Daily Fucking Reminder That Luigi Mangione Is Innocent, Completely And Fully. He Has Been Convicted Of

I don't know much about The Beatles and I don't know everything about The Monkees but I do know that while some fundamentals are the same for the two these bands had very different sounds from one another even when they were doing similar things

I've heard Pieces, Aquarius, Capricorn, & Jones LTD get compared to something like Magical Mystery Tour, and while yeah, there's some small similarities, I feel like The Monkees were sort of making their own stuff by that point and straying away from The Monkees+More of The Monkees and with that, they were drifting further from that "American Beatles" image (and, of course, making stuff dissimilar to The Beatles), and The Beatles were making the image a lot of people now associate with them (that you should be high as a kite to enjoy their music. Which. I've yet to try that). Even if you look at the early days of The Beatles/The Monkees, The Monkees were very much their own thing, even as a "manufactured image", they're not super Beatlesesque, they just sound like a good late 60s classic rock band.

Honestly one of the only similarities I can think of off the top of my head between the two (aside from like. Basic instruments) is the fact both bands would wear Chelsea boots. And that was extremely common in their kind of scene so like. Doesn't even matter. Also drugs but again common.

Tldr: The Monkees and The Beatles made very different music and it's weird to me that The Monkees are still (to some) considered "just Beatles rip-offs"

Edit: To clarify, I know The Monkees were made because of The Beatles. I'm not saying people compared the two with little reasoning other than the fact they were both popular 60s bands.

i'd rather see 1000 graffiti penises than 1 product billboard. i'd live in dick city if it meant i could avoid advertisements in my daily life.

"Read Banned Books" a new full page cartoon essay published in The New York Times Arts & Leisure section today.

Wow, Tumblr is fuckin' HYPE for the Ides of March this year. I wonder why that could possibly be.

i saw your post about the essay you wrote on the gayness in great gatsby, and im doing a similar thing. im wondering what parts you quoted because to me it’s more the vibe rather than any piece of text. thanks!

Happy to provide! I'm trying to not miss anything here, so my apologies for the ultra-long post. And trust me, this is a very long post. I went through all 137 pages. This is likely far more than you wanted or needed, so. Whoops on that front. But I digress. Without much further ado, textual evidence of The Great Gatsby's (mostly Nick's) queerness and where to find said evidence within the book!

The PDF I'm using, found through a single google search. The wonders of a lack of copyright!

Chapter 1

Nick, immediately asserting his Gatsby bias; "Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby, who represented everything for which I have an unaffected scorn." (5).

When describing Gatsby; “If personality is an unbroken series of successful gestures, then there was something gorgeous about him.” (5).

Nick eyeing up Tom and also being a little afraid of him; "Now he was a sturdy straw-haired man of thirty with a rather hard mouth and a supercilious manner. Two shining arrogant eyes had established dominance over his face and gave him the appearance of always leaning aggressively forward. Not even the effeminate swank of his riding clothes could hide the enormous power of that body — he seemed to fill those glistening boots until he strained the top lacing, and you could see a great pack of muscle shifting when his shoulder moved under his thin coat. It was a body capable of enormous leverage — a cruel body" and "His speaking voice, a gruff husky tenor..." (8).

Nick finding Jordan Baker, the most androgynous woman around, attractive (Which, while not inherently queer, as a mostly gay man I've found that masculine women and feminine men tend to be a hit with queer folks. Do with that what you will); "I enjoyed looking at her. She was a slender, smallbreasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet." (11).

Chapter 2

Nick being kinda grossed out by Catharine; "The sister, Catherine, was a slender, worldly girl of about thirty, with a solid, sticky bob of red hair, and a complexion powdered milky white. Her eye-brows had been plucked and then drawn on again at a more rakish angle, but the efforts of nature toward the restoration of the old alignment gave a blurred air to her face." (25).

