Part 1

Part 1
Part 1

Part 1

karma is real...

More Posts from Qknala and Others

1 year ago
Hmm👀

hmm👀


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1 year ago

Please a part three !

I was inspired to expand on this story, so I'm currently revising part 1 and 2. But here's part 3 in all its unedited glory!

When Does a God Lose Their Heart? Part 1 | Part 2 | Part 3

Narinder stomped into his “base of operations” as he often called it, Kallamar in tow. The door creaked as it slowly closed itself, but didn’t fully shut. Shamura tentatively pushed it back open as they entered, not always sure when they were welcome when it came to Narinder.

Shamura often wondered about Narinder’s attachment to this abode, but knew better than to ask. They had vaults of their own sprinkled about the lands where they stored trophies and supplies, and recouped in as needed. But this comfy little cottage sitting out in the open was no vault. Crafted of wood and stone, with a roof that leaked when it rained, and no defenses outside of the simple protective-barriers Narinder himself setup. Without a doubt, this was a home, not a vault.

The living area was lit up primarily by the fireplace, but supplemented by candles hanging from the rafters. They were surprised to see the place so messy. Narinder wasn’t exactly a stickler for cleanliness, but the clutter decorating the floor, seating, and most other surfaces was uncharacteristic for him.

They entered the cottage and gently shut the door behind them. They lingered by the door for a moment. Less out of hesitance—if Narinder didn’t want them to come inside, he’d have shut the door—and more out of curiosity regarding the mess.

“What, are you a stranger? A servant? Settle yourself.” Narinder barked at them as he weaved through the items littering the floor. Shamura followed his lead to find a place to sit.

“Goodness, it’s like a desert in here.” Kallamar commented. “Aren’t you warm?”

“Quite comfortable, actually.”

Narinder set Kallamar on the sofa in the middle of the room with a surprising level of care. Kallamar had even braced for a sudden drop. Narinder’s half-lidded gaze lingered on him, causing their eyes to meet for just a moment when Kallamar went to scan his surroundings.

“The problem is my spine, I believe. My arms hurt as well, however, so I shouldn’t go anywhere until those are better as well! I wouldn’t want to have to defend myself with only two arms, if the problem arose
”

“I didn’t think you had a spine.” Was all Narinder had to say as he went to retrieve the necessary supplies. He stopped by the fire to put on a kettle of water.

“What? Of course I have a spine, how else would I—Oh.” He rolled his eyes. “Very funny.”

The more Shamura looked around, the more they hoped Narinder was eager to share whatever it was he was working on. On closer observation, they realized the items strewn about were positioned on top sigils painted onto the floor. Divining Sigils were used to glean the purpose or origin of an item—divine or otherwise.

Narinder had asked for Shamura’s assistance in how to use and activate the sigils, which they happily provided, but he hadn’t shared why he was suddenly inclined to learn about it. Shamura was pleased to finally know why—albeit only partially. It also explained all the random objects. Divining an object was a tedious process that required a lot of trial and error to discover the resources that would resonate with it. Shamura could recall the exasperation they felt after spending months acquiring rare gems and magical geodes to divine the purpose of a magical key they had found, only for the damn thing to resonate with a bowl of milk.

“Stop being nosy.” Narinder suddenly broke the silence.

“May I move this
 toy?” Shamura gestured to what looked like a golden puzzle box resting on a seat. They knew it wasn’t a toy, but hoped it would provoke him into explaining.

“No.” He pointed to a different seat with a stack of papers on it. “You can sit there. Just throw the papers on the floor, they’re useless.”

Shamura went to the assigned seat, having to both step over a baffling, metal contraption and duck under a candle to reach it. They placed the papers on the floor with care regardless of their allegedly useless status, and had a seat on the plush stool that they usually preferred to sit on when they visited. Narinder thought the way they sat on it was strange, but they truly enjoyed it despite their odd posture.

“When I suggested decorating, piles of junk aren’t quite what I had in mind
” Kallamar hummed.

“What?” Narinder didn’t look up from the concoction he was brewing.

Shamura envied Kallamar’s ability to inspire people to engage with him socially, especially when it came to Narinder. Their conversations with Narinder were often insightful and thought-provoking, so it was a shame how little they actually conversed with each other.

They stretched their back, and in turn their claws—well, claw—before they settled back into a similar position, just no longer tensed to strike. They’d been fairly on edge since barely defeating the Green Crown, but now they could relax.

“It is inspiring though. How about piles of skulls? A bit macabre but, you like bones, don’t you?”

