Latest Posts by quandrixing - Page 5

If you enjoy reading, are there any books on your reading list that you would like to read but haven’t gotten to just yet? Any recommendations from ones you’ve read?

I'm actually reading books on writing right now! FIGHT WRITE: How to Write Believable Fight Scenes by Carla Hoch

I really want to learn how to write action scenes, since there are some future chapters and one-offs I would like to have realistic fighting in it.

I used to do a lot of action writing in my early days -- when I was participating in a BLEACH RPG on forums and LJ, but it's been a long ass time. I'd love to create tension through motion-- and be able to actually help @thedissonantverses for the story we're cooking up. Word Painting: A Guide to Writing More Descriptively by Rebecca McClanahan Just to help me write more descriptively. I don't wanna be someone who uses purple prose for everything, but I could think a little harder about what the world reminds me of. Even the simplest actions have a rich story behind it. I'd like to know how to bring that out.

How To Write Erotica by Rachel Kramer Bussel

Because...reasons 👀 I don't want that cottage to be quiet forever.

--

As far as books on the list, the main one is 'How We Heal' by Prentiss Hemphill!

crown jewel/stained glass jello cakes are like beautiful angels to me. it's fruity and delicious. it's retro kitsch. it's an edible example of midcentury minimalist art in every cross section.

i understand the 50s housewife appeal here. if i rolled up to the potluck with a fugly cobbler and my neighbor brought one of these i may have to end my stupid sloppy fruit life.

You've been isekai'd into a fictional setting. Spin this wheel to find out which one.

the elvish writing in DA4 is translatable!!!!!!

English, Elvhen, Tevene, Anderfels, Antivan, and Nevarran alphabets!!!

someone needs to make a font asap

I've got like four or five things that I actually like, and I just stick to those.

Shawn and Gus are drift compatible but under no circumstances should they ever be allowed to pilot a jaeger

can you do a tutorial on how you draw body hair ,,, im just getting into it but i loveee how you do the wet/sweaty curls ohh fmy god

Tried my best to explain plainly how I do it, enjoy! (+cursed hairless Wreg)

What does this look like in actual work? Something like this (+another cursed hairless Wreg)

2025

BE A STUDENT OF WHAT YOU ADMIRE

DO IT BADLY RATHER THAN NOT AT ALL

TO DESPAIR IS TO CEDE VICTORY TO THOSE WHO DO NOT DESERVE IT

BROADEN YOUR CULTURAL HORIZONS

REVEL IN THE ANALOGUE

ACTION ABSORBS ANXIETY

GRIEF IS PRODUCTIVE; GUILT IS NOT

*sensually smooches and licks a pomegranate like a horny tiktok chef*

(Support me on my Ko-Fi! <3)

PATTERN BANNERS | galaxy.

okey, I love this set so much, I’m so happy with it. I love all things space and stars and galaxy related. I have many colour sets coming so keep an eye out for those ! i really like what i did here ahahahah. 🤍🤍🤍

colours : 001 / 002 / 003 / 004 / 005 / 006 / 007 / 008 / 009

feel free to use; please like, reblog, and credit 〜

support me through ko-fi | more dividers →

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

Show, don’t tell

"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:

1. Use Sensory Details

Tell: "The room was cold."

Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."

Tell: "He was scared."

Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."

2. Focus on Actions

Tell: "She was angry."

Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."

Tell: "He was exhausted."

Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."

3. Use Dialogue

What characters say and how they say it can reveal their emotions, intentions, or traits.

Tell: "She was worried about the storm."

Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.

4. Show Internal Conflict Through Thoughts or Reactions

Tell: "He was jealous of his friend."

Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."

5. Describe the Environment to Reflect Mood

Use the setting to mirror or hint at emotions or themes.

Tell: "The town was eerie."

Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."

6. Let Readers Infer Through Context

Give enough clues for the reader to piece things together without spelling it out.

Tell: "The man was a thief."

Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."

7. Use Subtext in Interactions

What’s left unsaid can reveal as much as what’s spoken.

Tell: "They were uncomfortable around each other."

Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."

8. Compare to Relatable Experiences

Use metaphors, similes, or comparisons to make an emotion or situation vivid.

Tell: "The mountain was huge."

Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."

Practice Example:

Tell: "The village had been destroyed by the fire."

Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."

I’ve watched this 6 times

Tiny Hair tutorial 

Borrowing @picchar‘s Rythlen for this cuz she has AMAZING hair. Directions below the cut.

Keep reading

Continue✨ Keep going✨

there's a lot of dragon age media out there other than the games. novels & other official books, visual novels, movies & shows... please raise awareness to not spread literally ALL the pdfs and videos around. please be responsible here.

update (may 2024):

sorted files by media type, rather than chronological order. in-universe dates and release dates can be found in a spreadsheet

added tastes of thedas, compiled from screenshots from an online reader, not a proper pdf of the book

added the 3 original ttrpg sets and some reference sheets

added swf files for dragon age journeys and dragon age legends remix, which can be played with any flash emulator

added some origins toolset files for modding. these are editable version of base game head morphs (.mrh), level layouts (.lvl), fmod sound projects (.fdp), animations (.acb), materials (.matproj), and vfx (.vfxproj)

still looking for:

a proper version of tastes of thedas

adobe air installers for systems other than windows so people can play legends without being on pc

Writing Resources PDFs

As requested: https://www.writersarchive.com/

The documents contain sensitive themes and topics (e.g., related to death).

Some notes are from my old files, which may include outdated information. Others were made in response to a request. I also included a few references that are still in my queue & drafts.

Choose which tips & notes are most appropriate for your own writing. Some are just quick references. Thus, more research may be needed for your written work.

Updates may be made in irregular intervals for added material and/or corrections.

All PDFs are free. You can pay what you want/can here. There's a very small fee to keep the site up. But please don't feel obligated to, especially if you're in a rough patch at the moment—been there (+ it is the holiday season after all, which I know can be a tough time). Writing has always been a safe space for me, so if these references help you as well, that would be more than enough for me.

Thank you to everyone who had been so encouraging about this little project.

And thank you especially to @beforeyearning for creating the site ily (please follow his blog, he's a very talented writer).

Taash x Harding unstoppable siege machine

Doodle prompt fulfillment from my pat of treon

One of my favorite character interactions between companions, a wonderful prompt input ✨

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver. 

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“ 

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I 

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

If you're getting into audio drama because you're tired of living in a world where every second is ruled by spreadsheets, I have some terrible, horrible, no good, very bad news for you...

Dragon Age: The Veilguard

▶ Extracted Asset Drive Folder

Recently finished my first DAV playthrough and wanted to get my hands into the files 🤚 so just like I did with CP77, I put up little google drive folder with extracted assets! Made possible thanks to the Frostbite Modding Tool ◀

OBVIOUS Spoiler warning - I don't recommend looking at the files until you're done with the game's main story!

I wasn't able to grab everything just yet as the majority of assets aren't fully accessible yet (corrupted/missing data). Expect some extracted assets to have some artifacts as well!

But you can already find:

HUD elements

Codex entries's full art

CC, Map, Journal Icons

...and more!

Every elements has been sorted in fodlers for an (hopefully) easy browsing - I'll try to keep this drive updated :3

▶ THIS IS FOR PERSONAL USE ONLY!

You can use the assets for your videos, thumbnails, character templates, art, mods... but do NOT use these assets for any commercial purposes! Every assets and files are the property of Bioware and their artists

This is from a fan for fans, let's keep it fair and fun! 🙏

If you appreciate my work consider supporting me on Ko-Fi 💜

fifty questions for rook

(no spoilers!)

veilguard is finally here yall!!!!! and now a set of character building questions for rook, because i wanna know all about them! there will be more question lists as I play the game, but those will be marked with spoilers and under a readmore for the next sixty days

1. How old is Rook?

2. How did Rook get the nickname? What do they think of it?

3. What was Rook’s life before their faction?

4. Which faction did they join, and why? How long has it been?

5. What was life like for Rook before joining the Veilguard?

6. What was the reason that brought Rook to Minrathous?

7. Why does Rook agree to join the Veilguard?

8. What makes Rook a good leader?

9. What is Rook like on the battlefield?

10. Does Rook know their history? Do they know of the HoF, Hawke, the Inquisitor?

11. Does Rook keep up with current events? (How aware of the situation are they at the start of the game?)

12. Does Rook have any family? Do they keep in touch?

13. Did Rook bring any trinkets/sentimental items to The Lighthouse?

14. What does Rook see when they look in the mirror?

15. What’s the first thing people notice when Rook enters a room?

16. Got any tattoos? What’s the story behind them?

17. How’d Rook get those scars?

18. Their fondest childhood memory:

19. What is Rook’s love language? What love languages do they respond best to?

20. What’s it like to see them smile? Their laugh?

21. What does Rook’s voice sound like? One of the voice options available, or do they have a different accent/voicecast?

22. Most embarrassing memory as a teenager:

23. What does Rook wear in the off hours? Do they like dressing up?

24. Does Rook have any nightly rituals before bed?

25. How does Rook like to spend their free time?

26. Rook is in charge of the grocery list. What’s on it?

27. When was the last time they cried?

28. Does Rook have any pets/animal companions?

29. Any vices?

30. What is Rook’s class? Did they choose it?

31. What specialization does Rook pursue? What called them to it?

32. How would a desire demon tempt Rook?

33. What do fear demons look like to Rook?

34. How does Rook begin their day?

35. Ultimate comfort food meal:

36. What would Rook say are their flaws?

37. Does Rook ascribe to a faith?

38. Did Rook have any relationships before Veilguard?

39. What is their room at The Lighthouse like?

40. Describe Rook’s bed:

41. What’s on their nightstand?

42. Something Rook regrets:

43. Is Rook the type to gossip?

44. What is Rook really good at?

45. Who was Rook’s closest friend before joining the Veilguard?

46. What does it take to earn Rook’s trust?

47. What’s Rook’s temper like?

48. A color, flower, animal, and weather to describe Rook:

49. What will always make them laugh?

50. Are they a mystery, or an open book?

+1 What does Rook smell like?