Latest Posts by paymaya - Page 3

タケウチ　リョースケ on X: "九龍ジェネリックロマンス https://t.co/iPrIJhxqcg" / X

he likes this anime, honestly glazes it even if it becomes a powerpoint presentation. i was like, what? what do you mean you watched it over and over again? like 'damn, i like you even more'—the sheer dedication and love he has for this anime makes me wanna watch it too. not for his attention, (and the possibility of being noticed) is that i genuinely do with the way he rants and babbles on it, cuz i was at first skeptical about the art style. heck even most of the videos he sends to me are about it which makes me genuinely interested

but then again, i barely have any time since graduation is near. but siiiiiince i like him so much, isingit ko nalang 😔

STEEL BALL RUN TV ANIME CONFIRMED!!

sanctum | chapter one

Pairing: Yandere Preacher x Reader Description: You came because Mia said it would help—just a quiet retreat, a place to clear your head. But from the moment you stepped through the gate, you felt it: the way Father Caelestis looked at you, not like a stranger, but like someone he'd been waiting for… someone he'd already claimed long before you ever arrived. Warning/s: Yandere | Religious themes | Cult-ish | Brainwashing | Manipulation Note/s: Enjoy the first part of the series. Let me know what you think about it. Also, commissions are open. Links are below. :) Also, tags will be added tomorrow. I'm too sleepy to add them tonight.

Masterlist | Series Masterlist | Commission | Tip Jar | Dark Roast 50% Off

Chapter One | The Pilgrim’s Arrival “You did not wander here. You were called.”

The journey to Eden’s Refuge starts before the road, before the iron gates and the immaculate gardens. It starts in the cramped, dimly-lit living room of your sister’s apartment. The curtains are drawn, letting only thin slivers of daylight cut through the suffocating air between you.

“You can’t keep living like this,” she says, her voice sharp but threaded with concern. “You’re drowning, and you don’t even see it.”

You cross your arms, the defensive posture a reflex against her words. “I’m fine, Mia,” you snap. “I’m dealing with it.”

Her laugh is short, bitter. “Dealing with it? You call this dealing? Skipping work half the time, avoiding my calls, shutting everyone out?” She leans forward, her elbows on her knees, her gaze burning into yours. “You need help.”

You stand, the motion sudden and jerky, as though you can outrun the weight of the conversation. “I don’t need anything,” you say, pacing to the small window. Outside, the city hums with life—cars honking, people shouting, the world moving on without you.

“You’re not listening,” Mia says, her voice softening now, the sharp edge dulled by something warmer. She stands too, coming to your side. Her hand rests lightly on your shoulder, and you almost flinch. “This isn’t your fault, okay? The world… it’s not kind. It’s broken. And it breaks people like us.”

You glance at her, suspicious. “What are you trying to say?”

She takes a deep breath, her hand dropping to her side. “There’s a place,” she begins, carefully. “A retreat. Eden’s Refuge. It’s for people like you. People who need to get away, to heal.”

You shake your head. “I don’t need a retreat.”

“You don’t even know what you need,” Mia counters. “And they can help you figure it out. I’ve been there, and it…” She falters for a moment, her eyes flickering with something you can’t place. “It saved me.”

You stare at her, the words hanging between you like a fragile thread. “You?” you ask, incredulous. “Since when do you need saving?”

She looks away, her jaw tightening. “I didn’t want to tell you because I knew you’d react like this. But yes, me. I was lost too, and Father Caelestis—he showed me the way back. He can do the same for you.”

“This is insane,” you say, shaking your head. “You’re talking about some… some cult leader.”

Her expression hardens, the warmth draining from her eyes. “It’s not a cult,” she says, her voice clipped. “You have no idea what you’re talking about.”

“And you do?” you snap, voice sharp with disbelief. “God, Mia, listen to yourself.”

You take a step back, then jab a finger at her. Accusing, trembling with frustration. “This… this…” you drag your eyes over her with a shake of your head, like you can’t believe what you’re seeing. “…isn’t you.”

“Maybe you don’t know me as well as you think,” she snaps, and for the first time, you see a glimmer of something truly unsettling in her gaze.

The conversation ends there, but the seed is planted. Over the next few weeks, Mia doesn’t let up. She calls you daily, her tone oscillating between gentle encouragement and thinly-veiled exasperation. And each time she mentions Eden’s Refuge, the knot in your stomach tightens.

“You need this,” she says over the phone one evening. “I’ve already talked to them. They’re expecting you.”

“I didn’t agree to this,” you protest, but your words feel weak, hollow.

“You don’t have to agree,” Mia replies, her voice calm, almost patronizing. “You’ll thank me later.”

