Part IV
tightness around their eyes
pinched mouth
sour expression on their face
crossed arms
snorting angrily
turning their eyes upward
shaking their head
fast breathing
chest heaving
trembling of their hands
weak knees, giving in
tears flowing down their face uncontrollably
laughing while crying
not being able to stand still
tension leaving their body
shoulders dropping
standing still
opening mouth
slack jaw
not being able to speak correctly
slowed down breathing
wide eyes open
softening their gaze
staring unabashingly
vacant stare
looking down
turning their head away
cannot look at another person
putting their head into their hands
shaking their head
blushing
looking down
nervous smile
sharp intake of breath
quickening of breath
blinking rapidly
breaking eye contact
trying to busy their hands
playing with their hair
fidgeting with their fingers
opening mouth without speaking
Part I + Part II + Part III
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Later the lamb would just think that the real thing is nicer than the gaunlet idk
I gave up so fast holy shit
-💊
i keep thinking about the reunion scene in s3
I am not okay. I am in shambles. A shallow husk of a human being. I have exhausted all my emotions and have nothing left to give. I'm sitting right there in the middle of charred earth and ash with tears frozen on my face. I might need a hero to sacrifice themselves to stitch my destroyed heart back together.
The level of character writing in this series is amazing. I stand by my (probably controversial) take that there are some issues with pacing and setup/payoff, though I haven't read the manga so I can't tell how much of that is an issue with the adaptation. But what the show does excel at is portraying a large cast of characters with deep and diverse motivations, and it somehow manages to build on them in a deliberate, believable manner. (Let me piss off another fandom real quick: JJK could never.)
I was spoiled on the Dabi reveal before I started watching the show. In fact, that spoiler got me interested in watching it in the first place. I picked up on the tiny hints that were sprinkled in from very early on and was interested to see how they pull the reveal off. I was a little disappointed with how one-note Dabi was for the entire time up until that point, and the reveal itself was far less effective without the intended shock value. I almost wrote it off as missed potential. However, the seeds that were sown were not in Dabi himself, but the Todoroki family dynamic. Once we get to the flashbacks and eventually the grand emotional showdown, we have already gone through a character arc with Shouto, Endeavor and the rest of the family, and we have seen how All For One grooms vulnerable youth to his cause. In the present, Dabi is only fueled by hatred and revenge. In the past, we see a sad little boy who is raised to believe that his value comes from the strength of his quirk, and who is then told he can't use it (thus stripping him of his value). He's practically abandoned as a failed project, and Endeavor's misguided attempts at discouraging him by distancing himself instead of showing him he's got value beyond his strength and usefulness drives poor Touya even further along his doomed path. And this is incredibly fertile soil for All For One's grooming. It's heartbreaking. The reason Dabi is so one-note is that there's nothing else left in him. He's too far gone to be saved. We can bring the entire Todoroki family together to finally see his cries for help and acknowledgment, but it's simply too late. Sometimes it's just not possible to bring the "black sheep" of the family back from the edge of self-destruction. God, it's too real, and devastating, and narratively satisfying.
