Ahsoka *baby Padawan Who Is New To The 501st, Holding A Tooka Kitten Who Climbed Into Her Pack On A Mission*:

How Would I Write A Batman TV Series

Hello! So I'm a huge fan of Batman. He's been my favorite superhero since I was five and one of my favorite movies of all time is The Batman (2022). So as a writer of course I've had ideas about a Batman TV series (animated or live action). It would be werid if I haven't thought about it. Now I doubt I'll ever actually get to make that idea a reality but it's the thought that counts!

Back when I first came up with the idea for this hypothetical series I actually wrote part of a script for it. It's just first and last scene of the episode but it counts for something. It was the first time I had written in screenplay format and I haven't done it since so It's most likely a little rough but my thought process behind all of it was simple.

Here is the last scene of the hypothetical first episode. The Wayne Murders.

Why is this the last scene?

I wanted to be different. In a lot of Batman stories the story kicks off with the death of Thomas and Martha Wayne. So having the first episode end with their deaths seemed fun. I wanted the viewer to spend time with the Wayne's before tragedy struck.

Why is Selina Kyle there?

I was inspired by the show Gotham's take on the Wayne Murders, where Selina Kyle was actually present for them. I thought it would be cool to have Selina and Bruce be duo protagonist of the series. Throughout this first episode we are not only following Bruce but we are also following Selina. I wanted to parallel them in cool intresting ways.

We see the difference between them and how they live. Bruce is a sheltered and carefree while Selina has seen far to much for some one her age. Bruce is the son of a wealthy family while Selina is the daugther of a family living in poverty who has to steal to survive. Bruce has a happy loving family and Selina doesn't.

Bruce wears pristine fashionable clothes his parents bought for him while Selina's clothes are more run down and worn. Bruce goes to a private school and Selina goes to a public one. Bruce has a circle of close friends while Selina has her little sister and stray cats she feeds

Even the lightning of their scenes would be different. Selina's would be cold and dark while Bruce's would be warm and bright. Selina is in closed spaces while Bruce is in open ones.

They have nothing in common until one day Bruce and his parents step foot in a dark, cold alley way. Then suddenly they have a lot in common while still being different in so many other ways.

Now on to the first scene which I never finished writing.

Now I don't have much for this scene. I wanted it to be clear throughout the episode that Thomas is worried about something or is working on something beacuse I thought it would be a cool set up for the Court of Owls. And that's it. That's why this season exists. Told you I didn't have much.

That's all for now. We'll talk about this again whenever I decide to work on character arcs and villians.

i read Never Stale and im not normal anymore :)

Poor unfortunate soul

Based on the promo and what we’ve seen of Ruby so far, I need a return to Oobleck’s questions about why each of them wanted to be a huntress. What drives you now? Where do you see your life going? What are you going to do?

Give me that sweet, sweet introspection and character growth.

louis is going down as one of the characters of all time btw. there's something about characters who are so deeply repressed in every facet of their lives continuously fighting for happiness, yet ultimately unable to achieve that happiness because they've denied themselves for so long that they no longer know what they actually want vs what they've convinced themselves to chase.

and it's fascinating, because that's so clear in the way that louis conceptualizes happiness by fighting for the things previously denied to him; the spectre of his perceived failures as a human haunt him and preclude the possibility at any new lease on happiness in the future. he wants to buy the fairplay because he links success with respect, and respect with fulfillment: the idea that as soon as his (white) peers are forced to admit he's a better businessman than them, he'll be happy. except he isn't happy, because there is no goal post at which point they'll accept he's smarter or more capable than them, and so instead he's forced back into a game that will never fulfill him, no matter how powerful or capable he becomes.

and then he tries to build a family, tries to surround himself with people who he can care for and who he can have a positive impact on, building connections for himself and bringing meaning to his life. which also doesn't work, because he's simultaneously haunting and haunted by his human family, and there's no way for him to reconcile what he's lost with what he's gained. he wants grace, and he could have grace, but he's spent his entire life knowing that every facet of himself is unacceptable to society, that he can't admit what he is without also being condemned for it. and it doesn't matter that grace isn't society, that grace would accept him - he is, to his own mind, an unacceptable thing. to admit what he is out loud could only lead to catastrophe, because to think anything less is dangerous to the very principles that allow him to exist.

and so instead of having grace in his life, he has claudia. and he can love claudia and he can adore claudia, but he can not find a connection to humanity in her, because she isn't and doesn't want to be human. he has, in his quest to find meaning and connection with humanity, surrounded himself with monsters.

and then he has lestat. lestat who, for all his grandiosity and hedonism and theatricality, is just as festering a pool of repression as louis is. he's a person who can be anyone, so long as anyone is someone who is seen and adored and wanted, because to be wanted is to be happy.

and so you have louis, a man who can't admit what he wants, because admittance is vulnerability, and vulnerability is death; and you have lestat, a man who needs to be wanted, because if you aren't wanted you're abandoned, and abandonment is a fate worse than death.

and then they both try to get happy.

it really hurts me to see so many gazans asking us for help, though that's through no fault of their own. they've been forced to use a social media site that they're probably not familiar with (because tumblr has kind of faded out of popular consciousness), to interact with us in a second language, to distinguish themselves from the scammers who are taking advantage of genocide, and to ask strangers for help. i don't think there are any cultures where it's easy to ask for help like this, but i'm intimately familiar with how humiliating it can be in arab culture. please be kind, gracious and helpful to the gazans in your inbox. this is a desperate time for them, and in addition to the physical danger inflicted by "israel", the prices of basic resources in gaza are extremely high due to scarcity, and those that manage to escape to egypt are financially exploited by landlords there and have an extremely difficult time finding work due to their unofficial status as refugees. these families will continue to need our help and i hope we can all continue to provide it to the best of our ability.

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Happy Pride Month 2022!!!

Faust the Crow loves you even more than she did last year!

them <3

Ed gets on Oswald for being a child who throws tantrums when he doesn't get what he wants- but honestly? Oswald's probably the more emotionally mature of the two. Idk if this is a hot take but yeah.