That's sm's biggest mistake not letting their artists make their own decisions and be their own people. I watched an interview of her in La back in 2008/9 and she seemed like she was being shuffled around. This producer to that producer, now having to just become a whole new person. It didn't fit. Particularly because she wasn't american, it's not second nature or something she was at all used to.)
For s.m the superiority must be because the korean government is backing them up so they know they cannot fail. Now they feel superior to all of other asian talent and many go to korea to have a chance at becoming globally famous. That's fine.
Even fans of vocal deities don't go around disrespecting everyone like their fans do. Just because they made a point to imitate black singers and use their demos early in their career don't mean they are more elite than anybody else. I never see adele fans do this, it's giving insecurity. You don't have to keep repeating something everybody knows. I feel like as more time goes on the lack of originality is making their remakes more forgettable.
To use a comparison again, in one direction it was almost annoying how obsessed they were about songwriting, they were always in the studio trying to out do one another with the songs they made. Back in the day I thought it was pointless and I felt like Exo was more fun because they focused more on their bond and spending time together.
Now that I'm older it's woven all throughout the music that they had personal deep connections to what they were writing. This is why there are performances where the lyrics actually emotionally effect them, life, death, relationships, breakups, things the fans knew about things we didn't. That's what makes an artist.
Apparently a few members had writing credits on Kokobop and I read about what they said concerning it,
I will say that the group has added to a lot of their songs but I don't believe the craft for songwriting and composing becomes them. In Kpop I noticed many songs created lack a certain spark of life and personal touch
The fine details are also important, this isn't an exposing of the group simply clarification on things that aren't delved into. Many of the songs are remade and have a previous demo.
Knowing the background of the songwriting trio the stereotypes creating hits like Justin Bieber's somebody to love, Tomboy by Destiny Rodgers, Rocketeer by Far East Movement, they have quite a track record and their work is well known. I believe the average fan would give all the credit to Chanyeol because he 'worked on it'.
A very easy thing to find out but when people see an Exo members name on it many ignore anything else about it.
Especially with how they've regarded the black community in general. You truly wouldn't know the impact the black music industry had on kpop or sm unless you were american and it was just obvious to you already, or you researched and figured it out.
I bring this up to say the main compliment I see regarding exo's superior vocals is when members sing high notes and whatnot, which is fine. I love all types of vocals some of my favorite bands of all time is the fray and onerepublic, I purposely mention them because they are grown people music and not for immature 'stans' I hate whenever I bring up an artist that stan culture doesn't like and people bring up streams or who they dated as a drag. It's so immature and petty. So I use them because their music and vocals are not pass out but they are people who have mastered their own voice. It's unique, soulful and not trying to be anybody else. Personally to me this is when I know someone is a true master of their craft whenever they put their soul into their music when they sing.
In my personal opinion I always felt like I couldn't talk years ago, there was no room for oh yeah this artist kind of sings a bit better--if they didn't have stats, weren't popular it didn't matter. Yet, when people in the kpop fandom talked about their favorite artist they were top tier best in the industry and they had the numbers to prove it.
Now years later because the numbers aren't as good as people in the fandom may want it to be; they put other groups or artists down because they aren't real 'singers'. Then show clips of what is love/what if or some other obvious 90s rnb demo or a 90s japanese style pompeii style epic .
I just rarely see commentary about the obvious influences that were used to create the group that Exo's mythos/style/clothing and setup were based off of.
Which they can do because their leader/owner made friends with the right people and opened up a world of connections for them. Because many other groups have been cancelled for jacking theme's and concepts but that never happens with exo because sm owns/CALLS IN FAVORS/ with the media.
So those convo's are never had, so besides the average fanwar, most people can freely live in the world that exo is original and super duper talented above all others. Whenever someone wants to have a convo about this and actually know info about exo and can't just be deemed stupid and uneducated then 'it's not that important'
I tend not to bother or even talk about things that don't really irk me, but I can't lie sometimes I'm a bit irked. The false narratives truly do get to me, I remember a lot of stuff that many fans just weren't there for. I pass in on certain artists every now and then with Exo and Shinee being the only kpop boy groups I really listened to album after album, I keep wondering why I don't randomly get the urge to listen to them.
