okay but when Older Adaine said "I don't know why I was so easy to discard" and "our parents didn’t love us and maybe there is a part of us that made that easy"
and when Illusion Fig asked "what do you think will happen when Ayda sees the real you?" and Fig said "i hope she finds something in me that I didn’t know was there"
and when Ayda said "the fact that i can’t find a redeeming quality in myself doesn’t mean that someone as brilliant as Figueroth can’t find something in me worthwhile"
and when Baron said "time will pass and everyone will find someone who matters more to them than you" and Riz said "I'm the little shrimp of this crew"
and when Fabian said "I don't know what I will be, but I like the direction I'm going"
and when Adaine said "I think the only answer is that we have to keep looking for love"
fuck you Brennan Lee Mulligan & Gang for making me cry my fucking eyes out
Listening to WWW and every episode is just:
5 minutes in *jaw drop*, 20 minutes later *jaw drop*, 2 seconds later *hands over mouth screaming*, 30 minutes later *jaw drop*, last 5 minutes *sobbing*
neurodivergent and queer people how are we feeling?
worlds beyond number is sooo good!
Hi! I’m pluto passingnights!! I’m super into Dimension 20, Worlds Beyond Number and Glass Animals :D
I binge a lot of the D20 campaigns and so I write character studies and analyses here!
I’m always going a little bit insane about the current season I’m watching so I might write more on that but I’ll catch up on the ones I’ve watched before eventually :)
D20 campaigns I've watched:
I yell about other random things, usually untagged, on @plutomn!!
This absolutely breaks my fucking heart 💔
(Misfits and Magic, episode 4)
When Aesop told the story of the Boy Who Cried Wolf to Pinocchio, it really got to me how everyone immediately became protective of him and started snapping at Aesop, defending this abused little boy's right to lie and make mistakes. Those things that are so universally punished in the morals of stories like that. Those things that any person should have a right to do, especially a kid, and especially a kid in a really bad situation.
It really brought home for me how much of Neverafter is about kids misbehaving or disobeying their elders, as kids tend to do, and getting disproportionately punished for it with cruelty. Pinocchio, Red, and even Gerard and Rosamund. Jack, in Timothy's story. And I think it's really heartwarming to see those ideas rejected. No, actually, sometimes you need to lie in order to save someone. No, sometimes, your elders don't know what the hell they're talking about. Sometimes they don't have your best interest at heart. And really, you should be given grace and allowed to make mistakes and learn and grow either way, without being horrifically punished and traumatized for it. Especially as a child.
Idk, something about how viscerally angry it made everyone at the table to see this story preached to a little boy who has suffered more than enough for things that he should've had the right to do in the first place. It felt very beautiful and comforting. What a loving and kind story that is
The Ravening War 1.05
Every dropout subscriber loves comedy, and beneath that we love psychological horror. And beneath that? Comedy again, but weirder and gay.
A flower, clutched and crushing in her hands, the blue-white staining and eating her fingertips— a cyanotype. She gazes across the battlefield. She sneaks into the bedchambers of a beloved she kept too close, kept too far.
Karna stands in replaced positions. A Colin sized position. An Ariana sized position.
Her heart skips a beat as she skims over Deli’s haphazardly hidden notes. She finds motes of anger, of resentment, of despair and heartbreak at the corners of rapid heartbeats. She pulls and tugs at them, rearranging herself. Presentable. Useful. Disposable.
She slides her note underneath the pillows of Delissandro Katzon’s bed. A quiet confession. A hopeful confession. She must survive.
She is dying, she is a child, she is in love. She hopes and she fears as tears crawl down her face and the rot eats her body. She knows the ways of war and the smell of murder better than the scent of a well prepared meal in the comforts of home. She knows the quick breath of death and the slow of a pulse better than the warmth of a family and the embrace of a lover. “She died nine years ago”.
At the bottom of the earth, in the embrace of Heart of the World, her story ends in a realm unknown to the rest. All the fighting to survive, the lies and the murder, the whispering of secret secrets and the blood dripping from the end of a blade. It all comes to a rest. Karna gives in to her exhaustion with an exhale (exhale, exhale). Eyes closed and a prayer to no god. A Hunger greets this tired warrior.
Cold steel rips apart her torn body. She dies and no one will mourn her. She dies and no mother, no sister, no lover will leave flowers by her gravestone, no eulogies sung, an insignificant name.
She dies and she looks at the face of her lover. A letter remains underneath his pillows. Will he mourn for her?
“The only secret I have left, is that I love you” and in a title that was never made for her— “Signed, Sklad Karna Solara of Scoville”.
The Pawn resigns.
lying awake at night thinking about emily axford characters and friendship. fig giving gorgug drumsticks to help him deal with his rage. sofia taking a rat into her heart without hesitation. calliope's dedication to calder throughout his absence. 'maybe im not an artist maybe im just a really good friend'. just. the acknowledgement that friendship is central to a person's life. not something that fills up space until romance can truly make you whole but something fundamental to one's existence