Josef Sudek, The Wind, 1918-22

Emili Godes (1895-1970), Papallona, c. 1930

Pierre Boucher, Femme-fleur, inversion négatif-positif, solarisation et photogramme, 1937

Zaire, 1987

Chris Steele-Perkins

‘Concrete Mirrors’

Concrete Mirrors deals with the iconography of space conquest during the 60s, back to a climate of suspicion and paranoia linked to the cold war. Presented as a fake photograph-documentary, this project puts together three corpus of images of different nature and status, combining types of reality, these are documents, and virtuality, those are places.

David de Beyter Photography

The Key To Nothing ⥲ Aide-mémoires séri. Tanya Rusnak, Décembre, 2019

Otto Piene (German, 1928-2014), Black Yang, 1985. Oil, traces of fire and smoke on canvas, 80 x 100 cm.

In your two arms rocking I am  quietly In my two arms rocking you are  quietly In your two arms I am a child,  listening. In my two arms you’re the child, I’m  listening With your arms you hold me tight when  I am scared With my arms I hold you tight and  I’m not scared In your arms even the silence  of death won’t  frighten me. In your arms I’ll fall through death  as though falling through a dream.

Andrei Tarkovsky, “Nostalghia”. 1983.