aha, hey.
.
But when Brienne asked about Sansa, she said, "I'll tell you what I told Lord Tywin. That girl was always praying. She'd go to sept and light her candles like a proper lady, but near every night she went off to the godswood. She's gone back north, she has. That's where her gods are."
Brienne II, A Feast for Crows
this is a gift , it comes with a price . independent, highly selective multi-muse roleplay blog. featuring muses from wrestling, house of the dragon, a song of ice and fire, interview with the vampire, and more ! minors do not interact. will contain triggering & sensitive topics, follow at your own behest. #PETITMORTES , as slaughtered by mowgli, 28 / cst / she+hers .
who is the lamb & who is the knife ?
🐝 * ― 𝑵𝑶𝑵-𝑽𝑬𝑹𝑩𝑨𝑳 𝑨𝑵𝑮𝑺𝑻 𝑷𝑹𝑶𝑴𝑷𝑻𝑺. ( some triggering content ahead. add " + " to reverse the action. )
[ wipe ] sender wipes away receiver's tears [ hurt ] sender hurts receiver with words [ lonely ] sender finds receiver alone in a dark room [ wounded ] sender patches up receiver's wounds [ crying ] sender finds receiver crying [ help ] sender runs to receiver when they scream for help [ nightmare ] sender wakes receiver up from a nightmare [ dying breath ] sender talks to receiver before dying [ hold on ] sender pulls receiver into their arms [ anger ] sender takes their anger out on receiver [ argue ] sender gets into a heated argument with receiver [ scared ] sender scares receiver [ sick ] sender cares for receiver while they are sick [ palm ] sender places a hand on receiver to stop them from doing something [ fight ] sender gets into a physical fight with receiver [ comfort ] sender tries to comfort receiver [ blood ] sender notices that receiver is bleeding [ collapse ] sender collapses into receiver's arms [ pressure ] sender puts pressure on receiver's wound [ slap ] sender slaps receiver in the face [ panic ] sender helps receiver through a panic attack [ lie ] sender catches receiver in a lie [ sobs ] sender sobs uncontrollably while receiver holds them [ hiding ] sender finds out that receiver has hidden an injury from them [ death ] sender just died, receiver finds out [ chin up ] sender lifts receiver's chin to stop them from hiding their tears [ fears ] sender talks to receiver about their fears [ scream ] sender screams at receiver [ coping ] sender teaches receiver some coping mechanisms [ loss ] sender is there for receiver after they've lost someone important to them [ needs ] sender asks receiver what they need [ bullet ] sender takes a bullet for receiver [ bruises ] sender finds bruises of unknown origin on receiver [ rainfall ] sender finds receiver out alone in the rain [ hospital ] sender wakes up in a hospital bed and finds receiver sitting by their bedside [ intrude ] sender walks in on receiver treating their wounds [ calming ] sender tries to calm down receiver [ inspection ] sender holds receiver's face while inspecting an injury they got [ rescue ] sender carries receiver to safety [ clean ] sender cleans blood off of receiver's body
home from work but desperately trying to remove dip nails = love and deepspace brain rot 😔
alive but at what cost
Later, while Sansa was off listening to a troupe of singers perform the complex round of interwoven ballads called the ‘Dance of the Dragons’ …
- Eddard VII, AGOT
hotd the musical is an in universe thing confirmed. is the dance of dragons westeros’ hamilton? did grrm just foreshadow hamilton here?? rhaenyra is the alexander hamilton. aegon ii is the aaron burr. it was written by ser ilyn manuel myranda.
oh my god. aemond targaryen miku binder.
.
SYDNEY SWEENEY In her Jessica Rabbit era, I guess?
𓉸ྀི interview with the vampire (1994) ; accepting .
@azmenka said : evil is a point of view. god kills indiscriminately, and so shall we.
the illustrious we. perhaps not a sticking point for others – a minute point not worth ruffling feathers over; but for sansa, always for sansa, did it barb and prickle. her nose wrinkles, distaste and discomfort present on the fine, porcelain features of her face as her gaze flickers up from her lap, where she'd been forcing herself to study the stitches in her gloves – forcing herself to not communicate nor involve herself in a conversation where her tongue would sooner get her into trouble than it would anything else.
she is meant to be a bastard here – she is meant to hold her tongue, and to not recognize maron greyjoy for his familiarity to his brother. alayne stone would not know him from any other ironborn, would not know that he held the same quirk of his lips as theon once had. surely, this, like all of other lord baelish's insistences, was a test; a consideration of how deep she was willing to sell his lies.
her distaste flickers away as quickly as it had presented, gone in an instant, replaced with a cool, uninterested glean as nimble gloved fingers tuck dyed black hair behind her ear.
“killing without thought or care makes you no better than a lannister, no better than cruelty reborn. the gods do as they will, that does not mean you should not hold yourself to a standard, lord greyjoy.”
cold, winter chill – held in her tone as tully blue eyes shift around the room, cursing petyr for leaving her to meet with the man; cursing theon for what he'd done to her home, cursing herself for the way her fingers flex within her gloves and then settle again into her lap. she wasn't arya, she was not strong – she had no fight within her, no capability for killing or death.
“your choices are yours alone, but do not think to act rashly within the vale, 'less you wish to find yourself at home within the skies. i hear the nightly winds oft cause men to consider jumping to save themselves the remainder of their sentences.”
probably going to be taking an axe to anything in my drafts / inbox and going fresh from here + adding some characters to bring myself more joy here, putting a bigger focus on just vibing to have a good time. probably also removing some characters, tis what tis.
aha, hey.