Horned Kichka (Russian: рогатая кичка) Is A Type Of Ancient Russian Headdress For A Married

bill cipher is such a good design hes just a little guy. hes just fuckin like

It's so embarrassing to talk about how Bill Cipher Is A Tragic Villain Actually because this is the idiot I'm talking about:

Today’s Paper Doll Is: A Mexican Bride

“A traditional Mexican bride’s wedding costume, made of cotton, has a full skirt and an elbow-length shawl collar that falls into fluted folds over a lace apron. Some Mexican brides carry a lace fan instead of a wedding bouquet. A charming custom at the reception is for the guests to line up in a heart shape around the couple for their first dance together.”

"We're collecting our kids in bags! In bags!" "We're finding body parts that we don't know who it belongs to"

A massacre after another, and the world is silent. This has to stop.

Anyway obviously there's the dreadful implications of Bill's relationship with his family being "worse than Stan's" and the Oracle specifying that he killed his parents while destroying his dimension but I'm also thinking about the specific phrasing being "including his parents and everyone else he'd ever known". Like damn he had nobody to hold onto back there huh.

I want him

bill doesnt really strike me as the type to be really into listening to music, but if he were, do you think there are any particular genres/artists he would enjoy/hate less?

You're in luck because I've put COPIOUS thought into this.

Here's all the canon and semi-canon info about Bill's musical tastes I can recall off the top of my head:

ONE. From the AMA, his favorite "song" is a rising Shepard tone.

*MY FAVORITE SONG: https://www.youtube.com/watch?v=5rzIiF7LpPU

TWO. He is interested in the "good stuff" out of human pop culture, which includes the song "96 Tears" by Question Mark & The Mysterians.

Are you at all interested in human pop culture?

JUST THE GOOD STUFF! https://www.youtube.com/watch?v=R7uC5m-IRns

THREE. He knows the song "Stacy's Mom". This says nothing about whether he likes the song, but he's knowledgeable enough about recent human pop culture that he can casually drop a reference to it in a joke. It's probably safe to assume he's familiar with a broad variety of popular human music.

Hey Bill. What's up with Wendy's mom?

WENDY'S MOM HAS GOT IT GOING ON. SHE'S ALL I WANT AND I'VE WAITED FOR SO LONG.

FOUR. When he gives himself a super cool car its radio is playing a rap song. I wasn't able to find any identification for the song, but it sounds to me like it could potentially be by Lil Bigg Dawggg, the same in-universe artist behind "Straight Blanchin'"—so, extremely popular mainstream rap. (Song heard at 2:50).

FIVE. He's got some kind of generic-sounding electronic dance music playing during his Fearamid party.

SIX. The "We'll Meet Again" scene. He can play the piano. I suppose you could choose to believe that Mr. All-Seeing All-Knowing Eye can play any instrument and he just happens to pick the piano for effect—he might not even actually be playing, since the song keeps playing itself when he turns away—but I choose to believe he's playing it and at some point he actually made the choice to learn piano for fun just because he wanted to. As someone who took piano lessons for over a decade, assuming that is indeed his own playing, I'd rate him as competent and skilled (that's a pretty impressive run at the start), but no virtuoso. He'd be a hit at the family holiday party but not in a concert hall. The choice of "We'll Meet Again" might mean he's got a soft spot for WW2-era popular music but might just be a "he knows human popular music and will freely reference it for a joke" thing.

SEVEN. "No! Synthesized music! It hurts!" Considering the circumstances, this may or may not actually apply to his musical tastes. Maybe only this particular synthesized music hurt him because Mabel had specifically decided that Xyler and Craz's music would injure Bill, maybe only extremely 80s-sounding synthesizers hurt him, etc. Most damning to the theory that he's got some kind of synthesized music allergy is the fact that almost all the music he's shown to voluntarily listen to and presumably enjoy (rising Shepard tones, the rap song, the party music) makes use of synthesized sounds. Still, it's worth mentioning that this is something he said at one point. (At 2:06.)

If anyone else recalls anything I missed about Bill's musical listening habits, toss it at me.

So, that's what we've got canonically. On that basis, here's what I headcanon about his tastes:

ONE: favorite music

His absolute favorite "music" is stuff that doesn't sound like music to humans at all. So sounds that are created to follow certain patterns (not quite as random as, say, pure white noise); and on top of that, sounds that, subjectively, sound extra creepy to humans or make humans anxious (think how folks claim Shepard tones can drive people "insane"). So think nuclear alarm sirens, unnerving tornado sirens, War of the World tripod horns, Saturn, foghorns, The Backwards Music Station. If you want some actual music that sounds as close to these kinds of sounds as possible, thus far I've collected Curious Noises & Distant Voices, 20210310, Happy Happy Happy—and if you want to start drifting into more "musical" sounding genres, Tira Me a Las Aranas or Ledge.

I feel like noise as a genre ought to have a lot of music that fits the sound I'm looking for, but in practice a lot of what I've crossed paths with is really harsh/loud—sounds like breaking machines and blasting microphones—rather than the more swoopy tones I'm looking for. I think of all the noise subgenres I've sampled, death industrial noise is the closest subgenre to what I want, but it's not quite there either. I've had some success looking at hauntology artists, but that's a pretty big umbrella stylistically speaking. Does anybody know a genre that sits somewhere halfway between noise & ambient?

TWO: favorite human music

So that's that for Bill's alien musical tastes. As far as his human musical tastes, he cites Question Mark & The Mysterians specifically as "the good stuff"—so I imagine that's probably his idea of the best kind of music humanity's produced. So: extremely sixties. Hammond organs out the wazoo. Bands with occult-sounding names and lead singers who claim to be Martians that lived with dinosaurs and will be alive in the year 10,000. I tend to tilt him toward bands/songs that fall under the "psychedelic" umbrella, considering that the aesthetic tends to be kinda, well... just go google "psychedelic art."

Tell me this isn't what Earth would look like by Weirdmageddon day 30 when Bill starts to get bored. I mean come on. The only difference is Bill's version would have more fire and blood.

So start with some of your traditional psychedelic songs—Incense and Peppermints, White Rabbit, Breathe (In The Air), Time Of The Season, Purple Haze, Lucy In The Sky With Diamonds, etc.—and branch out from there. Slap on any decent psychedelic/hippie-themed playlist and you're good: try this hippie playlist, this psychedelic pop/rock playlist, or this dark psychedelic playlist.

Once you get past the more mainstream stuff, I go toward weird things that sound like they ought to be from a lost 1960s art house film that accidentally predicted the rise of UFO cults—things that vibe with Bill's occult + conspiracy theory + faux religious figure vibes. Think Bruce Haack, such as the album Electric Lucifer, particularly Electric to Me Turn, Cherubic Hymn, or War; Joe Meek's album I Hear a New World, particularly the title track or Orbit Around the Moon; or the particularly alien-sounding The Red Weed (Part 1) off Jeff Wayne's War of the Worlds.

And after all that, I poke at modern psychedelic rock songs that lean more heavily into witchy & occult imagery—such as Astral Sabbat or Come a Little Closer—but by this point we're really on the fringe of the sound I'm looking for. There isn't nearly enough Hammond organ.

THREE: favorite human party music

Now, compared to the last couple of sections, this section is gonna be something of a cop-out, because I've done less musical digging; but when it comes to what he'll slap on for a party—which I imagine makes up probably a good 75% of his casual music consumption—he's just gonna slap on any popular current music he thinks is good for a party.

Currently? That probably means a lot of hip hop and EDM. Okay. In the 80s he probably woulda put on disco. In the 21st century he'd put on Get Low, First of the Year, Shots, DotA, Intergalactic, and Dragostea Din Tei (hardstyle remix), in a row, without a second thought, and with no heed to the humans going "what the FUCK is this party mix." These are not the best examples of what he'd play; just the first, most cringe, and most discordant examples I could think of. The more easily a potential party song can be described as stylistically or lyrically "obnoxious," the more likely it is to make his playlist. Does it sound like it should be played extremely loud? Would it offend the neighbors? Does it have a bass line that sounds like it could crack concrete and break ribs? Would humans recognize it as part of a widely-known meme, but not know whether Bill (an alien) is oblivious or if Bill (a troll) added it for that reason? It's going on, he's hitting shuffle, and it's not coming off the party playlist until he gets bored of it and finds something newer and even more obnoxious to replace it with.

If anyone has any good recommendations for specific genres that would yield a reasonable pool of Party Songs That Would Get Noise Complaints Filed (And Also Don't Go Together At All), I'm willing to take them. My gut says crunk and dubstep, but my hip hop knowledge is lacking and my EDM knowledge is extremely eclectic.

(Anyway if you made it this far I'm rewarding you with a link to my Bill Cipher spotify playlist I listen to when writing fic. It's 50% songs that I think actually match the "music he'd like" categories, 50% songs that are about him but that he wouldn't necessarily like, 50% songs about his relationship issues, 10% songs that are NONE OF THE ABOVE but that need to be in there because I need them for fic-writing vibes, and one single solitary song that is not actually about Bill at all, but rather about Pacifica, but that i put on the playlist anyway because it's a REALLY GOOD Pacifica song and I don't have any other Gravity Falls themed playlists so here it is. "That adds up to 160%—" and what of it. The percentages aren't even accurate.)

Batman’s cape should always be drawn like it’s basically a sentient creature with its own personality. Bruce is like “hnnn I want to be a Creepy Night Creature” and his cape is like “got it boss 🫡”

storyboard bill is everything to me

Bill missing his old home dimension this badly drives me nuts man. Like, Bill has very good and valid reasons to resent his old home. Obviously destroying the place and everyone living in it was uncalled for and messed up but while his actions weren't justified, his feelings absolutely were. And it just makes me wonder what makes him still want to return. Is it nostalgia? A familiarity forever gone? The finality of what he did weighing down on him? Does he realize he could've potentially utilized his powers in a more productive way to change his dimension for the better? Do you think he would've tried reconciling or at least talking to his parents again if he could go back? Does Jheselbraum mentioning them specifically among the many other people Bill killed underline how much he hated them or how much it haunts him that he has their blood on his hands?