Narinder was swirling a liquid in a flask, but stopped to look at Kallamar. “What? They’re not—These aren’t decorations!” He stammered, confused and a bit offended. “Are you dull?”

“No, I was giving you the benefit of the doubt. What’s all this junk?

“It’s not junk.”

“The useless papers aren’t junk?”

“
some of it is junk.”

Narinder’s ears perked up at the sound of a soft ‘kh’ noise from Shamura—their equivalent of a snort. He snapped his head around to make sure they saw his annoyed look, which Shamura met with an embarrassed smile, before he turned his attention back to manufacturing his unique method of healing.

Shamura wasn’t aware that they made such a noise until they met Narinder. He had no reservations questioning them about what they found so funny whenever he heard it. Though now they could usually hear the sound when they made it, they had a hard time stifling it.

Kallamar thought for a moment, then warbled with excitement. Narinder gave him an odd look as he poured the concoction over Kallamar’s body. It had taken on the consistency of smoke, pink in color but thick like a polluted cloud. It sits for a moment before it suddenly seeps into the squids body in a blink.

“Did you acquire a stall at the market after all? You must be preparing your stock, yes? Am I right?”

Shamura’s eyebrows raised, causing their second pair of eyes to squint. Was Narinder in need of resources? Narinder’s brief hiss of annoyance made it clear that this subject was not meant to reach Shamura’s ears.

“Ah, Ah! You should let me help!” Kallamar sat up, clearly feeling better even if the color hadn’t returned to his cloak or crown.

“Why?”

“There a things I wish to buy, but I don’t have any money.”

“Oh, is Shamura finally cutting you off?” Narinder smirked.

“Yes, in fact, they did! I’m sure your petulant insistence that they were allegedly ‘spoiling’ me had everything to do with it, so it’s only fair that you help me raise funds.”

“That is not the reason why,” Shamura interjected, worried that Kallamar was missing the point. “It’s important that you know how to provide for yourself in case there comes a time that I am no longer able to.”

It was important for both their sakes, really. Shamura knew they had gotten far too comfortable with giving Kallamar whatever he asked for, they couldn’t even fully commit to cutting him off. They still fed and sheltered him, but had to force themselves to stop indulging in his more frivolous wants like jewelry and money.

Regardless of how valid the reasoning, Narinder and Kallamar scoffed in unison. For better or worse, if there was one thing that could reliably get them to agree, it was Shamura.

“If you are ever incapacitated, then we have already fallen.” Kallamar gestured dismissively.

“Likewise,” Narinder added. “It’s humorous how you pretend that this fool would not drop dead the second he could no longer suckle on your teat.”

Kallamar let out a gasp of offense.

Shamura would have liked to inquire further about the first half of Narinder’s statement. But they take far too long to choose what they felt would be the proper way to ask. Kallamar and Narinder had already bickered over the latter’s rude comment and moved past it to the next topic.

“Well, if it is not to sell, then why do you have all this stuff?”

Though Kallamar had successfully put Narinder back at the center of the conversation, he rejected the position with the finesse of a hippo on ice. Narinder stared at Kallamar, forcing his expression to be blank with limited success. There was silence as the two waited for his response.

“You seem to be missing something, Shamura.” Narinder said, abruptly changing the subject.

“Ah?” It took them a moment. “Ah, yes, yes. My claw. I
 Underestimated Murmur. She ripped it clean from my body.”

“I take it you’ll be requiring my assistance to re-attach it?”

Shamura blanched, a rare demonstration of embarrassment from them that managed to surprise Narinder.

“
I
 forgot to retrieve it.” They slowly said, processing the information for themselves in real time. They clear their throat. “Alas, that is my punishment for carelessness. It will be
 awhile
” Their apprehension shows in their tone. “
but it will grow back in time.”

“Oh! Shamura, I didn’t even notice! When did that happen?” Kallamar gawked.

Narinder seemed upset, but Shamura couldn’t fully put together why. Was it disappointment in them? Annoyance with Kallamar? They briefly considered that he might be concerned for them, but they shooed the thought away as rather presumptuous—something Narinder often accused them of being.

Kallamar lit up at the sound of the kettle whistling. “Oh! Are you making tea? I’m parched—”

“I wasn’t.” Narinder said, a bit too quickly. “I merely forgot to remove the kettle from the fire before I went to investigate the intruders that crossed my barrier.”

“Then, Shamura, will you make me a cup of tea?”

“No, they will not. Make it yourself.”

Shamura did not understand Narinder. But, they wanted to. As much as Kallamar and Narinder postured in a way that would suggest they didn’t like each other, the two clearly understood each other, even if they didn’t always realize it.