It could be a lot of reasons, bad memories, or I just am not into them as people. But celeb gossip to me means nothing. I don't care about rumors or someone's bad reputation if their music is good. It's not even the fandom cause some fandoms make me question humanity but when the beat drop I honestly don't really care
With Exo, honestly the music is something I have a hard time returning to. I once agreed with people that it was indeed better than other K-pop but now I'm starting to think that's a poor comparison. We are all equal, maybe not in ability but we all have the ability to put our heart and soul in what we do and if the music is good it should come off as right. There's little excuse when there are kids with youtube channels around the world who sound literally amazing, and they are no different than anybody, just singing to their heart's content. Passion, soul, drive. I believe that will always come off to others. It's what helped the civil rights cause for blacks back in the day, how they sang and danced. People just couldn't believe it.
Now we have an open market for talent so the competition is fierce but there is still people who blow listeners away. Every now and then I'll find a song that's good regardless of the singing style, they could be whispering or just humming and it sounds perfect, because they are doing what's for them.
Kpop is extremely manufactured to the point where this authenticity is very rare, few people truly sing with their heart and soul, it's mainly singing to impress and following a stiff formula. The problem with Exo mainly is the excellent catalogue they had access to, that lee soo man had access to. To me that was their ticket to stardom and a big reason not only for their success but the success of S.m entertainment as a whole. Many fans are less concerned with the details of how their artists and their work came to be and mainly are into the parasocial nature and competitive attitude of fandom for which the overall music and art suffers in my opinion.
The group finds little reason to give content and work very hard on their artistic ventures because honestly, who really cares. It's quite sad and the complete opposite of the music industry decades ago.
So most of the focus is just giving the group a concept, album or good song and the special touch the members give is next to none. The songs and albums could of been for anybody and deep down they know that which may lead to them being disconnected with their music.
Regardless as someone who watched many Untold stories about the black music industry, black artists were done bad, very badly, treated like dirt.
To see their music get new life is bittersweet because of the context in which it's happening, it seems ironic that people who care nothing for the cultural, political or even spiritual reasons for this music existing get to profit off of it. But that's just life. To get back into the talent aspect the singing in general all these years later I can hear now what my young ears couldn't. The vocal technique is mediocre and there is no attempt to fix it
Not only that fans who don't really care about vocal technique are going out of their way to claim not only is Exo superior to Kpop vocals which sure why not, but it's like a disrespectful attitude towards the black musicians and their 'versions'. As in the black musicians talent is ok but it couldn't compare to their Oppa's.
Many in kpop are guilty of this, but heavy is the head that wears the crown even after it's taken off. They are the kings of Kpop, no? Then they are responsible for inspiring the current generation more than anybody. If they are on the wrong path they are only following the example Exo set for them. They have called a lot of attention to their talent but I've yet to see them truly shine brighter than other's on their level. I believe there's a reason they stayed out of America. There is no such thing as constant popularity in the west. They don't just demand showing up and looking good and performing on a basic level. They want everything. Singing, dancing, choreography, artistry, political opinions etc etc.
Artists like Taylor Swift have written a majority of their music whether partially or fully. Hits and misses. It's a learning curve, but improvement is expected in the west. The more personal the better. Haley Williams also writes a majority of her music with her bandmates as well
Haley often talks first hand about her source of inspiration and always goes very deep when creating her music with her team.
constant artistic evolution is never easy there are blips and missteps but the point is an artist is responsible for putting their soul and passion into their work without concern of judgement.
Their hit Ain't it fun was unlike anything they'd done before fit with a gospel choir and all, it wasn't a sure hit but they went for it. A group can be an old group yet still keep it kicking artistically
weird and wacky can definitely work.
To keep going with the boyband contrasts Louis, and the other members, didn't just write one off songs he helped create songs that really had an impact on the group as well. This also helps with creativity because it must be discouraging to an artist to be an artist and have everything handed to them. How can they truly speak.
I put this in here because those boys really did work hard, they had a good run and they truly contributed to the music world despite having the most cookie cutter starting point.
End of Pt one
So I made this blog for a paticular reason that reason has become null and void at this point. I figured some things out and it was time to move on. But I still made the blog. I usually just leave it rot in the ether of the internet but twitter is...I can’t talk that much and I talk alot. Also it’s quieter here. So I be busy and my brain is like..lots of ideas live in there and they do not pay rent and refuse to be evicted so I literally have no choice but to do something with them. Now because I am four years older than 18 my mind basically that of an old person now so I must write everything down. Everything. Or else I will return here and not know what in the world I planned on doing so for the future me and my sanity and whoever comes on here and finds anything interesting and is like hmm that is intriguing but what else is there like what will this person write about next. Well okay I will put here a detailed list of all the posts I plan on creating. Most are already written or drafted out in my google docs because I pre plan almost everything I can’t help it. This can change depending on how I think the format fits. Also since most of these are still in draft/research stage some ideas from years ago I may not even subscribe to the belief anymore but I still put in a lot of work so maybe it will interest somebody. So in no particular order
#Atlantagate (kai and blackness there’s a lot to unpack)
Jongin dance analysis
Batman v superman analysis
Kai the first album analysis
Jongin: actual fallen angel? Analysis
Avatar/Avatar the way of water analysis
Kai and Taeyong analysis//
Kai behavior analysis// this one has to be broken down into several including attachment style, body language, hypers2xuality, behavior towards men v women, and major childhood events.