And so, here’s you are, sitting in the passenger seat of her car as it winds its way through the dense forest. The air outside grows heavier with each passing mile, the trees crowding the road like silent sentinels. Mia hums softly to herself, her fingers tapping the steering wheel in time with a tune you can’t place.

“You’ll love it,” she says suddenly, breaking the silence. “The peace, the quiet… it’s like nothing you’ve ever experienced.”

You don’t respond. Instead, you stare out the window, your reflection fractured by the passing trees.

When the gates of Eden’s Refuge appear, your breath catches in your throat. They rise high, ornate and foreboding, their iron surface gleaming in the waning light.

“We’re here,” Mia announces, her tone light, as though you’ve just arrived at a vacation resort.

The gates creak open, and you feel the weight of your decision—or rather, her decision—settle on your chest.

As soon as you step out of the car, you’re greeted by a woman in white, her smile wide and unwavering. “Welcome, beloved,” she says, her voice soothing and strange all at once.

You glance at Mia, but she’s already moving ahead, her expression serene, as though she belongs here.

The others emerge from the shadows, their movements synchronized, their faces glowing with an unsettling mix of joy and reverence. “You’ve finally come,” one of them whispers, and the words send a chill down your spine.

And then, he appears.

Father Caelestis.

He moves through the crowd with an almost otherworldly grace, his white robe billowing around him. His features are flawless, his eyes piercing, and his smile warm—too warm.

“You were lost,” he says, his voice as soft and heavy as a prayer. “But now you are found.”

You feel his gaze lock onto yours, and for a moment, the world narrows to just the two of you. His presence is magnetic, suffocating.

You want to run, to turn back to Mia and demand she take you home, but she’s standing beside him now, her expression one of pure devotion.

“The world out there is cruel,” he continues, his voice wrapping around you like shroud. “But here, you are safe. Here, you will heal.”

His hand extends toward you, and you hesitate before taking it. His grip is firm, his touch cold, and it sends a shiver through you.

The others nod, their faces glowing with fervor.

“Come,” he says, and before you can protest, Mia is at your side, her hand lightly resting on your arm.

“Trust me,” she whispers, her voice trembling. “This is where you belong.”

You let them lead you deeper into the compound, your dread growing with every step. The air smells of flowers and something else, something metallic and faintly acrid.

Your room is pristine, its white walls bare save for a single verse written in looping script: “Be still, and know that you are loved.” The bed is draped in white linens that smell of floral water, the air thick with its cloying sweetness.

That night, you lie awake, the silence pressing against you like a physical force. You can hear the faint hum of chanting in the distance, growing louder with each passing moment.

When you wake, the first thing you notice is the symbol beneath your bed. It’s drawn in ash, its jagged lines forming a shape that makes your stomach churn.

You want to scrub it away, to pretend it isn’t there, but fear holds you back.

At breakfast, Mia sits beside you, her expression calm, her movements deliberate.

“They’ve been waiting for you,” she says, her voice soft but filled with something unsettling. “We’ve all been waiting for you.”

You glanced around the room, your unease growing as you notice the way the others look at you—with reverence… with expectation.

Father Caelestis enters, his presence commanding the room without a word.

“The outside world has left its mark on her,” he says, his eyes scanning the congregation before settling on you. “But she is strong. She is chosen. And together, we will help her shed the weight of those lies.”

Mia nods, her expression one of quiet devotion.

You want to protest, to tell them they’re wrong, but the words catch in your throat.

When he places a hand on your shoulder, his touch light but unyielding, you feel the weight of his control settle over you.

“You’re safe now,” he says, his voice low and soothing. “No more noise. No more confusion. Just peace.”

But his eyes betray him. They’re not soft. They’re not kind. They’re possessive, unyielding, and they tell you one thing:

You are not leaving.

TBC.

noirscript © 2025

Taglist: @hopingtoclearmedschool @violetvase @zanzie @neuvilletteswife4ever @yamekocatt @mel-vaz @vind1cta @greatwitchsongsinger @delusionalricebowl @nomi-candies @jsprien213 @kaii-nana33

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かわいすぎてスマホの背景にした

اللْهُمَّ إِنَّكَ عَفُوٌّ تُحِبُّ الْعَفْوَ فَاعْفُعَنِّي

Allahumma innaka `afuwwun tuhibbul `afwa fa`fu `annee

(O Allah, You are Pardoning and you love pardon, so pardon me.”)

Hadal: 'love language' robe with an Arabic love poem by Palestinian poet Mahmoud Darwish embroidered onto the sleeve.

