My Other Controversial Take For The Day Is That Anger, Sadness, Shame And Fear Are Seen As Inherently

do you think elves are really sick of this hairstyle, like on elf grindr this is how all the most obnoxious dudes look

if you haven’t, i hope you fall in love with life again. i hope you wake up with a happy sigh, hope you feel like doing things you enjoy, hope you are surrounded by people who make you feel safe, hope you smile at yourself in the mirror.

Since I'm therapist-posting recently:

Legitimately self-compassion is the biggest mental health life hack of all time. I'm NOT talking about self-esteem. You do NOT have to like yourself one bit. You don't have to believe that you're a good person who deserves good things. You just have to believe that you're a person who deserves the things all people deserve.

You can't get from "I'm the Worst" to "I'm a worthy and lovable person" without passing through "I'm just a regular fuckup like everybody else."

Try it on. If you're really addicted to being mean to yourself, you can start by framing it as I'm Not Special. Embrace being a regular fuckup like everybody else.

The most beautiful footage of strangers dancing in public… https://twitter.com/Thorayaaa/status/1660180658646568967

tiktoks like these crack me up because they look so cute and the comments are full of people tagging their partners but like these fish are FIGHTING

they are PISSED at each other and the only weapons they have are their teeny tiny fishy teeth

now you’re thinking with portals

ok so hear me out

Portal 2's Turret Opera still hits soooo hard as a closing point for Chell and GLaDOS' story dude. Right after a monologue about how after everything they've been through she realizes she's incapable of killing Chell, GLaDOS has actually.. set up a perfect, inescapable death trap. She could've easily had the turrets shoot through the glass, sent the elevator all the way back down to Old Aperture or simply gassed her without letting the elevator even leave her central chamber. She basically had her. She could've obliterated her while she was still out cold from fighting Wheatley, but she doesn't. Instead, she has them perform an opera about walking as far away from science as possible. An opera that's implied to have been rehearsed even before Chell broke out with Wheatley - was she considering doing this long before Chell went out to try and kill her again?? This is very blatantly me steering into headcanon territory, but I like to think this whole room was the "REAL surprise with tragic consequences" GLaDOS spoke of. I imagine this is exactly what she originally planned to do - give her false hope by having her ride an escape elevator only for it to stop right in the middle of a massive turret ambush. She would literally treat Chell like a fish in a barrel. Quick, easy and delightfully painful. Each instance where she escaped was either due to oversight or third party intervention - so she created a situation where none of that is possible. All that would arrive to the surface and see the sun is a bullet-riddled corpse. But that's not what the elevator brings to that dingy faux shed in the end. I wonder what she's done with this room after the elevator made its ascent. Do the turrets still stand there, waiting on the off-chance the elevator goes back down with a familiar face within? Do they still sing the same song, over and over, hoping she'll hear it up there? Do they think of her, does she think of them, does she think of her? If Chell were to step back in, would GLaDOS even have the heart to let that elevator go back down? Either way, they'd still be down there, gathered for someone that may never ever come back. They'll all be faithfully standing at their usual spots in the chambers, ready to lovingly shoot her again should she be back to test forever.

it fucking sucks how you can do all the therapy and self healing in the world and you still have to wake up living under a capitalist death cult that's killed community and crushes your soul