“Incantation. A prayer for apps and the latest whatever, sung by “the witch”. New things to try, a desperation, an automation to it. A heaviness, as if being joined by a yoke to our technology, it’s dragging us, making us pay per download. We’re it’s slave.”
Leah Kardos’s album “Machines”, a song cycle based on themes of technology, loneliness and the human condition, with lyrics derived from spam emails. (via Tom A.)
"The order that our mind imagines is like a net, or like a ladder, built to attain something. But afterward you must throw the ladder away, because you discover that, even if it was useful, it was meaningless. .... The only truths that are useful are instruments to be thrown away. ... Fear prophets, and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them. ... Perhaps the mission of those who love mankind is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth. ..."
Umberto Eco, 'The Name of the Rose', Vintage Books, London, 2004.
Our very life here depends directly on continuous acts of beginning.
The great Irish poet and philosopher John O'Donohue on beginnings – wonderful read.
The Wayland Rudd Collection A project organized by Yevgeniy Fiks
The Wayland Rudd Collection focuses on the representation of Africans and African-Americans in Soviet visual culture. A point of departure for this project is Fiks’ collection of over 200 Soviet images (paintings, movie stills, posters, graphics, etc.) of Africans and African-Americans spanning from the 1920s to the 1980s. Fiks invited contemporary artists as well as activists, historians, sociologists, political theorists, and specialist in cultural studies to select one or more images from this collection and asked them to respond to it either via artwork, performance, lecture, or other forms.
Wayland Rudd was an American actor who began performing in the Hedgerow Theater in Rose Valley, Pennsylvania under the directorship of Jasper Deeter. Rudd first received critical acclaim for his performance in Eugene O’Neill’s “Emperor Jones.” Frustrated over racism in the entertainment industry, Rudd moved to the Soviet Union in 1932 where he began a successful career in Soviet Theater and Film including work with the famed Russian Director Vsevolod Meyerhold. He later received a degree from the Theatrical Art Institute in Moscow and worked at the Stanislavsky Opera and Drama Theater. Rudd died in Moscow in 1952.
During Wayland Rudd’s twenty year-long career in the Soviet Union, he appeared in numerous films, theatrical performances, and plays. He was also used as a model for paintings, drawings, and propaganda posters and, in many respects, defined the image of the “Negro” for generations of Soviet people. Although only a small section of the assembled images in The Wayland Rudd Collection are of Wayland Rudd, the project is given his name to commemorate this American-Soviet actor’s personal story as a case in point of the complex intersection of 20th century American-Soviet narrative.
The images in The Wayland Rudd Collection present a very complex and often contradictory mapping of the intersection of race and Communism in the Soviet context. The participatory aspect of this project adds the needed dimensions to show this complexity—giving the viewers the capacity to digest this history. This project investigates the promise and reality of Communism vis-à-vis the issue of race in the 20th century through the Soviet experiment. It presents this issue as unresolved, revealing the Soviet legacy on race as a mix bag of internationalism, solidarity, humanism, Communist ideals as well as exoticization, otherness, racist stereotyping, and hypocrisy.
Participants: Suzanne Broughel, Maria Buyondo, Dread Scott, Jenny Polak, Michael Paul Britto, Nikolay Oleynikov, Ivan Brazhkin, Haim Sokol, Kara Lynch, Dr. Allison Blakely, Dr. Romy Taylor, and others
कौतुक के पर्वत का सैलानी लुडविग विट्गेन्स्टाइन की दुनिया प्रसन्न कुमार चौधरी 1. व्यक्ति और कृति संसार और जीवन एक हैं । मैं ही अपना संसार हूँ । लुडविग विट्गेन्स्टाइन (‘ट्रैक्टेटस लॉजिको-फ़िलोसॉफ़िकस’, 5.621, 5.63) । निश्चय ही यह अब तक प्रकाशित दार्शनिक कृतियों में सबसे पहेलीनुमा रचनाओं में से है : तर्कशास्त्रियों के लिए कुछ ज्यादा ही रहस्यात्मक, रहस्यवादियों के लिए कुछ ज्यादा ही तकनीकी,…
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Did you know? Miguel de Cervantes Saavedra fought at the Battle of Lepanto (1571), was wounded, captured, imprisoned; he escaped, was enslaved and finally ransomed. Returning to Spain, he worked as an army quartermaster but spent several spells in jail on financial charges. Then, at the age of 58, he wrote the world’s best selling novel, Don Quixote.
In his modest house in Madrid’s Calle de León, Cervantes died on April 23, 1616, perhaps the saddest day in literary history ― for on the same day, the world also lost William Shakespeare.
One of the most significant intellectual errors educated persons make is in underestimating the fallibility of science. The very best scientific theories containing our soundest, most reliable knowledge are certain to be superseded, recategorized from “right” to “wrong”; they are, as physicist ...
“…people with mental illness are suffering.” – John Forbes Nash Jr., the mathematician who inspired “A Beautiful Mind” (rest in peace) [567x855] [OC] http://quotes-4u.tumblr.com/
To Jyotiba, from Savitribai Phule: These aren’t love letters, but tell you what love is all about,,In memory of this remarkable WOMAN… 🙌 — International Journal of Research (IJR) To Jyotiba, from Savitribai Phule: These aren’t love letters, but tell you what love is all about,,In memory of this remarkable woman, here are letters that Savitribai Phule wrote to her life partner, Jyotiba – her comrade-in-arms in the struggle for the emancipation of India’s disenfranchised people.Below are translations from the original Marathi,The first letter, […]
'Naitaavad enaa, paro anyad asti' (There is not merely this, but a transcendent other). Rgveda. X, 31.8.
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