Below the Asphalt Lies the Beach
There is still much to learn from the radical legacy of critical theory.
Source: Below the Asphalt Lies the Beach
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(via https://www.youtube.com/watch?v=BvgdtF3y0Ss)
Long Live the Legacy of Comrade Vemula Rohith Chakravarthy : Statement by New Socialist Initiative (NSI)
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Black motorcycle clubs emerged throughout Cali in the 50s & 60s, and fought against racism and stereotypes of the day for their right to live the outlaw biker lifestyle — like the East Bay Dragons, Fresco Rattlers, Outlaw Vagabonds, Defiant Ones; down South in LA were the Choppers, Soul Brothers & of course, the Chosen Few.
via: the selvedge yard
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Second chances are the currency of white supremacy. To be white is to colonize the afterlife.
Source: Black AfterLives Matter
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"The order that our mind imagines is like a net, or like a ladder, built to attain something. But afterward you must throw the ladder away, because you discover that, even if it was useful, it was meaningless. .... The only truths that are useful are instruments to be thrown away. ... Fear prophets, and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them. ... Perhaps the mission of those who love mankind is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth. ..."
Umberto Eco, 'The Name of the Rose', Vintage Books, London, 2004.
Rio de Janeiro, Aug 8 (IANS) Dipa Karmakar created history by becoming the first Indian gymnast to enter the Olympic finals at the Rio Olympic Centre here. Competing in the third sub-division, Dipa had an average score of 51.665. In uneven bars, Deepa scored 7.166 for execution and 4.5 for difficulty
The tide at night, murmur of bare feet on the sand.
The tide, at dawn, opens the eyelids of the day.
The tide breathes in the deep night and, sleeping, speaks in dreams.
The tide that licks the corpses that the coast throws at it.
The tide rises, races, howls, knocks down the door, breaks the furniture, and then, on the shore, softly weeps.
The tide, madwoman writing indecipherable signs on the rocks, signs of death.
The sand guards the secrets of the tide.
Who is the tide talking to, all night long?
—Octavio Paz, from “Target Practice” Art Credit Richard Diebenkorn.
Menilmontant, 1926, Dimitri Kirsanoff
The real test of Aung San Suu Kyi’s democratic credential lies here.
Modasa – It is just a Beginning
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'Naitaavad enaa, paro anyad asti' (There is not merely this, but a transcendent other). Rgveda. X, 31.8.
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