The Tags U Guys Put On My Drawing Of Jon In A Trash Can Make Me Laugh Yes Sorry I SHOULD Have Put Bitchard

Posting another Hozier drawing because I’m a sucker for backlighting

wip -- so locked in rn actually

I had a go at drawing martin (it's my first time, and I'm awfully new to digital)

Look at him!!! Look at my boy!!!

Jokes on you, I'm the judge

fucked around and found out how to draw grass way easier we r so back

drawing a train rn because i saw a pretty picture on tiktok and was like. what if jmart was in the train in the pretty picture

scriddler save me ... save me scriddler

reunion :3

panel redraw of the sillies

tumblr dont be an ass and load the pictures on my dash and blog challenge (impossible)

🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.

Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.

Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.

Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.

Be criticizes anti-migrant policies and Trump and his ilk.

Jackboot Jump is about the global wave of fascism and about protest and resistance.

Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.

Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%

Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.

If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.