Nick's opinions on the McKee's (Take note of Mr. McKee's description-describing a man as "feminine" pretty much meant nothing but gay when Fitzgerald wrote it. Trust me, he would have known the connotations); "Mr. McKee was a pale, feminine man... there was a white spot of lather on his cheekbone, and he was most respectful in his greeting... His wife was shrill, languid, handsome, and horrible." (25).

Nick doing something that could be described as tender; "Mr. McKee was asleep on a chair with his fists clenched in his lap, like a photograph of a man of action. Taking out my handkerchief I wiped from his cheek the remains of the spot of dried lather that had worried me all the afternoon." (30).

I implore you, read the final few paragraphs of chapter two. Nick 100% sleeps with Mr. McKee. A taste of that; "… I was standing beside his bed and [Mr. McKee] was sitting up between the sheets, clad in his underwear, with a great portfolio in his hands." (31).

Chapter 3

Nick, upon receiving an invitation to Gatsby's party (The 2013 movie had Tobey Maguire stress that 'No one had ever been invited to Gatsby's' with the exception of him. Do with that what you will); "I had been actually invited. A chauffeur in a uniform of robin’s-egg blue crossed my lawn early that Saturday morning with a surprisingly formal note from his employer: the honor would be entirely Gatsby’s, it said, if I would attend his “little party.” that night. He had seen me several times, and had intended to call on me long before, but a peculiar combination of circumstances had prevented it — signed Jay Gatsby, in a majestic hand." (33-34).

A quick aside about the party and Gatsby symbolism; as my English teacher so fervently pointed out, Daisy wears white to symbolize purity/innocence/some other million dollar word. If we are to believe that Fitzgerald painstakingly planned out that symbolism, then this line about Nick's party attire, "[I was] dressed up in white flannels" (34) should have some significance to it, right?

Nick, unaware he is talking to Gatsby, immediately feels better upon talking to him; "It was on the tip of my tongue to ask his name when Jordan looked around and smiled. 'Having a gay time now?' she inquired. 'Much better.'" (38).

And of course, this gem—Nick, instantly smitten by Gatsby's smile; "He smiled understandingly — much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced― or seemed to face― the whole external world for an instant and then concentrated on you with an irresistible prejudice in your favor. It understood you just so far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that, at your best, you hoped to convey." (39).

Nick being anxious and a little fixated on a shoulder touch from Gatsby, Gatsby practically planning a date out; "Rather ashamed that on my first appearance I had stayed so late, I joined the last of Gatsby’s guests, who were clustered around him. I wanted to explain that I’d hunted for him early in the evening and to apologize for not having known him in the garden. 'Don’t mention it,' he enjoined me eagerly. 'Don’t give it another thought, old sport.' The familiar expression held no more familiarity than the hand which reassuringly brushed my shoulder. 'And don’t forget we’re going up in the hydroplane to-morrow morning, at nine o’clock.'"

Nick, about Jordan, then very quickly saying something that very much sounds like the closeted experience when you're in an unaccepting environment; "I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires..." (47).

Chapter 4

Gatsby, picking up Nick for what I will only call a 'Discreet meeting between two close male friends'; "Good morning, old sport. You’re having lunch with me today and I thought we’d ride up together." (50).

Nick, paying a strange amount of attention to Gatsby's stance, and describing it so... yeah; "He was balancing himself on the dashboard of his car with that resourcefulness of movement that is so peculiarly American — that comes, I suppose, with the absence of lifting work or rigid sitting in youth and, even more, with the formless grace of our nervous, sporadic games." (50).

Another interlude; According to my literal teachers, Gatsby's car is supposed to be a euphemism for his penis. I'd censor this, but hey, this book is about affairs. Anyways, this fact makes this sequence very funny to me; "He saw me looking with admiration at his car. 'It’s pretty, isn’t it, old sport?' He jumped off to give me a better view. 'Haven’t you ever seen it before?' I’d seen it. Everybody had seen it. It was a rich cream color, bright with nickel, swollen here and there in its monstrous length with triumphant hat-boxes and supper-boxes and toolboxes, and terraced with a labyrinth of wind-shields that mirrored a dozen suns." (50).

