Orangesandlemons3 - Orange The Ace

the fact that any athlete can be subjected to "gender testing" on a whim because osmeone thinks she is too strong, too fast, just simply Too Good to be a woman is so fucking antifeminist, how can these people not see it?

i think i like the four swords manga so much bc there is some just. very up my alley character and ship archetypes in there, but also the message itself and emotional beats hit surprisingly hard?

(long analysis below)

i like the idea of this character who is so ATTACHED to the idea of being an outsider and harming others, because he believes that he will never belong in the light with them. over the course of the manga, shadow link develops genuine fondness for vio, shows vulnerability through that fondness, and gets betrayed. no matter how real the feelings were between them, vio couldn't bear to hurt his friends or the world. it devastates shadow link; really gets to him. i wonder if he even knew he could have these feelings, falling for the very ruse he attempted to use on vio to get him on his side. while shadow is very ridiculous and theatrical in general, it doesn't seem fake when he expresses that he's glad vio has joined him. it also seems very real when he breaks down after the betrayal.

zelda choosing to be kind to shadow rather than mock him for being foolish is like the final straw that shatters his world view. she asks if he really thinks the light will hurt him, and challenges the notion that he isn't a hero deep down. she's not making excuses for him or telling him who to be; she's naming his deepest insecurities loud and clear and telling him it's okay to be scared. she's not rubbing salt in the wound of vio's rejection, but instead suggesting that shadow could find belonging with others if he took a leap of faith and tried to be their friend without an ulterior motive. shadow gets so giddy about the idea of doing havoc with vio, and it's like buddy, you're experiencing happiness because you like vio, not because you like being evil. i think deep down, we all just want to find Our People. and i can't stand to be cynical enough to suggest that we all don't have at least someone out there for us. it's just harder for some people to belong than others, as is the case with shadow.

shadow link is messed up and destructive to the people around him, unable to even imagine belonging in the light so he settles for chaos in darkness--but he submits, by the end of the comic, to the terrifying truth that he is deserving of love and capable of loving. i say terrifying because in an allegorical sense, it's kind of the equivalent of saying "i'm gay/mentally ill--i can't change that the world is harder for me, and it will be harder to find people who understand me, but i'm doing a disservice to myself and anyone i could hypothetically love by not trying to be my best self." it's a great and fairly uncommon message, especially for teenagers and young people in general.

i mean dude, talk about a bizarre but weirdly resonant reflection of the "gay teenager developing feelings for their best friend" experience. shadow link sets out to manipulate vio at first by appealing to his ego, no personal stakes in the game, but almost IMMEDIATELY falls DOWN BAD for this guy and becomes incredibly emotionally vulnerable around him. shadow link is genuinely LIVING for the time he gets to spend with vio, being as chaotic and theatrical and unrestrained as he pleases. he really believe that vio sees him, and likes him for who he is (which for the record i think is true, but vio also cares about his friends and the fate of the world, things that hold no meaning to shadow).

vio betrays shadow and it genuinely hurts, and that's kind of incredible for a short comic with a lot of goofy moments. and then shadow's resolution is vindicating too, he has agency in the choices he makes, and he does the right thing because he finally believes he doesn't need to remain in the darkness. he disguises himself to help the four because he knows they don't trust his face, really demonstrating the selfless desire to end all the magic shit that put him and the others in archetypical dark/light boxes. shadow link changes a lot in a short period, but the fact that to the end he believes that he still isn't like the others is negated by them saying he's part of "the body" and their friend. his "death" is very simply put in the text--"when a shadow turns to light, it disappears." it's not like a real death. it's a permanent and meaningful statement on how much shadow has changed, and found belonging and acceptance. if shadow's physical form came from feelings of spite and resentment, it makes sense that it no longer needed to exist.