Comparing Lee sooman and Johnny Kitagawa
Abusive practices in kpop that are openly accepted/laughed at and why this is the new normal_ but this can be tired into other theories
Rover Film Analysis _obviously not done yet
Kai and dispatch a long history. Why he’s their go to boy
Why aang is the best avatar in existence
Jongin music analysis: this is the last one I’m putting no this isn’t me analyzing his music but the music he’s listened to for years and how I think it reflects a lot of things about him. I actually jotted down notes about his taste in music and after doing more research pretty much everything I thought about him was true. His taste in music and movies is so revealing because he’s such a transparent person. He is secretive yet at the same time wants people to know certain things. Some of those things are true and some aren’t.
LAST ONE whew. Kai is a method actor. Like a serious method actor. I learned that watching Andante you know what. Andante analysis.
So yeah I’ll try and see what’s the best to do first but like if anybody anywhere wants anything specific just say it cause if not I’ll just whatever whenever. I say this because as much as I love just reaffirming my own beliefs I’m always open for correction or broader thinking or just a good conversation. I hate petty arguing it’s so pointless to me and I much prefer to actual talk it out with people.
so yeah that’s it for now
Kpop is like an enigma the further you peel the creative layers back everything is black..then there's the colorism, featurism nd cultural hoodwinking
I dont wanna make a super drawn out post about the cultural cou d'état going on in kpop but like who else is gonna do it
2. I mean either political or aligned with a certain way of thinking. For example an important part of art is critiquing and analyzing. I find in exo, sm, and kpop spaces it isn't acceptable to give honest opinions on art. Therefore it's hard to interact with art positively is you cannot even interact with the work itself in a conductive way. For example, there was once a web comic based on Wolf and a few of shinee's contents a long time ago. Fans now tend to ignore the mythos, not discuss it and create fan work completely separate from the reality of the kpop universe. This is a problem for me. If the work reflected more on the reality of exo, even the real life hard hitting issues they face or things that fit the group them I could see myself interacting with it more. Fanwork tends to ignore almost everything but looks and shipping.
Like chibi, or an anime version of the members...like I like art but it feels like dehumanization rather than art in terms of appreciation, you know? Like a lot of people were anime fans and then get into kpop because of the makeup, plastic surgery and their willingness to do fanservice. Like real life anime.
Anyway, in essence there is not much to discuss with current works. To make a more specific example, dc comics tends to write stories that are relevant to todays world, and fandom works do the same. You will see fancomics talk about even more relevant topics than the comics and movies and shows.
Even singers back in the day had movies about real life or interesting topics. Micheal Jackson fans to this day create projects based off of him. Even fans who grew up to make cartoons and movies make characters inspired by his projects. To me that is what makes fanworks interesting and worth checking out. Not just it being pretty.
I suppose a part of it is on the companies. They don't do enough to inspire the fans either. The concept can be great, but it isn't discussed and often ignored by the artists, they hardly talk about it. So I suppose fans do the same. For me it's a miss. Like Obsession was a great concept with terrible promotion and execution. The fanworks and art to me also had potential to be great but they ignore the themes.
To be even more specific, with Rover, great concept, great execution but that is a rare case. I think if the fandom was bigger and more active it could of been even better.
I also recognize fans are doing unpaid labor and get little in return for their work. The companies don't reward the fans at all.
Could you elaborate on how you mean people expect you to have certain opinions? And also when you say they'll talk to you a certain way and kpop fans are extremely disrespectful...is there a scenario you can give me to better understand?
6. For example, I wasn't really active in the fandoms so it's hard to give a clear example. But when call me baby came out in 2015, I thought it was really good, but looking back it did borrow a lot from bands like Nsync and such. That could be talked about more, fans do not want to hear that nor compare kpop to it's influences. I believe one moment in a mv teaser came directly from pinterest... I'm only saying this because I noticed it myself and others noticed it later.
If I were to bring this up, it would be bashed. It's just what I've seen and experienced. Even comparing two good works is seen as an insult. I am not saying every fan does this, it is probably the minority, but the minority talks the loudest in the kpop fandom. It's a bit too much.
If I say that Kai is inspired by another artist, yet he didn't say it out his own mouth, people will say, you are trying to degrade him as an artist. In Rover his Mv was inspired clearly by several other mediums, again people do not want to hear that, they only want direct praise, no other discussion about the work. It feels like there is no point. I am not a kindergartener. I do not want to act like I am watching a children's cartoon. Like I must clap, smile and say nothing intelligent. It gets tiring after awhile. It was fine as a young teen, but even then it was annoying.
Even a comment about something casual. Like for example, sometimes kpop idols go on vacation and hypothetically they went to a nightclub and have something from the nightclub. And I or someone else says 'oh hey he must have went here'. They would go crazy, if you do that 'you are trying to expose them', or start rumors that they are dating. It's mad. I don't really understand why kpop idols can't date. That is another thing that I just cannot get about the fandom. The korean public I somewhat accept because that is their culture. But american fans know good and well they could never stop justin bieber from dating back when he was up and coming, NEVER, it doesn't make sense how if you imply they may date a girl or guy--they get upset. It makes me uncomfortable. I cannot accept behavior like that. It is immoral. Love is a human right. So to be clear that is another large thing. Shipping is fine but even in one direction, people would ship larry on monday but that didn't mean eleanor would disappear on tuesday. Shipping to me in the context of kpop is different, yes other western fandoms ship but the people can date publicly, they can say hey I like this person, or I went on a date last tuesday. Kpop idols cannot. So it's not the same thing. It is a method of control. All of one direction had long term girlfriends and fiancee's from the start of the group. That's another thing I don't get. The scandal of being a grown adult and dating, and the western fans going along with it. I don't like it.
That also makes it hard to enjoy content knowing how toxic the fandom is.
So to be clear, even if you enjoyed (this is an assumption based on the use of the word appreciate) something, it only gets a reblog if it's something that fits your style? How do you define style? Do you mean personal aesthetic? Or does it more mean something fits your personality
Yes. Basically. I may also reblog it if I want to commentate something, but with kpop it's usually best if you say nothing to avoid hate. I don't like to argue so I feel like there's no point draining my energy with an irrational person. Style can be interchanged with vibe. Just something lighthearted, or important. I'm not a strict on what I reblog it just has to be noteable. I will reblog a cow or a cat picture with the same vigor as I'll reblog modern art, or a golden girls or parks and recreation meme. As long as it is something that to me is relatively wholesome, nice to look at and not low vibrational. So I guess something that fits my personality but also my individuality.
I'm genuinely curious as to the answers, so if you see this could you please do me the favour of signal boosting this so it reaches more people?
I see posts circulating now and again about lack of interaction on fandom creation posts. No one reblogs. No one comments. But I never see anyone asking why. Is it simply a matter of being in the middle of an etiquette shift? Is it crossplanted members of social media communities having different social norms? Has the way people use Tumblr shifted? Speculation only goes so far so to better understand what I'd like to know is the following:
How long have you been on Tumblr? Any fandom not just Exo.
What is your take on fan created works on Tumblr and interacting with them?
Do you have a process for what goes on your blog? How do you find most of the posts you reblog? Through the dash? Through the tags?
Do you spend time on other platforms? Have you in the past?
How do you interact with fan creations on these other platforms? Do you like comment or share? Do you re-tweet? Etc.
When was the last fic of any length (drabble and blurbs and headcanons/reactions included) you read? Last time you saw fanart (including edits and moodboards and graphics) you enjoyed?
Did you reblog it?
If yes you did reblog did you say anything about it? Simple or otherwise? Leave a gif underneath that expressed how you felt? Put a comment in the tags? Left an emoji? Etc.
If you didn't leave commentary was there a reason? Do you feel like you start to repeat yourself when commenting? Do you think there's nothing to say? Were you following the adage if you cant say something nice dont say anything at all? Other reasons?
If no you did not reblog why? Is there a specific reason? Did you not like it and not want to say? Does it not fit your blog? Was it not a length or level of skill you felt warranted a reblog? Have your friends already seen it? Do you only post your own creations? Other reasons?
For our fan creators I have an extra question. Do you reply to your comments? Even if they're in the tags?
If no is there a reason?
Please take a moment and share your answers cause I'm trying to understand where things shifted from what they were before to now.
I miss super m because all there personalities clashed in the best way, there was tension, drama, suspense, they all triggered eachother constantly it was beautiful.