Nick, falling in love with the way Gatsby speaks; "Little Montenegro! He lifted up the words and nodded at them — with his smile. The smile comprehended Montenegro’s troubled history and sympathized with the brave struggles of the Montenegrin people. It appreciated fully the chain of national circumstances which had elicited this tribute from Montenegro’s warm little heart. My incredulity was submerged in fascination now; it was like skimming hastily through a dozen magazines." (52).

Nick being not okay with Gatsby being not straightforward with him; "'Look here, old sport,' said Gatsby, leaning toward me, 'I’m afraid I made you a little angry this morning in the car.' There was the smile again, but this time I held out against it." (56).

Wolfsheim talking up Gatsby to Nick; "'Fine fellow, isn’t he? Handsome to look at and a perfect gentleman.' 'Yes.'" (56).

Nick literally settling for Jordan—Note how Nick describes Jordan as 'wan'. Jordan is, almost exclusively, the only one described as wan. Remember this. Anyways, Nick settling; "Unlike Gatsby and Tom Buchanan, I had no girl whose disembodied face floated along the dark cornices and blinding signs, and so I drew up the girl beside me, tightening my arms. Her wan, scornful mouth smiled, and so I drew her up again closer, this time to my face." (62).

Chapter 5

Gatsby inviting Nick to Coney Island way too late at night; "'...Let’s go to Coney Island, old sport. In my car.'" (63).

Wow Nick. Interesting way to describe Gatsby. That's. That doesn't seem fond no not at all. No but why does 'glaring tragically' sound. Yeah; "Gatsby, pale as death, with his hands plunged like weights in his coat pockets, was standing in a puddle of water glaring tragically into my eyes." (66).

Nick describing Gatsby; "He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room." (69).

OH COOL GATSBY YEAH JUST INVITE YOUR ROMANTIC INTREST AND YOUR 'VERY GOOD CLOSE MALE FRIEND' OVER TO SEE YOUR HOUSE YEAH; "'I want you and Daisy to come over to my house,' he said, 'I’d like to show her around.' 'You’re sure you want me to come?' 'Absolutely, old sport.'" (69).

Gatsby searching for approval from Nick; "'My house looks well, doesn’t it?” he demanded. “See how the whole front of it catches the light.' I agreed that it was splendid." (69-70).

Gatsby saying he keeps his house 'full of interesting people' (however, Gatsby has only invited Nick, honestly); "'I keep it always full of interesting people, night and day. People who do interesting things. Celebrated people.'" (70).

Nick, very sure Daisy couldn't possibly be right for Gatsby anymore; "There must have been moments even that afternoon when Daisy tumbled short of his dreams — not through her own fault, but because of the colossal vitality of his illusion." (74).

Chapter 6

Nick tells us of Gatsby's truth, of the name James Gatz. Note that Nick is the one person Gatsby trusts with this. This quote us of little importance aside from me telling you the fact only Nick knows of his past; "He was a son of God — a phrase which, if it means anything, means just that — and he must be about His Father’s business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end."

Nick once again fixated on Gatsby's smile; "I suppose he smiled at Cody — he had probably discovered that people liked him when he smiled." (77).

This isn't important this is just funny to me; "...in the course of gay parties..." (77).

Nick once again not being that into the women around him; "The girl addressed was trying, unsuccessfully, to slump against my shoulder."

Nick immediatly defending Gatsby from Tom's accusations; "'I didn’t hear it. I imagined it. A lot of these newly rich people are just big bootleggers, you know.' 'Not Gatsby,' I said shortly."

Nick really hating that Gatsby won't give up Daisy and wishing that somebody could just replace her in his mind; "Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion."

Nick staying late because Gatsby asked him to; "I stayed late that night, Gatsby asked me to wait until he was free, and I lingered in the garden..." (84).