“But I am injured still! You did not heal my arm!” Kallamar protested.

“And you have three others that are completely functional. Leave Shamura be, lazy brat.”

“Lazy? Brat?”

Before the two could launch into another petty bickering match, Shamura interjected.

“Kallamar, if you could, a round of tea before we set off would be most refreshing.” They stood with grace, their strength already beginning to replenish. “And I will prepare a snack to pair with it.” They turned their gaze to Narinder. “Consider it our thanks for allowing us to disturb you this evening.”

“Ah
 Let us trade tasks. I must insist.” Kallamar bridged his fingers, a pose he often took up when he felt awkward.

“If you must busy yourself with something, then I would prefer you make the tea.” Narinder sounded exasperated as he finally took a seat, knocking an assortment of smooth stones off the coffee table as he propped his feet atop of it.

Shamura was a bit lost again, but quickly adapted. “Then tea I shall make.”

The trio fell into a comfortable silence. Shamura retrieved the kettle that had been hollering throughout the entire exchange while Kallamar sifted through Narinder’s cabinets to assemble snacks for them (mostly he and Narinder). Shamura continued to subtly snoop as they had to cross the room again.

Trying to narrow in on things that gave off some amount of arcane energy. But none of the items that stood out seemed like things Narinder simply couldn’t ask them about. Small statues, a beautifully preserved skull with a gem embedded into the forehead, a black card sporting a red mandala—

“Shamura, did you lose your sense of taste as a consequence of no longer needing to eat, or did you stop eating because you lost your sense of taste?” Narinder suddenly broke the silence, Kallamar’s scolding tone quick to follow.

“Narinder!”


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1 year ago

btw you can get the Disco Elysium artbook for free here (archive.org)

Btw You Can Get The Disco Elysium Artbook For Free Here (archive.org)

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2 years ago

!Spoiler for Relics of the Old Faith!

So After The Update, If You Choose To Kill Narinder After His Boss Fight...

??? will still give him to you as part of the reward after freeing the Bishops.

Game Dialogue:
???: As such, I offer you a boon; a cementing of our new undertaking.
Game Dialogue:
???: A toy for you. Benefactor, comrade, malignant foe...redemption or punishment, 'tis yours to confer as you see fit.

certified trophy wife moment

The entire scene temporarily becomes bloody red as ??? uses a dark floating hand to pick up a follower Narinder by his foot, hanging up side down.
Game Dialogue:
The One Who Waits: What is this? Lamb!
Game Dialogue:
The One Who Waits: You have brought me here to continue my eternal punishment? Revel in my shame? Damned Lamb!
Narinder's follower profile. His trait section lacks the "immortal" trait that usually comes with him.

One important thing to notice is that this Narinder does NOT have the "immortal" trait like his counterpart which you spare after the boss fight.

This could just be a glitch, but if it's not, it may imply that Lamb is able to strip away other gods' immortality through bringing death to them, and if we choose to spare Narinder, he has never actually died and thus is able to keep his immortality.

So my theory? The Bishops were originally immortal too, just like TOWW, until they were slain by us.


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1 year ago
The cover page for a digital comic. A trailhead information board stands in a lush green forest, with a trail map, and two signs pinned to the wood. The text on the signs read: "BY BECKETT JONES" and "THE TRAVELER'S WARNING."
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a work boot, a leather-bound journal, a compass, and a colorful rock bracelet. 

The first panel is a Forest Service gate on a dirt road, slightly ajar. The road goes out of sight into leafy green shadows. There is one wooden sign nailed to a tree, and two white and green signs secured to the gate. The text on these signs reads:
"TRAVELER, STOP! 
IF YOU TAKE THIS ROAD YOU WILL BE 
FUNDAMENTALLY CHANGED
FOR BETTER OR WORSE."

The second panel is a crumbling concrete barrier in gray, driving rain. There are evergreen trees in the background. There is a hand symbol pointing to the right engraved into the barrier, and text that reads:
"YOU WILL RETURN FROM 
THIS JOURNEY 
IRRECOVERABLY ALTERED 
IN WAYS" 

 The third panel is a waterfall with conifer trees, behind a glossy red sign with "no swimming" symbols. White text on the sign reads:
"YOU CANNOT COMPREHEND 
BEFORE YOU UNDERGO 
THIS TRANSFORMATION."
Two comic panels on an off-white background. An espresso machine portafilter is pictured in the negative space in the page. 

