Yes! Ive Never Though About This Much Before But You’re Absolutely Right! Theres No Whay That Someone

The thing I love most about the LOTR films is their ability to do storytelling without words. 

Many of my favorite moments in the trilogy are ones that have no dialogue. Wordless storytelling is the one thing the films do that the original books can’t, because books Have to use words.

I argue the vast majority of the films’ depth comes through things that AREN’T the dialogue. So much of the storytelling in LOTR is done through the music, cinematography, visual effects, character/costume designs, prop designs, environment designs, performances, and so on and so on. So some of the most powerful moments in the films are the ones that have minimal/no dialogue  – like the moments after Gandalf’s death, or  the lighting of the beacons, or Boromir dying as he defends Merry and Pippin, or the moment when Frodo wakes up after being rescued from Mount Doom and sees Sam in the doorway, the hobbits in the Green Dragon after their quest ends…..I could go on and on and on. And people joke about how Lord of the Rings is “50 percent landscape shots to pretty music”, because it IS, but I argue those landscape shots are so important and emotional and symbolic and evocative! They convey so much about the world, and the characters, and the tone!  I’ve written essays on it here and here and here –

 One of my favorite moments in the trilogy is the destruction of the Ring. I love how it captures this feeling of like…. relief beyond words. 

There’s just so much beautiful wordless storytelling! The way Sauron’s tower collapses to the musical leitmotif we first heard playing gently at the crossroads when Sam saw the fallen king statue and said “look– the King has got a crown again.” The way that, after Mount Doom explodes, the soundtrack transitions into the musical leitmotif that we last heard at Gandalf’s death.  The elvish in the soundtrack. ;_: And I love Gandalf’s reactions in this scene….the entire trilogy he’s been racked with guilt over “(sending) Frodo to his death.” The villains recognize and torment him over this: Saruman saying “Gandalf does not hesitate to sacrifice those closest to him, those he professes to love” while Gandalf has no response. And then we see that Frodo did it, he actually made it, and Gandalf breaks into tears…;_; and without a single line of dialogue you know exactly what this means for him. I’ve already written an overlong essay on how I love the general “watercolor painting” aesthetic of the films, and I want to add that I love the way the visual effects for Mordor’s collapse are designed– the way broken tower of Barad-Dur BURSTS outward, like a spirit is leaving it– and how initially it seems triumphant until you realize that Mordor is falling apart with Frodo and Sam still trapped there. And then all of the Fellowship breaks down. ;_; And so many scenes in the films are like this….Frodo crawling up the slopes of Mount Doom to a warped broken version of the Shire leitmotif. Eowyn standing on the edge of the Golden Hall as the flag of Rohan symbolically flutters away, and the Rohan theme plays on the Hardanger Fiddle. Frodo waking up in Rivendell and walking out of his room for the first time as the Rivendell leitmotif plays, autumn leaves falling all around him, then reuniting Bilbo to a mature sad verison of the Shire leitmotif. When Gandalf dies, the soundtrack in that scene is the only one in the films where the vocals aren’t in elvish/dwarvish– it’s just cries of pain, wordless grief. 

And I know that’s Basic Film Theory– the vast majority of things viewers will take away are the things that aren’t in the script– but Lord of the Rings does it so well! 

Every element has so much love and care put into it. Every artist gets to add something to the story.

And I don’t actually think it’s because “every artist on Lord of the Rings was uniquely talented in a way no artists have been before or since.”  I actually have….really mixed feelings on LOTR as a franchise, both because there’s so much in them that I think was objectively Bad and wrong (like the horrible lack of diversity/racist use of coding.)But the reason there are so many strong moments in Lord of the Rings despite its inarguable flaws was because the films had an extended pre-production time that a lot of movies don’t get. Howard Shore was given years to work on the soundtrack rather than months. The visual artists were treated like storytellers in their own right.  The difference between the Hobbit and LOTR trilogies wasn’t talent or money– it was time.  