Nick trying to hint that Gatsby should start looking into new people for romance. Perhaps someone in the present. Y'know. Like a writer. Just shy of thirty. With the initials N.C. Y'know. Here's the quote; "'I wouldn’t ask too much of her,' I ventured. 'You can’t repeat the past.'"

Nick wanting to say something to Gatsby; "For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever." (86).

Chapter 7

Nick really liking Gatsby; "I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before." (99).

Nick, concerned about losing 'men to know'. He doesn't mention women; "Thirty — the promise of a decade of loneliness, a thinning list of single men to know..." (104).

Nick, lying; "I disliked him so much by this time..." (110).

Chapter 8

Intriguing of you to say 'come home' and not 'go home', Nick; "I hesitated. 'You’d better come home and

get some sleep.'" (112).

Nick embodying every lovesick gay; "I couldn’t sleep all night... Toward dawn I heard a taxi go up Gatsby’s drive, and immediately I jumped out of bed and began to dress — I felt that I had something to tell him, something to warn him about, and morning would be too late." (113).

Hey remember how I said Nick pretty much only describes Jordan as wan? Yeah here's Nick describing Gatsby that way; "'Nothing happened,' he said wanly." (113).

Nick essentially being annoyed that Gatsby doesn't want to romance him now; "I think that he would have acknowledged anything now, without reserve, but he wanted to talk about Daisy." (114).

Nick not leaving Gatsby; "I didn’t want to go to the city. I wasn’t worth a decent stroke of work, but it was more than that — I didn’t want to leave Gatsby. I missed that train, and then another, before I could get myself away." (118).

Parallel between Nick and Daisy; "'I’ll call you about noon.' We walked slowly down the steps. 'I suppose Daisy’ll call too.'"

Nick's complement to Gatsby; "'They’re a rotten crowd,' I shouted across the lawn. 'You’re worth the whole damn bunch put together.'" (118).

Nick lying. You don't dedicate a book to a guy entitled 'The Great' with his name and 'disapprove of him'; "It was the only compliment I ever gave him, because I disapproved of him from beginning to end." (118).

The smile, again; "First he nodded politely, and then his face broke into that radiant and understanding smile, as if we’d been in ecstatic cahoots on that fact all the time." (118).

Nick again being a concerned lovesick gay; "I called Gatsby’s house... I tried four times..." (119).

Sounds rather wishful, Nick; "I have an idea that Gatsby himself didn’t believe [the call] would come, and perhaps he no longer cared."

Chapter 9

Nick being basically haunted; "...his protest continued in my brain: 'Look here, old sport, you’ve got to get somebody for me. You’ve got to try hard. I can’t go through this alone.'" (126).

Nick upset at everyone who isn't Gatsby; "I began to have a feeling of defiance, of scornful solidarity between Gatsby and me against them all."(127).

Nick describing himself as a close friend of Gatsby to Gatsby's father; "'...Were you a friend of my boy’s, Mr.—?' 'We were close friends.'" (128).

Tom Buchanan being cruel as usual, drawing a direct parallel; "...He threw dust into your eyes just like he did in Daisy’s..." (136).

And that's it! All possibly queer quotes from Gatsby. Again, I apologize for the length.

You will not use AI to get ideas for your story. You will lie on the floor and have wretched visions like god intended

Never before have I realized how much shaking a spray can sounds like Lego game sound effects

have YOU ever wanted to draw Scott 'The Woz' Wozniak??? Well here is an IMAGE just for you!

Here's a primarily visual guide on Things To Think About when you draw that white guy. And it's not even everything I know! And there's a lot of stuff I cut out! And it's just his head!

Study up, folks. This will be on the test.

“can mutuals dm you?” my mutuals can fire me from a cannon through a brick wall, looney tunes style. as long as we’re all having fun

“Appeal to a wider audience” is corporate lingo for “strip more themes from a piece of media so it’s safer and more sanitized for investors”