Purposefullylackadaisical - Purposefully Lackadaisical

Shame is the Shadow of Love

Claire Schwartz, Bound

Pj Harvey, "Shame"

Richard Siken, "Little Beast"

Fanny Howe, Second Childhood: Poems

harry styles for rolling stone magazine / matty healy for dazed magazine 

a short collection on catering to men. Gone Girl by Gillian Flynn (2012) A Doll’s House by Henrik Ibsen (1879) The Robber Bride by Margaret Atwood (1993)

Carrie (1976) dir. Brian de Palma // Wuthering Heights -Emily Brontë // Jennifer’s Body (2009) dir. Karyn Kusama // White Oleander -Janet Fitch // Ginger Snaps (2000) dir. John Fawcett // Wolf Like Me -TV on the Radio

No two women have the same experience. All feminism is founded not on actual essential unity, but on political coalition and affirmation of shared political needs and goals.

Race, culture, class, birth assignment, religion, and countless other factors mean all women experience womanhood differently. Excluding trans women because we have a different life experience misses the point that all women have different life experiences. This idea isn’t even new, its not even specific to trans women, its literally the point Crenshaw and Collins and Mohanty and countless other woc and third world feminists have been making for decades now.

“The most haunting time at which to see them is at the turn of the moon, when they utter strange wailing cries; but the lagoon is dangerous for mortals then…”

“the mermaids” - marianne boruch // “hylas and the nymphs” - john william waterhouse // “the love song of j. alfred prufrock” - t.s. eliot // “a mermaid” - john william waterhouse // “the siren” john william waterhouse // moby-dick - herman melville // “the knight and the mermaid” - isobel lilian gloag // “the land baby” - john collier // “lamia” - john keats // of “hylas and the water nymphs” - henrietta rae // peter pan // j.m. barrie

terukie-deactivated20190831 / denice frohman / lang leav / agnes varda / bikini kill / no doubt / jasmin kaur / nikia gill

[ID: excerpt from The gender of sound, Anne Carson

“Putting a door on the female mouth as been an important project of patriarchal culture from antiquity to present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death.”

poetry line by Meggie Royer @writingsforwinter

“A woman’s first blood doesn’t come from between her legs but from biting her tongue.”

excerpt from Hunger makes me, Jess Zimmerman

“The low-maintenance woman, the ideal woman, has no appetite. This is not to say that she refuses food, sex, romance, emotional effort; to refuse is petulant, which is ironically more demanding. The woman without appetite politely finishes what’s on her plate, and declines seconds. She is satisfied and satisfiable.”

excerpt from The unruly woman: Gender & the genres of laughter, Kathleen Rowe

“…voices in any culture that are not meant to be heard are perceived as loud when they do speak, regardless of their decibel level.”] 💔

oh how the horror of existence eats away at my heart but look how i cling on to the simplest acts of compassion, kind gestures, easy natural connections. bitter as i am i can't help looking at the world as if it's handmade just for me. i love loving, i love loving people. i love a soft love. no drama. no loudness. no doors being slammed. a silent love. steeped into the heart like a strong tea. jasmine scented. a love nurtured and moulded delicately with sturdy hands on a potter's wheel. a love made with love. a love to live for. a love that makes you want to stay alive, for tiny birds and the sky, for the ocean and the charcoal night. dying is no feat, we die all the time. if you are a lover, you must do the unthinkable, you must live. for you will be remembered and you will be immortalized in every bit of beauty that ever graces this earth.

Halsey, “I would leave me if I could” / Sylvia Plath, “Daddy” / Kiran Desai, “The Inheritance of Loss” / Mary Ruefle, “Woodtangle” / Opie, “The Angry Father” / Josephin August, “Half a Woman” / Catherine Lacey, “Cut” / Theodore Roethke, “My Papa’s Waltz” / Rupi Kaur, “Milk and Honey” / Henry Chapin, “Cat’s in the Cradle” / Dick Lourie, “How do we forgive our fathers?”