There are way too many options for a character, have you got any personalities, godly parents, 'powers' etc you would love to have more than anything else? I'm trying to narrow down my options. Haha.
Feel free to take all or parts of the suggestions below. I’ve bolded my favourite choice for each personality.
I’d love to see a determined, ambitious character who’s aiming for the stars, even if they won’t get there - and they’re okay with that. Their god parent hasn’t contacted them, but that isn’t going to stop them from finding out everything about their abilities. They don’t have any training when they come to Cure, which is why they want to find people with similar abilities as them and learn from them. They’re optimistic, charismatic, and work at one of the shops in town.
Daisy Ridley - Roman (Vesta from this post)
Lily James - Norse (Freyja)
John Boyega - Egyptian (Horus)
Rami Malek - Egyptian (Seth)
I’d also love to see a character who is extremely independent and stubborn. They’re not necessarily rude, but they refuse help whenever it’s offered. When they were younger they didn’t receive much assistance and they adopted the mentality that they didn’t need anyone else. They’re the kind of person who believes that it’s hard work, not luck, that leads to success. They seek to better themselves in every way possible (physically, financially, intellectually, etc.) so that they’ll never have to rely on anyone for anything.
Alexander Ludwig - Norse (Odin or Thor)
Katheryn Winnick - Norse (Odin or Ullr)
Jamie Clayton - Norse (Tyr or Ullr)
Oscar Isaac - Greek (Hephaestus), Roman (Mars), or Egyptian (Ptah)
There’s also a wanted connections page that has a few ideas. If you need any more help deciding, don’t hesitate to ask!
-Admin Steff
Welcome to Cure! Please send an ask to the main from your character account within 24 hours.
Rie Amachi - Grace
Frida Moran - Alia
Welcome to Cure! Please send an ask to the main from your character account within 24 hours.
Lucille Selwyn - Cat
how active are you guys, on a 1-10 scale?
That’s tough question to answer because everyone has a different idea of what a ten, one, or five means and not everyone is on daily. We’re definitely most active during the nighttime (EST) and the latter half of the week if you’re wondering if other people will be on when you are.
Purpose
Kennard is trying to find himself, and who his father is.
History
Kennard always thought he was the son of Draven and Julia Avrett. He was happily raised amongst their two other children, although he was always the ‘dumb’ kid. Words never seemed to stay in the same order when he read them, but out in the country school wasn’t all that important. Kids were often pulled out during harvest season, or to help out around the farm. Ken was no exception, Draven often pulling him out to help repair neighbour’s farm machines. He always had a knack for mechanisms, spent his childhood making clockwork toys. As a teenager this accumulated in him restoring old cars and motorcycles with Draven, selling them and splitting the profit. It was a happy childhood, and when he scraped through and finished highschool he found no hurry to leave home.
Tragedy struck when Ken was twenty. Draven got leukemia, needed a bone marrow transplant. He tried to discourage Kennard from donating, but Ken ordered a test for compatibility behind his back. The results showed no blood relation. Half of his DNA markers were unseen before. Without her knowledge Kennard took hair from Julia’s brush, organised for a private testing. She he was related to, but as a nephew to an aunt.
One of his ‘siblings’ turned out to be a match, and after a shaky eighteen months Draven went into remission. Kennard didn’t let on the fact that he knew about the adoption, spent his spare time restoring cars, getting money to pay for Draven’s treatment and saved the rest. He requested his birth certificate, found out the name of his birth mother; Marcia Ravera. The blank space in place of his father’s name haunted Ken for nights on end.
Once his adoptive father recovered, Ken took a restored Harley Davidson, left a note to his adoptive parents on the counter and roared off into the night. Before he could return to them and accept them as his parents, he had to find out who he was without them, as his own person. He spent a year on the road to LA, the last known address of Marcia. On the way he dabbled into his savings as little as possible, picking up any skill he could to get a roof to sleep under for the night. He learnt plumbing, carpentry, gardening; all with ease. When the thought occurred to him he sent postcards back home, his writing scrawled on the back of an Texan, Arizonan, Californian landscape.
A few nights he spent in a warm bed, company in a small town that he’d soon leave behind in a dust trail. One girl stood out. He thought her crazy, talking about ancient gods alive in the real world. Talking about a utopia called Cure. It didn’t sound bad from what she had to say about it, but then again, the truck stop town she came from would have made Detroit sound nice. He left her behind in the sunset without much thought.
It was raining in LA when he arrived. He found Marcia’s last known address, knocked on the door with a trembling fist. The elderly woman who answered sadly shook her head at his tale, handed him a box that had been left in the attic, gave him directions to where he could find Marcia. He pulled up at a cemetery, found her in plot F56. He sat in front of her grave stone, plainly engraved with her name, date of birth and death, and went through the box she had left.
Inside was a diary, photos showed snap shots of her life, pressed flowers, ribbon and a spare glove. Remnants of a mother he had never known. She was obsessed with the Egyptian gods. A list in her diary, scrawled in a spider like script it took him hours to decode circled various male gods. Underlined at the bottom: which one? For the first time in months he remembered the girl with black hair in a sleepy, dusty town, dreaming of a perfect town.
With nothing left to lose, Ken set his sights on Cure. If his mother was to be an enigma, maybe he could find something about his father. He drifted into the town, used up his savings to purchase Cut Out That Ratchet. While he struggles to adjust to a non-transient life, Kennard hopes to get into some contact with his father, whoever he is.
Personality
Kennard in a word is independent. He is incredibly self-sufficient, able to support himself and others with ease. This also makes it hard for him to admit when he needs help, a stubborn streak edging on arrogance. While he likes people he doesn’t exactly crave deep and meaningful relationships; he is perfectly happy becoming friends with anyone and everyone. Maybe more than just friends. Romantically, this never bodes well for long-term relationships.
Charismatic, it’s hard not to like the man, especially since he’s an excellent listener and genuinely enjoys helping people out. However, sometimes his blunt words come out more callously then he intends them. As a blue-collar worker, he does hold a little disdain for pencil pushers, especially when they take his work for granted. Like every artisan he is proud of hi
Welcome to Cure! Please send an ask to the main from your character account within 24 hours.
Zoe Eden - Navneet
Rio Arsen - Raven/Rae
As the world became industrialized, the old world of the gods was pushed from existence, reduced to stories and legends. Now in modern times, that world is on the brink of extinction. Gods and goddesses from Greek, Roman, Norse, and Egyptian pantheons have banded together to create a city known as Cure to act as a safe haven for everything mythological. Run by demigods, this is the final chance to revive the old world and bring myth and magic back to life. Mobile Navigation -
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