and to TOP IT OFF, he does "end up" with vio and the others, if we're viewing The Full Link as an allegorical friend group or community. he's not quite as homogenous as they are, but rather serves as a shadow of the four. i love the panel where he's giving a thumbs-up from link's shadow so much. that's so simple and obvious, but honestly poetic. because like, in some ways you're never going to be just like everyone else. finding friends who are also gay or mentally ill doesn't make you any less of who you specifically are, and in at least some ways your friends and loved ones are always going to be different from you. i don't like it when the ultimate takeaway from a story is "once you live happily ever after, the darkness will be all gone," because hello??? some things never go away, and the darkness has, for better or for worse, made you who you are! qualities i see in shadow link are sardonic humor, unusual expressiveness, and a deep sense of caring towards His People/Person. those are fueled partially, but not entirely, by his not-great circumstances and deepest fears... but they're also where he shines.

you can be different from other people without resigning yourself to an lonely and unhappy life. coming out doesn't make you any less gay; seeking treatment doesn't magically cure mental illness; but acknowledging yourself for who you are is life-changing liberation, and necessary in the pursuit of happiness. these are huge and scary steps that especially young people are struggle to take, settling for resentment over the possibility of rejection. shadow link takes a chance and finds belonging, but still maintains the parts of himself that give him such a distinct personality. he is accepted for who he is, and at the end of the day who he is is not dark force whose sole purpose is to ruin lives, but just a strange gay-ass little dude who's a little bit extra but good at heart. and vio, as well as the others, appreciate that wholeheartedly. at the end of the day, the Whole Link just isn't the Whole Link without his shadow.

i don't know man, it's always special to me when an angsty character is written not as a joke, but as an opportunity to give people hope. even in the most obscure of places, even in ways that i can analyze endlessly but mean nothing to the average person. maybe none of this was the authors' intention. even if the manga was just, like, a shallow implementation of tropes and characteristics i'm a SUCKER for, i'd still love it to bits.

but i do see something a little deeper here, i can't help it. clearly the story has resonated with a small but dedicated group of fans, many of whom read the manga as kids or teens. i'm... honestly a little jealous of that. it's the kind of story i needed, and the kind of story i wish to tell. this series is truly a gift that keeps on giving.

reading this deposition that just got dropped where someone sued musk and ohhhh my god it is this funniest thing ever . i can see why his lawyer tried to keep this confidential . they’re both maybe the biggest idiots . this is like ace attorney

Asexuality is like

Someone: There are plenty of fish in the sea!

Ace: Yeahhh, I don’t eat seafood.

people who don't know anything about academics: man y'all are stuffy and boring what's up with that? actual academics: *too busy fist-fighting each other over the beryllium problem or the existence of a dentistry profession in ancient egypt to reply*

So, you know how certain Christian missionaries are trained to act in a very obnoxious way, so that most people they preach to will reject them outright, so they feel like the world hates them for being Christian and they can only be friends with fellow Christians? You know that thing?

I think as activists, we sometimes need to stop and ask ourselves whether we're acting like those missionaries. I think this type of behavior is a little more ingrained into our society than some of us realize, and some of us have internalized it without realizing what it's actually meant to do.

Yknow what. I’m just gonna say it.

It’s about time we have a fictional princess who actually enjoys being a princess.

She enjoys the politics. She enjoys the diplomacy. And she enjoys the balls and banquets and attention and pretty dresses and that doesn’t make her a dumb shallow bimbo or some regressive anti feminist handmaid or whatever the kids say these days about women who don’t fall in line with their Strong Female Character power fantasies.

All the princesses urging for ‘something more’ that’s all fine and good but I’m ready to see a princess who appreciates that being a princess is already a lot!