And then we have our misguided pansexual queen Himiko Toga. I was pretty neutral on Toga for most of the series, because the yandere archetype never really appeals to me. Turns out there's a lot more to her than that. For her entire childhood, she was ostracised and derided for being different and gross. I see an interesting mix of autism-coding/queercoding in how her innate ways to approach love and affection are seen as wrong and abnormal, and how she fails to conform to social norms because nobody's explaining them to her. I do like how neither allegory is one-to-one, and how it's internally consistent with how the world and Toga as a character work. Her childhood environment stunts her emotional development and leaves her with a black-and-white thinking, where you are either good or evil, cute or gross, completely accepted or completely rejected... a hero or a villain (boy, the society desperately needs reconstruction). It leaves her desperate for deep connections, and the deepest connection she can get is from becoming the target of her affection with her quirk. It's a selfish kind of affection that literally weakens the other party. At the same time, she's sabotaging her relationships by intentionally showing her ugly side and looking for signs of rejection to enforce her expectation of not being accepted for who she is. As someone who's struggled with (and, through therapy, learned to manage) traits of borderline personality disorder, I can relate to her chaotic approach to interpersonal relationships and powerful but volatile emotions. When both Deku and Uraraka very reasonably condemn her actions as a villain, she takes that as a total and complete rejection of her as a person. This is an especially heavy blow to her after the loss of Twice has brought her entire worldview into question. Then, when Uraraka reflects on this more and tries to reach out to her again, she's in full defence mode. She can't risk being rejected again, so she lashes out to keep Uraraka at an arm's length. Yet despite all the maliciousness, despite being stabbed, Uraraka fights to get through to Toga and show her that she sees the beauty in her and is willing to accept her in spite of her flaws. And then, after being properly seen and accepted by someone she loves, she's able to commit a purely selfless act of affection by giving away her own blood to keep Uraraka alive. Blood is her love language, and for once she's able to give instead of taking. It's hauntingly beautiful, and it's heartbreaking, and it closes her character arc wonderfully. (Mind you, I think their relationship would have been toxic and codependent, but I don't care. I'll be a Togachako truther from this moment until the day I die.)
This season alone had a lot of effective (and also some less effective) character moments that I won't touch on because this post is already too long and rambling. I especially have a lot more thoughts about best boi Kacchan, but I'll leave that for another day.
Morning doodles because... uhh brain empty
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
Do you ever just think about how, as gods, thanatos and zagreus were meant to be worshipped? How mortals fear thanatos too much to sacrifice to him, picturing him as an insatiable beast who takes and takes. How zagreus isn’t even known by the mortals, despite understanding the blood that runs through their veins, their most vulnerable parts.
And do you ever think about how they worship each other? How zagreus allows thanatos that vulnerability, allows him to take him in his arms, his lips, and take take take. How thanatos sees zagreus, always being there for him even when the entire underworld was against him. How he was the steady, grounding heartbeat to zagreus’ chaotic circumstances.
They worship each other when no one else will.
Do you ever just think about that?
Firstly, your art is fantastic! I love how stylised and detailed the character's are (It looks really professional!) Secondly, could you draw Sam and/or Max in a noir style or in a funny high school experience?
🔎
Alone Time 🌿🎑
Team Avatar had been travelling through the Earth Kingdom for weeks, in search of adventure. Zuko and Sokka had faced many challenges together, and now they walked through the dense forest, feeling a sense of peace wash over them finally. As they hiked, they approached a small stream flowing through the woods, and they let themselves be guided by the dancing leaves that raced ahead of them until they stumbled upon a secluded hot spring nestled among the trees.
The steam rose around them, and they shared a knowing smile before slowly undressing weeks of adventure, their soft gazes never leaving each other.
The warmth of the water embraced them, and they felt their bodies relax with each other's soothing touch. Sokka reached out and tenderly ran his fingers through Zuko's ebony hair, feeling the warmth of the spring mingling with the heat of their exposed intimacy like fuel to a fire. Zuko leaned into the gentle touch, his eyes closing briefly as he savoured the closeness of the moment and allowed himself to sink. They moved closer together, their bodies fitting perfectly, sharing soft, slow kisses, the water embracing them like a cocoon of love.
They bided their time,
In the quiet of the forest, surrounded only by the beauty of nature, Zuko and Sokka let go of the worries of the world, basking in the simple joy of being alone together. With each touch and whispered word, their connection deepened, binding them together in a love that transcended time and space. As they lost themselves in each other's embrace, they knew that at this moment, they were exactly where they wanted to be – together.
The sound of the forest and the gentle touch of the water made them feel like they were in a world of their own, where nothing else mattered. They felt their hearts beating in unison, and they knew that they had found something special in each other. It was a moment that they would never forget, a moment that would stay with them forever.
"I believe I owe you a dance."
This was intended to be a storyboard sketch for Trod but I got carried away, though I actually like how it came out. Flats/sketches below: