One thing I adore about Dead Boy Detectives is how brilliant the first ten minutes are. The pacing is incredible. You meet the boys, learn who they are, get a peek at what they want, and are shown what their strengths and weaknesses are.
Straight out the gate, you know that Charles is impulsive and more physically protective, and that Edwin is more intellectual and prone to magic. You learn magic exists and this is a setting where an infinite backpack can happen. Edwin gets a chance to show off his deductive skills with their client, and Charles gets to show off his people skills with both the client and the WWI ghost. Six minutes in and we already know these characters.
You learn that this is how these characters function together, and that they know each other well enough to know each others' strengths and weaknesses and rely on each other and compensate for them, respectively. The pacing is lively and attention-grabbing, and the back-and-forth between the office and the scene while they're on the job allows a fantastic showcase of the contrast between how they work together in different situations.
Then we get a look at the deeper need that motivates our two ghosts: staying together, against all odds, even after death, even in the face of Death herself.
And then we segue into another brilliant bit of exposition. Instead of a long, stodgy talking scene that would slow down the pacing, we get shown slices of Crystal acting strangely to explain what's going on.
In the space of ten minutes, we have met our characters, know what drives them, know their status quo, and are ready for that status quo to be upended, all without a single exposition dump.
No wonder this series series was met with critical acclaim. This is brilliant character writing and pacing. I write for a living, and this intro scene had me turning to the person next to me, saying, "THAT'S how you do it."
There's so much to appreciate about Dead Boy Detectives, but I feel like the script doesn't get anywhere near enough attention. Standing ovation for the absolutely brilliant writing, honestly.
Alecto having a Nona-esque personality vs. Alecto essentially being the personified wrath of the earth presented in ye old english are both great interpretations but a combination of both is just supreme.
*Alecto enters battle, sword swinging with unstoppable force*
"Thou art my enemy and I shall destr- HI DOGGY!"
*tosses a frightened cohort soldier away to pet said dog*
“If Aang hadn’t run away Katara would be the avatar” “If Aang hadn’t been frozen in ice Yue would’ve been the avatar” wrong. Aang dies with the rest of the air nomads and the Fire Nation does everything to invade the northern and southern water tribes but has no luck until some 16 years later when Fire Lord Azulon gets jumped by some random swamp girl covered in mud and vines and she proceeds to absolutely whallop him. She is never heard from again by any government entity but the people of the earth kingdom tell stories about the wandering hag who will yell at spirits while eating bugs for years to come. She is then reincarnated as The Boulder
After months and months of Gideon spewing the most bonkers goth pet names at Harrow, Harrow, on her deathbed, pulls out “first flower of my house.” Was she… trying to reciprocate?
Like she literally says earlier on to Gideon, “You’d better stop it with all this twilit princess garbage because I may start to like it.” I can just see the gears turning in her head. “I like it when she calls ME pet names, therefore the best way to show my affection is to also use a fancy epithet for HER” and then she shot right past “goofy teasing” and landed in “irrefutable romance” territory.
i am firmly of the belief that some of the teeth harrow carries around are gideon's btw. that girl is creepy enough to have stolen and kept gideon's baby teeth when they were children, and it's canon that one or two have been knocked out while fighting. harrow is beating the shit out of gideon with her own teeth. she has griddle teeth jewelry. and idk. maybe that's romance.
Teens
75% decrease in insect biomass within my lifetime and I'm supposed to care about cover letters
I hc there's a misconception about Mystery, Inc., and it's that Fred and Velma, being the planners and "braincell holders" of the gang, cannot leave Daphne and Shaggy alone together unattended. In reality, it's actually Daphne and Shaggy that can't leave Fred and Velma unattended. They maximize their troublemaking potential and then go apeshit ham from there.
i’m really hoping people haven’t given up on dead boy detectives because i still have it playing pretty much on repeat on my computer every single day trying to up the views (i just leave it playing as i go about my day) and i certainly can’t do that alone
me: *is left alone for 0.10 seconds*
me: i am… unlovable