The first panel is of a red rock slot canyon, with a rushing green river at the base. A rusted yellow sign stands in the water, with a flash flood symbol and text that reads:
"NO ONE ON EARTH 
WILL UNDERSTAND THE 
METAMORPHOSIS"

The second panel is a wooden sign hanging from the eaves of a roof, in front of a snow mountain scene. Stars twinkle in the night sky. Warm red text on the sign reads:
"EXCEPT THOSE WHO EXPERIENCED IT 
WITH YOU. THE PEOPLE WHO LOVE YOU." There is an arrow symbol and two foamy mugs also depicted on the sign.
Two comic panels on an off-white background. Objects depicted in the negative space of the page include a key ring, a pocketknife, a stuffed toy mountain bluebird, and a bandana. 

The first panel is a road with a center stripe in a sagebrush plain, with big orange clouds in the sky. A coyote slinks across the road. A big green highway sign with white arrows reads:
"MAY CEASE TO TRULY KNOW YOU. 
WALKING BACKWARDS 
WILL NOT HELP YOU"

The second panel is of a high alpine wildflower meadow, with a glaciated Mount Tahoma in the background. A wooden stake reads:
"WALKING FORWARDS" 
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a headlamp, a trowel, and a plant sprig in a ziplock bag. 

The first panel is a wildfire sunset above a barbed wire fence, surrounded by blooming fireweed and evergreens. An orange wildfire hazard sign reads: 
"IS INEVITABLE 
YOU CANNOT STAND STILL" 
A gray jay sits on the top of the sign, eyeing the viewer. 

The second panel shows a dilapidated wooden shack, covered in moss and white and orange mushrooms. Evergreens and leafy undergrowth surround the structure, and a Pacific gray tree frog sits on a leaf in the foreground. Text carved into the wood reads: 
"YOU MAY NO LONGER RECOGNIZE 
YOUR HOME" 

The third panel is a chinook salmon run in a green forest. Underwater reeds flow on the river. A white sign nailed to a tree trunk, with water symbols and text that reads:
"IT CANNOT STAND STILL
EITHER."
Three comic panels on an off-white background. Objects depicted in the negative space of the page including an ammonite fossil on a leather cord, a green nalgene, a peach, and a pulaski. 

The first panel shows a gray ocean storm, with waves crashing against big, dark rocks. A tsunami hazard zone sign reads:
"IF YOU SURVIVE THIS" 

The second panel shows a round orange bouy floating in a sea illuminated by bioluminescent plankton. Stars glitter overhead. Text on the bouy reads: 
"YOU WILL BECOME PART  OF A WORLD"

The third panel shows a pair of dolphins in the water, adjacent to a white boat. A red sticker on the gunwhale reads:
"THAT DOES NOT YET EXIST"
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a pair of sunglasses and a machete. 

The first panel shows a dessicated Greater Frigatebird cradled in the branches of naupaka shrubs on a sandy shoreline. Pink flagging has been tied to a branch, and black handwriting reads:
"IF YOU DIE HERE"

The second panel shows a blacktip reef shark swimming on a coral reef. And underwater sign affixed to steel chain shows a skull and crossbones, and text that reads:
"YOU WILL COME BACK"

The third panel is a GPS unit held up to the sky, showing a GPS track and text that reads "WRONG." Seabirds fly overhead. 
Three comic panels on an off-white background. Objects shown the negative space of the page are a snickerdoodle cookie and bright flowers threaded on a string. 

The first panel shows a pair of hands holding a sooty tern with a radio tag. Another pair of hands write in a notebook, and handwritten text on the page reads:
"TRAVELER
YOU HAVE BEEN WARNED" 

The second panel shows the leg of the sooty tern, which has been fitted with a birdband. 

The third panel is a pair of fingers holding the birdband so that engraved text faces the viewer. The text reads "AND NOW YOU MUST GO." 

A short comic I made about my experiences as a seasonal worker, and the way places change you.

Prints & PDF


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3 years ago
Goobert's Painting

goobert's painting

2 years ago
>logs On
>logs On
>logs On
>logs On
>logs On
>logs On
>logs On
>logs On
>logs On
>logs On

>logs on

>posts some mii bishops & acnh costumes

>mii code is 7CBY295

>refuses to elaborate

>leaves


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1 year ago

All Lore Tablets From Sins Of The Flesh

All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh
All Lore Tablets From Sins Of The Flesh

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3 years ago
Thinking About That Unused Strip Club Map


Thinking about that unused strip club map



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qknala - Blink of An Eye
Blink of An Eye

Cult of the Lamb art & more ‖ Makes NSFW🔞 artworks, just not on here ʕ ᔔᎄᔔ ʔ

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