Joyous Creature

Part of the reason why I defend Ceroba so much is that I initially didn't like her character. Her personality is pretty big from what we saw of her with her quips with Starlo in the Wild East, so when she joined up with Clover in my Pacifist playthrough, I was expecting... more from her. Instead she stuck to the sidelines for the fights (understandable since it would've been dumb to take fighting away from the player) and almost all she would talk about was her husband and his accomplishments and meanwhile she was just a housewife. Then I found out that she injected her daughter with an experimental serum and was like "Oh, she just straight up sucks :/" I felt shafted, cheated out of an interesting character because it felt like there was more to her and then she was just your standard-fare housewife who loves and supports her husband and daughter.

But then on a subsequent playthrough, I started paying attention to what she was saying more and thinking about her and I realized "Holy shit, that's the point!!" Ceroba is a character who placed so much blind faith in her husband that she let it cloud her judgement. That's why she injected her daughter with chemicals. She saw her husband as this flawless, larger-than-life character and that's why she let herself recede into his shadow. She wasn't the supportive housewife by choice; that's what she had to become in their relationship so Chujin could continue being the altruistic hero of the Underground. She couldn't have hobbies and be her own person if she was taking care of Kanako and making sure the family had money and food on the table, meanwhile her husband is doing fuck all to contribute. I felt cheated because life cheated her out of the chance to be her own character. It all makes sense now! Ceroba Ketsukane, I love you forever and I'm sorry that there are people out there that don't get you.

waiter!! oh waiter!! more art of an angsty character with their face covered entirely in shadow except for one eye please!!

It means everything

this is a repost from my tiktok

sometimes i think about toriel in that first run when flowey finds her in the RUINs, having her dead son return to her for comfort, broken and helpless, and being unable to provide for him in the one impossible way he desperately needed, "fixing him" "making it okay" the way only his mom should've been able to do.

flowey kills himself after she fails. you ever think about that? cause i think about that. you're gonna tell me she didn't notice? that she was cheerfully oblivious as things failed to get better and he grew more desperate and more hurt and more hopeless, as she failed him like she once did and always will fail him? you're gonna tell me that didn't eat her alive? didn't keep her up at night? didn't break her back into all those tiny little shards of herself she'd glued back together and swept under the carpet by sheer force of will?

do you think she gets nightmares about it, still?

I don’t draw ralsei that much. Fluffy boy

Also some side profiles

the whole thing's devastating in itself, but would you guys believe me if i told you this part specifically makes me so super sad

flowey doesn’t allow himself to feel the snow. not really. he won’t talk about how the cold steadies him, or how it stirs memories of simpler times. he avoids thinking about the quiet. the way the world slows down under the weight of winter, how everything feels softer, almost bearable.

the peace feels too close. too easy.

thoughts like that aren’t for him. perhaps they never were. they belong to someone else. and flowey doesn’t get to be him. not anymore.

so, instead, he ignores it. kills it in its infancy. turns away from the idea before it drags up pieces of a life he refuses to remember. he acts like happiness isn’t something that should happen to him. a mistake. an error in the system that needs to be corrected.

there’s always this jaggedness to his words, something sharp enough to keep anything tender at bay. if something feels good, he cuts it down to size—turns it bitter, spits it back out as cruelty. it’s instinct by now, as natural as breathing.

that’s what flowey does. he tears things apart before they can convince him he deserves more. after all, it’s much easier to laugh at the world than to feel it.

this is just the way things are. the way they have to be.

the softness never feels right anyway. it’s awkward, like trying to cup water in clenched fists. like touching something delicate with hands meant only to destroy.

he’s flowey. he has to be flowey. and flowey doesn’t get to savor things. he doesn’t stop to enjoy the way the snow hushes the world or let the cold bite just enough to remind him he’s alive.

he knows better.

there's almost comfort in that. in shutting things down, in turning them brittle before they can take root. it’s neat. predictable. safe. no dangerous hope worming its way into places it doesn’t belong. no warmth overstaying its welcome. just the same old ache he’s carried for as long as he can remember—steady, familiar, dull.

manageable.

because if he let something good in… what then?

would it stay? refuse to leave? would it start to matter?

would he start to matter?

flowey knows exactly who he is. the villain. the failure. the one who tried to make things right and only made it worse. if there was ever a chance to be anything else, it’s long gone. whatever good might have existed in him has been buried beneath years of mistakes, smothered by everything he couldn’t save.

he had a plan once. a way to undo it all. make things right again. but it didn’t work. he didn’t work. he couldn’t save chara. couldn't save the monsters.

couldn’t even save himself.

and this… this is what’s left.

flowey. the version of him that learned to survive by not needing anything. the one who gave up on hope, joy, and peace because letting them in would mean the walls he built were never needed at all.

it would mean that somewhere inside, there’s still something soft. something worthy.

and he doesn’t know how to live with that. he’s not even sure he wants to.

control is all that makes sense anymore. he decides when the pain comes, how much, and from whom. he decides. no one else.

he’s built everything on that control—this image of who he’s supposed to be, what he’s supposed to feel. but what if he stopped? what if he let the bitterness go? what would be left?

just asriel?

and what would that mean? that there had always been another way?

no. he can’t let that be true.

so he copes. he compartmentalizes. keeps things boxed up neatly. flowey and asriel. good. evil. pain. hope. life. death. they don’t touch. they’ll never touch. he’d lose control if they did. and control is all he has left.

he makes sure to break things down before they have the chance to become anything real. he’s always the one to close the door first—better to leave than to be left behind.

if not, he might remember what it’s like to be exposed. vulnerable. weak.

and that’s something he cannot accept. the possibility that asriel is still in there. that there’s still a way back.

that maybe… he was never as far gone as he wants to believe.

it’s almost funny, in a way, because he’s already changed, whether he knows it or not. the fact that he’s still here, still witnessing the world after everything that’s happened, proves he’s not as detached as he wants to believe.

the fighting stopped. the cycle ended. the monsters are free. and even if he won’t admit it, even if he’s not ready to come to terms with it—there’s a quiet kind of peace in that.

even so, he will dig in his heels. even so, he will play into the role in a war that’s long over. even so, he won’t let anything awaken the barest trace of what it once meant to be asriel.

he is flowey.

the snow will keep falling. it’ll land on his petals.

it doesn’t stay.

neither does he.

because it’s easier that way.

the many forms of Boy

how hot is it in arizona?!

Note to self do not leave pens in the car in arizona i gUESS????

Toby has spoken