And the problem with a film industry where everyone is trying to churn out as much Content as possible is that time is something you can’t really buy.

hey netizens! i'm not sure how many people are aware, but youtube's been slowly rolling out a new anti-adblock policy that can't be bypassed with the usual software like uBlock Origin and Pi-Hole out of the gate

BUT, if you're a uBlock Origin user (or use an adblocker with a similar cosmetics modifier), you can add these commands in the uBlock dashboard (under My Filters) to get rid of it!

youtube.com##+js(set, yt.config_.openPopupConfig.supportedPopups.adBlockMessageViewModel, false) youtube.com##+js(set, Object.prototype.adBlocksFound, 0) youtube.com##+js(set, ytplayer.config.args.raw_player_response.adPlacements, []) youtube.com##+js(set, Object.prototype.hasAllowedInstreamAd, true)

reblog to help keep the internet less annoying and to tell corporations that try shit like this to go fuck themselves <3

Tanizaki Jun'ichirou + Ordinary

Keep reading

THIS TOO SHALL PASS

the fact they released a “clean” version of noel’s lament is SO funny to me. the song is about being a slut in postwar france and having sex with a different guy EVERY NIGHT and they think that taking out “fuck” is going to make it family friendly? yeah this song is very explicitly about sex and death but nobody cusses so here let your children listen :)

Sherlock: Zugzwang.

Me: *criminal minds flashbacks* HUH

Modern AU where Joe is a secret agent who keeps thinking about backer Nicky because during a very dangerous mission he had to hide in Nicky’s bakery and the other, after seeing him with a knife in his hand and a gun in the back pocket of his pants, only said: “Please do this outside of my shop.” No “What are are you doing with a gun?”, or “Please don’t kill me.” Joe can’t stop replaying in his mind Nicky’s blue eyes looking back at him levelly as he said he didn’t want murder in his establishment. Nicky must be insane, he decides.

He goes back to the bakery and becomes a silent regular (Nile thinks he’s trying to woo Nicky by staring at him very hard) until he snaps and asks: “Would you have been ok with me killing someone outside of your bakery???” And Nicky, hands still covered in flour because it’s 5am and Joe is there, part of the fam by now, says: “First of all, you didn’t kill that man. You preferred keeping your knife with you for self defence and kept the gun in your pocket. You also seemed very nice and good with kids, so I thought you must have good reasons for running away from that man. I figured if I was wrong and you were a bad person you would have killed me anyway, the blood on the wall would have been my last problem. And you did listen. I heard you hit the man in the back alley and it was a good punch. Is he still alive?”

Joe blinks. Is this how Quỳnh felt when Andy told her what her real job was? Like meeting an entirely new, very intriguing type of human being? “He is in jail. He’ll stay there for a long time.”

“Okay,” Nicky nods. “So you won’t bring crime or violence to my establishment?” He asks again. His accent jumps out when he’s hiding that he’s nervous. He looks.. hopeful, Joe decides. Very interested in Joe’s answer.

“I’ll try to clean my shoes from the blood next time.”

Nicky slowly smiles. It’s like watching a new type of natural phenomenon occur in front of his eyes for the first time. Incomprehensible, awe-inspiring, overall beautiful.

“You guys are so weird,” Sebastien says. He’s the regular coming to the bakery at 6am every day and Joe suspects he’s a hacker wanted in more than 26 countries. That, or he’s B00ker’s law abiding doppelgänger. Nicky never fails to have some croissants ready for Sebastien.

“Good luck with your big job,” Nicky tells Sebastien as he hands him the baked goods. “Just don’t use the shop’s wi-fi, last time was a nightmare.”

Joe wants to study Nicky with a microscope. (Or kiss him. Or both.)

‘Eat at a local restaurant tonight. Get the cream sauce. Have a cold pint at 4 o'clock in a mostly empty bar. Go somewhere you’ve never been. Listen to someone you think may have nothing in common with you. Order the steak rare. Eat an oyster. Have a negroni. Have two. Be open to a world where you may not understand or agree with the person next to you, but have a drink with them anyways. Eat slowly. Tip your server. Check in on your friends. Check in on yourself. Enjoy the ride.“

— Anthony Bourdain

Miss ya Tony.

weird unprompted opinion but i think out of all the storytelling mediums.....theatre best portrays loneliness