I literally don’t even care that everyone hated it. It reminded me of one d because at least in america and the west they were allowed to clash and not think of how fans would take what they said. They could be a bit more rough around the edges and bicker. Honestly I didn’t wasn’t even aware of them for like the first year I was kinda late but I was able to watch there first year content without the feeling of second hand embarrassment cause it was all over. But I was surprised it wasn’t that bad and I wish they would of done more promo in america but the timing was off.
From what I can tell at least Kai got to finally dance at full capacity and actually had people to compete against. I want to make a large post because I think a lotta people actually didn’t pay attention to how much interesting stuff occured in super m. Unlike with exo and nct the members didn’t have to worry about longterm fans. All super m fans were basically solo fans and they weren’t necessarily there for shipping or who they think the members were but moreso because they wanted something new. Their favorite artists able to stretch their wings and be less of a team and more individuals who happened to be in a group.
It reminded me more of how old jpop groups were, more boyish and brash and rough around the edges. A bigger focus on platonic male bonding rather than hardcore serious storyline shipping. It was so beautiful.
But I have so many thoughts on super m. I feel like if I keep talking about them enough the universe will finally give me that netflix docu about them I’ve been waiting for. I think they have potential, at least for a few albums and then a good world tour. Honestly I’d like if some of the members retired with super m rather than their own groups which tbh couldn’t handle any big comebacks or worldtours.
I already know the new sm boygroup is just to introduce probably one or two artists who will eventually be put into the new version of super m to replace lucas and probably baekyun because I doubt they’ll let him be leader after he sued.
I may check out the new nct docu but idk like disney plus wtf, sounds right up sm’s alley but I didn’t think 3.0 sm was going kid friendly but it is more marketable and they’ve been courting disney for years.
I’d write more but it’s late
Redemption - [DAY_966] The End of Evangelion.
Since it will prolly come out soon I'll just post this with the info available. Even though I think my old analysis will also be at least somewhat accurate
So firstly the paris
there's a map of the seine river
Dive in(honestly I hope this isn't a title track or an album title but it could be a lyric)
Probably it's something about childhood or age because they keep showing stuff of him as a child
He liked the movie pirates of the carribbean play when he was younger so it might be related to that period of time.
he's wearing the colors of the french flag
Interestingly enough the beginning of the movie takes place in
Jamaica is a french colony
"The French colonial empire in the Americas comprised New France (including Canada and Louisiana), French West Indies (including Saint-Domingue, Guadeloupe, Martinique, Dominica, St. Lucia, Grenada, Tobago and other islands) and French Guiana."
This also connects to Bomba which is a afro-latino island dance style
"Bomba is an umbrella term that refers to a variety of musical styles and associated dances originating in Puerto Rico. It was developed by enslaved Africans and their descendants in sugar plantations along coastal towns, most notably Loiza, Mayagüez, Ponce, and San Juan, during the 17th century."
" The Bomba is of African origin and came to Puerto Rico with the introduction of African Slaves. The Bomba is traditionally played with percussion instruments, such as drums. The Plena was later derived from the Bomba style. These music styles and the traditional dances to it, represent the infusion of Taino, European and African traditions"
In the lyrics for Bomba it's kind of confirmed
In the behind the scenes for the tour someone described what the concept will be like
they said this and idk why nobody is talking about it because this video for the tour guide kind of explains what the album is going to be about
the stage looks are also with less clothes. So honestly I think it's gonna be basically what I thought it was going to be since it's a continuation of the other themes.
Stopping time and immortality references.
I'll stop here cause I don't wanna spoil the entire thing.
Mostly because I don't even think this album is new, I think this is something that was supposed to be a pt 2 to rover, meaning parts of it may have already been filmed like 2 years ago.
Cause the filming time doesn't make sense and they didn't spend more than a day and a half filming cause in between people thinking he was filming a music video in reality he was filming that ralph lauren mini film in...paris I think. They may have quickly shot some things in the middle of him doing promotion and fashion stuff. But I do not think it's much more than a few extra scenes and clips. He's been filming sparsely meaning the recording and everything was probably mostly done and they may have been doing reshoots or ad on scenes. Which explains why he dyed his hair blonde because one of the old scenes might be when he was filming during rover, so he had to match those scenes. Then the new hair color is probably because the 2nd mv is with brown hair. Otherwise they torched his hair for no reason or it was just a wig. And I know reshoots/wigs to cover up new hair due to extended periods between filming due to snyder verse. When filming is done in super short periods of time and magically everything is done that's a reshoot.
Or maybe they put moments or video clips from his childhood to make it like similar to one of those look how I've grown projects like beyonce did putting her childhood videos in her tour. Anyway that's what I think.