You Know What? Fuck You *does This To Your Horror Podcast Men*:

This is the updated version of this.

The 100% Good ChoiceScript to Sugarcube Guide!

The 100% Good ChoiceScript to Sugarcube Guide is a coding guide meant for ChoiceScript creators looking to use the SugarCube format of Twine. It is meant as a quick start-up and comparison of the different commands and structures between the two formats, including explanations with examples.

The Guide is based on the ChoiceScript Wiki and covers all the necessary commands and informations required to make a ChoiceScript game, and how it translated in SugarCube in terms of formatting, plain code, and macro equivalence. It also includes resources to go further into the formats.

READ & DOWNLOAD THE GUIDE!

The Guide is sectioned into multiple sections:

The Differences between Twine/SugarCube and ChoiceScript

The Command Equivalences (or close substitutes)

The Creation of a New Project, and QoL functionalities (Stats, Saves, Achievements, Settings)

For further details on how the macros/markups/APIs should be used, check out my SugarCube Guide (as it goes into a lot more details). If you are looking for the Tweego Compiler Folder, see this post.

GITHUB REPO | RAISE AN ISSUE | TWINE RESOURCES TWEEGO | TEMPLATES | SUGARCUBE GUIDE

Twine® is an “an open-source tool for telling interactive, non-linear stories” originally created by Chris Klimas maintained in severaldifferentrepositories (Twinery.org). Twine is also a registered trademark of the Interactive Fiction Technology Foundation.

SugarCube is a free (gratis and libre) coding format for Twine/Twee created and maintained by TME.

READ & DOWNLOAD THE GUIDE!

nav. again.

i truly hope these tags are utterly incomprehensible to everyone but myself

(To Shauna) Welcome back Donna Sheridan

i dont think enough otgw fans talk about the exploration of complex family dynamics that the show manages to weave through pretty much every episode. like the relationship between wirt and greg seems so innocuous in the beginning, just normal aloofness due to the age gap, but as the episodes go on it becomes clear that wirt full on resents greg and actively dismisses him as “his stepdad’s kid,” while greg openly admires/loves wirt and doesnt understand why he wont spend time with him. theres so many little moments that make the lack of reciprocity in their relationship obvious, and it literally takes almost DYING for wirt to understand that he needs to treat his brother better. like holy fuck man ill be shocked if the person who wrote their backstory doesnt have a step/half-sibling cause WOW they got it right

can anybody hear me

Having never considered the concept of a highschool retelling of the Odyssey until that one post mentioned them in passing, I'd like to give my own pitch: the Odyssey meets Back to the Future meets whodunnit.

Odysseus is the central figure of the story, of course. He is also one of those high school protagonists who is inexplicably surrounded by half a dozen girls, because emphasizing that aspect of the Odyssey is funny to me. There's Penelope, his actual girlfriend; popular girl Circe; poor little rich girl Calypso; freshman Nausicaa; and Athena, who is older and solidly in bro territory with Odysseus, but still adds to the overall effect of him being surrounded by girls. (Is she a goddess? Idk. Probably she has some other kind of power, like riches or genius or both.)

The cast is rounded out by some of his Odyssey crewmen, maybe a few Iliad Greeks, and Telemachus, a new kid at their school who quickly becomes friends with Odysseus. For about half the story, things focus on slice of life, Odysseus's schemes, and the students' various personal problems. Incidents from the Odyssey are nodded toward, but not directly retold.

Then you get the Back to the Future part with the reveal that Telemachus has traveled back in time twenty years, with the help of future Athena, to solve the extremely cold case of his dad's disappearance by investigating his high school life.

Future Athena was only able to discover that someone from his high school circle was involved; in their time, there were just too many roadblocks set up between her and the truth. And she can't get inside access to those events as her adult self. So it's up to Telemachus to get to know his past parents, investigate their friends, and chase down the clues to discovering where his father's been all his life.

...While hopefully not raising the suspicions of his teenaged, but still infamously clever, parents in the process of this totally straightforward and not at all emotionally taxing mission.

Or however it is this is supposed to work

"but the genres i want to engage with aren't written with girl characters almost ever, let alone well!" you have three options. one is to find an indie creator working her ass off to create this on her lonesome and her comic/novel/audio drama is free or on itch.io for like 3$-15$. secondly is to try new genres and surprise yourself. thirdly is to roll up your sleeves and make it.

masks and helmets that hides someone's face in such a way that they become the face themselves my beloved

these are all creatures to me

ok further thought having finished re-watching the OG Descendants:

not only is Cruella de Vil wildly out of place in a line up of otherwise fairytale & fairytale-adjacent villains the film also just completely fails to grasp her as a character?

Like: Jay's thing is that he was raised to be selfish and only look out for number one and he learns the value of being a good team player. Evie was raised to think being beautiful is the only thing that matters and learns that she's actually smart and talented. they're both solid character arcs w good messages for the audience and engage with what made their respective parents evil.

Carlos's thing is that he was. raised to think dogs are bad and then learns that dogs are nice? problems here:

a. this isn't a Growth Arc like the others bcos its not like he was raised to think dogs suck bcos love & friendship are bad his mother straight up lied to him that they're dangerous and as soon as he met one he realised they're not. he doesn't have a personal flaw to work on, he was just ignorant.

like there's shades of a good arc here w idk his mother having raised him to think love&friendship are overrated and that the only thing that matters is what people can provide for you? he would be all like 'what's the point of having a dog they're nuisances who just eat and poop all day' and then he would learn about unconditional love. but no that's not what happens bcos his mother just lied to him about what dogs are.

& this stands out bcos the other character journeys are actually very solid!!

b. hating dogs. was never Cruella's thing? Cruella's thing is consumerism. she's into furs bcos it's a way of showing off how rich and powerful she is and slaughtering 99 puppies just to make the world's fanciest coat is the ultimate expression of her conspicuous consumption. its a custom baby seal leather boots situation.

so like Cruella's kid's issue should be having been raised to value material goods over people's feelings which is an arc that absolutely could be resolved by him befriending a dog but again the root cause of his issue with dogs is that they're 'rabid pack animals'

aughhhh (╯°□°）╯︵ ┻━┻