The poem reads:

قالوا: تموت بها حبـاًً، فقلـت لهـم. ألا اذكروها علـى قبـري فتحيينـي

English translation: They asked "Do you love her to death?" | said "Speak of her over my grave and watch how she brings me back to life."

literally me in a nutshell

I fuckin get it girl

NEOBEAST LINGGGGGG WAAAAAHHHHHHHHHHH 😭😭😭😭

YOOO, first anime! i still memorize the chant... ahh childhood memories : , )

Watashi no Shiawase na Kekkon S2 | Ep13 | Let’s stay here forever, let’s live together at our house.

i love being a woman

劇場版カードキャプターさくら 封印されたカード Cardcaptor Sakura Movie 2: The Sealed Card (2000)

"yo'kong mabuhay sa isang mundong walang tayo. tatlong bilyon ikaw lamang ang asking gusto, pasensya na kung ako'y di para sa'yo."

✨ ere - juan carlos

"ligaya, pagibig ko'y ikaw."

✨ ikaw - yeng constantino

"sa panaginip na lang pala kita maisasayaw."

✨ sa huling el bimbo - eraserheads

"anong gagawin kung wala ka? dito ka nalang habang buhay."

✨ bawat piyesa - munimumi

"ang ngiti mo'y parang isang tala, na matagal na ang kinang...

...ngunit ngayon lang nakita...

kung kelan, wala na."

✨ sa'yo - munimumi

"at kahit mawala ka pa, hinding-hindi mawawala.. ang damdamin ko'y sa'yong sa'yo."

✨ sa'yo - munimuni

lyrics that have me on a chokehold, nothing beats filipino opm.

ahhh, i gotta thank him for making me yearn so hard—reminding me that my heart still continues to beat despite the bittersweet feeling of past disappointments. (⁠｡⁠ﾉ⁠ω⁠＼⁠｡⁠)

Gold calligraphy on leaf in the form of a stork, the text comprising a Sufi verse, signed Abd al-Ghani. 1893, Ottoman Turkey.

Calligraphy Leaf Ottoman Turkey 19th century, Bismallah in gold.

Chestnut leaf inscribed with a Qur’anic verse from Surat al-Isra’ (“The Night Journey,” Q17:80), which reads: “And say, ‘Lord grant me a good entrance and a goodly exit, and sustain me with Your power.”

Arabic composition in gold on a natural leaf, the text comprising the Shahadah in intertwining thuluth script.

Arabic composition applied on to a natural leaf in gold, the text in the form of a lion incorporating verses praising the Imam 'Ali by al-Sherif al-Murtaza

Arabic composition applied onto a natural leaf in gold, the text incorporating the words Allah, Angels, the Prophets, the Day of Judgment in the form of a sailing boat with seven oars, one for each of the Seven Sleepers.

Calligraphic composition in gold on a large natural leaf incorporating the hilyeh, the physical attributes of the Prophet Muhammad (PBUH) signed by Muhammad Helmi, a pupil of Mustafa Izzet Effendi.

Arabic composition applied in the shape of a vase onto a natural leaf, the text from the Qur'an, surat al-Ahzab, chapter XXXIII, verse 23

Here's the Twitter thread where I found these.

MKM

قَالَ: قَرِيباً أَجَلِي، بَعِيداً أَمَلِي ، سَيِّئاً عَمَلِي

My death is near, my hopes are far, and my deeds are bad.

BANG!

القدر مقدور، والغيب مستور، فلا تحزن لما فات، ولا تغتم بما هو آت، واعمل صالحًا، وأحسن ظنك بربِّك، فالقدر حِكمه، والغيب سِتره، وأنت عبده، ولا يخيب من وقف ببابه، ولاذ بجنابه، والعافية لمن اتَّقى، والآخرةُ خير وأبقى.

Destiny is decreed, and the unseen is concealed. So do not grieve over what has passed, nor worry about what is to come. Do righteous deeds and think well of your Lord. Destiny holds wisdom, the unseen is veiled, and you are His servant. One who stands at His door and seeks refuge in His care will not be disappointed. Well-being is for those who fear Him, and the Hereafter is better and everlasting.

الشيخ صالح العصيمي

chansonnier cordiforme

drolleries from the heart-shaped chansonnier de jean de montchenu, or chansonnier cordiforme. savoy (france), c. 1470-75

source: Paris, BnF, Rothschild 2973 (979a)

رَّبِّ ٱغْفِرْ وَٱرْحَمْ وَأَنتَ خَيْرُ ٱلرَّٰحِمِينَ

“My Lord! Forgive and have mercy, for You are the best of those who show mercy.”

(23:118)

fool's hope

when i realize i can't see fine shyt again after graduation DAMMITTTTTT

and NO i won't confess, that's for losers

I don't pray 💔