“Everyone Has A Right To Privacy. It Is Both Undignified And Irrelevant To Discuss One’s Emotions

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CLUELESS (1995) dir. Amy Heckerling

"Mother's connection with her fans was special. On the whole, their devotion to her, even when the headlines were unflattering, didn't waver. In fact, her ups and downs seemed to endear her to them all the more. They saw that she had her problems, too. There were some stars that seemed unreal, but for all her glamour, Mother retained an approachable side that her fans sensed. I think she was seen by them as Cinderella, who through a combination of luck and beauty of face and form, landed in movies. These qualities, combined with her personality, were embraced by the public and produced an enduring star.

"For her part, Mother respected her fans and recognized that the public makes a star. From the time she was very young, she appreciated the fan letters sent to her from people all over the world. In the beginning she read and answered as many pieces of mail as she could herself, but it quickly got out of hand and had to be managed by studio personnel. During a nine-month period in 1944 in which MGM monitored the fan letter flow to each of the stars, Mother and Judy Garland were shown to be ahead of the rest by far, each receiving close to 200,000 letters. After she left the studio, Mother hired a personal secretary for the first time and she dedicated a certain part of every day to signing photos, reading the mail, and dictating responses to her secretary. She took this very seriously. There were rare occasions when she was scared by a bizarre fan, but more commonly, there were special fans with whom she became comfortable enough to strike up regular correspondence, or even make telephone friends." -Cheryl Crane

LANA TURNER in THE YOUNGEST PROFESSION — 1943

chicago 1927

Butterfield 8 - 1960

THE PASSION OF JOAN OF ARC (1928) dir. Carl Theodor Dreyer

Virginia Woolf, from a diary entry featured in “A Writer’s Diary”

Lily Powers

Barbara Stanwyck in Baby Face (1933)