Los Angeles Review of Books: Finding Silence: Indra Das’s “The Devourers”
Mother’s storybook photos become viral sensation
Originally posted on Flickr Blog:
When we first spotted Elena Shumilova’s photostream, her photos instantly took our breath away. The Russian photographer transports her viewers into a beautiful world that revolves around her two little sons and their adorable pets — scenes literally out of a storybook. Elena’s use of natural light, colors, and her enchanting rural surroundings have not only…
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Reblogged from Living in the Modem World:
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Second Life has always been a powerful medium for artistic expression, whether it be 2D (through the creation of photographs and machinima taken…
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Untitled by Ivana Stojakovic Via Flickr:
After Dylann Roof opened fire on worshippers gathered inside the historically black Emanuel A.M.E Church in Charleston, South Carolina last month, allegedly killing nine congregants and claiming that they “rape our women” and “are taking over our country,” a disturbing image circulated online. A Facebook picture of Roof sitting on top of his car and straddling a license plate celebrating the “Confederate States of America” went viral, stoking an outrage that prompted the South Carolina government to permanently lower the Confederate flag that had long flown over the State House.
For some, however, the debate isn’t over. The Ku Klux Klan successfully petitioned to hold a pro-Confederate flag rally in Charleston last week, resulting in five arrests as white racialist groups clashed with counter-protesters such as the New Black Panther Party. Video footage from the scene shows African Americans angrily tearing up a Confederate flag, while Nazis inveighed against the government’s decision to “delete your history.”
Inside the white supremacist movement
Helen Levitt, Children with Soap Bubbles, New York City, c. 1945
From the Metropolitan Museum of Art:
Helen Levitt’s photographs of everyday life in her own New York neighborhood have epitomized domestic urban life for over sixty years. This image of children - one of her most common subjects - demonstrates Levitt’s astute portrayal of gesture, praised as “lyrical” by James Agee in the introduction to her book, A Way of Seeing. As the viewer’s attention echoes the children’s glance toward the left of the scene, the picture poses a riddle as to the bubbles’ source, transforming this gritty city street into a magical metropolitan playground.
'Naitaavad enaa, paro anyad asti' (There is not merely this, but a transcendent other). Rgveda. X, 31.8.
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