What I'd give for one of the Cinderella remakes to go into how when you're in an isolated and abusive situation, sometimes you need to be saved and you're not weak if you can't escape by yourself

I've never been a fan of bad faith reinterpretations of fairy tales, especially ones which flatten the originals into "princesses is saved by a prince and nothing else", to then go #girlboss. The princess can save herself because she's a strong female character! (Implying if you're in a bad situation, it's because you're not strong enough to get out)

cinderella marries the prince

and it’s… fine. The prince is great! They’re in love, he’s very sweet and passionate, writing her poems and songs, giving her anything she wants. The time she spends with her husband is great.

but cinderella is not royalty, her family was noble but she never spent time in those circles. She’s used to being busy, she’s used to cooking and cleaning and mending. There are hours, days, where she has nothing to do.

time passes. cinderella learns the fancy lady type of needlework. Learns to ride horses. Reads a lot.

as is normal for royalty at the time, they travel and are hosted by nobles or stay at castles owned by the king. But even that variety begins to become routine. The prince is distracted, there’s a lot of young women living and working on their route. Daughters of nobles. Younger and prettier with soft hands that have never done a day’s work.

cinderella needs something to spend her time on, and there’s a part of her thinking a couple-only trip might get her husband’s attention again, so she suggests making an old castle that’s fallen into disrepair their “project.” It was built in the time when castles were made to be defensible, so it’s quite sturdy, but it’s overgrown and secluded. The prince doesn’t know why his family stopped living there either. A hundred years ago it was their summer home.

so they go. And they work. And for a while it’s great! But when they leave for winter cinderella’s husband forgets her once again. cinderella resolves to make the best of her life and stop worrying about a man who has gotten what he wanted from her.

summer comes again and this time cinderella goes alone to the old castle (minus staff, of course, but cinderella manages to narrow it down to only repair workers and one maid). She can cook and clean and mend again, but this time it’s her own choice. She is happy.

this summer they make more progress on repairs. The workers say that most of it can be salvaged, except one tower that’s been completely overgrown with vines and briars. It will have to come down, eventually, but for now it can be safely ignored.

cinderella has more free time now. The old castle has a surprisingly untouched library, though time and moisture have damaged many of the books. Behind a collection of greek poetry cinderella finds an old diary. Very old, in fact, at least a hundred years. It’s rude to read a diary, of course, but whoever wrote this is long dead, and cinderella is bored, so…

from the description of activities the author looks to have been nobility. Maybe even a princess. She’s sensitive and sweet and smarter than she seems to realize. If circumstances had been different cinderella wishes they could have been friends…

after the summer ends cinderella returns to her husband. He’s spending a lot of time with a young musician and cinderella can’t even work up the energy to care. She does some research about the castle and the family she’s married into, finds out the name of the princess who wrote the diary.

aurora. Cursed and forgotten. She died young, they say, in a plague that also took out the castle staff and her own parents. Luckily they avoided a succession crisis, but not so lucky for the dead.

time passes. cinderella goes to the old castle again and again, even out of season. Soon enough all that remains to be done is the old tower, and the builders say they should tear it down and fill the gaps before it gets cold.

one night cinderella is restless. The princess from the diary had been fond of that tower, and cinderella is far more attached to a dead woman than she ought to be. She gets out of bed, reads by candlelight, and finally goes to walk the empty halls.

she finds herself going to the tower. Pushing past the vines that don’t seem so troublesome really. They almost part before her. The stairs are perfectly intact, the door at the top is already cracked open. As if she should have done this years ago, cinderella steps into aurora’s bedroom.

she’s as beautiful as the stories say. And sitting under her hands, crossed across her stomach as it rises and falls, is a book of greek poetry.

years later, people will tell the story of cinderella as a cautionary one. Don’t seek above your station. Don’t marry for prestige. After all, a girl who grew up as a servant once married the crown prince, and disappeared after only three years. She ran away, they say, she couldn’t handle the lifestyle.

two old women who run a bookshop together agree with the lesson. Marrying for the wrong reasons never ends well. It’s best to wait for someone you have things in common with, shared interests.

or, failing that, the more linguistic of the two says, wait a decade or ten for someone to fall in love with you from your diary.

her partner laughs and hits her with the socks she is mending.

So I just found the most useful photo album in existence for tumblr arguments